After a hugely successful year for domestic films, Austria’s movie industry is looking forward to another impressive crop of titles, including many international co-productions that reflect not only cultural and historical ties with neighboring countries but also the sector’s strong cross-border partnerships.
Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.
Forthcoming releases include works from established directors and young filmmakers, says Anne Laurent-Delage, executive director of promotional organization Austrian Films. This year’s strong showing follows...
Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.
Forthcoming releases include works from established directors and young filmmakers, says Anne Laurent-Delage, executive director of promotional organization Austrian Films. This year’s strong showing follows...
- 2/18/2023
- by Ed Meza
- Variety Film + TV
Zurich-based Tellfilm, the Swiss outfit behind this year’s Golden Bear contender “Ingeborg Bachmann – Journey into the Desert,” has lined up a robust co-production slate, teaming with European partners on the psychological thriller “Motherhood” and the period drama “Gloria!,” while developing their first scripted series “How to Be Sad – The Right Way” with an eye towards global streamers.
Co-produced by Austria’s Freibeuter Film (“The Great Freedom”) and with Germany’s The Match Factory handling international sales, the Johanna Moder directed “Motherhood” will tackle maternal anxieties through the lens of a tense psychological thriller. Production is slated for later this year, with actors Marie Leuenberger and Hans Löw signed as leads. “The Square” star Claes Bang is attached as well.
Lensing this May, the musical drama “Gloria!” will tell a story of artistic liberation in Baroque-era Venice. Headed by Tempesta’s Carlo Cresto-Dina – whose Alice Rohrwacher short “Le Pupille” is...
Co-produced by Austria’s Freibeuter Film (“The Great Freedom”) and with Germany’s The Match Factory handling international sales, the Johanna Moder directed “Motherhood” will tackle maternal anxieties through the lens of a tense psychological thriller. Production is slated for later this year, with actors Marie Leuenberger and Hans Löw signed as leads. “The Square” star Claes Bang is attached as well.
Lensing this May, the musical drama “Gloria!” will tell a story of artistic liberation in Baroque-era Venice. Headed by Tempesta’s Carlo Cresto-Dina – whose Alice Rohrwacher short “Le Pupille” is...
- 2/18/2023
- by Ben Croll
- Variety Film + TV
All of the projects will compete for the €6,000 ArteKino International Award.
New films from Oleg Sentsov, County Lines director Henry Blake and Austria’s Sandra Wollner are among the projects selected for the 14th edition of the Les Arcs Film Festival’s Co-Production Village.
All of the projects will compete for the €6,000 ArteKino International Award.
Ukraine’s Sentsov participates with new project Kai. The filmmaker was in Venice in 2021 with Rhino, before fighting on the front line following Russia’s invasion of Ukraine.
Blake is attending with The Golden Radiance Of A Beetle, a 1919-set romance co-written by Xiao Tang...
New films from Oleg Sentsov, County Lines director Henry Blake and Austria’s Sandra Wollner are among the projects selected for the 14th edition of the Les Arcs Film Festival’s Co-Production Village.
All of the projects will compete for the €6,000 ArteKino International Award.
Ukraine’s Sentsov participates with new project Kai. The filmmaker was in Venice in 2021 with Rhino, before fighting on the front line following Russia’s invasion of Ukraine.
Blake is attending with The Golden Radiance Of A Beetle, a 1919-set romance co-written by Xiao Tang...
- 11/15/2022
- by Rebecca Leffler
- ScreenDaily
France’s Les Arcs Film Festival has unveiled the 18 European feature film projects due to be presented in the 14th edition of its Les Arcs Coproduction Village, running December 10 to 13 against the backdrop of the French Alps.
The meeting, aimed at connecting projects with co-producers, financiers, sales agents and distributors, received 311 submissions this year, 40 more than in 2021.
Hailing from 13 territories, seven of the projects are helmed by female filmmakers, and 11 by men, a proportion equal to the applications received for the Coproduction Village.
Nine of them are first features, six are second features and three are by more established filmmakers.
They include U.K. director Henry Blake’s The Golden Radiance Of A Beetle, his second feature after buzzy debut County Lines. The 1919-set drama follows an English woman who falls in love with a Chinese docker and then morphs into a beetle due to societal hatred.
Ukrainian director Oleh Sentsov will attend with Kai,...
