Paraguayan filmmaker Paz Encina’s “Eami” – being sold by MPM Premium – has won the top Tiger Award and a €40,000 cash prize at the International Film Festival Rotterdam (IFFR), the festival announced Wednesday. The 51st edition of the Dutch event, forced online due to the Omicron wave, will wrap on Sunday.
The jury, made up of Zsuzsi Bankuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki, was impressed with her complex, magical realist take on the suffering of the indigenous tribes, calling it a “powerful film.” “It gave us the opportunity to dream and, at the same time, a chance to wake up,” they stated.
Inspired by the stories of the Ayoreo-Totobiegosode people, as well as their mythology, Encina created a tale about a young girl who embarks on a journey after her village is destroyed.
“All my films deal with an issue of exile, of the diaspora,...
The jury, made up of Zsuzsi Bankuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki, was impressed with her complex, magical realist take on the suffering of the indigenous tribes, calling it a “powerful film.” “It gave us the opportunity to dream and, at the same time, a chance to wake up,” they stated.
Inspired by the stories of the Ayoreo-Totobiegosode people, as well as their mythology, Encina created a tale about a young girl who embarks on a journey after her village is destroyed.
“All my films deal with an issue of exile, of the diaspora,...
- 2/2/2022
- by Marta Balaga
- Variety Film + TV
The top prize went to a family drama set entirely in an Ikea.
Croatian family drama Leave The Door Open has won the Eurimages Co-production Award, worth €20,000, at the closing of International Film Festival Rotterdam’s IFFR Pro Days and CineMart co-production market.
The film will mark the feature directorial debut of Judita Gamulin and is set entirely in an Ikea furniture store in Zagreb.
With early backing from the Croatian Audiovisual Centre (Havc), the production aims to close financing in 2023 and shoot in 2024. Leave The Door Open is produced by Rea Rajcic, who is producing through her Zagreb-based film and TV outfit Eclectica.
Croatian family drama Leave The Door Open has won the Eurimages Co-production Award, worth €20,000, at the closing of International Film Festival Rotterdam’s IFFR Pro Days and CineMart co-production market.
The film will mark the feature directorial debut of Judita Gamulin and is set entirely in an Ikea furniture store in Zagreb.
With early backing from the Croatian Audiovisual Centre (Havc), the production aims to close financing in 2023 and shoot in 2024. Leave The Door Open is produced by Rea Rajcic, who is producing through her Zagreb-based film and TV outfit Eclectica.
- 2/2/2022
- by Michael Rosser
- ScreenDaily
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
- 1/7/2022
- by Jordan Raup
- The Film Stage
With fears our winter travel will need a, let’s say, reconsideration, the Criterion Channel’s monthly programming could hardly come at a better moment. High on list of highlights is Louis Feuillade’s delightful Les Vampires, which I suggest soundtracking to Coil, instrumental Nine Inch Nails, and Jóhann Jóhannson’s Mandy score. Notable too is a Sundance ’92 retrospective running the gamut from Paul Schrader to Derek Jarman to Jean-Pierre Gorin, and I’m especially excited for their look at one of America’s greatest actors, Sterling Hayden.
Special notice to Criterion editions of The Killing, The Last Days of Disco, All About Eve, and The Asphalt Jungle, and programming of Ognjen Glavonić’s The Load, among the better debuts in recent years.
See the full list of January titles below and more on the Criterion Channel.
-Ship: A Visual Poem, Terrance Day, 2020
5 Fingers, Joseph L. Mankiewicz, 1952
After Migration: Calabria,...
Special notice to Criterion editions of The Killing, The Last Days of Disco, All About Eve, and The Asphalt Jungle, and programming of Ognjen Glavonić’s The Load, among the better debuts in recent years.
See the full list of January titles below and more on the Criterion Channel.
-Ship: A Visual Poem, Terrance Day, 2020
5 Fingers, Joseph L. Mankiewicz, 1952
After Migration: Calabria,...
- 12/20/2021
- by Leonard Pearce
- The Film Stage
UK Global Screen Fund Awards
The UK Global Screen Fund, backed by Dcms and administered by the BFI, has awarded a further £2.1M ($2.8M) to UK companies through its £7M ($9.3M) International Business Development strand. The financial support will provide companies from around the UK with funding for business strategies to create, acquire and exploit Intellectual Property (IP) for increased international revenue, activities and profile.d The awards come in the form of non-repayable grants and range between £50,000 and £117,600 in total over a three-year period. Companies to benefit from this round include Number 9 Films (Mothering Sunday), The Ink Factory (The Night Manager), Warp Films (Everybody’s Talking About Jamie) and Good Chaos. Further awards went to: Alphablocks Limited; Avanti Media; The Black Camel Picture Company; Blazing Griffin; Bohemia Club; Cantilever Media; Digital Media Distribution; Dog Ears; Dorothy Street Pictures; Ida Rose; Ie Ie Productions Little Door Productions; Outsider Games...
The UK Global Screen Fund, backed by Dcms and administered by the BFI, has awarded a further £2.1M ($2.8M) to UK companies through its £7M ($9.3M) International Business Development strand. The financial support will provide companies from around the UK with funding for business strategies to create, acquire and exploit Intellectual Property (IP) for increased international revenue, activities and profile.d The awards come in the form of non-repayable grants and range between £50,000 and £117,600 in total over a three-year period. Companies to benefit from this round include Number 9 Films (Mothering Sunday), The Ink Factory (The Night Manager), Warp Films (Everybody’s Talking About Jamie) and Good Chaos. Further awards went to: Alphablocks Limited; Avanti Media; The Black Camel Picture Company; Blazing Griffin; Bohemia Club; Cantilever Media; Digital Media Distribution; Dog Ears; Dorothy Street Pictures; Ida Rose; Ie Ie Productions Little Door Productions; Outsider Games...
- 12/16/2021
- by Tom Grater
- Deadline Film + TV
‘Stillwater’ is eOne’s first theatrical release since October 2020.
Augustine Frizzell’s film of Jojo Moyes’ book The Last Letter From Your Lover leads the new titles in UK-Ireland cinemas this weekend, looking to work towards the result of previous Moyes’ adaptation Me Before You.
Released by Studiocanal in 550 locations, The Last Letter From Your Lover follows an ambitious journalist who attempts to solve the mystery of a forbidden affair at the centre of a series of secret love letters from 1964. A co-production between the UK’s Blueprint Pictures and Canada’s The Film Farm, it is being released by Netflix in the US.
Augustine Frizzell’s film of Jojo Moyes’ book The Last Letter From Your Lover leads the new titles in UK-Ireland cinemas this weekend, looking to work towards the result of previous Moyes’ adaptation Me Before You.
Released by Studiocanal in 550 locations, The Last Letter From Your Lover follows an ambitious journalist who attempts to solve the mystery of a forbidden affair at the centre of a series of secret love letters from 1964. A co-production between the UK’s Blueprint Pictures and Canada’s The Film Farm, it is being released by Netflix in the US.
- 8/6/2021
- by Ben Dalton
- ScreenDaily
Maya Da-Rin’s subtle, poetic debut about a man with a mysterious fever engages with the hidden lives of the Desana people of Brazil
Here is a mysterious and opaque movie, a feature debut from 42-year-old Brazilian artist and film-maker Maya Da-Rin. It does not give up its meaning easily, or perhaps at all. Newcomer Regis Myrupu won the best actor prize at the Locarno film festival for his understated performance as Justino, a member of the indigenous Desana people working as a security guard at a container port in Manaus harbour in northern Brazil. He is a widower, fussed over by his affectionate daughter Vanessa (Rosa Peixoto), who has just got into medical school at Brasília and will have to move away very soon and may not see her dad for many years. And perhaps that is what has caused a strange, profound unease in Justino. He suffers from...
Here is a mysterious and opaque movie, a feature debut from 42-year-old Brazilian artist and film-maker Maya Da-Rin. It does not give up its meaning easily, or perhaps at all. Newcomer Regis Myrupu won the best actor prize at the Locarno film festival for his understated performance as Justino, a member of the indigenous Desana people working as a security guard at a container port in Manaus harbour in northern Brazil. He is a widower, fussed over by his affectionate daughter Vanessa (Rosa Peixoto), who has just got into medical school at Brasília and will have to move away very soon and may not see her dad for many years. And perhaps that is what has caused a strange, profound unease in Justino. He suffers from...
