Im Zuge einer Neuordnung des Doku-Bereichs bei der UFA gibt es einen Wechsel an dessen Spitze. Darüber hinaus wurde eine Zusammenarbeit mit dem Wissenschaftsjournalisten Dirk Steffens vereinbart.
Ute Biernat (re.) übernimmt die Verantwortung des Doku-Genres bei der UFA, mit dem der Wissenschaftsjournalist Dirk Steffens (li.) künftig zusammenarbeiten wird (Credit: UFA/Steffens/Oliver Roetz/Gabo)
Neben ihrer Funktion als Geschäftsführerin von UFA Show & Factual übernimmt Ute Biernat die Verantwortung für den Ausbau des Doku-Genres unter dem Label UFA Documentary. Wie die UFA heute bekannt gibt, will sich der bisherige Geschäftsführer Marc Lepetit, der die Unit aufgebaut hatte und für Formate wie „Ich bin! Margot Friedländer“ und „All or nothing – Deutsche Nationalmannschaft“ verantwortlich war, künftig wieder als Produzent unter dem Dach der UFA arbeiten.
Nach Angaben der UFA geschieht dieser Führungswechsel im Rahmen einer Neuordnung des Dokumentationsbereich. Demnach entstehen rein dokumentarische Formate künftig aus dem Netzwerk der UFA Show & Factual heraus,...
Ute Biernat (re.) übernimmt die Verantwortung des Doku-Genres bei der UFA, mit dem der Wissenschaftsjournalist Dirk Steffens (li.) künftig zusammenarbeiten wird (Credit: UFA/Steffens/Oliver Roetz/Gabo)
Neben ihrer Funktion als Geschäftsführerin von UFA Show & Factual übernimmt Ute Biernat die Verantwortung für den Ausbau des Doku-Genres unter dem Label UFA Documentary. Wie die UFA heute bekannt gibt, will sich der bisherige Geschäftsführer Marc Lepetit, der die Unit aufgebaut hatte und für Formate wie „Ich bin! Margot Friedländer“ und „All or nothing – Deutsche Nationalmannschaft“ verantwortlich war, künftig wieder als Produzent unter dem Dach der UFA arbeiten.
Nach Angaben der UFA geschieht dieser Führungswechsel im Rahmen einer Neuordnung des Dokumentationsbereich. Demnach entstehen rein dokumentarische Formate künftig aus dem Netzwerk der UFA Show & Factual heraus,...
- 5/27/2024
- by Jochen Müller
- Spot - Media & Film
Nico Hofmann, the long-time CEO and current chair of German production giant UFA, maker of Generation War, Deutschland 83 and Charité, is leaving the Fremantle-owned company to go solo, setting up his own production house and joining forces with long-time collaborator Jan Mojto of Beta Film.
Hofmann will be stepping down as chairman of UFA on March 1 and has signed an exclusive first-look deal with Mojto’s Beta Film, producer of Babylon Berlin, that will see Hofmann, Mojto, and Beta producer Jan Wünschmann co-produce German and European series and films for the international market.
Hofmann and Mojto have a history going back decades. The duo pioneered event television and helped elevate German drama to international prominence with such limited series, as The Tunnel (2001), The Tower (2012) and Generation War (2013). These award-winning dramas, co-produced between Mojto’s Beta and Hofmann’s UFA-owned production group TeamWorx (now UFA Fiction), were also ratings hits in Germany and internationally.
Hofmann will be stepping down as chairman of UFA on March 1 and has signed an exclusive first-look deal with Mojto’s Beta Film, producer of Babylon Berlin, that will see Hofmann, Mojto, and Beta producer Jan Wünschmann co-produce German and European series and films for the international market.
Hofmann and Mojto have a history going back decades. The duo pioneered event television and helped elevate German drama to international prominence with such limited series, as The Tunnel (2001), The Tower (2012) and Generation War (2013). These award-winning dramas, co-produced between Mojto’s Beta and Hofmann’s UFA-owned production group TeamWorx (now UFA Fiction), were also ratings hits in Germany and internationally.
- 2/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Germany’s UFA Group has brought in a senior Netflix exec, as part of a management re-org.
Natalie Clausen has been named COO of the Fremantle-owned German production giant, and will join its management board on February 19.
