Bat for Lashes released a self-directed video for “The Hunger” on Tuesday, depicting a witchy seance in the desert. The track appears on her forthcoming album Lost Girls, out September 6th.
“The Hunger” shows Bat for Lashes, aka Natasha Khan, hugging and blessing a group of women on a flat desert plane. The group conduct ritualistic dances and movements out in the sun, with an implied spiritual undercurrent running through the clip.
“I started this song with this organ sound on a really old ’80s synth,” Khan told The Fader.
“The Hunger” shows Bat for Lashes, aka Natasha Khan, hugging and blessing a group of women on a flat desert plane. The group conduct ritualistic dances and movements out in the sun, with an implied spiritual undercurrent running through the clip.
“I started this song with this organ sound on a really old ’80s synth,” Khan told The Fader.
- 8/6/2019
- by Claire Shaffer
- Rollingstone.com
Stripped-down creature feature “Sweetheart” stars Kiersey Clemons as a shipwreck survivor on an uninhabited island that unfortunately turns out to have one frequent, unfriendly, nonhuman visitor. The sparing glimpses of the scaly whatsis and near-complete lack of dialogue (to a point) make this a reasonably offbeat wade into a familiar Black Lagoon. But despite decent suspense, “Sleight” director J.D. Dillard’s good-looking second feature is a chiller that’s not quite original or stylish enough to be memorable.
Clemons’ Jenn washes onto her isle barely conscious, though in better shape than a fellow passenger (Benedict Samuel) on her storm-downed pleasure cruise, who quickly expires. The situation is dire, but the heroine proves resourceful, quickly figuring out how to spear-fish and make a fire. She also finds signs of prior habitation: A campsite whose vacationers oddly left their gear behind — and more disturbingly, an apparent group gravesite.
The first sign that...
Clemons’ Jenn washes onto her isle barely conscious, though in better shape than a fellow passenger (Benedict Samuel) on her storm-downed pleasure cruise, who quickly expires. The situation is dire, but the heroine proves resourceful, quickly figuring out how to spear-fish and make a fire. She also finds signs of prior habitation: A campsite whose vacationers oddly left their gear behind — and more disturbingly, an apparent group gravesite.
The first sign that...
- 2/12/2019
- by Dennis Harvey
- Variety Film + TV
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