- 8/3/2021
- by Peter Bradshaw
- The Guardian - Film News
Title revealed of the upcoming feature from the director of ‘This Is Not a Burial, It’s a Resurrection’.
The next feature from Lesotho filmmaker Lemohang Jeremiah Mosese is among 10 upcoming projects to receive support from the Hubert Bals Fund (Hbf), administered by the International Film Festival Rotterdam.
The writer and director of Sundance award-winner This Is Not a Burial, It’s a Resurrection has received a grant of €10,000 for script and project development on his fourth feature, titled The Chattering Of Teeth.
Earlier this year, the filmmaker said he was developing a new feature around the theme of siege and fear...
The next feature from Lesotho filmmaker Lemohang Jeremiah Mosese is among 10 upcoming projects to receive support from the Hubert Bals Fund (Hbf), administered by the International Film Festival Rotterdam.
The writer and director of Sundance award-winner This Is Not a Burial, It’s a Resurrection has received a grant of €10,000 for script and project development on his fourth feature, titled The Chattering Of Teeth.
Earlier this year, the filmmaker said he was developing a new feature around the theme of siege and fear...
- 5/27/2021
- by Michael Rosser
- ScreenDaily
A man is standing still, facing the camera. He wears a construction hat and a neon safety vest over a bulletproof one. It is nighttime, he’s shrouded in darkness. He closes his eyes as the camera slowly pans out, as if to better tune into his surroundings. The din around him suggests a natural scene, crickets drowning out all else. Only gradually do we begin to hear the sounds of machinery. As Justino (stoic newcomer Regis Myrupu) is lulled into sleep, a radio call brings him back into himself. It’s then we see he’s been standing in front of a shipping container, one of the many he’s tasked with patrolling during his shifts as a security guard at the Manaus cargo port.
This poignant opening moment sets up the tensions between nature and modernity, labor and rest, that structure Maya Da-Rin’s captivating debut fiction feature,...
This poignant opening moment sets up the tensions between nature and modernity, labor and rest, that structure Maya Da-Rin’s captivating debut fiction feature,...
- 3/26/2021
- by Manuel Betancourt
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
- 3/19/2021
- by Jordan Raup
- The Film Stage
Having first covered The Fever back in when it premiered at Locarno in 2019––where director Maya Da-Rin picked up the Fipresci Prize and Regis Myrupu won Best Actor––the acclaimed drama is finally getting a proper U.S. release this month on March 19, courtesy of KimStim. Ahead of the Virtual Cinema debut, we’re pleased to exclusively premiere the trailer for the mesmerizing portrait of the subtle yet profound details of the confrontation between indigenous ways of life and the pressures of Western urbanization set in Manaus, an industrial city surrounded by the Amazon rainforest.
Leonardo Goi said in his review, “The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action,...
Leonardo Goi said in his review, “The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action,...
- 3/2/2021
- by Jordan Raup
- The Film Stage
For film festivals and markets, all is chaos. Some say the show will go on, or at least some of the show; others are pivoting to a virtual experience, or postponing, or wait-and-seeing, or canceling altogether. Some are open only to industry members, while others offer free and paid programming for the general public. Some are restricted only to residents of specific countries. And all is subject to change.
It’s a lot to track, and we’ll keep doing just that in the weeks and months ahead. Here’s a list of film festivals and markets that have offered some indication about their plans; those not on the list are not necessarily canceled. Many continue to accept submissions, but are mum on how they plan to move forward. The list will be updated as event organizers release information on their plans.
November
Sheffield Doc/Fest and Marketplace
Sheffield, UK...
It’s a lot to track, and we’ll keep doing just that in the weeks and months ahead. Here’s a list of film festivals and markets that have offered some indication about their plans; those not on the list are not necessarily canceled. Many continue to accept submissions, but are mum on how they plan to move forward. The list will be updated as event organizers release information on their plans.
November
Sheffield Doc/Fest and Marketplace
Sheffield, UK...
- 11/30/2020
- by Chris Lindahl
- Indiewire
Brooklyn-based distributor KimStim has acquired North American rights to Brazilian director Maya Da-Rin’s feature debut “The Fever” (“A Febre”), which world premiered in competition at Locarno and played at Toronto in 2019.
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
- 11/20/2020
- by Elsa Keslassy
- Variety Film + TV
Line-up for the virtual event includes awards contenders Boys State, Collective and The Mole Agent.
New York City’s Film at Lincoln Center (Flc) and The Museum of Modern Art have announced that this year’s New Directors/New Films (Nd/Nf) programme, originally scheduled for March, will take place as a virtual event running from December 9-20.
Twenty-four features and 10 shorts, selected as standouts from the international festival circuit, will be made available to viewers across the US in the Flc Virtual Cinema.
From the Rotterdam festival come films including Zheng Lu Xinyuan’s debut feature The Cloud In...
New York City’s Film at Lincoln Center (Flc) and The Museum of Modern Art have announced that this year’s New Directors/New Films (Nd/Nf) programme, originally scheduled for March, will take place as a virtual event running from December 9-20.
Twenty-four features and 10 shorts, selected as standouts from the international festival circuit, will be made available to viewers across the US in the Flc Virtual Cinema.
From the Rotterdam festival come films including Zheng Lu Xinyuan’s debut feature The Cloud In...
- 11/12/2020
- by John Hazelton
- ScreenDaily
Film at Lincoln Center and The Museum of Modern Art Thursday announced a virtual return of the 49th annual New Directors/New Films festival rescheduled from last March to December 9-20.
The 50-year old fest’s 2020 lineup of 24 features and 10 shorts will be available to audiences nationwide for the first time, screening exclusively in the Flc Virtual Cinema.
The lineup, drawing heavily from the international film festival circuit with award-winners from Sundance, Venice, Rotterdam and Locarno, was initially announced in February before Covid-19 hit. Amanda McBain and Jesse Moss’ Boys State (Sundance U.S. Grand Jury Prize for documentary), Maite Alberdi’s The Mole Agent, and Collective by Romanian filmmaker Alexander Nanau will have opened before the festival’s new dates and be presented as special screenings with details to be announced. Babyteeth, Dwelling in the Fuchun Mountains, and Surge were part of the original Nd/Nf lineup but are...
The 50-year old fest’s 2020 lineup of 24 features and 10 shorts will be available to audiences nationwide for the first time, screening exclusively in the Flc Virtual Cinema.
The lineup, drawing heavily from the international film festival circuit with award-winners from Sundance, Venice, Rotterdam and Locarno, was initially announced in February before Covid-19 hit. Amanda McBain and Jesse Moss’ Boys State (Sundance U.S. Grand Jury Prize for documentary), Maite Alberdi’s The Mole Agent, and Collective by Romanian filmmaker Alexander Nanau will have opened before the festival’s new dates and be presented as special screenings with details to be announced. Babyteeth, Dwelling in the Fuchun Mountains, and Surge were part of the original Nd/Nf lineup but are...
- 11/12/2020
- by Jill Goldsmith
- Deadline Film + TV
The Pingyao International Film Festival, founded by Chinese helmer Jia Zhangke and former Venice head Marco Muller, has released its full lineup of global and local films. The selections in the two main sections focus on first or second features.
The festival is set to take place from Oct. 10-19 in the ancient city of Pingyao in central Shanxi province, not far from Jia’s own hometown. Few foreigners will be present, as China continues to maintain travel and quarantine restrictions for those entering the country, despite lifting some measures.
A dozen films are set to compete in the international “Crouching Tigers” section. They include a number of titles that first bowed at Venice: “Residue,” from American director Merawi Gerima, which debuted to a special mention earlier this month in the independent Venice Days section before being picked up by Ava DuVernay’s film company and released on Netflix; “The Book of Vision,...
The festival is set to take place from Oct. 10-19 in the ancient city of Pingyao in central Shanxi province, not far from Jia’s own hometown. Few foreigners will be present, as China continues to maintain travel and quarantine restrictions for those entering the country, despite lifting some measures.
A dozen films are set to compete in the international “Crouching Tigers” section. They include a number of titles that first bowed at Venice: “Residue,” from American director Merawi Gerima, which debuted to a special mention earlier this month in the independent Venice Days section before being picked up by Ava DuVernay’s film company and released on Netflix; “The Book of Vision,...
