The second annual Chicago Underground Film Festival was held in 1995, at multiple locations in the city, from Thursday, July 20 to Sunday, July 23.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
- 7/23/2017
- by Mike Everleth
- Underground Film Journal
This week’s list is very short, but most of the articles are substantive and extremely filling, starting off with two Absolute Must Reads:
The first Absolute Must Read is David Bordwell’s essay on how to watch an “art film.” Initially, as a fan of “art” films, this sort of sounded like a strange topic and I wasn’t sure if I’d enjoy the article, but — Bang, Zoom! — Bordwell’s analysis of the first 15 shots of the Spanish film Sueño y silencio by Jaime Rosales is an infinitely captivating and intriguing read that had my head swimming with ideas of how to write about films.The second Absolute Must Read is an absolutely fascinating Washington Post profile of Colorlab, the Washington, D.C. area film processing and restoration company. The best part of the article is that in recounting Colorlab’s 40-year history we get to learn how...
The first Absolute Must Read is David Bordwell’s essay on how to watch an “art film.” Initially, as a fan of “art” films, this sort of sounded like a strange topic and I wasn’t sure if I’d enjoy the article, but — Bang, Zoom! — Bordwell’s analysis of the first 15 shots of the Spanish film Sueño y silencio by Jaime Rosales is an infinitely captivating and intriguing read that had my head swimming with ideas of how to write about films.The second Absolute Must Read is an absolutely fascinating Washington Post profile of Colorlab, the Washington, D.C. area film processing and restoration company. The best part of the article is that in recounting Colorlab’s 40-year history we get to learn how...
- 9/9/2012
- by Mike Everleth
- Underground Film Journal
The seventh annual Montreal Underground Film Festival features four nights — and one matinee — of experimental short films from all over the world, plus two feature films. The fun takes place May 17-20 with the opening night event being held at Sala Rossa before the rest of the fest moves to Peut-être Vintage.
The opening batch of short films includes Winnipeg filmmaker Aaron Zeghers‘ The Story of Thomas Edison, plus films by fellow Winnipegger Scott Fitzpatrick, Simon Lacroix, Erin Weisgerber, Charles Fairbanks and many more.
Several other Winnipeggers have films throughout the rest of the fest, including Heidi Phillips‘ The Last Harvest and Noam Gonick’s Hirsch. Representing the U.S. are Neil Ira Needleman‘s Prelude & Erotiloop, Tony Gault‘s Ghost of Yesterday and Ben Popp‘s Lazslo Lassu.
The two feature-length films both screen on the last day of the fest, including Larry Wessel‘s epic documentary on Boyd Rice,...
The opening batch of short films includes Winnipeg filmmaker Aaron Zeghers‘ The Story of Thomas Edison, plus films by fellow Winnipegger Scott Fitzpatrick, Simon Lacroix, Erin Weisgerber, Charles Fairbanks and many more.
Several other Winnipeggers have films throughout the rest of the fest, including Heidi Phillips‘ The Last Harvest and Noam Gonick’s Hirsch. Representing the U.S. are Neil Ira Needleman‘s Prelude & Erotiloop, Tony Gault‘s Ghost of Yesterday and Ben Popp‘s Lazslo Lassu.
The two feature-length films both screen on the last day of the fest, including Larry Wessel‘s epic documentary on Boyd Rice,...
- 5/16/2012
- by Mike Everleth
- Underground Film Journal
The Art Voice newspaper in Buffalo, NY reviewed Chris Hansen’s film Endings, which is currently playing at an interesting screening space/restaurant called Screens. Here’s the poster quote to pull: ” [Endings] ends up going somewhere you don’t quite expect.” Nice to see local papers reviewing truly indie movies, which typically get ignored.Speaking of which: The Denver Westword paper interviews documentary filmmaker Larry Wessel regarding the screening of his doc Iconoclast at the Denver Underground Film Festival tonight. The interview will warm your heart, especially when Wessel calls his doc subject, Boyd Rice, a “lonely, cold-hearted, pretentious, hypocritical sociopath.”Bright Lights Film Journal has a lengthy expose on the work of Bob Moricz, whose work we’re continually praising ourselves here on Bad Lit.If you live or want to move to Houston, TX, the Aurora Picture Show is hiring part-time Media Arts Educators.Save the Evans City Cemetary Chapel!
