A UK-based Chinese film festival that strives to take on the responsibility of promoting the importance of a mutual understanding of diverse cultures between greater China and the UK, Mint Chinese Film Festival (Mint Cff) is back for its fresh 2nd edition from Feb 1-4 at Keswick Alhambra Cinema to welcome the Year of Dragon, showcasing the best and most pioneering Chinese films!
Mint is the first women-organised Chinese film festival in the UK and aims to curate for underrepresented voices, images, and stories, actively discovering and supporting Chinese creators, emerging women filmmakers and artists, and gender-diverse directors.
Founded by Chinese film curator Yixiang Shirley Lin and Keswick Alhambra Cinema's co-owner Dr Carol Rennie, Mint is a year-round active film festival; it not only holds an annual Chinese film festival but also curates and organises pop-up film screenings and relevant cultural and artistic events in various venues across the UK...
Mint is the first women-organised Chinese film festival in the UK and aims to curate for underrepresented voices, images, and stories, actively discovering and supporting Chinese creators, emerging women filmmakers and artists, and gender-diverse directors.
Founded by Chinese film curator Yixiang Shirley Lin and Keswick Alhambra Cinema's co-owner Dr Carol Rennie, Mint is a year-round active film festival; it not only holds an annual Chinese film festival but also curates and organises pop-up film screenings and relevant cultural and artistic events in various venues across the UK...
- 1/19/2024
- by Adriana Rosati
- AsianMoviePulse
Film at Lincoln Center
A massive Edward Yang retrospective, New York’s first in a dozen years, continues with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
A 35mm print of Fincher’s The Girl with the Dragon Tattoo and “City Dudes” screen this Saturday.
Museum of the Moving Image
A Roy Andersson retrospective continues with his flagship films and a lesser-seen work; the Todd Haynes series winds down; The Wicker Man plays on Saturday and Sunday.
Film Forum
The Third Man begins a 75th-anniversary 35mm run while Days of Heaven (read our interview with Brooke Adams) continues in 4K.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues.
IFC Center
Casablanca and Alphaville have runs; The Muppets Take Manhattan plays early, while Black Christmas, Revenge of the Sith, and Last Crusade have late showings.
The post NYC Weekend Watch: Yi Yi,...
A massive Edward Yang retrospective, New York’s first in a dozen years, continues with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
A 35mm print of Fincher’s The Girl with the Dragon Tattoo and “City Dudes” screen this Saturday.
Museum of the Moving Image
A Roy Andersson retrospective continues with his flagship films and a lesser-seen work; the Todd Haynes series winds down; The Wicker Man plays on Saturday and Sunday.
Film Forum
The Third Man begins a 75th-anniversary 35mm run while Days of Heaven (read our interview with Brooke Adams) continues in 4K.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues.
IFC Center
Casablanca and Alphaville have runs; The Muppets Take Manhattan plays early, while Black Christmas, Revenge of the Sith, and Last Crusade have late showings.
The post NYC Weekend Watch: Yi Yi,...
- 12/29/2023
- by Nick Newman
- The Film Stage
Family will break your heart and bruise your heart and mend your heart like no one else can — not always in that order, and sometimes all three at once. In his exceptional, happy-sad-funny debut film “House of the Seasons,” Oh Jung-min creates a beautiful tapestry of intimate sprawl, as three generations of a meddlesome, quarrelsome, loving Korean clan experience all the colors of familial life while the hills of their village home phase from lush green to copper and russet to stark, snowy white.
Through clean bright clouds of clearing steam, we’re invited into the small Daegu Village tofu factory owned and run by the Kim family. Hae-sook (Cha Mi-kyeong), the careworn, efficient wife of the factory’s flighty current boss Tae-geun (Oh Man-seok) is taking special care with this batch, as tonight it’s to be part of their Jesa ceremony — an annual ritual commemorating the spirits of dead ancestors.
Through clean bright clouds of clearing steam, we’re invited into the small Daegu Village tofu factory owned and run by the Kim family. Hae-sook (Cha Mi-kyeong), the careworn, efficient wife of the factory’s flighty current boss Tae-geun (Oh Man-seok) is taking special care with this batch, as tonight it’s to be part of their Jesa ceremony — an annual ritual commemorating the spirits of dead ancestors.
- 10/9/2023
- by Jessica Kiang
- Variety Film + TV
To the surprise of some and the delight of many, the late Taiwanese director Edward Yang’s drama Yi Yi (2000) has topped the The Hollywood Reporter critics’ list of the “Best 50 Films of the 21st Century (So Far).” Helping put the film in context, Japanese director Ryusuke Hamaguchi, 44, whose 2021 film Drive My Car won the best international film Oscar (and also lands at #19 on THR‘s list), offers a personal statement on what Yang’s masterpiece has meant to him and a generation of Asian filmmakers.
Urban life in Asia, especially in the wake of World War II, has become markedly Westernized. For the post-war generation, to which Edward Yang and my parents belonged, the richness of material and spiritual gains that came from this process must have felt like a stroke of luck. But ultimately, the trauma of this historical rupture has also been passed down through the generations,...
Urban life in Asia, especially in the wake of World War II, has become markedly Westernized. For the post-war generation, to which Edward Yang and my parents belonged, the richness of material and spiritual gains that came from this process must have felt like a stroke of luck. But ultimately, the trauma of this historical rupture has also been passed down through the generations,...
- 4/6/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
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