Throughout the early 2000s, the rock ‘n’ roll film festival “Don’t Knock the Rock” was one of the highlights of any L.A.-based cinephile’s year, an impeccably assembled program of movies, live performances, and panels celebrating the intersection between rock ‘n’ roll and cinema. Created by writer-director Allison Anders and music supervisor Tiffany Anders, “Don’t Knock the Rock” was beloved for its determination to showcase difficult-to-see music documentaries and for the breadth and depth of its programming.
The festival last graced L.A. screens in 2016, but now it’s returning to Hollywood via the American Cinematheque with a line-up that’s one of the best ever. From May 23-27, “Don’t Knock the Rock” will screen an eclectic mix of documentaries, music-themed narrative films, and essential retrospective programs at the Cinematheque’s Los Feliz venue, with an added virtual component that will stream from May 23-July 31. Among the...
The festival last graced L.A. screens in 2016, but now it’s returning to Hollywood via the American Cinematheque with a line-up that’s one of the best ever. From May 23-27, “Don’t Knock the Rock” will screen an eclectic mix of documentaries, music-themed narrative films, and essential retrospective programs at the Cinematheque’s Los Feliz venue, with an added virtual component that will stream from May 23-July 31. Among the...
- 4/24/2024
- by Jim Hemphill
- Indiewire
Once upon a time on the West Coast, two bands were plotting a revolution.
Well, really, it was one musician concocting a grand plan to dismantle the record industry, bring back a massive revival of 1960s psychedelic rock, and achieve total world domination. His name was Anton Newcombe, and this singer/multi-instrumentalist fronted a San Francisco group blessed with one of the greatest names of any 1990s band: the Brian Jonestown Massacre. The only thing better than their moniker was the music itself, which replicated the vintage, acid-soaked sounds of...
Well, really, it was one musician concocting a grand plan to dismantle the record industry, bring back a massive revival of 1960s psychedelic rock, and achieve total world domination. His name was Anton Newcombe, and this singer/multi-instrumentalist fronted a San Francisco group blessed with one of the greatest names of any 1990s band: the Brian Jonestown Massacre. The only thing better than their moniker was the music itself, which replicated the vintage, acid-soaked sounds of...
- 1/26/2024
- by David Fear
- Rollingstone.com
October 6, 1927, was a pivotal date in the history of Cinema. It was on this date that Warner Bros. released “The Jazz Singer,” the feature film that marked the end of the silent movie era and brought a whole new dimension to the world of video editing: sound.
Today, the music, dialogue and foley that sound editors add to our favorite films are as integral to the experience as the images and script themselves. From Hollywood blockbusters to low-budget short films, sound drives stories forward. It sets the emotional tone, aids in making actors’ performances feel more genuine, and ensures audiences hear exactly and feel exactly what filmmakers want them to hear and feel throughout their viewing experience.
In short, sound editors turn the muffled dialogue and noise recorded by a boom mike and elevate it into the crisp, emotive audio that brings visual storytelling to life.
With the 2024 Sundance Film Festival taking over Park City,...
Today, the music, dialogue and foley that sound editors add to our favorite films are as integral to the experience as the images and script themselves. From Hollywood blockbusters to low-budget short films, sound drives stories forward. It sets the emotional tone, aids in making actors’ performances feel more genuine, and ensures audiences hear exactly and feel exactly what filmmakers want them to hear and feel throughout their viewing experience.
In short, sound editors turn the muffled dialogue and noise recorded by a boom mike and elevate it into the crisp, emotive audio that brings visual storytelling to life.
With the 2024 Sundance Film Festival taking over Park City,...