- 11/13/2011
- by Mike Everleth
- Underground Film Journal
Rescued from the jaws of limbo, the Denver Underground Film Festival comes roaring back to life for three days of short films and one intense feature-length documentary. The fest runs Nov. 11-13 at the Unitarian Society of Denver.
The feature doc screening on the fest’s last night is Iconoclast, Larry Wessel’s epic profile of musician and artistic rabble-rouser Boyd Rice.
The rest of the fest is an eclectic mix of short films, including programs devoted to contemporary Spanish and Canadian cinema, plus a look back at profiles of Andy Warhol caught on film by Jonas Mekas and Stephen Dwoskin.
Some mind-blowing short films to look out for are Jaimz Asmundson’s stunning portrait of his artist father, C. Graham Asmundson, The Magus and Greg Hanson & Casey Regan’s ass-kicking nunsploitation flick, Thy Kill Be Done.
The full lineup of films at the Denver Underground Film Festival is below.
The feature doc screening on the fest’s last night is Iconoclast, Larry Wessel’s epic profile of musician and artistic rabble-rouser Boyd Rice.
The rest of the fest is an eclectic mix of short films, including programs devoted to contemporary Spanish and Canadian cinema, plus a look back at profiles of Andy Warhol caught on film by Jonas Mekas and Stephen Dwoskin.
Some mind-blowing short films to look out for are Jaimz Asmundson’s stunning portrait of his artist father, C. Graham Asmundson, The Magus and Greg Hanson & Casey Regan’s ass-kicking nunsploitation flick, Thy Kill Be Done.
The full lineup of films at the Denver Underground Film Festival is below.
- 11/11/2011
- by Mike Everleth
- Underground Film Journal
And here we are in October, my favorite month:
Some of you who have clicked on Phantom of Pulp links I’ve posted in the past may not realize that the ol’ Phantom is Australian filmmaker Mark Savage, who has posted up some great images from his upcoming horror flick fertISLE. How can you not love that title!Did you know that Roger Ebert used to write poetry for early sci-fi fanzines? Nerd. Bhob Stewart has the evidence.This weekend is the Wndx Film Festival, so the Winnipeg Free Press ran a nice rundown of what was screening.Meanwhile, Kenton Smith of Uptown Magazine interviewed filmmakers Darryl Nepinak and Deco Dawson on the occasion of Wndx.Also in Canada, Avenue Calgary interviewed filmmaker Mike Peterson about his new comedy Lloyd the Conqueror.SnuffBox Films rambles on a bit about Intensified Continuity editing and all its implications.I’ve already written...
Some of you who have clicked on Phantom of Pulp links I’ve posted in the past may not realize that the ol’ Phantom is Australian filmmaker Mark Savage, who has posted up some great images from his upcoming horror flick fertISLE. How can you not love that title!Did you know that Roger Ebert used to write poetry for early sci-fi fanzines? Nerd. Bhob Stewart has the evidence.This weekend is the Wndx Film Festival, so the Winnipeg Free Press ran a nice rundown of what was screening.Meanwhile, Kenton Smith of Uptown Magazine interviewed filmmakers Darryl Nepinak and Deco Dawson on the occasion of Wndx.Also in Canada, Avenue Calgary interviewed filmmaker Mike Peterson about his new comedy Lloyd the Conqueror.SnuffBox Films rambles on a bit about Intensified Continuity editing and all its implications.I’ve already written...