The meeting, aimed at connecting projects with co-producers, financiers, sales agents and distributors, received 311 submissions this year, 40 more than in 2021.
Hailing from 13 territories, seven of the projects are helmed by female filmmakers, and 11 by men, a proportion equal to the applications received for the Coproduction Village.
Nine of them are first features, six are second features and three are by more established filmmakers.
They include U.K. director Henry Blake’s The Golden Radiance Of A Beetle, his second feature after buzzy debut County Lines. The 1919-set drama follows an English woman who falls in love with a Chinese docker and then morphs into a beetle due to societal hatred.
Ukrainian director Oleh Sentsov will attend with Kai,...
- 11/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
Writer-director Johanna Moder's High Performance pits Daniel's economic status against his social status, testing the soundness of his moral fibre against his questioning of what it means to be free. Like a Sartrean hypothesis on freedom, Moder presents Daniel as a financially struggling actor as he battles against his bourgeois roots. Though Daniel seems to have a superiority complex due to his bourgeois upbringing, he purports to be more free due to his lack of corporate ties. As Daniel learns (to the soundtrack of Bill Callahan's masterful "Too Many Birds"), financial success is intrinsically tied with cheating and trickery.
- 2/2/2015
- by Don Simpson
- SmellsLikeScreenSpirit
The most extensive previews of this year's Slamdance, opening tonight and running through Thursday, come from Paul Sbrizzi at Hammer to Nail and Twitch. Sbrizzi has notes on Perry Blackshear's They Look Like People, Pavan Moondi and Brian Robertson's Diamond Tongues, Patrick Ryan's Darkness on the Edge of Town, Alexandre Paschoalini's Asco, Johanna Moder's High Performance, Jiyoung Lee's Female Pervert, Gary Walkow's The Trouble with Dot and Harry and Stephen Richter's Birds of Neptune, plus two documentaries, Maurizius Sterkle Drux’s Concrete Love – The Böhm Family and Paul-Julien Robert's My Fathers, My Mother and Me. We'll be collecting full-blown reviews as they appear. » - David Hudson...
- 1/23/2015
- Fandor: Keyframe
The most extensive previews of this year's Slamdance, opening tonight and running through Thursday, come from Paul Sbrizzi at Hammer to Nail and Twitch. Sbrizzi has notes on Perry Blackshear's They Look Like People, Pavan Moondi and Brian Robertson's Diamond Tongues, Patrick Ryan's Darkness on the Edge of Town, Alexandre Paschoalini's Asco, Johanna Moder's High Performance, Jiyoung Lee's Female Pervert, Gary Walkow's The Trouble with Dot and Harry and Stephen Richter's Birds of Neptune, plus two documentaries, Maurizius Sterkle Drux’s Concrete Love – The Böhm Family and Paul-Julien Robert's My Fathers, My Mother and Me. We'll be collecting full-blown reviews as they appear. » - David Hudson...
- 1/23/2015
- Keyframe
While the Sundance Film Festival is the better known film festival located in Utah that runs in January, it is not the only one, as the Slamdance Film Festival has been running in the same place during the same month for over 20 years. The unique aspect of the Slamdance Film Festival, however, is its Narrative Features and Documentary Features program, which restricts its selection to films that are directorial debuts, made for under $1 million, and don’t have Us distribution. The 2015 incarnation of the festival is set to run from January 23rd to the 29th, and ahead of the festival’s premiere next month, organisers have unveiled the lineup for the aforementioned categories. The lineup is as follows.
Narrative Features Program:
Across The Sea (Turkey/USA), making its North American Premiere
Written and Directed by Nisan Dağ and Esra Saydam
Starring Damla Sönmez, Jacob Fishel, Ahmet Rıfat Şungar, Hakan Karsak,...
Narrative Features Program:
Across The Sea (Turkey/USA), making its North American Premiere
Written and Directed by Nisan Dağ and Esra Saydam
Starring Damla Sönmez, Jacob Fishel, Ahmet Rıfat Şungar, Hakan Karsak,...
- 12/2/2014
- by Deepayan Sengupta
- SoundOnSight
Festival top brass announced the 19 films that will screen at the Slamdance Film Festival, set to run in Park City, Utah, from January 23-29.
The 11 narrative and eight documentary selections include 13 world premieres. All competition films are feature directorial debuts budgeted below $1m without Us distribution.
