We’ve got questions, and you’ve (maybe) got answers! With another week of TV gone by, we’re lobbing queries left and right about shows including Sleepy Hollow, Once Upon a Time, The Walking Dead, Quantico, Legends of Tomorrow and Scandal!
RelatedSleepy Hollow Ep Breaks Down Crane’s Stunning Deal With the Devil
1 | In the Sleepy Hollow finale, wouldn’t it have made more sense for Lara to sacrifice her soul to the devil — rather than Ichabod — given that there are basically two of her in this timeline (and she’s kinda the surplus one)?
2 | Which Grimm finale death...
RelatedSleepy Hollow Ep Breaks Down Crane’s Stunning Deal With the Devil
1 | In the Sleepy Hollow finale, wouldn’t it have made more sense for Lara to sacrifice her soul to the devil — rather than Ichabod — given that there are basically two of her in this timeline (and she’s kinda the surplus one)?
2 | Which Grimm finale death...
- 4/7/2017
- TVLine.com
Mike & Molly alum Reno Wilson has signed on for a series-regular role in Good Girls, NBC's drama pilot from The Family creator Jenna Bans. Written and executive produced by Bans, the drama follows three "good girl" suburban wives and mothers who suddenly find themselves in desperate circumstances and decide to stop playing it safe, and risk everything to take their power back. Wilson will play Stan, a mall security guard, Ruby’s husband and father to Harry and Sara, who…...
- 2/4/2017
- Deadline TV
Jungle head of production, Chloe Rickard to speak at Vivid Ideas Exchange.
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Four speakers from TV and film production, marketing, distribution and the startup sector will debate the role of media and creative technologies at this year.s Vivid Ideas Exchange, held at the Museum of Contemporary Art.
Together, speakers Chantal Abouchar, Paul Wiegard, Chloe Rickard and Peter Drinkwater represent three generations and decades of experience as practitioners, business founders, entrepreneurs and creatives.
Ready, Tech, Go! will attempt to shine the spotlight on the nascent but fast-growing confluence of the media and entertainment, and technology industries.
Madman Entertainment, chief executive and co-founder, Paul Wiegard said specialised (or curated) video on demand content platforms for targeted audiences in Australia and New Zealand could flourish in a global online marketplace..
"The keys to their success are quality and depth of available content, significant distribution capabilities, and an ability to monetize subscriber bases beyond monthly subscription fees.
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Four speakers from TV and film production, marketing, distribution and the startup sector will debate the role of media and creative technologies at this year.s Vivid Ideas Exchange, held at the Museum of Contemporary Art.
Together, speakers Chantal Abouchar, Paul Wiegard, Chloe Rickard and Peter Drinkwater represent three generations and decades of experience as practitioners, business founders, entrepreneurs and creatives.
Ready, Tech, Go! will attempt to shine the spotlight on the nascent but fast-growing confluence of the media and entertainment, and technology industries.
Madman Entertainment, chief executive and co-founder, Paul Wiegard said specialised (or curated) video on demand content platforms for targeted audiences in Australia and New Zealand could flourish in a global online marketplace..
"The keys to their success are quality and depth of available content, significant distribution capabilities, and an ability to monetize subscriber bases beyond monthly subscription fees.
- 5/9/2016
- by Staff Writer
- IF.com.au
Cougar Town Season 5, Episode 7 “Time to Move On”
Written by Brad Morris & Emily Wilson
Directed by Sam Jones
Airs Tuesday nights at 10pm Et on TBS
Cougar Town‘s recent existential streak may not have solved some of the fifth season’s struggles with intriguing storytelling, but it established themes for the season as a whole that the first five or six episodes largely lacked. Like “Hard on Me”, “Time to Move On” is about looking forward, trying to provide an avenue for the next generation, free of the trappings and mistakes these characters made for themselves the first time around. Ok, Laurie and Ellie’s lesbian adventures in the world of private school picnics doesn’t get quite this deep, but the framework is there: as the focal points of the episode, Jules and Ellie draw neat parallels between each other as women trying to protect the future of their children – and eventually,...
Written by Brad Morris & Emily Wilson
Directed by Sam Jones
Airs Tuesday nights at 10pm Et on TBS
Cougar Town‘s recent existential streak may not have solved some of the fifth season’s struggles with intriguing storytelling, but it established themes for the season as a whole that the first five or six episodes largely lacked. Like “Hard on Me”, “Time to Move On” is about looking forward, trying to provide an avenue for the next generation, free of the trappings and mistakes these characters made for themselves the first time around. Ok, Laurie and Ellie’s lesbian adventures in the world of private school picnics doesn’t get quite this deep, but the framework is there: as the focal points of the episode, Jules and Ellie draw neat parallels between each other as women trying to protect the future of their children – and eventually,...
- 2/19/2014
- by Randy Dankievitch
- SoundOnSight
With a halt in the killings on The Americans, the Americans and Soviets returned to their regular spy activities of doing whatever was necessary to infiltrate the other side.
