In 1983, the Walker Art Center in Minneapolis, Minnesota, along with Media Study/Buffalo, created a touring retrospective of avant-garde films, primarily feature-length ones and a few shorts, which they called “The American New Wave 1958-1967.” To accompany the tour, a hefty catalog was produced that included notes on the films, essays by film historians and critics, writings by major underground film figures and more.
The retrospective was created at a time when financially viable independent filmmaking was on the rise, such as films made by John Sayles, Wayne Wang and Susan Seidelman. According to the co-curators of the retrospective, Melinda Ward and Bruce Jenkins, the objective of the tour was to:
provide a more adequate picture than conventional history affords us of a rare period of American cinematic invention and thereby prepare a coherent critical and historical context for the reception of the new work by the current generation of independent filmmakers.
The retrospective was created at a time when financially viable independent filmmaking was on the rise, such as films made by John Sayles, Wayne Wang and Susan Seidelman. According to the co-curators of the retrospective, Melinda Ward and Bruce Jenkins, the objective of the tour was to:
provide a more adequate picture than conventional history affords us of a rare period of American cinematic invention and thereby prepare a coherent critical and historical context for the reception of the new work by the current generation of independent filmmakers.
- 11/25/2017
- by Mike Everleth
- Underground Film Journal
This is the "cattle line", I mentioned from Sundance Day One, now empty except for me, Richard Peterson, Director of Programming of the Christopher B. Smith Rafael Film Center in Mill Valley, and the volunteer with the great Mohawk punk hat who is about to tell me that I am not allowed to film in the line waiting area for the Holiday Village Theaters. Imagine this room when filled with people waiting to get into all 4 theaters. You have to line up an hour ahead to be sure to get a seat. At the moment I shot this, it was 5 pm, an hour before the the film Lasting. Most of the trade was at the Main Street cocktail receptions Ida, AFI and Sundance Channel were holding.
- 1/20/2013
- by Sydney Levine
- Sydney's Buzz
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