“It’s very exciting to bring this dynamic lineup to audiences in Park City,” said festival director Anna Germanidi. “We are proud to help launch these filmmakers’ careers and celebrate the success we all believe these films deserve.”
“Our success in showcasing emerging artists is most obviously linked with American talent, but increasingly at Slamdance, we want to also support new international talent,” said co-founder and president Peter Baxter.
All synopses below provided by Slamdance.
Narrative Features
Across The Sea (Turkey-usa)
Dirs Nisan Dağ, Esra Saydam
Young, beautiful and pregnant, Damla has to confront her first love in a Turkish summer town before she can fully embrace her new life in...
The 11 narrative and eight documentary selections include 13 world premieres. All competition films are feature directorial debuts budgeted below $1m without Us distribution.
“It’s very exciting to bring this dynamic lineup to audiences in Park City,” said festival director Anna Germanidi. “We are proud to help launch these filmmakers’ careers and celebrate the success we all believe these films deserve.”
“Our success in showcasing emerging artists is most obviously linked with American talent, but increasingly at Slamdance, we want to also support new international talent,” said co-founder and president Peter Baxter.
All synopses below provided by Slamdance.
Narrative Features
Across The Sea (Turkey-usa)
Dirs Nisan Dağ, Esra Saydam
Young, beautiful and pregnant, Damla has to confront her first love in a Turkish summer town before she can fully embrace her new life in...
- 12/1/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Sundance Film Festival dominates Park City in late January, but there is also the upstart Slamdance Film Festival. We’ve not really highlighted that fest or its program, but I always stay at Treasure Mountain Inn where Slamdance is headquartered and they’ve kind of grown on me. Last year they brought Christopher Nolan to speak (the fest had the good sense to program his first film) and Joe Mangianello came to vamp his male stripper docu. This year, there’s every chance of seeing Dennis Rodman, the flamboyant former rebounding machine and Bff of North Korean leader Kim Jong Un, for the docu Dennis Rodman’s Big Bang In Pyongyang. So let’s all root for an international incident! Here are the films they’ll be playing from January 23-29:
Narrative Features Program
Across the Sea – Directors & Screenwriters: Nisan Dağ, Esra Saydam. (Turkey/USA) North American Premiere.
Narrative Features Program
Across the Sea – Directors & Screenwriters: Nisan Dağ, Esra Saydam. (Turkey/USA) North American Premiere.
- 12/1/2014
- by Mike Fleming Jr
- Deadline
Slamdance winner won the Max Ophüls Prize at the weekend, granting it a slot in the Berlinale.
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
- 1/27/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Berlinale Paula and Perspektive prizes confirmed.
Berlin’s European Film Market (Efm) is expanding its number of screening venues by setting up shop at the recently refurbished Zoo Palast [pictured] cinema complex.
Exhibitors will be able to choose from five exclusive screening facilities with state-of-the-art projection technology, ranging from Cinemas 3-5 (with seating for 159, 161 and 157, respectively) to Club A and B with seating for 36 and 39.
Two of the cinemas can project 3D DCPs and one of the Club cinemas has its own bar, while all of the venues are kitted out with comfortable armchairs and extra space between the rows.
The Efm will be organising a free bus shuttle service from outside of the Gropius Mirror Restaurant and the Marriott Hotel to the Zoo Palast, but an alternative would be take the U2 underground which stops right outside of the cinema.
The Zoo Palast cinemas replace the screening venues at the Cubix cinema near Alexanderplatz, which had also...
Berlin’s European Film Market (Efm) is expanding its number of screening venues by setting up shop at the recently refurbished Zoo Palast [pictured] cinema complex.
Exhibitors will be able to choose from five exclusive screening facilities with state-of-the-art projection technology, ranging from Cinemas 3-5 (with seating for 159, 161 and 157, respectively) to Club A and B with seating for 36 and 39.
Two of the cinemas can project 3D DCPs and one of the Club cinemas has its own bar, while all of the venues are kitted out with comfortable armchairs and extra space between the rows.
The Efm will be organising a free bus shuttle service from outside of the Gropius Mirror Restaurant and the Marriott Hotel to the Zoo Palast, but an alternative would be take the U2 underground which stops right outside of the cinema.
The Zoo Palast cinemas replace the screening venues at the Cubix cinema near Alexanderplatz, which had also...
- 1/8/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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