A psychological drama from Iranian filmmaker Amin Palangi is currently shooting in Nsw, starring Osamah Sami, Faezeh Alavi, and Robert Rabiah.
Tennessine was written by Sami, who also plays Arash, a Persian man who arrives in Australia against his family’s wishes to reunite with the love of his life, the elusive Nazanin (Alavi).
While the couple is about to spend a romantic weekend in a cabin in the woods, the arrival of Nasser (Rabiah) interrupts the idyllic reunion and raises doubts about his connection with Nazanin. Soon, Arash learns of deep harboured secrets, which leads him down a path of self-destruction.
The independently financed feature is being directed by Palangi, who is also producing with Ulysses Oliver and Ben Ferris for Palangi Productions and Breathless Films.
The creative team also includes director of photography Daniel Hartley-Allen, production designer Ellen Doolan, and costume designer Cc Williams.
Sami, who is based in Melbourne,...
Tennessine was written by Sami, who also plays Arash, a Persian man who arrives in Australia against his family’s wishes to reunite with the love of his life, the elusive Nazanin (Alavi).
While the couple is about to spend a romantic weekend in a cabin in the woods, the arrival of Nasser (Rabiah) interrupts the idyllic reunion and raises doubts about his connection with Nazanin. Soon, Arash learns of deep harboured secrets, which leads him down a path of self-destruction.
The independently financed feature is being directed by Palangi, who is also producing with Ulysses Oliver and Ben Ferris for Palangi Productions and Breathless Films.
The creative team also includes director of photography Daniel Hartley-Allen, production designer Ellen Doolan, and costume designer Cc Williams.
Sami, who is based in Melbourne,...
- 4/28/2021
- by Sean Slatter
- IF.com.au
Film lab includes projects from the UK, US, Canada and Australia.
Thirteen international projects have been selected for the inaugural development lab Attagirl, designed to support female and non-binary filmmakers.
It is an initiative of Australia’s For FIlm’s Sake and is supported by Screen Australia’s Enterprise Business and Ideas programme, advocacy organisation For Film’s Sake, and the Toronto and Sydney International Film Festivals.
The first of three workshops in a 10-month programme will take place this week. It will include projects spanning the US, Canada, UK, Australia, Sweden and New Zealand and will include creatives from Mexico and Trinidad.
Thirteen international projects have been selected for the inaugural development lab Attagirl, designed to support female and non-binary filmmakers.
It is an initiative of Australia’s For FIlm’s Sake and is supported by Screen Australia’s Enterprise Business and Ideas programme, advocacy organisation For Film’s Sake, and the Toronto and Sydney International Film Festivals.
The first of three workshops in a 10-month programme will take place this week. It will include projects spanning the US, Canada, UK, Australia, Sweden and New Zealand and will include creatives from Mexico and Trinidad.
- 9/11/2020
- by Michael Rosser
- ScreenDaily
In today’s Global Bulletin, U.K. film bodies respond to AMPAS’ new diversity requirements, ITV details its upcoming virtual TV festival, For Film’s Sake announces the 13 projects selected for its inaugural Attagirl lab, Mexico’s Pixelatl and Cartoon Network Latin America announce their third annual Girl Power winner, Switzerland’s Zurich Film Festival reveals its 2020 Hashtag sidebar, and full casting for Canadian comedy series “Lady Dicks” is confirmed.
Representation
The U.K.’s leading film bodies have weighed in on the Oscars’ recently announced diversity requirements. On Tuesday, following several years of a membership drive designed to increase diverse representation, the Academy of Motion Pictures Arts and Sciences (AMPAS) announced new eligibility standards requiring enhanced diversity in both above and below the line talent.
“We welcome AMPAS’s announcement of representation and inclusion standards inspired by our own BFI Diversity Standards,” said British Film Institute chief executive Ben Roberts.
Representation
The U.K.’s leading film bodies have weighed in on the Oscars’ recently announced diversity requirements. On Tuesday, following several years of a membership drive designed to increase diverse representation, the Academy of Motion Pictures Arts and Sciences (AMPAS) announced new eligibility standards requiring enhanced diversity in both above and below the line talent.
“We welcome AMPAS’s announcement of representation and inclusion standards inspired by our own BFI Diversity Standards,” said British Film Institute chief executive Ben Roberts.
- 9/9/2020
- by Jamie Lang
- Variety Film + TV
(L-r) Carolyn Johnson, Eve Spence and Amin Palangi.
Intrigued by people who choose to live off the grid in shacks, Eve Spence had the idea of writing a feature centred around one such community, overlaid with the arrival of asylum seekers from Iran.
Recognising she needed help with the Iranian angle, she reached out to filmmaker Amin Palangi, whose debut feature documentary, Love Marriage in Kabul, won the Audience Award at Sydney Film Festival, initially as a consultant.
That progressed to the duo collaborating on the screenplay of Common Ground and they decided take that a step further and co-direct. They brought in experienced producer Carolyn Johnson, whose credits include Bentley Dean and Martin Butler’s Tanna and Benjamin Gilmour’s Son of a Lion.
The saga of Kayla, a young surfer whose life in a coastal hideaway is disrupted by the arrival of Omid and Babak, asylum seekers who...
Intrigued by people who choose to live off the grid in shacks, Eve Spence had the idea of writing a feature centred around one such community, overlaid with the arrival of asylum seekers from Iran.
Recognising she needed help with the Iranian angle, she reached out to filmmaker Amin Palangi, whose debut feature documentary, Love Marriage in Kabul, won the Audience Award at Sydney Film Festival, initially as a consultant.
That progressed to the duo collaborating on the screenplay of Common Ground and they decided take that a step further and co-direct. They brought in experienced producer Carolyn Johnson, whose credits include Bentley Dean and Martin Butler’s Tanna and Benjamin Gilmour’s Son of a Lion.
The saga of Kayla, a young surfer whose life in a coastal hideaway is disrupted by the arrival of Omid and Babak, asylum seekers who...
- 9/8/2020
- by The IF Team
- IF.com.au
‘Fads and Miracles’ (Photo credit: Matt Sav.)
Tracey Rigney, Emma Freeman, Tanya Modini, Laura Scrivano, Zoe Pepper, Eve Spence and Amin Palangi are among the directors who will take part in Attagirl, the new lab dedicated to creating production and distribution pathways for feature films by female and non-binary creative teams.
Six Australian projects and one from New Zealand are among 13 from around the world selected for the lab designed and run by For Film’s Sake (Ffs), financially supported by Screen Australia’s Enterprise Business and Ideas funding program and other Australian and international screen agencies.
The first of three workshops consisting of nine days of project development during TIFF’s Industry Conference and digital festival begins tomorrow. The second next January will look at ways to identify and reach the target audience, including digital distribution and the future of exhibition.
The third, affiliated with the Sydney Film Festival in June,...
Tracey Rigney, Emma Freeman, Tanya Modini, Laura Scrivano, Zoe Pepper, Eve Spence and Amin Palangi are among the directors who will take part in Attagirl, the new lab dedicated to creating production and distribution pathways for feature films by female and non-binary creative teams.
Six Australian projects and one from New Zealand are among 13 from around the world selected for the lab designed and run by For Film’s Sake (Ffs), financially supported by Screen Australia’s Enterprise Business and Ideas funding program and other Australian and international screen agencies.
The first of three workshops consisting of nine days of project development during TIFF’s Industry Conference and digital festival begins tomorrow. The second next January will look at ways to identify and reach the target audience, including digital distribution and the future of exhibition.
The third, affiliated with the Sydney Film Festival in June,...
- 9/8/2020
- by The IF Team
- IF.com.au
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