The Screen Industry Gala Awards.
Despite the event itself being cancelled, Gold Coast Film Festival soldiered on with its annual Screen Industry Gala Awards last night – albeit online.
Winner of the Best Australian Film was director Kriv Stenders’ documentary on Slim Dusty’s wife Joy McKean, Slim & I. Produced by Chris Brown and Aline Jacques, the film sees McKean tell the story of her career, marriage, and her determination to be recognised as a performer and songwriter in her own right.
Indie doco Morgana, co-directed by Josie Hess and Isabel Peppard, took home the Blackmagic Design Best Australian Independent Film Award, winning a Blackmagic Pocket Camera 6K. The film follows Morgana Muses, who in her 40s was an unhappy housewife in Albury. By 50, she was a feminist pornography icon.
Post-production house The Post Lounge won the inaugural Queensland Screen Business of the Year Award and special FX makeup and prosthetics...
Despite the event itself being cancelled, Gold Coast Film Festival soldiered on with its annual Screen Industry Gala Awards last night – albeit online.
Winner of the Best Australian Film was director Kriv Stenders’ documentary on Slim Dusty’s wife Joy McKean, Slim & I. Produced by Chris Brown and Aline Jacques, the film sees McKean tell the story of her career, marriage, and her determination to be recognised as a performer and songwriter in her own right.
Indie doco Morgana, co-directed by Josie Hess and Isabel Peppard, took home the Blackmagic Design Best Australian Independent Film Award, winning a Blackmagic Pocket Camera 6K. The film follows Morgana Muses, who in her 40s was an unhappy housewife in Albury. By 50, she was a feminist pornography icon.
Post-production house The Post Lounge won the inaugural Queensland Screen Business of the Year Award and special FX makeup and prosthetics...
- 4/17/2020
- by jkeast
- IF.com.au
Michael Lucas and Christine Bartlett.
After years of creating fictional characters in such series as House Husbands, Offspring, The Wrong Girl and Playing for Keeps, Christine Bartlett allowed herself the freedom to do something unprecedented in Five Bedrooms.
Namely: To flesh out a character modelled on her own life and experiences.
Doris Younane plays her alter ego Heather in Hoodlum Entertainment’s 8-part comedy-drama co-created by Bartlett and her frequent collaborator Michael Lucas, which premieres on 10 at 8.40 pm on May 15.
The set-up director Peter Templeman describes Heather as “funny, complex and raw, and that’s Chris.”
Bartlett tells If: “Michael gave me permission to be totally unfiltered, so I went balls-out like never before. I was blown away watching what Doris did to bring the character to life.”
At the crossroads in her life, Heather is married to Colin (Alan Dukes), whom she says “peaked at high school,” and they have two doltish adult children.
After years of creating fictional characters in such series as House Husbands, Offspring, The Wrong Girl and Playing for Keeps, Christine Bartlett allowed herself the freedom to do something unprecedented in Five Bedrooms.
Namely: To flesh out a character modelled on her own life and experiences.
Doris Younane plays her alter ego Heather in Hoodlum Entertainment’s 8-part comedy-drama co-created by Bartlett and her frequent collaborator Michael Lucas, which premieres on 10 at 8.40 pm on May 15.
The set-up director Peter Templeman describes Heather as “funny, complex and raw, and that’s Chris.”
Bartlett tells If: “Michael gave me permission to be totally unfiltered, so I went balls-out like never before. I was blown away watching what Doris did to bring the character to life.”
At the crossroads in her life, Heather is married to Colin (Alan Dukes), whom she says “peaked at high school,” and they have two doltish adult children.
- 5/9/2019
- by The IF Team
- IF.com.au
Matt Hughes was on the verge of tears returning to the hospital where he battled for his life ... as 2 ICU nurses were honored for their care of the Ufc legend. On Tuesday, Ashley Hull and Megan Simpson of Hshs St. John's Hospital in Springfield, Illinois received the Daisy Award -- which recognizes extraordinary efforts in their field. Hughes faced long odds of recovering from a deadly car wreck in June ... but Ashley and Megan worked...
