- (2000) He was the lighting designer for William Shakespeare's play, "Antony and Cleopatra", at the Chicago Shakespeare Theater in Chicago, Illinois.
- (2004) He was the lighting designer for the play, "Electricidad", at the Goodman Theatre in Chicago, Illiois with Ivonne Coll in the cast. The crew included Christopher Akerlind (lighting designer), Ray Nardelli and Joshua Horvath (sound designers).
- (2004) He was the lighting designer for Adam Guettel's musical, "The Light in the Piazza", at the Goodman Theatre in Chicago, Illinois with Victoria Clark and Mark Harelik in the cast. The crew included Bartlett Sher (director).
- (2008 - 2009) He was the lighting designer for Tom Stoppard's play, "Rock 'n Roll", at the Goodman Theatre in Chicago, Illinois with Mary Beth Fisher and Timothy Edward Kane in the cast.
- (2010 - 2011) He was the lighting designer for William Shakespeare's play, "As You Like It," at the Chicago Shakespeare Theater in Chicago, Illinois. Jenny Giering composed original incidental music.
- (January 17 to March 10, 1996) He was lighting designer for August Wilson's play, "Seven Guitars," at the Ahmanson Theatre in Los Angeles, California with Keith David, Tommy Hollis, Ruben-Santiago Hudson, Michele Shay, Viola Davis, Roger Robinson and Rosalyn Coleman in the cast in the cast. Lloyd Richards was director. Dwight D. Andrews was musical director. Scott Bradley was scenic designer. Tom Clark was sound designer. Constanza Romero was costume designer. (1996) August Wilson's play, "Seven Guitars," was performed on Broadway in New York City with Ruben Santiago-Hudson, Viola Davis and Michelle Shay in the cast. Lloyd Richards was director. Scott Bradley was scenic designer. Christopher Akerlind was lighting designer.
- (1996) He was lighting designer for August Wilson's play, "Seven Guitars," on Broadway in New York City with Ruben Santiago-Hudson, Viola Davis and Michelle Shay in the cast. Lloyd Richards was director. Scott Bradley was scenic designer.
- (May 25 to July 17, 2005) He was lighting designer for David Hare's play, "Stuff Happens," in the American premiere at the Mark Taper Forum Theatre in Los Angeles, California. Gordon Davidson was director.
- (1991-1992 season) He was lighting designer for Eugene O'Neill's play, "A Touch of the Poet," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael Yeargan was set designer. David Murin was costume designer. Renton Evans was composer.
- (1993-1994 season) He was lighting designer for Brian Friel's play, "Faith Healer," at the Long Wharf Theatre in New Haven, Connecticut. Joe Dowling was director. Frank Hallinan Flood was set designer. Anne Cave was costume designer.
- (1998-1999 season) He was lighting designer for the musical, "Working," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Studs Turkel wrote the book. Stephen Schwartz and Nina Faso were adapters. Christopher Ashley was director. Neil Patel was set designer. David C. Woolard was costume designer. T. Richard Fitzgerald was sound designer. Jan Hartley was projections designer. Danny Kosarin was musical director.
- (May 9 to June 3, 2007) He was lighting designer for Anton Chekhov's play, "Uncle Vanya," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was adapter and director. Michael Yeargan was scenic designer. Jane Greenwood was costume designer. Daniel Baker was sound designer.
- (November 25 to December 20, 2016) He was lighting designer for William Shakespeare's play, "Measure for Measure," in a Fiasco Theater and Long Wharf Theatre production on Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Noah Brady and Ben Steinfeld were directors. Derek McLane was set designer. Whitney Locher was costume designer. Matthew Melchiorre was production stage manager. Amy Patricia Stern was assistant stage manager.
- (October 27 to November 21, 2010) He was lighting designer for Athol Fugard's play, "The Train Driver," in an East Coast premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Susan Hilferty was costume designer. John Gromada was sound designer. Stephen Gabis was dialect coach. Cale Bonenberger was stage manager. Amy Patricia Stern was assistant stage manager.