- 10/6/2020
- by Rebecca Davis
- Variety Film + TV
Originally scheduled for 30 April, the Portuguese festival will have a physical edition from 25 August to 5 September. IndieLisboa, one of the first Portuguese festivals to postpone its 2020 edition, is now just around the corner. Though the festival has moved to the end of August (instead of the end of April), most of this year’s format will be quite similar to previous years. With an extensive programme (of competitive and non-competitive sections), the festival will open with Monia Chokri’s A Brother’s Love in Cinema São Jorge and will close with Felipe Bragança’s A Yellow Animal at Culturguest.Twelve films were selected for the International Feature Film Competition: Barzakh (Spain) by Alejandro Salgado, Red Moon Tide (Spain) by Lois Patiño, Babai (Russia/US) by Artem Aisaagaliev, The Fever (Brazil/France/Germany) by Maya Da-Rin, There Will Be No More Night (France) by Eléonore Weber, This Is My Desire (Nigeria/US) by Arie Esiri and.
With streaming dominating the industry — and suddenly becoming the “new normal” in a changing world — IndieWire is taking a closer look at the news cycle, breaking down what really matters to provide a clear picture of what companies are winning the streaming wars, and how they’re pulling ahead.
By looking at trends and the latest developments, Streaming Wars Report: Indie Edition offers a snapshot of what’s happening overall and day-to-day in streaming for the indie set. Check out the latest Streaming Wars Report for updates to the bigger players in the industry.
Despite an increasingly crowded marketplace, it’s not a bad time to be an independent or boutique streaming outfit. As more cinephiles and entertainment junkies have stayed close to home — rightly — for their movie-loving needs and the majority of traditional domestic theaters have remained closed, streamers of all sizes have reported a steady uptick in membership and views.
By looking at trends and the latest developments, Streaming Wars Report: Indie Edition offers a snapshot of what’s happening overall and day-to-day in streaming for the indie set. Check out the latest Streaming Wars Report for updates to the bigger players in the industry.
Despite an increasingly crowded marketplace, it’s not a bad time to be an independent or boutique streaming outfit. As more cinephiles and entertainment junkies have stayed close to home — rightly — for their movie-loving needs and the majority of traditional domestic theaters have remained closed, streamers of all sizes have reported a steady uptick in membership and views.
- 7/23/2020
- by Kate Erbland
- Indiewire
Kelly Reichardt’s “First Cow” is set as the opening movie of the Melbourne International Film Festival. The event was postponed due to the coronavirus outbreak, before being revived online under the label Miff 68 ½. The festival will unspool virtually Aug 6-23, 2020.
“First Cow” is an unlikely story of friendship and free enterprise on the American frontier, involving a skilled cook, a Chinese immigrant and a wealthy landowner’s prized milking cow. It previously played at the Telluride, New York and Berlin festivals.
In total, the festival will present 60 feature films, including 3 in a retrospective section, and 44 shorts. They hail from 56 countries and territories and 49% include at least one female director. All film screenings are geo-blocked to play only within Australia, but are available nationwide.
“Despite the extraordinary circumstances of 2020, Miff’s ‘radical act’ is to keep going and continue on our mission to bring (to audiences) the world through unforgettable screen experiences,...
“First Cow” is an unlikely story of friendship and free enterprise on the American frontier, involving a skilled cook, a Chinese immigrant and a wealthy landowner’s prized milking cow. It previously played at the Telluride, New York and Berlin festivals.
In total, the festival will present 60 feature films, including 3 in a retrospective section, and 44 shorts. They hail from 56 countries and territories and 49% include at least one female director. All film screenings are geo-blocked to play only within Australia, but are available nationwide.
“Despite the extraordinary circumstances of 2020, Miff’s ‘radical act’ is to keep going and continue on our mission to bring (to audiences) the world through unforgettable screen experiences,...
- 7/14/2020
- by Patrick Frater
- Variety Film + TV
Portuguese event could be one of the first film festivals to take place physically in Europe as lockdowns ease.
Portuguese film festival IndieLisboa, which had to abandon its original April 30 to May 10 dates, is pushing on with plans to hold its 17th edition at the end of August, if an easing of the global Covid-19 health crisis allows.
The event took the usual step of unveiling most of its 2020 selection on April 30 to mark what would have been the opening day.
“We wanted to do something symbolic,” festival director Miguel Valverde told Screen. “In a normal year, we tie up...
Portuguese film festival IndieLisboa, which had to abandon its original April 30 to May 10 dates, is pushing on with plans to hold its 17th edition at the end of August, if an easing of the global Covid-19 health crisis allows.
The event took the usual step of unveiling most of its 2020 selection on April 30 to mark what would have been the opening day.
“We wanted to do something symbolic,” festival director Miguel Valverde told Screen. “In a normal year, we tie up...
- 5/5/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
One of best film festivals in the world for the discovery of emerging filmmaking talent occurs in New York City each spring. New Directors/New Films, a collaboration between Film at Lincoln Center and The Museum of Modern Art, have now announced the lineup for their 49th annual edition. Opening and closing with two Sundance favorites, Boys State and The Mole Agent, respectively, the rest of the lineup is chock full of more festival favorites.
There is Zheng Lu Xinyuan’s Tiger Award winner at Rotterdam, The Cloud in Her Room, Kazik Radwanski’s Tiff favorite Anne at 13,000 Ft., one of the best films we saw at Locarno, Maya Da-Rin’s The Fever, as well as Shannon Murphy’s Babyteeth, Alexander Nanau’s acclaimed documentary Collective, Robert Machoian’s The Killing of Two Lovers, the Ben Whishaw-led Surge, and a number of Berlinale premieres we’re looking forward to covering shortly.
There is Zheng Lu Xinyuan’s Tiger Award winner at Rotterdam, The Cloud in Her Room, Kazik Radwanski’s Tiff favorite Anne at 13,000 Ft., one of the best films we saw at Locarno, Maya Da-Rin’s The Fever, as well as Shannon Murphy’s Babyteeth, Alexander Nanau’s acclaimed documentary Collective, Robert Machoian’s The Killing of Two Lovers, the Ben Whishaw-led Surge, and a number of Berlinale premieres we’re looking forward to covering shortly.
- 2/20/2020
- by Leonard Pearce
- The Film Stage
Film at Lincoln Center and The Museum of Modern Art announced the complete lineup for the 49th annual New Directors/New Films running March 25 – April 5 and opening with Amanda McBaine and Jesse Moss’s Boys State, winner of the U.S. Grand Jury Prize for documentary at Sundance.
The closing film is Maite Alberdi’s The Mole Agent. Both are New York premieres.
In between, the iconic series will screen 27 features and 10 short films from 35 countries, with 13 North American premieres and 4 U.S. premieres, 15 films directed or co-directed by women and 15 works by first-time feature filmmakers
In Boys State, Texas high school students participate in an elaborate mock election to build their own state government, encapsulating “precisely the state of politics in the United States today. The idealistic, pragmatic, witty, and combative teenage subjects are uncanny reflections of their adult counterparts,” said La Frances Hui, Associate Curator of Film, The...
The closing film is Maite Alberdi’s The Mole Agent. Both are New York premieres.
In between, the iconic series will screen 27 features and 10 short films from 35 countries, with 13 North American premieres and 4 U.S. premieres, 15 films directed or co-directed by women and 15 works by first-time feature filmmakers
In Boys State, Texas high school students participate in an elaborate mock election to build their own state government, encapsulating “precisely the state of politics in the United States today. The idealistic, pragmatic, witty, and combative teenage subjects are uncanny reflections of their adult counterparts,” said La Frances Hui, Associate Curator of Film, The...
- 2/20/2020
- by Jill Goldsmith
- Deadline Film + TV
Rio De Janeiro — The 21st Rio Intl. Film Fest opens Monday Dec. 9t with the screening of Greta Gerwig’s “Little Women” in the Odeon landmark theater. The smaller than usual edition, which was almost cancelled due to the lack of municipal backing, reflects the crisis of Brazil’s film sector, involved in a battle with the administration of President Jair Bolsonaro.
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
- 12/7/2019
- by Marcelo Cajueiro
- Variety Film + TV
New sounds stages were the talk of the festival.