- 10/4/2017
- by TMZ Staff
- TMZ
Australia's leading directors have voiced their support for Screen Australia's plan to address the gender imbalance in Australian film.
Screen Australia is investing $5 million over three years to address the gender imbalance in the Australian film industry.
The screen funding body recently unveiled a five point plan which includes an immediate $3 million allocation of .jump start. funding to get female-led projects production-ready within two years, and a further $2 million of support for placements, distribution incentives, marketing and industry networking.
This also includes a goal to have production funding targeted at teams that are at least 50 per cent female by the end of 2018..
The plan follows the Australian Directors Guild's commitment to have women fill 50 per cent of the attachments and for 75 per cent of the attachemnts to reflect both gender and cultural diversity..
Australian Director's Guild president, Sam Lang, said she was pleased to see that Screen Australia had taken...
Screen Australia is investing $5 million over three years to address the gender imbalance in the Australian film industry.
The screen funding body recently unveiled a five point plan which includes an immediate $3 million allocation of .jump start. funding to get female-led projects production-ready within two years, and a further $2 million of support for placements, distribution incentives, marketing and industry networking.
This also includes a goal to have production funding targeted at teams that are at least 50 per cent female by the end of 2018..
The plan follows the Australian Directors Guild's commitment to have women fill 50 per cent of the attachments and for 75 per cent of the attachemnts to reflect both gender and cultural diversity..
Australian Director's Guild president, Sam Lang, said she was pleased to see that Screen Australia had taken...
- 12/11/2015
- by Brian Karlovsky
- IF.com.au
The Australian Directors Guild has welcomed the announcement by Screen Nsw CEO Courtney Gibson that the agency intends to moved to gender equity in its production and development finance by 2020.
.This is a great step forward for women filmmakers in Nsw and it shows great leadership in the screen industry," said Gillian Armstrong, a member of the Adg Women in Film Action committee (Wifac).
.We hope that Screen Australia and other state funding agencies will follow suit and aim to have the same gender equity in their production and development programs..
Wifac has been urging Screen Australia to introduce a 50 per cent quota for women in its film funding programs to fix a major gender imbalance for women directors. Only 17 per cent of films funded by Screen Australia in the last five years were directed by women.
Taking its lead from Sweden, which introduced a 50 per cent target on all its film funding,...
.This is a great step forward for women filmmakers in Nsw and it shows great leadership in the screen industry," said Gillian Armstrong, a member of the Adg Women in Film Action committee (Wifac).
.We hope that Screen Australia and other state funding agencies will follow suit and aim to have the same gender equity in their production and development programs..
Wifac has been urging Screen Australia to introduce a 50 per cent quota for women in its film funding programs to fix a major gender imbalance for women directors. Only 17 per cent of films funded by Screen Australia in the last five years were directed by women.
Taking its lead from Sweden, which introduced a 50 per cent target on all its film funding,...
- 11/16/2015
- by Staff writer
- IF.com.au
The Australian Directors Guild (Adg) has formally proposed a quota for 50 per of the projects which get Screen Australia production funding to be directed by women.
The Guild is calling on state screen agencies and the ABC to support the initiative, first flagged earlier this month by its affirmative action sub-committee whose members include Gillian Armstrong and Megan Simpson Huberman..
In response, Screen Australia COO Fiona Cameron tells If the agency is investigating options for addressing issues of gender balance in the screen industry, with a policy paper to go to the next board meeting in late November.
"Analysis to date has shown that Screen Australia.s support for projects with women in key creative roles has been allocated in very close correlation to the number of projects coming in with women in these positions," she said.
"We see strong female representation at the early career stages of feature films,...
The Guild is calling on state screen agencies and the ABC to support the initiative, first flagged earlier this month by its affirmative action sub-committee whose members include Gillian Armstrong and Megan Simpson Huberman..
In response, Screen Australia COO Fiona Cameron tells If the agency is investigating options for addressing issues of gender balance in the screen industry, with a policy paper to go to the next board meeting in late November.