- 1/24/2024
- by IndieWire Staff
- Indiewire
Dig!, Ondi Timoner’s 2004 documentary on The Brian Jonestown Massacre and The Dandy Warhols, remains an illuminating look at the turn-of-the-century indie rock scene in the United States. The film has been newly edited and restored and will play the 2024 Sundance Film Festival as Dig! Xx to celebrate the festival’s 40th anniversary. Below, David Timoner, who shared cinematography duties with his sister Ondi and Vasco Tunes on the original Dig! walks down memory lane as he relates their ingenuity in capturing such intimate footage and how the quality of the cameras improved alongside the bands’ popularity. See all responses to our annual […]
The post “There’s a Gritty Reality That is Undeniable”: Dp David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
The post “There’s a Gritty Reality That is Undeniable”: Dp David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Dig!, Ondi Timoner’s 2004 documentary on The Brian Jonestown Massacre and The Dandy Warhols, remains an illuminating look at the turn-of-the-century indie rock scene in the United States. The film has been newly edited and restored and will play the 2024 Sundance Film Festival as Dig! Xx to celebrate the festival’s 40th anniversary. Below, David Timoner, who shared cinematography duties with his sister Ondi and Vasco Tunes on the original Dig! walks down memory lane as he relates their ingenuity in capturing such intimate footage and how the quality of the cameras improved alongside the bands’ popularity. See all responses to our annual […]
The post “There’s a Gritty Reality That is Undeniable”: Dp David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
The post “There’s a Gritty Reality That is Undeniable”: Dp David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Winner of Sundance’s Grand Jury Prize in 2004, Ondi Timoner’s Dig! used the developing careers of indie rock bands The Dandy Warhols and The Brian Jonestown Massacre to examine the complex, often incompatible relationship between art and commerce, as well as the one between the bands’ frontmen. Now, Dig! Xx revisits the story, digitally remastered and enhanced and complete with an additional 35 minutes of footage. Below, Editor David Timoner, Ondi Timoner’s brother and frequent collaborator, discusses revisiting his first major project and how he sought to improve it for its twentieth anniversary. See all responses to our annual Sundance […]
The post “We Didn’t Want to Just Chuck in a Bunch of New Bits”: Editor David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
The post “We Didn’t Want to Just Chuck in a Bunch of New Bits”: Editor David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Winner of Sundance’s Grand Jury Prize in 2004, Ondi Timoner’s Dig! used the developing careers of indie rock bands The Dandy Warhols and The Brian Jonestown Massacre to examine the complex, often incompatible relationship between art and commerce, as well as the one between the bands’ frontmen. Now, Dig! Xx revisits the story, digitally remastered and enhanced and complete with an additional 35 minutes of footage. Below, Editor David Timoner, Ondi Timoner’s brother and frequent collaborator, discusses revisiting his first major project and how he sought to improve it for its twentieth anniversary. See all responses to our annual Sundance […]
The post “We Didn’t Want to Just Chuck in a Bunch of New Bits”: Editor David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
The post “We Didn’t Want to Just Chuck in a Bunch of New Bits”: Editor David Timoner on Dig! Xx first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Dig!, a documentary about two bands – The Brian Jonestown Massacre and The Dandy Warhols – is a musical trainwreck, equal parts romantic comedy and horror film that follows the highs and lows of being a musician, in the studio, on the road and in their own heads.
The film, which launched at Sundance in 2004 and is returning to the festival this year with an extended cut, is a favorite among the musical class. I’ve sat in countless tour vans and crappy motels where it’s watched, quoted and dissected by kids with a dream and a drumkit.
Dave Grohl, the legendary Nirvana drummer and Foo Fighters frontman, told me that it’s a “f*cking masterpiece” and that it’s also his favorite horror film.
“Watching a documentary like Dig!, seeing these two bands fall in love with each other, which happens often. You find your brother band, your sister band,...
The film, which launched at Sundance in 2004 and is returning to the festival this year with an extended cut, is a favorite among the musical class. I’ve sat in countless tour vans and crappy motels where it’s watched, quoted and dissected by kids with a dream and a drumkit.
Dave Grohl, the legendary Nirvana drummer and Foo Fighters frontman, told me that it’s a “f*cking masterpiece” and that it’s also his favorite horror film.
“Watching a documentary like Dig!, seeing these two bands fall in love with each other, which happens often. You find your brother band, your sister band,...
- 1/18/2024
- by Peter White
- Deadline Film + TV
For four decades, Sundance has maintained a reputation as one of the most important film festivals in America for independent filmmakers from around the globe. To commemorate its 40th anniversary in 2024 and the enormity (and reciprocity) of that cultural footprint, festival leadership set a series of restoration screenings to highlight many of the most memorable films programmed throughout its history.
“When you look at the way the independent film movement has evolved and changed over the years, from the maturation of an industry and the opportunities that artists have found, to the way that an audience has been built around the work, you see a festival that has evolved alongside it,” says John Nein, senior programmer and director of strategic initiatives.
This year’s festival takes place Jan. 18-28, in person in Park City and Salt Lake City, with a selection of titles available online nationwide from Jan. 25-28. The...
“When you look at the way the independent film movement has evolved and changed over the years, from the maturation of an industry and the opportunities that artists have found, to the way that an audience has been built around the work, you see a festival that has evolved alongside it,” says John Nein, senior programmer and director of strategic initiatives.
This year’s festival takes place Jan. 18-28, in person in Park City and Salt Lake City, with a selection of titles available online nationwide from Jan. 25-28. The...
- 1/16/2024
- by Nick Clement
- Variety Film + TV
Anniversary screenings include Park City hits Napoleon Dynamite, Mississippi Masala, The Babadook.
Sundance Film Festival has unveiled the 53 shorts as well as the eight films celebrating the festival’s 40th edition – a list which includes Park City hits Napoleon Dynamite, Mississippi Masala, and The Babadook.
The 40th edition celebration screenings and events are set for the second half of the festival from January 23-26, 2024, with a slate of retrospective programming that will bring alumni artists together for conversations and gatherings.