Oliver Laxe’s Fire Will Come picked up two top prizes at the 60th Thessaloniki Film Festival (Oct 31-Nov 10) on Sunday, winning the Golden Alexander worth €15,000 for best film and a best actor award for Amador Arias.
Scroll down for full list of winners
The Spanish film, which won the Un Certain Regard Jury Prize at Cannes, centres on a convicted arsonist (Arias) who returns to his family home in rural Galicia. Pyramide International handles world sales.
Maya Da-Rin’s The Fever won the Silver Alexander special jury award, worth €8,000. The drama,...
Oliver Laxe’s Fire Will Come picked up two top prizes at the 60th Thessaloniki Film Festival (Oct 31-Nov 10) on Sunday, winning the Golden Alexander worth €15,000 for best film and a best actor award for Amador Arias.
Scroll down for full list of winners
The Spanish film, which won the Un Certain Regard Jury Prize at Cannes, centres on a convicted arsonist (Arias) who returns to his family home in rural Galicia. Pyramide International handles world sales.
Maya Da-Rin’s The Fever won the Silver Alexander special jury award, worth €8,000. The drama,...
- 11/11/2019
- by 307¦Alexis Grivas¦39¦
- ScreenDaily
Óliver Laxe’s powerful drama conquered the selection, while Maya Da-Rin and Melina León won the other main awards at the 60th Thessaloniki International Film Festival. The third feature from French-born Galician film director, screenwriter and actor Óliver Laxe, Fire Will Come, has won the “Theo Angelopoulos” Golden Alexander for Best Feature Film at the 60th Thessaloniki International Film Festival, which ran from 31 October to 10 November. The prizes were given out yesterday at the closing-night ceremony, held in the Olympion Theatre. The international jury, comprising German director and festival programmer, Wieland Speck; Lithuanian director and visual artist, Rugilė Barzdžiukaitė; UK producer Jacqui Davies, Greek-French actress and director Ariane Labed; and Greek actress Angeliki Papoulia, handed the €15,000 prize to the Spanish-French drama, which through its austere and powerful narration about the forces of nature, follows a paria leaving prison and returning to his mother. For that performance, leading actor...
- 11/11/2019
- Cineuropa - The Best of European Cinema
Oliver Laxe’s “Fire Will Come” won the top prize, the Golden Alexander, at the 60th Thessaloniki Intl. Film Festival on Sunday, as well as the best actor award for Amador Arias, playing an arsonist who returns to his family home in the mountains.
The film, described in its Variety review as “a rustically beautiful rural parable,” played in Cannes’ Un Certain Regard sidebar — where it won the runner-up Jury Prize.
The Special Jury Award, the Silver Alexander, went to Maya Da-Rin’s “The Fever,” which world premiered at Locarno Film Festival. The film explores the complex and tense relationship between indigenous communities in Brazil and Western civilization.
The special jury award for best director, the Bronze Alexander, went to Melina Leon for “Song Without a Name,” which dramatizes a true-life case of Peruvian baby trafficking. The film played in Directors’ Fortnight in Cannes.
Greta Fernandez took the best actress...
The film, described in its Variety review as “a rustically beautiful rural parable,” played in Cannes’ Un Certain Regard sidebar — where it won the runner-up Jury Prize.
The Special Jury Award, the Silver Alexander, went to Maya Da-Rin’s “The Fever,” which world premiered at Locarno Film Festival. The film explores the complex and tense relationship between indigenous communities in Brazil and Western civilization.
The special jury award for best director, the Bronze Alexander, went to Melina Leon for “Song Without a Name,” which dramatizes a true-life case of Peruvian baby trafficking. The film played in Directors’ Fortnight in Cannes.
Greta Fernandez took the best actress...
- 11/10/2019
- by Leo Barraclough
- Variety Film + TV
‘Knives Out’ to open 18th edition of the festival.
The 18th Marrakech International Film Festival (Nov 29-Dec 7) has revealed its 2019 line-up.
The competition line-up features 14 films from first or second-time directors. Five of the films competing for the Marrakech Etoile d’Or (Gold Star) are directed by women. Among the line-up is Shannon Murphy’s Babyteeth, starring Ben Mendelsohn, and Fyzal Boulifa’s Lynn + Lucy.
The festival opens with a gala screening of Rian Johnson’s all-star whodunnit Knives Out. The other gala screenings include Noah Baumbach’s Marriage Story, Martin Scorsese’s The Irishman and Elia Suleiman’s It Must Be Heaven by.
The 18th Marrakech International Film Festival (Nov 29-Dec 7) has revealed its 2019 line-up.
The competition line-up features 14 films from first or second-time directors. Five of the films competing for the Marrakech Etoile d’Or (Gold Star) are directed by women. Among the line-up is Shannon Murphy’s Babyteeth, starring Ben Mendelsohn, and Fyzal Boulifa’s Lynn + Lucy.
The festival opens with a gala screening of Rian Johnson’s all-star whodunnit Knives Out. The other gala screenings include Noah Baumbach’s Marriage Story, Martin Scorsese’s The Irishman and Elia Suleiman’s It Must Be Heaven by.
- 11/7/2019
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Chicago – The Chicago International Film Festival is competitive, and the 55th edition presented its awards on October 25th, 2019, at Chez venue in Chicago. The winner of the Gold Hugo as Best International Film was “Portrait of a Lady on Fire” (France), directed by Céline Sclamma.
The 55th Chicago International Film Festival Awards Night was October 25th, 2019
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards were presented by the various jury members in each film category, and were hosed by Artistic Director Mimi Plauché, Managing Director Vivian Teng, as well as programmers Anthony Kaufman and Sam Flancher. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
‘Portrait of a Lady on Fire,’ (France) Directed by Céline Sclamma
Photo credit: Chicago International Film Festival
The Gold Hugo for Best Film: “Portrait of a Lady on Fire,” (France) Directed by Céline...
The 55th Chicago International Film Festival Awards Night was October 25th, 2019
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards were presented by the various jury members in each film category, and were hosed by Artistic Director Mimi Plauché, Managing Director Vivian Teng, as well as programmers Anthony Kaufman and Sam Flancher. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
‘Portrait of a Lady on Fire,’ (France) Directed by Céline Sclamma
Photo credit: Chicago International Film Festival
The Gold Hugo for Best Film: “Portrait of a Lady on Fire,” (France) Directed by Céline...
- 10/27/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Maya Da-Rin’s The Fever won best film in the Roberto Rossellini awards, while best film in the Fei Mu awards went to Anthony Chen’s Wet Season.
The Fever, from Brazilian filmmaker Maya Da-Rin, won best film in the Roberto Rossellini awards at this year’s Pingyao International Film Festival (Pyiff), while Anthony Chen’s Wet Season won best film in the Fei Mu awards.
The Roberto Rossellini awards are presented to films in Pingyao’s Crouching Tigers section for international debuts and second features. Best director in these awards went to Cesar Diaz for Our Mothers, the Guatemala-set...
The Fever, from Brazilian filmmaker Maya Da-Rin, won best film in the Roberto Rossellini awards at this year’s Pingyao International Film Festival (Pyiff), while Anthony Chen’s Wet Season won best film in the Fei Mu awards.
The Roberto Rossellini awards are presented to films in Pingyao’s Crouching Tigers section for international debuts and second features. Best director in these awards went to Cesar Diaz for Our Mothers, the Guatemala-set...
- 10/17/2019
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
The 3rd Pingyao International Film Festival has awarded its main Roberto Rossellini prizes to Brazilian director Maya Da-Rin’s The Fever, a film that follows the plight of a “urban indigenous’ worker, and to Guatemalan director Cesar Diaz, who traveled to the central Chinese event with his civil war drama Our Mothers.
Da-Rin thanked the fest for reaching out to films from the other side of the world and said the experience of making The Fever had been life-changing.
“For me it is a great honor,” she said upon receiving best film honors. “This film has been made ...
Da-Rin thanked the fest for reaching out to films from the other side of the world and said the experience of making The Fever had been life-changing.
“For me it is a great honor,” she said upon receiving best film honors. “This film has been made ...
