Denis Villeneuve's "Dune" films are an embarrassment of riches. With a strong ensemble cast, gorgeous visuals, an arresting story, and production design to die for, the filmmaker's take on Frank Herbert's epic sci-fi saga is firing on all cylinders. The movies also have fantastic effects makeup; a talented team is responsible for turning Austin Butler into a scowling, pale villain, etching runes onto the faces of the Bene Gesserit, and making everyone generally look both hot and windswept.
Oscar-nominated makeup artist Donald Mowat is credited as head of the makeup department on both 2021's "Dune" and "Dune: Part Two," but in 2020, he told Inside The Film Room that he nearly didn't get to work on the movies after all. Mowat previously collaborated extensively with Daniel Craig, doing his makeup on films like "Cowboys & Aliens" and "The Girl With The Dragon Tattoo" before joining the Bond franchise for "Skyfall" and Spectre.
Oscar-nominated makeup artist Donald Mowat is credited as head of the makeup department on both 2021's "Dune" and "Dune: Part Two," but in 2020, he told Inside The Film Room that he nearly didn't get to work on the movies after all. Mowat previously collaborated extensively with Daniel Craig, doing his makeup on films like "Cowboys & Aliens" and "The Girl With The Dragon Tattoo" before joining the Bond franchise for "Skyfall" and Spectre.
- 4/20/2024
- by Valerie Ettenhofer
- Slash Film
The creative team from Spider-Man: Across the Spider-Verse will soon be swinging into Colorado to accept an inaugural award at the Denver Film Festival.
The fest today announced a more complete lineup of events, screenings, honorees, special guests, podcasts and more for this year’s installment, scheduled for Nov. 3-12. Plucked to receive the inaugural Denver Film Festival 5280 Award will be the Spider-Verse team. The prize is designed to honor “exceptional cinematic work and collaboration to achieve new heights,” per officials. It will be presented to writers and producers Phil Lord and Christopher Miller, executive producer Bob Persichetti, producer Christina Steinberg and senior animation supervisor Humberto Rosa following a screening of the film on Nov. 7 at the AMC 9 + Co 10.
Anthony Chen, whose credits include Ilo Ilo, Wet Season and Ah ma, has been tapped to receive the Denver Film Festival Excellence in Directing Award following the screening of one of his new films,...
The fest today announced a more complete lineup of events, screenings, honorees, special guests, podcasts and more for this year’s installment, scheduled for Nov. 3-12. Plucked to receive the inaugural Denver Film Festival 5280 Award will be the Spider-Verse team. The prize is designed to honor “exceptional cinematic work and collaboration to achieve new heights,” per officials. It will be presented to writers and producers Phil Lord and Christopher Miller, executive producer Bob Persichetti, producer Christina Steinberg and senior animation supervisor Humberto Rosa following a screening of the film on Nov. 7 at the AMC 9 + Co 10.
Anthony Chen, whose credits include Ilo Ilo, Wet Season and Ah ma, has been tapped to receive the Denver Film Festival Excellence in Directing Award following the screening of one of his new films,...
- 10/25/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
Zaib Shaikh, Canada’s Consul General to Los Angeles, hosted the country’s annual Canada at the Oscars soiree Thursday at his official residence in Hancock Park.
The event was the first stop of the night for many Oscar-nominated Canadians including “Women Talking’s” Sarah Polley, Sheila McCarthy and Kate Hallet. Polley was headed to the Macro party. Other attendees were going to the Oscar Wilde Awards or the South Asian Excellence Pre-Oscars Celebration.
Also in attendance were “Turning Red’s” Domee Shi, who landed an Oscar for best animated feature, Brendan Fraser and “The Whale” prosthetics makeup designer Adrien Morot.
The night celebrated Canadian Oscar winners and nominees, past and present.
Last year’s nominated makeup artist for “Dune,” Donald Mowat, spoke with Variety about his upcoming work with frequent collaborator Jake Gyllenhaal. On the TV series, “Presumed Innocent,” Mowat said, “He gets to be a heartbroken lawyer with...
The event was the first stop of the night for many Oscar-nominated Canadians including “Women Talking’s” Sarah Polley, Sheila McCarthy and Kate Hallet. Polley was headed to the Macro party. Other attendees were going to the Oscar Wilde Awards or the South Asian Excellence Pre-Oscars Celebration.
Also in attendance were “Turning Red’s” Domee Shi, who landed an Oscar for best animated feature, Brendan Fraser and “The Whale” prosthetics makeup designer Adrien Morot.
The night celebrated Canadian Oscar winners and nominees, past and present.
Last year’s nominated makeup artist for “Dune,” Donald Mowat, spoke with Variety about his upcoming work with frequent collaborator Jake Gyllenhaal. On the TV series, “Presumed Innocent,” Mowat said, “He gets to be a heartbroken lawyer with...
- 3/10/2023
- by Jazz Tangcay
- Variety Film + TV
Click here to read the full article.
In the world of HBO Max’s period comedy Minx, Jake Johnson’s Bottom Dollar publisher Doug is king — and production designer Jeff Sage, along with set decorator Doug Mowat, helped build his castle.
The first season of HBO Max’s dramedy Minx is most obviously a time capsule of feminism, capitalism, race and sexuality, but it’s also a rare look back into the world of ’70s publishing. Sage tells The Hollywood Reporter when it came to the show’s main publishing environment, Bottom Dollar, they weren’t recreating the “very high gloss Playboy look where they really spent money on photography and beautiful models.” Instead, this was “low-rent soft-pornography.”
“In the day, that was a thriving business, that whole world of sort of B-magazines where the models aren’t that attractive, the photography is pretty lame, the sets and bathing suits are very simple,...
In the world of HBO Max’s period comedy Minx, Jake Johnson’s Bottom Dollar publisher Doug is king — and production designer Jeff Sage, along with set decorator Doug Mowat, helped build his castle.
The first season of HBO Max’s dramedy Minx is most obviously a time capsule of feminism, capitalism, race and sexuality, but it’s also a rare look back into the world of ’70s publishing. Sage tells The Hollywood Reporter when it came to the show’s main publishing environment, Bottom Dollar, they weren’t recreating the “very high gloss Playboy look where they really spent money on photography and beautiful models.” Instead, this was “low-rent soft-pornography.”
“In the day, that was a thriving business, that whole world of sort of B-magazines where the models aren’t that attractive, the photography is pretty lame, the sets and bathing suits are very simple,...
- 6/12/2022
- by Abbey White
- The Hollywood Reporter - Movie News
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