Sundance Film festival runs January 18-28, 2024, in person in Park City and Salt Lake City, with a selection of titles...
Sundance Film Festival has unveiled the 53 shorts as well as the eight films celebrating the festival’s 40th edition – a list which includes Park City hits Napoleon Dynamite, Mississippi Masala, and The Babadook.
The 40th edition celebration screenings and events are set for the second half of the festival from January 23-26, 2024, with a slate of retrospective programming that will bring alumni artists together for conversations and gatherings.
Sundance Film festival runs January 18-28, 2024, in person in Park City and Salt Lake City, with a selection of titles...
- 12/12/2023
- by Jeremy Kay
- ScreenDaily
Towards the end of his life, when Eli Timoner’s weakened body was failing him, he called his daughter, the filmmaker Ondi Timoner, and told her he was ready to go.
“If they can give me goodbye powder, I’d take it,” he said. “I just want to be in the ground.” He pleaded with Ondi, “Help me go there and end all this agony.”
As a resident of California, Timoner could avail himself of the state’s End of Life Option Act, a law that “allows a terminally-ill adult… to request a drug from his or her physician that will end his or her life,” as the UCLA Health website describes it. “People who choose to end their lives this way, and who carefully follow the steps in the law, will not be considered to have committed suicide.”
The state reported that 486 people took life-ending drugs under these circumstances...
“If they can give me goodbye powder, I’d take it,” he said. “I just want to be in the ground.” He pleaded with Ondi, “Help me go there and end all this agony.”
As a resident of California, Timoner could avail himself of the state’s End of Life Option Act, a law that “allows a terminally-ill adult… to request a drug from his or her physician that will end his or her life,” as the UCLA Health website describes it. “People who choose to end their lives this way, and who carefully follow the steps in the law, will not be considered to have committed suicide.”
The state reported that 486 people took life-ending drugs under these circumstances...
- 10/20/2022
- by Matthew Carey
- Deadline Film + TV
Chicago – Any film that adds to the climate debate by bringing in a fresh and intelligent voice is certainly worth one’s time. From that perspective, “Cool It” is a documentary of considerable value, though it’s less rewarding than one might hope. Though it aims to be the cinematic rebuttal to “An Inconvenient Truth,” it falls far short, in part because the film simply isn’t as well-crafted or effective as Davis Guggenheim’s 2006 Oscar-winner.
“Truth” served its purpose as a call to alarm, jettisoning the undeniable yet controversial issue of global warming into the public consciousness. As author of “The Skeptical Environmentalist,” Bjørn Lomborg is determined to debunk the scare-tactics and misinformation that he feels ran rampant throughout “Truth.” Yet with its reputation-cleansing montages and self-serving analysis, “Cool It” is every bit as much a manipulative work of propaganda as Guggenheim’s film, lionizing Lomborg in much the...
“Truth” served its purpose as a call to alarm, jettisoning the undeniable yet controversial issue of global warming into the public consciousness. As author of “The Skeptical Environmentalist,” Bjørn Lomborg is determined to debunk the scare-tactics and misinformation that he feels ran rampant throughout “Truth.” Yet with its reputation-cleansing montages and self-serving analysis, “Cool It” is every bit as much a manipulative work of propaganda as Guggenheim’s film, lionizing Lomborg in much the...
- 3/30/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
It's a good day for funny people, especially if your name is Tina Fey or Seth MacFarlane.
Fey's series, 30 Rock, was handed 22 Emmy nominations this morning, which stands as a record for a comedy series. She and Alec Baldwin were also nominated for acting awards. Plus, for the first time some of the other actors on NBC's laffer were recognized. Jane Krakowski, Jack McBrayer and Tracy Morgan all picked up supporting nominations.
MacFarlane's Family Guy was also nominated for best comedy series, the first time an animated show has cracked that category since The Flintstones in 1961. Two years ago MacFarlane decided to pull his show from contention in the animated series category to have it considered for best comedy.
Mad Men, the drama about the advertising world in the sixties, picked up 16 nominations in the drama categories, including a best actor nod for Jon Hamm. Hamm is also nominated as...
Fey's series, 30 Rock, was handed 22 Emmy nominations this morning, which stands as a record for a comedy series. She and Alec Baldwin were also nominated for acting awards. Plus, for the first time some of the other actors on NBC's laffer were recognized. Jane Krakowski, Jack McBrayer and Tracy Morgan all picked up supporting nominations.
MacFarlane's Family Guy was also nominated for best comedy series, the first time an animated show has cracked that category since The Flintstones in 1961. Two years ago MacFarlane decided to pull his show from contention in the animated series category to have it considered for best comedy.
Mad Men, the drama about the advertising world in the sixties, picked up 16 nominations in the drama categories, including a best actor nod for Jon Hamm. Hamm is also nominated as...
- 7/16/2009
- CinemaSpy
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