Oscar Horrors continues...
Here lies...the 1992 Oscar for Visual Effects – err, here he would be lying, lamenting his fate as a reward to the f/x folks behind Batman Returns or Alien 3, had he not been bewitched by Isabella Rossellini's youth potion. Now, he stands immortal on a mantle shared by Ken Ralston, Doug Chiang, Tom Woodruff Jr. and Douglas Smythe, who brought you the butt-tightening, head-twisting, belly-blasting cinemagic of Robert Zemeckis's Death Becomes Her.
Kurt here. I Love this movie – or should I say, I'm "Mad as Hel" for it. Regardless of what it might say about me, it's a major film of my youth. Prepping for this post, I planned to just skip around and watch the expensive effects scenes, but by the time a grossly overweight and psychotically vengeful Goldie Hawn was twisting her hankie and growling through gritted teeth, "I want to talk about Madeline Ashton,...
Here lies...the 1992 Oscar for Visual Effects – err, here he would be lying, lamenting his fate as a reward to the f/x folks behind Batman Returns or Alien 3, had he not been bewitched by Isabella Rossellini's youth potion. Now, he stands immortal on a mantle shared by Ken Ralston, Doug Chiang, Tom Woodruff Jr. and Douglas Smythe, who brought you the butt-tightening, head-twisting, belly-blasting cinemagic of Robert Zemeckis's Death Becomes Her.
Kurt here. I Love this movie – or should I say, I'm "Mad as Hel" for it. Regardless of what it might say about me, it's a major film of my youth. Prepping for this post, I planned to just skip around and watch the expensive effects scenes, but by the time a grossly overweight and psychotically vengeful Goldie Hawn was twisting her hankie and growling through gritted teeth, "I want to talk about Madeline Ashton,...
- 10/29/2011
- by Kurtis O
- FilmExperience
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