- (1971-1972 season) He was costume designer for Tennessee Williams' play, "A Streetcar Named Desire," at the Long Wharf Theatre in New Haven, Connecticut. Barry Davis was director. E. Webb and V. Dancy were set designers. Judy Rasmuson was lighting designer.
- (1971-1972 season) He was costume designer for William Congreve's play, "The Way of the World," at the Long Wharf Theatre in New Haven, Connecticut. Malcolm Black was director. David Jenkins was set designers. Judy Rasmuson was lighting designer.
- (1972-1973 season ) He was costume designer for August Strindberg's plays,"Miss Julie" and "Dance of Death (Part One)," at the Long Wharf Theatre in New Haven, Connecticut. Austin Pendleton was adapter and director. Steven Rubin was set designer. Ronald Wallace was lighting designer.
- (1971-1972 season) He was costume designer for Bill Morrison's play, "Patrick's Day," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Edward Gilbert was director. E. Webb and V. Dancy were set designers. Ronald Wallace was lighting designer.
- (1972-1973 season) He was costume designer for Sean O'Casey's play, "Juno and the Paycock," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. Marjorie B. Kellogg was set designer. Judy Rasmuson was lighting designer.
- (1971-1972 season) He was costume designer for Anton Chekhov's play, "A Swan Song," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1973-1974 season) He was costume designer for D.H. Lawrence's play, "The Widowing of Mr. Holroyd," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (1973-1974 season) He was costume designer for Paul Osborn's play, "Morning's at Seven," at the Long Wharf Theatre in New Haven, Connecticut. Bill Francisco was director. Steven Rubin was set designer. Jamie Gallagher was lighting designer.
- (October 13 to November 10, 1972) He was costume designer for Christopher Fry's play, "The Lady's Not for Burning," at the Long Wharf Theatre in New Haven, Connecticut. Kent Paul was director. Marjorie B. Kellogg was set designer. Judy Rasmuson was lighting designer.
- (1973-1974 season) He was a costume designer for Edna O'Brien's play, "A Pagan Place," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut. John Lithgow was director. E. Webb and V. Dancy were set designers. Ronald Wallace was lighting designer.
- (1973-1974 season) He was costume designer for Stark Young's translation of Anton Chekhov's play, "The Seagull," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. E. Webb and V. Dancy were set designers. Ronald Wallace was lighting designer.
- (1974-1975 season) He was costume designer for Winston Ntshona, Athol Fugard and John Kani play, "Sizwe Banzi is Dead & The Island," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut before transferred to Broadway in New York CIty with John Kani and Winston Ntshona in the cast. Athol Fugard was director. Douglas Heap was design consultant. Ronald Wallace was lighting designer.
- (1974-1975 season) He was a costume designer for John Fletcher and Francis Beaumont's play, "The Knight of the Burning Pestle," at the Long Wharf Theatre in New Haven, Connecticut. Brooks Jones was adapter and director. Paul Zalon was set designer. Judy Rasmuson was lighting designer. Peter Schickele was composer.
- (December 20, 1974 to January 17, 1975) He was costume designer for Eugene O'Neill's play, "Ah, Wilderness," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. Steven Rubin was set designer. Jamie Gallagher was lighting designer. This production was transferred to Broadway in New York City.
- (1974-1975 season) He was costume designer for George Bernard Shaw's play, "Pygmalion," at the Long Wharf Theatre in New Haven, Connecticut. Robin Gammell was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1974-1975 season) He was costume designer for Richard Venture's play, "You're Too Tall, But Come Back in Two Weeks," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. E. Webb and V. Dancy were set designers. Ronald Wallace was lighting designer.
- (1975-1976 season) He was costume designer for Joanna Glass's play, "Rtichoke," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (1975-1976 season) He was costume designer for David Rabe's play, "Streamers," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut before transferred to Broadway in New York City. Mike Nichols was director. Tony Walton was set designer. Ronald Wallace was lighting designer.
- (1976-1977 season) He was costume designer for Lillian Hellman's play, "The Autumn Garden," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Judy Rasmuson was lighting designer.
- (1975-1976 season) He was costume designer for the musical, "Daarlin' Juno," at the Long Wharf Theatre in New Haven, Connecticut. Joseph Stein wrote the book. Marc Blitzstein was composer and lyricist. Based on the play, "Juno and the Paycock," by Sean O'Casey. Richard Maltby and Fitzgerald were adapters. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (1975-1976 season) He was costume designer for John Tillinger's adaptation of Edith Wharton's novel, "The House of Mirth," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Waris Hussein was director. Marjorie B. Kellogg was set designer. Judy Rasmuson was lighting designer.
- (January 21 to February 18, 1977) He was costume designer for Michael Cristofer's play, "The Shadow Box," at the Long Wharf Theatre in New Haven, Connecticut before transferred to Broadway in New York City. Gordon Davidson was director. Ming Cho Lee was set designer. Ronald Wallace was lighting designer.
- (1976-1977 season) He was costume designer for George Bernard Shaw's play, "St. Joan," at the Long Wharf Theatre in New Haven, Connecticut. Martin Fried was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1976-1977 season) He was costume designer for Tennessee Williams' play, "The Rose Tattoo," at the Long Wharf Theatre in New Haven, Connecticut. Steven Robman was director. John Conklin was set designer. Judy Rasmuson was lighting designer.