She was most recently Senior Production Manager for German-speaking countries, working on productions such as The Empress, Kleo and Liebskind. Prior to Netflix, she worked on big-ticket German shows such as Babylon Berlin and UFA shows Charité and Deutschland 89.
She’ll report to UFA CEO Sascha Schwingel, who took on his role in September. Schwingel replaced Nico Hofmann, who had been with the Generation War maker for more than 25 years.
Clearly, the restructuring didn’t end there, and the addition of Clausen will “provide valuable input to create even more space for creativity in a flexible, lean organization and with the clever use of technology,” according to Schwingel.
Further changes will see...
Natalie Clausen has been named COO of the Fremantle-owned German production giant, and will join its management board on February 19.
She was most recently Senior Production Manager for German-speaking countries, working on productions such as The Empress, Kleo and Liebskind. Prior to Netflix, she worked on big-ticket German shows such as Babylon Berlin and UFA shows Charité and Deutschland 89.
She’ll report to UFA CEO Sascha Schwingel, who took on his role in September. Schwingel replaced Nico Hofmann, who had been with the Generation War maker for more than 25 years.
Clearly, the restructuring didn’t end there, and the addition of Clausen will “provide valuable input to create even more space for creativity in a flexible, lean organization and with the clever use of technology,” according to Schwingel.
Further changes will see...
- 2/9/2024
- by Jesse Whittock
- Deadline Film + TV
Major construction work along Cannes’ famed Croisette has turned this most glamorous of French seaside towns into a chaotic building site. Television executives, in town for the MIPCOM Cannes international TV confab, which runs through Thursday, Oct. 19, have been forced to run a gauntlet of concrete slabs and roped-off danger zones.
It’s an apt metaphor for the mood at MIPCOM this year. A conflagration of factors — the actors strike, rising inflation, a slump in the advertising market, and a pull-back in investment by the global streamers — have combined to weaken the foundations of the international TV business. Executives are treading carefully as if in fear the whole structure could collapse under their feet.
“There’s a lot of fear out there, a lot of companies are worried they might not be around in six, 12, 18 months,” said one MIPCOM veteran, the CEO of a mid-sized European production and distribution company.
It’s an apt metaphor for the mood at MIPCOM this year. A conflagration of factors — the actors strike, rising inflation, a slump in the advertising market, and a pull-back in investment by the global streamers — have combined to weaken the foundations of the international TV business. Executives are treading carefully as if in fear the whole structure could collapse under their feet.
“There’s a lot of fear out there, a lot of companies are worried they might not be around in six, 12, 18 months,” said one MIPCOM veteran, the CEO of a mid-sized European production and distribution company.
- 10/18/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Film Preservation
India’s Film Heritage Foundation (Fhf), which enjoys the support of cinema greats Martin Scorsese and Amitabh Bachchan, is conducting the third edition of the Biennial Audio-Visual Archival Summer School in partnership with the International Federation of Film Archives. The global film preservation training workshop is coming to India for the first time and will be held at the India International Centre in Delhi Oct. 10–19.
Fhf founder Shivendra Singh Dungarpur said that the final selection of some 50 participants, from 13 African countries, Asia, Europe, Australia, South and North America reaffirms the organization’s goal to “create a worldwide network of film archivists who can work together to save their film heritage around the globe.”
Scorsese said: “The World Cinema Project is committed to locating, preserving and distributing films from all over the world. A program like Bavass benefits this mission enormously by educating future film preservationists who can share...
India’s Film Heritage Foundation (Fhf), which enjoys the support of cinema greats Martin Scorsese and Amitabh Bachchan, is conducting the third edition of the Biennial Audio-Visual Archival Summer School in partnership with the International Federation of Film Archives. The global film preservation training workshop is coming to India for the first time and will be held at the India International Centre in Delhi Oct. 10–19.
Fhf founder Shivendra Singh Dungarpur said that the final selection of some 50 participants, from 13 African countries, Asia, Europe, Australia, South and North America reaffirms the organization’s goal to “create a worldwide network of film archivists who can work together to save their film heritage around the globe.”
Scorsese said: “The World Cinema Project is committed to locating, preserving and distributing films from all over the world. A program like Bavass benefits this mission enormously by educating future film preservationists who can share...
- 9/19/2023
- by Naman Ramachandran
- Variety Film + TV
Exec only took up role in April 2022.
Anette Novak is leaving her post as CEO and executive director of the Swedish Film Institute (Sfi).