"Analysis to date has shown that Screen Australia.s support for projects with women in key creative roles has been allocated in very close correlation to the number of projects coming in with women in these positions," she said.
"We see strong female representation at the early career stages of feature films,...
- 10/26/2015
- by Don Groves
- IF.com.au
The Australian Directors Guild has set gender and diversity targets for the emerging directors who are selected for the Screen Australia/Adg director.s attachment scheme.
The guild has committed to have women fill 50 per cent of the attachments and for 75 per cent of. the attachments to reflect both gender and cultural diversity.
This is consistent with the Adg.s pitch to Screen Australia, as reported in Fairfax Media, to move towards hiring female directors for 50 per cent of the films funded by the agency.
In another development, the Adg has replaced the Meaa as the union to be consulted by the Immigration Minister when producers apply for 420 visas for foreign directors for TVCs, music videos, documentaries, feature films and TV dramas.
After the guild was registered under the Fair Work Act earlier this year, Adg CEO Kingston Anderson wrote to the Immigration Minister and department and the Meaa to...
The guild has committed to have women fill 50 per cent of the attachments and for 75 per cent of. the attachments to reflect both gender and cultural diversity.
This is consistent with the Adg.s pitch to Screen Australia, as reported in Fairfax Media, to move towards hiring female directors for 50 per cent of the films funded by the agency.
In another development, the Adg has replaced the Meaa as the union to be consulted by the Immigration Minister when producers apply for 420 visas for foreign directors for TVCs, music videos, documentaries, feature films and TV dramas.
After the guild was registered under the Fair Work Act earlier this year, Adg CEO Kingston Anderson wrote to the Immigration Minister and department and the Meaa to...
- 10/8/2015
- by Don Groves
- IF.com.au
All Australian screen agencies are failing to develop female feature directors, according to Megan Simpson Huberman.
The agencies .cannot continue doing the same things and expecting a different result. And the current result - 15% of Australian dramatic features directed by women - is unacceptable,. she writes in the latest issue of Aftrs. Lumina magazine, which is devoted to gender equality in the screen industry.
Among the other factors which contribute to the under-representation of female directors, she says, are Australian film distribution companies which are run by blokes; and international film festival directors who are mostly male.
A former director of development and production investment at Screen Nsw and development executive at Screen Australia, Simpson Huberman is attached to direct Salvation Creek, a drama about a high-flying magazine editor whose husband and brother die within three days of each other, with producer Heather Ogilvie.
In the Lumina article she advocates...
The agencies .cannot continue doing the same things and expecting a different result. And the current result - 15% of Australian dramatic features directed by women - is unacceptable,. she writes in the latest issue of Aftrs. Lumina magazine, which is devoted to gender equality in the screen industry.
Among the other factors which contribute to the under-representation of female directors, she says, are Australian film distribution companies which are run by blokes; and international film festival directors who are mostly male.
A former director of development and production investment at Screen Nsw and development executive at Screen Australia, Simpson Huberman is attached to direct Salvation Creek, a drama about a high-flying magazine editor whose husband and brother die within three days of each other, with producer Heather Ogilvie.
In the Lumina article she advocates...
- 5/28/2015
- by Don Groves
- IF.com.au
The Sessions writer-director Ben Lewin is attached to helm Blue Rose, a biopic about the self-described .sex crazed. Australian composer and pianist Percy Grainger.
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
- 4/21/2015
- by Don Groves
- IF.com.au
UK producer Kevin Loader joins comedy drama B Model, to be directed by actor Rachel Griffiths.
Now that it is likely to be set up as a UK/Australian co-production, prolific UK producer Kevin Loader (In the Loop, Hyde Park on Hudson, Le Week-End) has become part of the team behind the comedy drama B Model, to be directed by actor Rachel Griffiths.
Griffiths has directed two shorts, Roundabout and Tulip and this will be her first feature – providing the money can be raised.
