Elements Post Production (Byron Bay) strives to be at the forefront of creativity, delivering to the highest industry standards with 4K + capabilities. Offering in-studio Edit, VFX, Colour and remote grading through Sohonet or Streambox for both long and short-form projects. Work onsite or offsite – you decide.
Colourist, Billy Wychgel, has over 20 years experience and is trusted and sought after for his creative and technical approach to cater to each individual project. Across the board of; commercials, online content, features, independent films, and documentaries; custom-built machines in the Linux grading facilities, enables high speeds with live playback. This entire pipeline, with Cumulus VFX , ensures end to end highest standards without compromise.
The collective industry experience and passion for quality is what drives the team of founders William Gammon, Billy Wychgel and Gabrielle Joosten forward, giving equal attention to large and small projects.
Possum Creek Studios
“I cannot speak highly enough about...
Colourist, Billy Wychgel, has over 20 years experience and is trusted and sought after for his creative and technical approach to cater to each individual project. Across the board of; commercials, online content, features, independent films, and documentaries; custom-built machines in the Linux grading facilities, enables high speeds with live playback. This entire pipeline, with Cumulus VFX , ensures end to end highest standards without compromise.
The collective industry experience and passion for quality is what drives the team of founders William Gammon, Billy Wychgel and Gabrielle Joosten forward, giving equal attention to large and small projects.
Possum Creek Studios
“I cannot speak highly enough about...
- 5/21/2020
- by The IF Team
- IF.com.au
John Molloy is the head of production at Mushroom Pictures, working out of the company's Melbourne office. After boffo success with 'Molly' earlier in the year, he's now gearing up for the release of his latest project as producer: Nicholas Verso's fantasy-tinged teen drama 'Boys in the Trees'.
When did you meet the director, Nicholas Verso? I know you produced his short..
That was the first time we worked together, on The Last Time I Saw Richard (2014), but I'd seen some of Nicholas's short films before that. Nic and I started working on Boys in the Trees and then decided to make The Last Time I Saw Richard as a way of helping us put the feature together. A proof of our relationship and also showing Nicholas' style, so that when we were out talking about the feature we had something very concrete that people could hold on to.
When did you meet the director, Nicholas Verso? I know you produced his short..
That was the first time we worked together, on The Last Time I Saw Richard (2014), but I'd seen some of Nicholas's short films before that. Nic and I started working on Boys in the Trees and then decided to make The Last Time I Saw Richard as a way of helping us put the feature together. A proof of our relationship and also showing Nicholas' style, so that when we were out talking about the feature we had something very concrete that people could hold on to.
- 9/30/2016
- by Harry Windsor
- IF.com.au
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