Novak’s departure is unexpected as she only took up the role in April 2022. Local media has reported she was pushed out by the board.
In a statement on the Sfi website, board chairman Gunilla von Platen said: “Anette Novak has made good contributions to Swedish film, but the board believes that there is a need for different leadership. The intention is not to change the direction of the business.”
Von Platen told the Swedish news...
Anette Novak is leaving her post as CEO and executive director of the Swedish Film Institute (Sfi).
Novak’s departure is unexpected as she only took up the role in April 2022. Local media has reported she was pushed out by the board.
In a statement on the Sfi website, board chairman Gunilla von Platen said: “Anette Novak has made good contributions to Swedish film, but the board believes that there is a need for different leadership. The intention is not to change the direction of the business.”
Von Platen told the Swedish news...
- 9/19/2023
- by Wendy Mitchell
- ScreenDaily
Sascha Schwingel has been named the new CEO of German TV production giant UFA, replacing Nico Hofmann, who will become chair of the Berlin-based company behind such series as Generation War, Deutschland ’83 and Ku’damm 56. UFA is part of global production giant Fremantle.
Hofmann, who has been CEO of UFA since 2017, joined the company in 1998, setting up UFA’s serial fiction group teamWorx (now UFA Fiction). He is largely credited with helping turn UFA into Germany’s leading television producer, with shows across all genres and on air on virtually every German channel and streaming service.
The group consists of four production units: UFA Fiction, which produces high-end drama such as Deutschland ’83, Charité and the recent Disney+ series Sam – A Saxon; soaps division UFA Serial Drama, whose long-running serials include Gute Zeiten, Schlechte Zeiten and Unter Uns; UFA Show & Factual, which produce shiny floor shows including the local versions...
Hofmann, who has been CEO of UFA since 2017, joined the company in 1998, setting up UFA’s serial fiction group teamWorx (now UFA Fiction). He is largely credited with helping turn UFA into Germany’s leading television producer, with shows across all genres and on air on virtually every German channel and streaming service.
The group consists of four production units: UFA Fiction, which produces high-end drama such as Deutschland ’83, Charité and the recent Disney+ series Sam – A Saxon; soaps division UFA Serial Drama, whose long-running serials include Gute Zeiten, Schlechte Zeiten and Unter Uns; UFA Show & Factual, which produce shiny floor shows including the local versions...
- 9/19/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Hofman becomes chairman after 26 years with the company.
Fremantle has named Sascha Schwingel as the CEO of its German production label UFA, replacing Nico Hofman who becomes chairman.
Hofman has been chief executive of the Deutschland 83 and Generation War producer since 2017, but has had a long career with the group beginning in 1998 when he set up teamWorx which is now UFA Fiction.
Schwingel was most recently deputy chief content officer of Rtl Deutschland and before that was CEO of the Rtl Group-owned TV channel Vox Television. Schwingel started his career at teamWorx as a producer and in 2014 moved to...
Fremantle has named Sascha Schwingel as the CEO of its German production label UFA, replacing Nico Hofman who becomes chairman.
Hofman has been chief executive of the Deutschland 83 and Generation War producer since 2017, but has had a long career with the group beginning in 1998 when he set up teamWorx which is now UFA Fiction.
Schwingel was most recently deputy chief content officer of Rtl Deutschland and before that was CEO of the Rtl Group-owned TV channel Vox Television. Schwingel started his career at teamWorx as a producer and in 2014 moved to...
- 9/19/2023
- by Tim Dams
- ScreenDaily
UFA’s long-serving CEO Nico Hofmann is stepping down from his post and becoming Chairman of Fremantle’s German powerhouse, with former Rtl and exec Sascha Schwingel replacing him.
Hofmann has been chief exec of the Deutschland 83 and Generation War maker since 2017 but has been with the company for more than a quarter of a century. In that sense, his exit from the CEO post marks the end of an era.
Hofmann had joined in 1998 to set up TeamWorx, which is now UFA Fiction, and went on to produce many of Germany’s best-travelling drama series. Notably Deutschland 83 was the first from the country to air on a U.S. network.
His replacement, Schwingel, was most recently Deputy Chief Content Officer of Rtl Deutschland, overseeing the likes of Rtl Television, Rtl+ and Vox, where he was previously CEO. He is well known to Hofman having started his career at TeamWorx.