- 10/16/2019
- The Hollywood Reporter - Film + TV
The 3rd Pingyao International Film Festival has awarded its main Roberto Rossellini prizes to Brazilian director Maya Da-Rin’s The Fever, a film that follows the plight of a “urban indigenous’ worker, and to Guatemalan director Cesar Diaz, who traveled to the central Chinese event with his civil war drama Our Mothers.
Da-Rin thanked the fest for reaching out to films from the other side of the world and said the experience of making The Fever had been life-changing.
“For me it is a great honor,” she said upon receiving best film honors. “This film has been made ...
Da-Rin thanked the fest for reaching out to films from the other side of the world and said the experience of making The Fever had been life-changing.
“For me it is a great honor,” she said upon receiving best film honors. “This film has been made ...
- 10/16/2019
- The Hollywood Reporter - Movie News
The Pingyao International Film Festival on Wednesday crowned “The Fever” by Maya Da-Rin as best film in its international category and “Wet Season” by Anthony Chen as the top title in its Chinese-language section.
The Roberto Rossellini Awards at the festival go to the top international directorial debuts or second features. Taking to the stage at the awards ceremony, Brazil’s Da-Rin said the prize was “a great honor.”
“This film has been made through seven years of a lot of work of a lot of people — people who give their lives to cinema and believe that through cinema we can think about our world,” she said. “The Fever” also won Best Actor and the Fipresci prize at Locarno this year.
Two other Roberto Rossellini Awards were handed out: the jury award to Chinese helmer Liang Ming for his debut, “Wisdom Tooth,” and the prize for best director to the...
The Roberto Rossellini Awards at the festival go to the top international directorial debuts or second features. Taking to the stage at the awards ceremony, Brazil’s Da-Rin said the prize was “a great honor.”
“This film has been made through seven years of a lot of work of a lot of people — people who give their lives to cinema and believe that through cinema we can think about our world,” she said. “The Fever” also won Best Actor and the Fipresci prize at Locarno this year.
Two other Roberto Rossellini Awards were handed out: the jury award to Chinese helmer Liang Ming for his debut, “Wisdom Tooth,” and the prize for best director to the...
- 10/16/2019
- by Rebecca Davis
- Variety Film + TV
Crouching Tigers includes titles such as Cesar Diaz’ Our Mothers and Anthony Chen’s Wet Season.
Pingyao International Film Festival (Pyiff) has unveiled the bulk of its programme for this year’s edition, including the world premiere of Indian filmmaker Tushar Hiranandani’s sports drama Bull’s Eye, which will screen as a special presentation on Pingyao Night.
Hong Kong filmmaker Jacob Cheung’s The Opera House, starring Mason Lee and Ouyang Nana, will also receive its world premiere at Pyiff as the closing film.
So far the festival, founded by Chinese filmmaker Jia Zhangke with Marco Mueller as artistic director,...
Pingyao International Film Festival (Pyiff) has unveiled the bulk of its programme for this year’s edition, including the world premiere of Indian filmmaker Tushar Hiranandani’s sports drama Bull’s Eye, which will screen as a special presentation on Pingyao Night.
Hong Kong filmmaker Jacob Cheung’s The Opera House, starring Mason Lee and Ouyang Nana, will also receive its world premiere at Pyiff as the closing film.
So far the festival, founded by Chinese filmmaker Jia Zhangke with Marco Mueller as artistic director,...
- 9/17/2019
- by Liz Shackleton
- ScreenDaily
With the Toronto International Film Festival concluding this past weekend and Telluride, Venice, and Locarno in the rearview, the first phase of fall film festivals have concluded. Ahead of the New York Film Festival, BFI London Film Festival, Fantastic Fest, AFI Fest, and more, we’ve rounded up our favorite films seen over the past month or so, resulting in a selection of premieres to have on your radar.
Stay tuned over the next months (or years) as we bring updates on films as they make their way to screens. One can also click here for a link to all of our festival coverage, including news, trailers, reviews, and much more. As always, thanks for reading, and let us know what you’re most looking forward to in the comments below. Also, for a more substantial look at what’s coming to theaters this season, check out our fall preview,...
Stay tuned over the next months (or years) as we bring updates on films as they make their way to screens. One can also click here for a link to all of our festival coverage, including news, trailers, reviews, and much more. As always, thanks for reading, and let us know what you’re most looking forward to in the comments below. Also, for a more substantial look at what’s coming to theaters this season, check out our fall preview,...
- 9/16/2019
- by The Film Stage
- The Film Stage
By any conservative approximation, in the week that spanned the moment I left the Locarno screening of Maya Da-Rin’s The Fever and the minute I began writing this piece, an area as vast as 100 million square meters has been wiped away from Brazil’s Amazon basin. Over that seven-day window, President Bolsonaro has rushed to oust scientists unaligned with his regime, the international community promised sanctions against Brazil, and the Twitterverse rallied to the paean #PrayforAmazon, all while a surface as large as a one-and-a-half soccer field continues to disintegrate to flames each and every minute. The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an...
- 8/26/2019
- by Leonardo Goi
- The Film Stage
The Golden Leopard goes to Portugal for Pedro Costa’s Vitalina Varela.
Portuguese filmmaker Pedro Costa received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vitalina Varela which had its world premiere in the Swiss festival’s international competition.
Scroll down for full list of winners
The international jury headed by French filmmaker and novelist Catherine Breillat also presented the Leopard for best actress to the 55-year-old Cape Verde islander Vitalina Varela for her performance in the film named after herself.
This is the second time Costa had taken home one of the main awards...
Portuguese filmmaker Pedro Costa received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vitalina Varela which had its world premiere in the Swiss festival’s international competition.
Scroll down for full list of winners
The international jury headed by French filmmaker and novelist Catherine Breillat also presented the Leopard for best actress to the 55-year-old Cape Verde islander Vitalina Varela for her performance in the film named after herself.
This is the second time Costa had taken home one of the main awards...
- 8/17/2019
- by Martin Blaney
- ScreenDaily
The 72nd Locarno Film Festival drew to a close Saturday with Portuguese auteur Pedro Costa’s dark and detached film “Vitalina Varela” coming away with several awards together with superlatives from segments of the hardcore cinephile crowd, including jury president Catherine Breillat.
In announcing the Golden Leopard prize for the film, as well as best actress to its eponymous star, Breillat was emphatic in saying that Costa’s achievement goes beyond mere awards, insisting on its place in the cinema pantheon.
Costa was the most prominent name in the International Competition selection this year, which marked Lili Hinstin’s first edition as festival director. Other awards in the main section went to Park Jung-bum’s “Height of the Wave” (Special Jury Prize) and Damien Manivel as best director for “Isadora’s Children,” with the top actor going to Regis Myrupu in Maya Da-Rin’s “The Fever.” All the prizes reflected...
In announcing the Golden Leopard prize for the film, as well as best actress to its eponymous star, Breillat was emphatic in saying that Costa’s achievement goes beyond mere awards, insisting on its place in the cinema pantheon.
Costa was the most prominent name in the International Competition selection this year, which marked Lili Hinstin’s first edition as festival director. Other awards in the main section went to Park Jung-bum’s “Height of the Wave” (Special Jury Prize) and Damien Manivel as best director for “Isadora’s Children,” with the top actor going to Regis Myrupu in Maya Da-Rin’s “The Fever.” All the prizes reflected...
- 8/17/2019
- by Jay Weissberg
- Variety Film + TV
Tiff Co-Heads Cameron Bailey and Joana Vicente added several more films in the Gala and Special Presentations sections of the 44th Toronto International Film Festival that runs September 5-15.
Here are the new ones:
Gala Premieres
The Tom Harper-directed Aeronauts will make its Canadian premiere, with Felicity Jones and Eddie Redmayne starring.
The Giuseppe Capotondi-directed Burnt Orange Heresy will make its North American premiere.
Special Presentations
The Kenny Leon-directed American Son makes its world premiere.
The Quentin Dupieux-directed Deerskin ( Le Daim ) makes its international premiere.
The Gregor Jordan-directed Dirt Music makes its world premiere.
The Geetu Mohandas-directed The Elder One makes its world premiere
Guns Akimbo, directed by Jason Lei Howden, makes its world premiere
Human Capital, directed by Marc Meyers, makes its world premiere;
Jungleland, directed by Max Winkler makes its world premiere;
Lucy in the Sky, directed by Noah Hawley, makes its world premiere;
Lyrebird, directed by Dan Friedkin,...