- (May 6 to 31, 2015) He was lighting designer for Joe DiPietro's play, "The Second Mrs. Wilson," in a world premiere at the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck Theatre in New Haven, Connecticut. Gordon Edelstein was director. Alexander Dodge was set designer. Linda Cho was costume designer. John Gromada was sound designer and composer. Leah Lucas was wig and makeup designer. Peter Van Dyke was production stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (May 2 to 27, 2012) He was lighting designer for Aaron Posner's adaptation of Chaim Potok's novel, "My Name is Asher Lev," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Ilona Somogyi was costume designer. John Gromada was composer and sound designer. Dave Bova was wig designer. Bonnie Brady was stage manager. Amy Patricia Stern was assistant stage manager. James Calleri was casting director.
- (1994 to 1995 season) He was lighting designer for Tony Kushner's play, "Slavs," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Barbara Meek, Anne Scurria, Robert J. Colonna, Brian McEleney, Timothy Crowe, William Damkoehler, Fred Sullivan Jr., Lisa Lane, Sarah E. Galli and Scarlet Schore in the cast. Oskar Eustis was director and artistic director. Eugene Lee was set designer. William Lane was costume designer. Richard Cumming was composer and music director. Tori Haring-Smith was Dramaturge. Bobby H. Grayson was wig designer.
- (1995 to 1996 season) He was lighting designer for Eugene O'Neill's play, "Long Day's Journey Into Night," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. Eugene Lee was set designer. William Lane was costume designer.
- (1996 to 1997 season) He was lighting designer for Stephen Sondheim and James Lapine's musical, "Into the Woods," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. Eugene Lee was set designer. William Lane was costume designer.
- (1996 to 1997 season) He was lighting designer for Oliver Goldsmith's play, "She Stoops to Conquer," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Douglas Hughes was director. John Lee Beatty was set designer. Linda Fisher was costume designer.
- (1996 to 1997 season) He was lighting designer for Brian Friel's play, "Philadelphia, Here I Come," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Joe Dowling was director and artistic director. John Lee Beatty was set designer. Catherine Zuber was costume designer.
- (1997 to 1998 season) He was lighting designer for the musical, "Thunder Knocking on the Door," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Eric Riley and Lovette George in the cast. Keith Glover was writer. Marion McClinton was director. Neil Patel was set designer. Michael Alan Stein was costume designer. Keb Mo was composer and lyricist. Keith Glover and Anderson Edwards provided additional music and lyrics. Ken Roberson was choreographer.
- (1998 to 1999 season) He was lighting designer for Oscar Wilde's play, "The Importance of Being Earnest," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Barbara Bryne (Lady Bracknell) in the cast. Joe Dowling was director and artistic director. Frank Hallinan Flood was set designer. Matthew J. LeFebvre was costume designer. Victor Zupanc was composer.
- (1998 to 1999 season) He was lighting designer for Brian Friel's adaptation of Ivan Turgenev's play, "A Month in the Country," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Mark Brokaw was director. Frank Hallinan Flood was set designer. Ellen McCartney was costume designer.
- (1998 to 1999 season) He was lighting designer for Tennessee Williams' play, "Summer and Smoke," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Laila Robins (Alma) and Barbara Bryne in the cast. David Esbjornson was director. John Arnone was set designer. Elizabeth Hope Clancy was costume designer.
- (2001 to 2002 season) He was lighting designer for Peter Shaffer's play, "Amadeus," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Joe Dowling was director and artistic director. Patrick Clark was set designer. Paul Tazewell was costume designer.
- (2005 to May 7, 2006 season) He was lighting designer for William Shakespeare's play, "Hamlet," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Santino Fontana (Hamlet); Markus Potter; Randy Reyes and Leah Curney in the cast. Joe Dowling was director and artistic director. Richard Hoover was set designer. Paul Tazewell was costume designer.
- (January 17, 1992) He was lighting designer for George Bernard Shaw's play, "Misalliance," in the American Repertory Theatre production at Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Derek McLane was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
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