As the U.S. streamers become a bigger part of the European industry landscape, production companies are starting to intensify collaborations across EU borders to make high-end shows, which is vital to keeping the ecosystem healthy.
That was the main takeaway of a Series Mania panel on collaborating across borders that also looked at the ongoing battle between European TV producers and the streaming giants over terms of trade that is prompting more co-productions as an alternative model.
Jens Richter, Fremantle’s international CEO, pointed out that the streamers coming to Europe is “a threat on the one hand” –– because they tend to impose a Hollywood studio model where they get perpetual rights in return for full-financing plus a fee, leaving no IP with the producer –– “and also it’s a huge opportunity.”
On the positive side Richter cited how streamers are allowing European dramas to make major inroads into the U.
That was the main takeaway of a Series Mania panel on collaborating across borders that also looked at the ongoing battle between European TV producers and the streaming giants over terms of trade that is prompting more co-productions as an alternative model.
Jens Richter, Fremantle’s international CEO, pointed out that the streamers coming to Europe is “a threat on the one hand” –– because they tend to impose a Hollywood studio model where they get perpetual rights in return for full-financing plus a fee, leaving no IP with the producer –– “and also it’s a huge opportunity.”
On the positive side Richter cited how streamers are allowing European dramas to make major inroads into the U.
- 3/24/2022
- by Nick Vivarelli
- Variety Film + TV
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