Here are the new ones:
Gala Premieres
The Tom Harper-directed Aeronauts will make its Canadian premiere, with Felicity Jones and Eddie Redmayne starring.
The Giuseppe Capotondi-directed Burnt Orange Heresy will make its North American premiere.
Special Presentations
The Kenny Leon-directed American Son makes its world premiere.
The Quentin Dupieux-directed Deerskin ( Le Daim ) makes its international premiere.
The Gregor Jordan-directed Dirt Music makes its world premiere.
The Geetu Mohandas-directed The Elder One makes its world premiere
Guns Akimbo, directed by Jason Lei Howden, makes its world premiere
Human Capital, directed by Marc Meyers, makes its world premiere;
Jungleland, directed by Max Winkler makes its world premiere;
Lucy in the Sky, directed by Noah Hawley, makes its world premiere;
Lyrebird, directed by Dan Friedkin,...
- 8/13/2019
- by Mike Fleming Jr
- Deadline Film + TV
The Brazilian filmmaker Maya Da-Rin has garnered attention for her documentaries Terras (2009) and Margem (2007), both shot in the Amazon region. Now, she is back with her fiction debut, an enigmatic film capable to explore the mystery of the Amazon forrest to create a dream-like atmosphere that impregnates the viewer like a burning fever. In it, Justino (Regis Myrupu), a middle-aged member of the indigenous Desana people in Brazil, begins to come down with a vague illness while working as a security guard at a shipyard in Manaus. His daughter Vanessa (Rosa Peixoto) is preparing to leave her father to study medicine in Brasilia. The two are caught between their family's past in the Amazon and their present in an urbanizing Amazon.We interviewed the writer-director about her new feature The Fever, which had its world premiere in the International Competition at the 72nd Locarno Film Festival.Notebook: What is your...
- 8/12/2019
- MUBI
Locarno–The breakout success of “Toni Erdmann” put Germany’s Komplizen Film on the map, earning the production house an Oscar nomination while paving the way for a remarkable string of international hits. Now the company is producing its first Netflix series, set to bow this fall, offering a glimpse of what a rapidly changing market means for independent European producers, the group said in Locarno on Friday.
Appearing in conversation with film critic Frederic Jaeger, Komplizen’s Maren Ade, Janine Jackowski and Jonas Dornbach discussed the changes they’ve witnessed across 20 years in the industry while talking about what Netflix represents for the company’s ongoing evolution. “It’s a different way of working—very different from what we had in the past,” said Dornbach. “From time to development to post…. This is a whole different way of developing a movie.”
Produced by Komplizen and StickUp Films, “Skylines” is...
Appearing in conversation with film critic Frederic Jaeger, Komplizen’s Maren Ade, Janine Jackowski and Jonas Dornbach discussed the changes they’ve witnessed across 20 years in the industry while talking about what Netflix represents for the company’s ongoing evolution. “It’s a different way of working—very different from what we had in the past,” said Dornbach. “From time to development to post…. This is a whole different way of developing a movie.”
Produced by Komplizen and StickUp Films, “Skylines” is...
- 8/10/2019
- by Christopher Vourlias
- Variety Film + TV
Paris-based Still Moving has dropped a first international teaser-trailer for Maya Da-Rin’s “A Febre” (The Fever), which world premieres this week in main International Competition at the 2019 Locarno Intl. Film Festival.
One of two Latin American Locarno Golden Leopard contenders, with Maura Delpero’s Argentine-Italian “Maternal” (“Hogar”), “The Fever” marks one of the latest productions from Germany’s Komplizen Films, the recipient of Locarno’s 2019 Best Independent Producer Award.
Produced by Dar-Rin’s label, Tamandua Vermelho, and Sao Paulo-based Enquadramiento Filmes, “The Fever” is co-produced by Komplizen and Still Moving, which has also stepped up to handle international sales.
Brazil’s Vitrine Filmes, the go-to-distributor for many top Brazilian films – “Divine Love,” “Bacurau” – will release “The Fever” in Brazil.
At a time when Brazil’s president Jair Bolsonaro has drawn world attention to the fate of the Amazon, championing its predominantly illegal logging industry, “The Fever” nails the fate of many indigenous Brazilians.
One of two Latin American Locarno Golden Leopard contenders, with Maura Delpero’s Argentine-Italian “Maternal” (“Hogar”), “The Fever” marks one of the latest productions from Germany’s Komplizen Films, the recipient of Locarno’s 2019 Best Independent Producer Award.
Produced by Dar-Rin’s label, Tamandua Vermelho, and Sao Paulo-based Enquadramiento Filmes, “The Fever” is co-produced by Komplizen and Still Moving, which has also stepped up to handle international sales.
Brazil’s Vitrine Filmes, the go-to-distributor for many top Brazilian films – “Divine Love,” “Bacurau” – will release “The Fever” in Brazil.
At a time when Brazil’s president Jair Bolsonaro has drawn world attention to the fate of the Amazon, championing its predominantly illegal logging industry, “The Fever” nails the fate of many indigenous Brazilians.
- 8/5/2019
- by John Hopewell
- Variety Film + TV
Celebrating its 72nd edition this year, the Locarno Film Festival has been the birthplace for the finest in international arthouse cinema and this year’s lineup looks to continue the tradition. Ahead of the festival, running August 7-17, the full slate has been announced.
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
- 7/17/2019
- by Jordan Raup
- The Film Stage
This year’s Locarno Film Festival (Aug 7 -17) lineup includes Quentin Tarantino’s Once Upon A Time In Hollywood and Joseph Gordon-Levitt plane thriller 7500, which gets its world premiere at the Swiss showcase. Scroll down for major category lineups.
The 72nd edition of the festival marks the first for incoming artistic director Lili Hinstein who has taken over from Carlo Chatrian. As ever, there is a strong contingent of European and Asian arthouse movies and the Piazza Grande section includes a handful of titles with more mainstream appeal, such as Tarantino’s Cannes pic Once Upon A Time In Hollywood, which rolls out globally in August.
Alongside Once Upon A Time In Hollywood, the open air Piazza Grande screenings will include the world premieres of German-produced hijack thriller-drama 7500, Carice Van Houten starrer Instinct, UK comedy actor Simon Bird’s directorial debut Days Of The Bagnold Summer, French director Stéphane Demoustier...
The 72nd edition of the festival marks the first for incoming artistic director Lili Hinstein who has taken over from Carlo Chatrian. As ever, there is a strong contingent of European and Asian arthouse movies and the Piazza Grande section includes a handful of titles with more mainstream appeal, such as Tarantino’s Cannes pic Once Upon A Time In Hollywood, which rolls out globally in August.
Alongside Once Upon A Time In Hollywood, the open air Piazza Grande screenings will include the world premieres of German-produced hijack thriller-drama 7500, Carice Van Houten starrer Instinct, UK comedy actor Simon Bird’s directorial debut Days Of The Bagnold Summer, French director Stéphane Demoustier...
- 7/17/2019
- by Andreas Wiseman
- Deadline Film + TV
Italian director Ginevra Elkann’s directorial debut, “If Only,” about kids with divorced parents, will open the 72nd Locarno Film Festival, its first edition under new artistic director Lili Hinstin, who has assembled an edgy mix of promising titles from young auteurs and more established names.
“If Only” and the fest closer, iconic Japanese director Kiyoshi Kurosawa’s Uzbekistan-set “To the Ends of the Earth” will both premiere in Locarno’s 8,000-seat Piazza Grande.
Also set for a launch from the Piazza Grande is Amazon’s terrorist drama “7500,” directed by Patrick Vollrath, with star Joseph Gordon-Levitt in tow; Valerie Donzelli’s comedy “Notre Dame”; and fellow French director Stephane Demoustier’s “The Girl With a Bracelet,” in which a teenager stands trial for murdering her best friend.
Quentin Tarantino’s “Once Upon a Time in Hollywood,” which premiered in Cannes, will also screen on the Piazza (without talent in...
“If Only” and the fest closer, iconic Japanese director Kiyoshi Kurosawa’s Uzbekistan-set “To the Ends of the Earth” will both premiere in Locarno’s 8,000-seat Piazza Grande.