In "The Oath," each side came away with some wins, but also some major losses when turned citizens found the strength to come clean with their betrayals. Weinberger's maid couldn't live with the lie anymore and revealed the clock she was forced to put in Secretary's office. Meanwhile Nina decided to take her oath to the Soviet Union seriously and told Arkady about her relatoinship with Stan to Arkady.
The Americans season 1 has weaved a complicated relationship map between those working for each of the Cold War countries, plus those who were either forced into helping the other side or unwitting informants. The agents' abilities to manipulate people, while maintaining surprisingly high levels of secrecy make it a difficult web to untangle.
In "The Oath," each side came away with some wins, but also some major losses when turned citizens found the strength to come clean with their betrayals. Weinberger's maid couldn't live with the lie anymore and revealed the clock she was forced to put in Secretary's office. Meanwhile Nina decided to take her oath to the Soviet Union seriously and told Arkady about her relatoinship with Stan to Arkady.
The Americans season 1 has weaved a complicated relationship map between those working for each of the Cold War countries, plus those who were either forced into helping the other side or unwitting informants. The agents' abilities to manipulate people, while maintaining surprisingly high levels of secrecy make it a difficult web to untangle.
- 4/25/2013
- by carla@tvfanatic.com (Carla Day)
- TVfanatic
Last month, we brought you an interview with actor Sam Neill (Alcatraz) who portrayed paleontologist Dr. Alan Grant in Jurassic Park and Jurassic Park III. Neill said at the time that Jurassic Park IV was not going to happen:
“I think we’ve told the story. I think it’s done, [Legendary effects expert] Stan Winston who made those beautiful dinosaurs died. So, no Stan, no ‘Jurassic Park’ really … [and author Michael] Crichton died too.”
“I’ll tell you what. If Michael Crichton time travels, writes the book [and] Stan time travels, [and] reanimates dinosaurs, then absolutely.”
It seems that Sam Neill may not be a part of the future of Jurassic Park, but director Steven Spielberg is working on plans to reboot the franchise. THR reports that Spielberg has been meeting with screenwriter Mark Protosevich (Thor, I Am Legend) to brainstorm ideas on how to do just that. Universal Pictures and Spielberg’s camp have stated that no writer has been hired,...
“I think we’ve told the story. I think it’s done, [Legendary effects expert] Stan Winston who made those beautiful dinosaurs died. So, no Stan, no ‘Jurassic Park’ really … [and author Michael] Crichton died too.”
“I’ll tell you what. If Michael Crichton time travels, writes the book [and] Stan time travels, [and] reanimates dinosaurs, then absolutely.”
It seems that Sam Neill may not be a part of the future of Jurassic Park, but director Steven Spielberg is working on plans to reboot the franchise. THR reports that Spielberg has been meeting with screenwriter Mark Protosevich (Thor, I Am Legend) to brainstorm ideas on how to do just that. Universal Pictures and Spielberg’s camp have stated that no writer has been hired,...
- 6/17/2011
- by Jason Moore
- ScifiMafia
Only recently, Sam Neill dismissed the idea of any more Jurassic Park films.
Neill, who played palaeontologist Dr Alan Grant in the three films, told MTV: "I think we've told the story. I think it's done.
"[Legendary special effects expert] Stan Winston, who made those beautiful dinosaurs, died. So, no Stan, no Jurassic Park really ... [and author Michael] Crichton died too."
His comments echoed those of producer Kathleen Kennedy who, back in 2008, had said: "You know, when Crichton passed away, I sorta felt maybe that's it. Maybe that's a sign that we don't mess with it."
But hold on a moment. This is Hollywood and the studios are obsessed with franchises, sequels, prequels, reboots and reimaginings. Surely, Jurassic Park is too much of a brand to be consigned to the fossil record?
In January last year Joe Johnston, who directed 2001's Jurassic Park 3, had suggested a fourth film was in the pipeline and would be the start of a new trilogy.
Neill, who played palaeontologist Dr Alan Grant in the three films, told MTV: "I think we've told the story. I think it's done.
"[Legendary special effects expert] Stan Winston, who made those beautiful dinosaurs, died. So, no Stan, no Jurassic Park really ... [and author Michael] Crichton died too."
His comments echoed those of producer Kathleen Kennedy who, back in 2008, had said: "You know, when Crichton passed away, I sorta felt maybe that's it. Maybe that's a sign that we don't mess with it."
But hold on a moment. This is Hollywood and the studios are obsessed with franchises, sequels, prequels, reboots and reimaginings. Surely, Jurassic Park is too much of a brand to be consigned to the fossil record?
In January last year Joe Johnston, who directed 2001's Jurassic Park 3, had suggested a fourth film was in the pipeline and would be the start of a new trilogy.
- 6/17/2011
- by David Bentley
- The Geek Files
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