Hofmann has been chief exec of the Deutschland 83 and Generation War maker since 2017 but has been with the company for more than a quarter of a century. In that sense, his exit from the CEO post marks the end of an era.
Hofmann had joined in 1998 to set up TeamWorx, which is now UFA Fiction, and went on to produce many of Germany’s best-travelling drama series. Notably Deutschland 83 was the first from the country to air on a U.S. network.
His replacement, Schwingel, was most recently Deputy Chief Content Officer of Rtl Deutschland, overseeing the likes of Rtl Television, Rtl+ and Vox, where he was previously CEO. He is well known to Hofman having started his career at TeamWorx.
- 9/19/2023
- by Jesse Whittock
- Deadline Film + TV
Deutschland 83 commissioner Philipp Steffens is to leave German broadcaster Rtl as it merges its broadcast and streaming drama units.
Steffens, who was head of fiction at the commercial broadcaster since 2014, is departing to move back into production.
He will be replaced by Frauke Neeb and Hauke Bartel, who will now be responsible for all drama programming across the group. This comes after Rtl brought together its drama divisions for its linear TV channels and streaming platform TV Now. Neeb has been fiction editor at Rtl network Vox since January 2018, while Bartel has been head of fiction at Vox since April 2017.
The pair will report to Rtl Managing Director Jörg Graf and Vox Managing Director Sascha Schwingel.
In addition to Deutschland 83, which aired on Sundance in the U.S., Steffens also ordered hit German series The Teacher, which is in its eighth season. He was previously the creator of The Last Cop,...
Steffens, who was head of fiction at the commercial broadcaster since 2014, is departing to move back into production.
He will be replaced by Frauke Neeb and Hauke Bartel, who will now be responsible for all drama programming across the group. This comes after Rtl brought together its drama divisions for its linear TV channels and streaming platform TV Now. Neeb has been fiction editor at Rtl network Vox since January 2018, while Bartel has been head of fiction at Vox since April 2017.
The pair will report to Rtl Managing Director Jörg Graf and Vox Managing Director Sascha Schwingel.
In addition to Deutschland 83, which aired on Sundance in the U.S., Steffens also ordered hit German series The Teacher, which is in its eighth season. He was previously the creator of The Last Cop,...
- 12/10/2019
- by Peter White
- Deadline Film + TV
"Babylon Berlin," the path-breaking joint serial project of X-Filme, Ard Degeto, Sky and Beta Film, is finalizing its pre-production and will start shooting in April. The high-end series, set in the roaring 1920s in Berlin, will be produced until the end of the year. Created by showrunner Tom Tykwer (“Sense 8”, “Cloud Atlas”, “Run Lola Run”) and his writer/director team Achim von Borries (“Alone in Berlin”) and Hendrik Handloegten (“Good Bye, Lenin”), "Babylon Berlin" stars “Generation War”-lead Volker Bruch and multiple-award-winning and up-and-coming actress Liv Lisa Fries (“She Deserved It”). The four partners have already signed in for two seasons. X-Filme producer Stefan Arndt: “We’re particularly happy that we’ll be able to complete two series of eight episodes each during the first shooting. This shows how enthusiastic and confident all of the partners are in our joint project.”
Kutscher’s "Babylon Berlin," centering on police inspector Gereon Rath, delivers an atmospheric portrayal of Berlin as the most exciting city in the world of that time, a hotbed of drugs and politics, murder and art, emancipation and extremism.
Sky will broadcast the series in 2017 and Ard in 2018. As co-producer, Beta Film will be responsible for the worldwide distribution of the series.
Beta Film’s director Jan Mojto explains, “Made in Germany is also a hallmark of quality in television. Due to the subject, the creative energy invested in the project, the names involved, its high standards, and not least, its budget, the first international reactions to the project have been very positive. 'Babylon Berlin' doesn’t need to take second stage to any of the major international series.”
The broadcasting team at Sky Deutschland and Ard Degeto emphasized how unique this collaboration is going to be. In the words of Volker Herres, program director at Erstes Deutsches Fernsehen: “We would like to build on the incredible success of Volker Kutscher’s novels. These are exciting stories with a historical background, and we want to present them to German television audiences in a serial production that holds up to international standards. With this goal, we benefit from a collaboration between three strong partners so X Filme and Tom Tykwer can implement the detective series in grand style.”