Also set for a launch from the Piazza Grande is Amazon’s terrorist drama “7500,” directed by Patrick Vollrath, with star Joseph Gordon-Levitt in tow; Valerie Donzelli’s comedy “Notre Dame”; and fellow French director Stephane Demoustier’s “The Girl With a Bracelet,” in which a teenager stands trial for murdering her best friend.
Quentin Tarantino’s “Once Upon a Time in Hollywood,” which premiered in Cannes, will also screen on the Piazza (without talent in...
- 7/17/2019
- by Nick Vivarelli
- Variety Film + TV
Exclusive: French sales and production company fills out slate with upcoming films by the Alayan brothers and new Egyptian title.
Paris-based sales and production company Still Moving has boarded two upcoming Arabic-language pictures, Palestinian film-makers Muayad and Rami Alayan’s The Reports On Sarah And Saleem and Egyptian director Omar El Zohairy’s Feathers Of A Father.
The Reports On Sarah And Saleem is the second feature by the Alayan brothers, former Berlinale Talents who premiered their first film Love, Theft And Other Entanglements at the festival in 2015.
It revolves around a dangerous love affair between a Palestinian man and an Israeli woman.
Feathers Of A Father is the debut feature of El Zohairy, following a series of award-winning shorts – includingThe Aftermath Of The Inauguration Of The Public Toilet At Kilometer 375.
The director also worked as an assistant director to Ahmad Abdalla on Rags & Tatters and Tamer El Said on In The Last Days Of The City...
Paris-based sales and production company Still Moving has boarded two upcoming Arabic-language pictures, Palestinian film-makers Muayad and Rami Alayan’s The Reports On Sarah And Saleem and Egyptian director Omar El Zohairy’s Feathers Of A Father.
The Reports On Sarah And Saleem is the second feature by the Alayan brothers, former Berlinale Talents who premiered their first film Love, Theft And Other Entanglements at the festival in 2015.
It revolves around a dangerous love affair between a Palestinian man and an Israeli woman.
Feathers Of A Father is the debut feature of El Zohairy, following a series of award-winning shorts – includingThe Aftermath Of The Inauguration Of The Public Toilet At Kilometer 375.
The director also worked as an assistant director to Ahmad Abdalla on Rags & Tatters and Tamer El Said on In The Last Days Of The City...
- 2/12/2017
- ScreenDaily
Massoud Bakhshi’s Yalda wins two prizes at the event.
Production awards worth more than €470,000 were handed out at the 2016 TorinoFilmLab Meeting Event (Nov 23-25), held within the Torino Film Festival.
Three films were awarded Tfl co-production awards worth €50,000 each; Danielle Lessovitz’s Port Authority; Maya Da-Rin’s The Fever and Massoud Bakhshi’s Yalda.
Yalda also took home the audience award, voted for by attendees at event, worth €30,000.
Tehran-born Bakhshi’s feature debut, A Respectable Family, premiered at Cannes in 2012.
The international jury, which was chaired by the Venice Film Festival’s Artistic Director Alberto Barbera, also awarded production awards worth €40,000 each to three films; The Guest by Duccio Chiarini; The Orphanage by Shahrbanoo Sadat and The Staffroom by Sonja Tarokić.
New award
A new prize this year was the Lago development award, worth €5000, which went to Jan-Ole Gerster’s Imperium.
Apprentice by Boo Junfeng, Felicity by Alain Gomis, Jesús by [link...
Production awards worth more than €470,000 were handed out at the 2016 TorinoFilmLab Meeting Event (Nov 23-25), held within the Torino Film Festival.
Three films were awarded Tfl co-production awards worth €50,000 each; Danielle Lessovitz’s Port Authority; Maya Da-Rin’s The Fever and Massoud Bakhshi’s Yalda.
Yalda also took home the audience award, voted for by attendees at event, worth €30,000.
Tehran-born Bakhshi’s feature debut, A Respectable Family, premiered at Cannes in 2012.
The international jury, which was chaired by the Venice Film Festival’s Artistic Director Alberto Barbera, also awarded production awards worth €40,000 each to three films; The Guest by Duccio Chiarini; The Orphanage by Shahrbanoo Sadat and The Staffroom by Sonja Tarokić.
New award
A new prize this year was the Lago development award, worth €5000, which went to Jan-Ole Gerster’s Imperium.
Apprentice by Boo Junfeng, Felicity by Alain Gomis, Jesús by [link...
- 11/25/2016
- ScreenDaily
Mentors include Israel Film Fund executive director Katriel Schory and film director Thanos Anastopoulos.Scroll down for the nine projects
The TorinoFilmlab has revealed the nine projects that will take part in the 2016 edition of FrameWork, the initiative’s flagship lab for first and second feature film projects.
Amongst the first and second-time filmmakers is Iranian director Massoud Bakhshi, whose first feature A Respectable Family debuted in Directors’ Fortnight at Cannes in 2012, and Israeli director Tom Shoval, whose 2013 drama Youth was named best Israeli feature at the 2013 Jerusalem Film Festival.
This year’s mentors include Israel Film Fund executive director Katriel Schory, script consultants Franz Rodenkirchen, Marietta von Hausswolff von Baumgarten and Anita Voorham, film director Thanos Anastopoulos, cinematographer Marko Brdar, post-production expert Niko Remus, producer Didar Domehri, acting coach and casting director Tatiana Vialle, sound designer Peter Albrechtsen and film promotion consultant Joanna Solecka.
The first session will take place in Izola (Slovenia) from May 30 to...
The TorinoFilmlab has revealed the nine projects that will take part in the 2016 edition of FrameWork, the initiative’s flagship lab for first and second feature film projects.
Amongst the first and second-time filmmakers is Iranian director Massoud Bakhshi, whose first feature A Respectable Family debuted in Directors’ Fortnight at Cannes in 2012, and Israeli director Tom Shoval, whose 2013 drama Youth was named best Israeli feature at the 2013 Jerusalem Film Festival.
This year’s mentors include Israel Film Fund executive director Katriel Schory, script consultants Franz Rodenkirchen, Marietta von Hausswolff von Baumgarten and Anita Voorham, film director Thanos Anastopoulos, cinematographer Marko Brdar, post-production expert Niko Remus, producer Didar Domehri, acting coach and casting director Tatiana Vialle, sound designer Peter Albrechtsen and film promotion consultant Joanna Solecka.
The first session will take place in Izola (Slovenia) from May 30 to...
- 4/13/2016
- ScreenDaily
The Hubert Bals Fund (Hbf) of the Rotterdam International Film Festival (Iffr) has selected eight film projects from seven countries across Africa, Asia, Latin America and the Middle East to receive script and project development grants totaling €80,000.
Two film projects from Turkey and Nepal, produced by Topkapi Films and Waterland Film have been selected for the first round of The Netherlands Film Fund + Hubert Bals Fund Coproduction Scheme 2015.
Hubert Bals Fund Spring 2015 selection
In its Spring 2015 selection round, the Hbf supports eight outstanding film projects with a contribution towards their script and project development, among which four projects from first-time feature filmmakers (Alice Furtado, Maya Da-Rin, Hugo Gimenez and Kaouther Ben Hania) and four projects directed by women: "Sick Sick Sick," "The Fever," "Beauty and the Dogs" and "Barzagh."
Other highlights include a new project by Santiago Loza: "Brief Story from the Green Planet."Loza’s debut film "Extraño" (2003) was supported by Hbf and won a Tiger Award at Iffr 2003. In 2006 he returned to Iffr with "4 Mujeres Descalzas," which was also supported by Hbf and presented at CineMart in 2004.
"Three Missing Policemen" is the new film by Chinese director Ju Anqi, whose film "Poet on a Business Trip" had its world premiere at Iffr 2015, winning the Netpac Award. Following the events in the lives of three policemen, the film shows the rapid changes in Chinese society within the last three decades.
Alice Furtado’s short "Duel Before Nightfall" was shown at Iffr in 2012. Now the Hbf supports her first feature "Sick Sick Sick," a physical and heartbreaking genre defying love story between two teenagers.
Two international co-productions supported by Hbf+Nff
Two film projects, coproduced by Topkapi Films and Waterland Film, have been selected for the first round of the Nff+Hbf Coproduction Scheme 2015. The projects will receive production grants of € 50.000, provided by the Netherlands Film Fund. Topkapi Films coproduces "Something Useful" by Pelin Esmer (Turkey), Waterland Film coproduces "White Sun" by Deepak Rauniyar (Nepal).