- (1976-1977 season) He was costume designer for D.L. Coburn's play, "The Gin Game," at the Long Wharf Theatre in New Haven, Connecticut with Jessica Tandy and Hume Cronyn in the cast before transferred to Broadway in New York City. Mike Nichols was director. David Mitchell was set designer. Ronald Wallace was lighting designer.
- (1977-1978 season) He was costume designer for Harold Brighouse's play, "Hobson's Choice," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Jamie Gallagher was lighting designer. Terrence Sherman was composer.
- (November 17 to December 18, 1977) He was costume designer for Leigh Curran's play, "The Lunch Girls," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (February 2 to March 5, 1978) He was costume designer for Stewart Parker's play, "Spokesong," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut before transferred to Broadway in New York City with John Lithgow in the cast. Jimmy Kennedy was composer. Kenneth Frankel was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer. Thomas Fay was conductor.
- (1977-1978 season) He was costume designer for Philip Barry's play, "The Philadelphia Story," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. John Jensen was set designer. Ronald Wallace was lighting designer.
- (November 24 to December 24, 1978) He was costume designer for Bernice Rubens' play, "I Sent a Letter To My Love," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (1978-1979 season) He was costume designer for Maxim Gorky's play, "Summerfolk," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Edward Gilbert and John Tillinger were adapters. Edward Gilbert was also director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer. Thomas Fay was composer.
- (1978-1979 season) He was costume designer for S.N. Behrman's play, "Biography," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. William Francisco was director. Steven Rubin was set designer. Judy Rasmuson was lighting designer. Terrence Sherman was composer.
- (1978-1979 season) He was costume designer for Peter Nichols' play, "Privates on Parade," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Dennis King was composer. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer. Thomas Fay was conductor.
- (October 4 to November 11, 1979) He was costume designer for Lillian Hellman's play, "Watch on the Rhine," at the Long Wharf Theatre in New Haven, Connecticut before transferred to New York City. Arvin Brown was director. John Jensen was set designer. Ronald Wallace was lighting designer.
- (1979-1980 season) He was costume designer for David Edgar's play, "Mary Barnes," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1979-1980 season) He was costume designer for Edward Albee's play, "Who's Afraid of Virginia Woolf?," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Jenkins was set designer. Ronald Wallace was lighting designer.
- (October 2, 1980) He was costume designer for David Mamet's play, "American Buffalo," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before being transferred to New York City with Al Pacino in the cast. Arvin Brown was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1980-1981 season) He was costume designer for James M. Barrie's play, "The Admirable Crichton," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. Steven Rubin was set designer. Ronald Wallace was lighting designer.
- (1980-1981 season) He was costume designer for Hugh Leonard's play, "A Life," at the Long Wharf Theatre in New Haven, Connecticut. Bill Ludel was director. Hugh Landwehr was set designer. Ronald Wallace was lighting designer.
- (1980-1981 season) He was costume designer for Tom Dulack's play, "Solomon's Child," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer. John Tillinger was director.
- (1980-1981 season) He was costume designer Elizabeth Diggs' play, "Close Ties," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Arvin Brown was director. Hugh Landwehr was set designer. Ronald Wallace was lighting designer.
- (1981-1982 season) He was costume designer for Peter Nichols' play, "A Day in the Death of Joe Egg," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Marjorie B. Kellogg was set designer. Ronald Wallace was lighting designer.
- (1981-1982 season) He was costume designer for Arthur Miller's play, "A View from the Bridge," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to Broadway in New York City with Tony Lo Bianca in the cast. Arvin Brown was director. Hugh Landwehr was set designer. Ronald Wallace was lighting designer.
- (1981-1982 season) He was costume designer for George Bernard Shaw's play, "The Doctor's Dilemma," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. Steven Rubin was set designer. Judy Rasmuson was lighting designer.
- (1981-1982 season) He was costume designer for John Hopkins' play, "The Story of Yours," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. John Tillinger was director. Hugh Landwehr was set designer. Geoffrey T. Cunningham was lighting designer.
- (1981-1982 season) He was costume designer for David Mamet's play, "Lakeboat," at the Long Wharf Theatre (Stage II) In New Haven, Connecticut. John Dillon was director. Laura Maurer was set designer. Jamie Gallagher was lighting designer.
- (1982-1983 season) He was costume designer for Philip Barry's play, "Holiday," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Pasquin was director. Steven Rubin was set designer. Ronald Wallace was lighting designer.
- (1982-1983 season) He was costume designer for Julian Mitchell's play, "Another Country," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. Marjorie B. Kellogg was set designer. Pat Collins was lighting designer.
- (1982-1983 season) He was costume designer for Antony Chekhov's play, "The Cherry Orchard," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Jean Claude Van Itallie was adapter. Arvin Brown was director. John Jensen was set designer. Judy Rasmuson was lighting designer. Thomas Fay was composer.
- (1982-1983 season) He was costume designer for Arthur Miller's play, "2 By A.M. (Elegy for a Lady & Some Kind of Love Story)," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Hugh Landwehr was set designer. Ronald Wallace was lighting designer. Stanley Silverman was composer. Arthur Miller was also director.
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