“Babylon Berlin,” Carsten Schmidt, Chief Executive Officer of Sky Deutschland reports, “is an exceptional project and a perfect match for Sky – bold storytelling, an outstanding cast, and Tom Tykwer’s incredibly creative team. The cooperation between X Filme, Ard, Degeto, and Beta Film is an impressive example of a fruitful and fair collaboration where all the partners are striking a unique path for Germany and Austria. With 'Babylon Berlin,' we are adding an in-house German production segment to our exclusive international agreements with such major partners as HBO and Showtime – a direction we will be moving in even more in the future.”
And Christine Strobl, managing director of Ard Degeto adds, “'Babylon Berlin' is a special project and very important for Ard. With this series, Ard Degeto will be offering Das Erste audiences a real treat that can stand up to international comparison from both the narrative and visual points of view. With regard to cooperation and financing, such an exceptional project deserves an exceptional approach. I am looking forward to the upcoming start of filming – judging from the screenplays, we can expect some outstanding television.”
A special challenge for the three authors and directors, Tom Tykwer, Achim von Borries, and Hendrik Handloegten. “For a long time, we were searching for subject matter that could tell the story of this unique era in all its facets,” Tom Tykwer explains. “We finally found it in Kutscher’s novels. And after Achim, Hendrik, and I spent three years working intensively on the screenplay, I can hardly wait now to get started.”
Achim von Borries adds, “The final years of the Weimar Republic were a time of continual crisis and constant attacks from political extremists. A rapidly growing city with immigrants from all over the world was in the middle of it all – Berlin, the international melting pot, with the pressure constantly mounting. This was a source of inexhaustible material for us as authors. And to finally have the opportunity to portray the atmosphere of the late 20s is a challenge to us as directors – absolutely huge and incredibly exciting.”
For Hendrik Handloegten, the city of Berlin plays one of the key roles: “Berlin in the final Weimar years was characterized by its fast pace, freedom, and diversity. But soon it was too much speed, too much freedom, too much diversity. A city that is always becoming, but never is. In 'Babylon Berlin,' the city is the protagonist. And Berlin in 1929 is a bestial, monstrous, famished and satiated, exalted and down-to-earth, elegant and degenerate, perverse and chaste… and mysterious protagonist. The best thing that could happen to an author and director.”
Stefan Arndt adds, “We’re really looking forward to capturing this exuberant episode of Berlin’s history here in the city itself, thanks to all our partners and sponsors. A stunning outdoor set is being built right now in Babelsberg that will evoke so many impressions of the city at the time. Together with our experienced film artists from our previous productions, we are greatly looking forward to bringing the world of the 1920s to life in a TV series. For all of us, this project is the dawn of a new epoch in television production.”
Volker Bruch captivated millions of television viewers with his portrayal of Wehrmacht officer Wilhelm in “Generation War”. As one of the five leading actors, he won a special prize at the 2013 Bavarian TV Awards for his performance, as well as a German Television Award and Emmy Award.
Liv Lisa Fries won considerable acclaim in the Ard film “She Deserved it”, where she plays the aggressive teenager Linda who tortures her classmate to death. She was awarded the 2012 Golden Camera as Best Young Actress for her convincing performance, and also won the 2011 Günter Strack Television Award.
The chief editors of "Babylon Berlin" are Christine Strobl, Sascha Schwingel, and Carolin Haasis (Ard Degeto), Gebhard Henke and Caren Toenissen (Wdr), and Marcus Ammon and Frank Jastfelder (Sky Deutschland). The producers for X Filme are Stefan Arndt, Uwe Schott, and Michael Polle.
The project is sponsored by Medienboard Berlin-Brandenburg, Creative Europe Media, and the Nrw Film and Media Foundation.
Kutscher’s "Babylon Berlin," centering on police inspector Gereon Rath, delivers an atmospheric portrayal of Berlin as the most exciting city in the world of that time, a hotbed of drugs and politics, murder and art, emancipation and extremism.
Sky will broadcast the series in 2017 and Ard in 2018. As co-producer, Beta Film will be responsible for the worldwide distribution of the series.
Beta Film’s director Jan Mojto explains, “Made in Germany is also a hallmark of quality in television. Due to the subject, the creative energy invested in the project, the names involved, its high standards, and not least, its budget, the first international reactions to the project have been very positive. 'Babylon Berlin' doesn’t need to take second stage to any of the major international series.”