Australian producer Louise Smith was reluctant to provide details of the project precisely because it is yet to be financed. The current draft of the script is being written by Samantha Stauss, co-creator of the series Dance Academy.
B Model is included in a list of 18 features that Screen Australia has injected a total of Us$500,000 worth of development money into in the last four months.
One of the...
Now that it is likely to be set up as a UK/Australian co-production, prolific UK producer Kevin Loader (In the Loop, Hyde Park on Hudson, Le Week-End) has become part of the team behind the comedy drama B Model, to be directed by actor Rachel Griffiths.
Griffiths has directed two shorts, Roundabout and Tulip and this will be her first feature – providing the money can be raised.
Australian producer Louise Smith was reluctant to provide details of the project precisely because it is yet to be financed. The current draft of the script is being written by Samantha Stauss, co-creator of the series Dance Academy.
B Model is included in a list of 18 features that Screen Australia has injected a total of Us$500,000 worth of development money into in the last four months.
One of the...
- 7/23/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Megan Simpson Huberman has agreed to direct Salvation Creek, an Australian movie about a high-flying magazine editor whose husband and brother die within three days of each other.
The producer is Heather Ogilvie, CEO of Galvanized Film Group, who collaborated with the director on her two previous features, Alex (1992) and Dating the Enemy (1996).
Ross Grayson Bell is writing the screenplay based on the novel by Susan Duncan, which has sold more than 250,000 copies. The narrative follows the grief-stricken protagonist as she throws in her city job and buys a rundown shack on Sydney.s Pittwater, where she finds friendship, love and a new life.
Ogilvie optioned the book in 2010 and has developed the project with the support of Screen Australia and Screen Nsw. Grayson Bell is working on the third draft and shooting is planned for mid-.2014.
The producer has an in-principle agreement for Australian distribution with Paramount Pictures. MD Mike Selwyn.
The producer is Heather Ogilvie, CEO of Galvanized Film Group, who collaborated with the director on her two previous features, Alex (1992) and Dating the Enemy (1996).
Ross Grayson Bell is writing the screenplay based on the novel by Susan Duncan, which has sold more than 250,000 copies. The narrative follows the grief-stricken protagonist as she throws in her city job and buys a rundown shack on Sydney.s Pittwater, where she finds friendship, love and a new life.
Ogilvie optioned the book in 2010 and has developed the project with the support of Screen Australia and Screen Nsw. Grayson Bell is working on the third draft and shooting is planned for mid-.2014.
The producer has an in-principle agreement for Australian distribution with Paramount Pictures. MD Mike Selwyn.
- 8/20/2013
- by Don Groves
- IF.com.au
Is it a revelation or a revolution? It’s both! The Revelation Perth International Film Festival is tackling the theme of “Revolution” when its 13th annual edition begins violating Australia on July 8-18. Get set for 11 days filled French zombies, Belgian cowboys, outer space outlaws, Beat poets, cat ladies, gospel musicians and other revolutionaries.
Actually, one of the main features of the festival this year is a slew of music documentaries, mostly spotlighting both American and Australian music. On the U.S. side of things there’s Wheedle’s Groove, a look at the history of Seattle funk; Rejoice and Shout, which examines gospel music’s impact on African-American culture — and vice versa; Tom Dicillo’s Doors documentary When You’re Strange; plus The Family Jams and 72 Musicians. And, from Australia, there’s Megan Simpson-Hubberman’s classic concert film The Night of the Triffids.
There’s lots more than music docs,...
Actually, one of the main features of the festival this year is a slew of music documentaries, mostly spotlighting both American and Australian music. On the U.S. side of things there’s Wheedle’s Groove, a look at the history of Seattle funk; Rejoice and Shout, which examines gospel music’s impact on African-American culture — and vice versa; Tom Dicillo’s Doors documentary When You’re Strange; plus The Family Jams and 72 Musicians. And, from Australia, there’s Megan Simpson-Hubberman’s classic concert film The Night of the Triffids.
There’s lots more than music docs,...
- 7/2/2010
- by Mike Everleth
- Underground Film Journal
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