"It was impossible to sit down to watch this film in Kosovo - in an audience of peoples whose independence was so recently threatened, once again, by a country that has, for a decade and a half, refused to recognise its independence - without feeling immediately uneasy and tense. But Natasa Urban matched and raised this tension, with her relentlessly confronting investigation of 'the other side.' 'The Eclipse' skillfully navigates an extensive, chronological history of Serbia, the country she has left behind, and an investigation of her family members who occupy positions ranging from denial and extreme anger at their nation's actions. We were impressed by the confidence with which these strands were weaved together, both visually and in the edit, and its pedagogical but non-didactic force. It is a shame that this film's subject is once again so pertinent, but the questions Urban asks about memory culture and a nation's compulsion to repeat are, and always will be, of global relevance."