"Something Useful is Pelin Esmer’s third feature film. The project received Hbf Script & Project Development support in 2014. Her previous films "10 to 11" and "Watchtower" both screened at Iffr.
"Something Useful" is produced by Mars Prodüksiyon (Turkey) and coproduced by SinefilM (Turkey), Les Films de L'Après-Midi (France) and Topkapi Films (The Netherlands).
"White Sun," Nepali director Deepak Rauniyar’s second feature film, was supported by Hbf for Script & Project Development in 2013 and was subsequently selected for the Boost! coaching trajectory, a joint initiative of Iffr’s Hubert Bals Fund, CineMart, the Binger Filmlab and the National Film Development Corporation of India.
"White Sun" is produced by Aadi Production (Nepal), Louverture Films (USA) and is coproduced by Waterland Film (The Netherlands).
Hbf Script & Project Development Spring 2015 Selection
"Barzagh" – Saodat Ismailova, Uzbekistan
"Beauty and the Dogs" – Kaouther Ben Hania, Tunisia
"Brief Story from the Green Planet" – Santiago Loza, Argentina
"The Fever" – Maya Da-Rin, Brazil
"Killing the Dead" – Hugo Gimenez, Paraguay
"Sick Sick Sick" – Alice Furtado, Brazil
"Tehran: City of Love" – Ali Jaberansari, Iran
"The Three Missing Policemen" - Ju Anqi, China
A script and project development grant can be used for the further development of the script or presentation of the project to financiers or other potential partners at (international) co-production meetings or film festivals.
Projects selected for The Netherlands Film Fund + Hubert Bals Fund Coproduction Scheme:
"White Sun" - Deepak Rauniyar, Nepal
"Something Useful" - Pelin Esmer, Turkey...
Two film projects from Turkey and Nepal, produced by Topkapi Films and Waterland Film have been selected for the first round of The Netherlands Film Fund + Hubert Bals Fund Coproduction Scheme 2015.
Hubert Bals Fund Spring 2015 selection
In its Spring 2015 selection round, the Hbf supports eight outstanding film projects with a contribution towards their script and project development, among which four projects from first-time feature filmmakers (Alice Furtado, Maya Da-Rin, Hugo Gimenez and Kaouther Ben Hania) and four projects directed by women: "Sick Sick Sick," "The Fever," "Beauty and the Dogs" and "Barzagh."
Other highlights include a new project by Santiago Loza: "Brief Story from the Green Planet."Loza’s debut film "Extraño" (2003) was supported by Hbf and won a Tiger Award at Iffr 2003. In 2006 he returned to Iffr with "4 Mujeres Descalzas," which was also supported by Hbf and presented at CineMart in 2004.
"Three Missing Policemen" is the new film by Chinese director Ju Anqi, whose film "Poet on a Business Trip" had its world premiere at Iffr 2015, winning the Netpac Award. Following the events in the lives of three policemen, the film shows the rapid changes in Chinese society within the last three decades.
Alice Furtado’s short "Duel Before Nightfall" was shown at Iffr in 2012. Now the Hbf supports her first feature "Sick Sick Sick," a physical and heartbreaking genre defying love story between two teenagers.
Two international co-productions supported by Hbf+Nff
Two film projects, coproduced by Topkapi Films and Waterland Film, have been selected for the first round of the Nff+Hbf Coproduction Scheme 2015. The projects will receive production grants of € 50.000, provided by the Netherlands Film Fund. Topkapi Films coproduces "Something Useful" by Pelin Esmer (Turkey), Waterland Film coproduces "White Sun" by Deepak Rauniyar (Nepal).
"Something Useful is Pelin Esmer’s third feature film. The project received Hbf Script & Project Development support in 2014. Her previous films "10 to 11" and "Watchtower" both screened at Iffr.
"Something Useful" is produced by Mars Prodüksiyon (Turkey) and coproduced by SinefilM (Turkey), Les Films de L'Après-Midi (France) and Topkapi Films (The Netherlands).
"White Sun," Nepali director Deepak Rauniyar’s second feature film, was supported by Hbf for Script & Project Development in 2013 and was subsequently selected for the Boost! coaching trajectory, a joint initiative of Iffr’s Hubert Bals Fund, CineMart, the Binger Filmlab and the National Film Development Corporation of India.
"White Sun" is produced by Aadi Production (Nepal), Louverture Films (USA) and is coproduced by Waterland Film (The Netherlands).
Hbf Script & Project Development Spring 2015 Selection
"Barzagh" – Saodat Ismailova, Uzbekistan
"Beauty and the Dogs" – Kaouther Ben Hania, Tunisia
"Brief Story from the Green Planet" – Santiago Loza, Argentina
"The Fever" – Maya Da-Rin, Brazil
"Killing the Dead" – Hugo Gimenez, Paraguay
"Sick Sick Sick" – Alice Furtado, Brazil
"Tehran: City of Love" – Ali Jaberansari, Iran
"The Three Missing Policemen" - Ju Anqi, China
A script and project development grant can be used for the further development of the script or presentation of the project to financiers or other potential partners at (international) co-production meetings or film festivals.
Projects selected for The Netherlands Film Fund + Hubert Bals Fund Coproduction Scheme:
"White Sun" - Deepak Rauniyar, Nepal
"Something Useful" - Pelin Esmer, Turkey...
- 5/15/2015
- by Sydney Levine
- Sydney's Buzz
From my inbox… for New Yorkers: A collaboration between The Museum of Modern Art and the Rio de Janeiro International Film Festival, the annual Premiere Brazil festival introduces New York audiences to original and accomplished recent work by both new and established Brazilian filmmakers.
This year’s edition opens with the New York premiere of an acclaimed documentary about contemporary artist Vik Muniz’s collaboration on a recycling project with the inhabitants of the world’s largest garbage dump – a powerful ode to the transformative powers of art. A number of evocative works (Lands; Reidy, Building Utopia; I Travel because I Have To, I Come Back because I Love You) deal with the collision between modern lifestyles, urban expansion, and the destructive power and delicate balance of the vast Brazilian landscape. This year’s classics selection, dedicated to the continued preservation and celebration of the legacy of the influential Cinema Novo movement,...
This year’s edition opens with the New York premiere of an acclaimed documentary about contemporary artist Vik Muniz’s collaboration on a recycling project with the inhabitants of the world’s largest garbage dump – a powerful ode to the transformative powers of art. A number of evocative works (Lands; Reidy, Building Utopia; I Travel because I Have To, I Come Back because I Love You) deal with the collision between modern lifestyles, urban expansion, and the destructive power and delicate balance of the vast Brazilian landscape. This year’s classics selection, dedicated to the continued preservation and celebration of the legacy of the influential Cinema Novo movement,...
- 5/28/2010
- by Tambay
- ShadowAndAct
This year's Guadalajara Film Festival (Ficg - Festival International de Cine Guadalajara) has so many events, sections and sidebars that one barely knows where to begin. Established in 1986 it now has an attendence of about 66,000 with industry attendence at about 3,000 all of whom are interested in interacting with one another and with filmmakers in an extremely friendly upbeat environment. Its festival has a competition for Mexican and Iberoamerican fiction, docs and shorts, French features with a focus on Agnes Varda, animation, alternative, childrens, and of course gala sections. It has a film market, numerous panels and has incorporated several key international initiatives.
About my ever active Women Directors' Tally: Of 160 new features at the festival, 27 are by women, equalling 16%. Those women are the ones who are currently playing the most important festivals: Paz Fabrega, Natalia Smirnoff, Florence Jaugey, Maria Novaro, Renate Costa, Urszula Antoniak, Elizabeth Chi Vasarhelyi, the ones not...
About my ever active Women Directors' Tally: Of 160 new features at the festival, 27 are by women, equalling 16%. Those women are the ones who are currently playing the most important festivals: Paz Fabrega, Natalia Smirnoff, Florence Jaugey, Maria Novaro, Renate Costa, Urszula Antoniak, Elizabeth Chi Vasarhelyi, the ones not...
- 3/25/2010
- by Sydney
- Sydney's Buzz
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