The broadcasting team at Sky Deutschland and Ard Degeto emphasized how unique this collaboration is going to be. In the words of Volker Herres, program director at Erstes Deutsches Fernsehen: “We would like to build on the incredible success of Volker Kutscher’s novels. These are exciting stories with a historical background, and we want to present them to German television audiences in a serial production that holds up to international standards. With this goal, we benefit from a collaboration between three strong partners so X Filme and Tom Tykwer can implement the detective series in grand style.”
“Babylon Berlin,” Carsten Schmidt, Chief Executive Officer of Sky Deutschland reports, “is an exceptional project and a perfect match for Sky – bold storytelling, an outstanding cast, and Tom Tykwer’s incredibly creative team. The cooperation between X Filme, Ard, Degeto, and Beta Film is an impressive example of a fruitful and fair collaboration where all the partners are striking a unique path for Germany and Austria. With 'Babylon Berlin,' we are adding an in-house German production segment to our exclusive international agreements with such major partners as HBO and Showtime – a direction we will be moving in even more in the future.”
And Christine Strobl, managing director of Ard Degeto adds, “'Babylon Berlin' is a special project and very important for Ard. With this series, Ard Degeto will be offering Das Erste audiences a real treat that can stand up to international comparison from both the narrative and visual points of view. With regard to cooperation and financing, such an exceptional project deserves an exceptional approach. I am looking forward to the upcoming start of filming – judging from the screenplays, we can expect some outstanding television.”
A special challenge for the three authors and directors, Tom Tykwer, Achim von Borries, and Hendrik Handloegten. “For a long time, we were searching for subject matter that could tell the story of this unique era in all its facets,” Tom Tykwer explains. “We finally found it in Kutscher’s novels. And after Achim, Hendrik, and I spent three years working intensively on the screenplay, I can hardly wait now to get started.”
Achim von Borries adds, “The final years of the Weimar Republic were a time of continual crisis and constant attacks from political extremists. A rapidly growing city with immigrants from all over the world was in the middle of it all – Berlin, the international melting pot, with the pressure constantly mounting. This was a source of inexhaustible material for us as authors. And to finally have the opportunity to portray the atmosphere of the late 20s is a challenge to us as directors – absolutely huge and incredibly exciting.”
For Hendrik Handloegten, the city of Berlin plays one of the key roles: “Berlin in the final Weimar years was characterized by its fast pace, freedom, and diversity. But soon it was too much speed, too much freedom, too much diversity. A city that is always becoming, but never is. In 'Babylon Berlin,' the city is the protagonist. And Berlin in 1929 is a bestial, monstrous, famished and satiated, exalted and down-to-earth, elegant and degenerate, perverse and chaste… and mysterious protagonist. The best thing that could happen to an author and director.”
Stefan Arndt adds, “We’re really looking forward to capturing this exuberant episode of Berlin’s history here in the city itself, thanks to all our partners and sponsors. A stunning outdoor set is being built right now in Babelsberg that will evoke so many impressions of the city at the time. Together with our experienced film artists from our previous productions, we are greatly looking forward to bringing the world of the 1920s to life in a TV series. For all of us, this project is the dawn of a new epoch in television production.”
Volker Bruch captivated millions of television viewers with his portrayal of Wehrmacht officer Wilhelm in “Generation War”. As one of the five leading actors, he won a special prize at the 2013 Bavarian TV Awards for his performance, as well as a German Television Award and Emmy Award.
Liv Lisa Fries won considerable acclaim in the Ard film “She Deserved it”, where she plays the aggressive teenager Linda who tortures her classmate to death. She was awarded the 2012 Golden Camera as Best Young Actress for her convincing performance, and also won the 2011 Günter Strack Television Award.
The chief editors of "Babylon Berlin" are Christine Strobl, Sascha Schwingel, and Carolin Haasis (Ard Degeto), Gebhard Henke and Caren Toenissen (Wdr), and Marcus Ammon and Frank Jastfelder (Sky Deutschland). The producers for X Filme are Stefan Arndt, Uwe Schott, and Michael Polle.
The project is sponsored by Medienboard Berlin-Brandenburg, Creative Europe Media, and the Nrw Film and Media Foundation.
- 2/19/2016
- by Sydney Levine
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.