- 10/2/2011
- by Mike Everleth
- Underground Film Journal
Movies were destroyed and awards given to the destructors at the 12th annual Melbourne Underground Film Festival, which was held back on Aug. 19-28.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
- 8/31/2011
- by Mike Everleth
- Underground Film Journal
Dorsky’s done it again! Just like last week — but even more so! — this week’s Absolute Must Read is Nathaniel Dorsky’s remembrance of living the avant-garde film life in NYC in the late ’60s. Adventures include hanging out with Stan Brakhage and Naomi Levine, going to the deli with Slavko Vorkapich, projecting films with Jerome Hiller and many other impossibly cool things. The New York Times published an official obit for Robert Breer, which has several pieces of personal bio info not otherwise found online. Also, Yoel Miranda has a very personal remembrance of Breer. So, what’s it like to intern at a major independent film festival? Rooftop Films intern Sheila Maria Lobo lets us know. By the way: Donna k. lets us know that film festivals, in general, are fabulous. South Australia has banned A Serbian Film. Man, that country is so uptight. Speaking of which,...
- 8/21/2011
- by Mike Everleth
- Underground Film Journal
Movies will be destroyed once and for all! The 12th annual Melbourne Underground Film Festival is upon us with their great theme of Destroy All Movies. The fest runs Aug. 19-28 and to mark the anarchic occasion, filmmaker Palomar has created two official festival trailers, embedded above and below.
MUFF12 opens on the 19th with the highly controversial A Serbian Film by Srdjan Spasojevic, which has been banned all over the world, including most recently in South Australia! So, if you’re an Australian citizen living in or near Melbourne, take this rare opportunity to see this movie that many of your fellow countrymen won’t be able to.
Other films screening at the fest include the epic documentary on the world’s most dangerous artist, Boyd Rice, Iconoclast directed by Larry Wessel. Plus, there are homegrown flicks like Chris Sun’s Come and Get Me, Boronia Backpackers by Timothy Spanos,...
MUFF12 opens on the 19th with the highly controversial A Serbian Film by Srdjan Spasojevic, which has been banned all over the world, including most recently in South Australia! So, if you’re an Australian citizen living in or near Melbourne, take this rare opportunity to see this movie that many of your fellow countrymen won’t be able to.
Other films screening at the fest include the epic documentary on the world’s most dangerous artist, Boyd Rice, Iconoclast directed by Larry Wessel. Plus, there are homegrown flicks like Chris Sun’s Come and Get Me, Boronia Backpackers by Timothy Spanos,...
- 8/18/2011
- by Mike Everleth
- Underground Film Journal
Embedded above is a trailer crafted for the upcoming screening of the documentary Iconoclast, directed by Larry Wessel, which will occur at the 12th annual Melbourne Underground Film Festival. The fest runs on Aug. 19-28 and Iconoclast will screen on Aug. 24 at 7:00 p.m.
Iconoclast is a portrait of Boyd Rice, the controversial underground artist and musician. Rice was one of the originators of the Industrial Music scene of the 1970s and he’s gone on to create art and write several books. And he’s friends with both Charles Manson and Marilyn Manson.
This is a truly epic documentary, clocking in at about 4 hours long. (The Muff screening is spread out over two back-to-back sessions.) In addition to Rice’s participation, the documentary features interviews with diverse figures such as Ray Dennis Steckler, Allison Anders, Adam Parfrey, Gidget Gein, Stanton Lavey and Rodney Bingenheimer.
For more info on the film,...
Iconoclast is a portrait of Boyd Rice, the controversial underground artist and musician. Rice was one of the originators of the Industrial Music scene of the 1970s and he’s gone on to create art and write several books. And he’s friends with both Charles Manson and Marilyn Manson.
This is a truly epic documentary, clocking in at about 4 hours long. (The Muff screening is spread out over two back-to-back sessions.) In addition to Rice’s participation, the documentary features interviews with diverse figures such as Ray Dennis Steckler, Allison Anders, Adam Parfrey, Gidget Gein, Stanton Lavey and Rodney Bingenheimer.
For more info on the film,...
- 8/10/2011
- by Mike Everleth
- Underground Film Journal
Destroy All Movies! That’s the cheeky theme to the 12th annual Melbourne Underground Film Festival, which will run on August 19-28.
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
- 7/29/2011
- by Mike Everleth
- Underground Film Journal
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.