After a seven-year break, FX’s anthology series “Feud” is back with another installment of rivalry and gossip titled “Feud: Capote vs. The Swans,” telling the story of Truman Capote (Tom Hollander) and a high society New York City socialite group known as The Swans, which includes Babe Paley (Naomi Watts), Slim Keith (Diane Lane), C.Z. Guest (Chloë Sevigny), Lee Radziwill (Calista Flockhart), Ann Woodward (Demi Moore) and Joanne Carson (Molly Ringwald). The previous season of the Ryan Murphy docudrama that starred Jessica Lange as Joan Crawford and Susan Sarandon as Bette Davis nabbed 18 Emmy Award nominations and two wins. Let’s look back at their haul to see how it may impact this current season at the 2024 Emmys.
Here are the 2017 Emmy wins and nominations for “Feud: Bette and Joan”:
Best Limited/Movie Non-Prosthetic Makeup (Won)
Eryn Krueger Mekash, Makeup Designer
Robin Beauchesne, Assistant Makeup Department Head
Shutchai Tym Buacharern,...
Here are the 2017 Emmy wins and nominations for “Feud: Bette and Joan”:
Best Limited/Movie Non-Prosthetic Makeup (Won)
Eryn Krueger Mekash, Makeup Designer
Robin Beauchesne, Assistant Makeup Department Head
Shutchai Tym Buacharern,...
- 4/20/2024
- by Christopher Tsang
- Gold Derby
All Quiet on the Western Front made good on its record number of BAFTA nominations with a major haul of wins at the film awards ceremony on Sunday night.
At London’s Royal Festival Hall, Netflix’s German anti-war epic took the BAFTAs for best film, alongside best adapted screenplay and best director, and hoovered up most of the craft honors for a total of seven gongs (a BAFTA record for a film not in the English language).
Away from the Western Front, Martin McDonagh’s The Banshees of Inisherin won four awards, including half the performance honors, with Kerry Condon and Barry Keoghan landing supporting wins. Elsewhere, Austin Butler won leading actor for Elvis, and Cate Blanchett leading actress for Tar.
As had largely been expected, Richard E. Grant was a delightfully upbeat and uncontroversial host, with no political jokes or any jibes aimed at the guests (although he did reference Will Smith,...
At London’s Royal Festival Hall, Netflix’s German anti-war epic took the BAFTAs for best film, alongside best adapted screenplay and best director, and hoovered up most of the craft honors for a total of seven gongs (a BAFTA record for a film not in the English language).
Away from the Western Front, Martin McDonagh’s The Banshees of Inisherin won four awards, including half the performance honors, with Kerry Condon and Barry Keoghan landing supporting wins. Elsewhere, Austin Butler won leading actor for Elvis, and Cate Blanchett leading actress for Tar.
As had largely been expected, Richard E. Grant was a delightfully upbeat and uncontroversial host, with no political jokes or any jibes aimed at the guests (although he did reference Will Smith,...
- 2/19/2023
- by Alex Ritman and Georg Szalai
- The Hollywood Reporter - Movie News
‘Banshees’ duo, ’Navalny’, ’Aftersun’ among early winners.
The 2023 Bafta Film Awards show is taking place today (February 19) from London’s Royal Festival Hall on the Southbank this year (it was previously at the Royal Albert Hall).
The show started at around 18:00 UK time, finishing at approximately 21:00, and will be broadcast with a time delay on BBC One starting at 19:00, with the final four awards broadcast live for the first time.
Richard E. Grant is hosting the ceremony, with presenter Alison Hammond providing backstage and winners access through a new Bafta studio.
Screen is posting all the winners...
The 2023 Bafta Film Awards show is taking place today (February 19) from London’s Royal Festival Hall on the Southbank this year (it was previously at the Royal Albert Hall).
The show started at around 18:00 UK time, finishing at approximately 21:00, and will be broadcast with a time delay on BBC One starting at 19:00, with the final four awards broadcast live for the first time.
Richard E. Grant is hosting the ceremony, with presenter Alison Hammond providing backstage and winners access through a new Bafta studio.
Screen is posting all the winners...
- 2/19/2023
- by Screen staff
- ScreenDaily
Returning to our pages for her fourth appearance is Director Hannah Jacobs who shares with us her BAFTA nominated animation Your Mountain is Waiting, a short film produced by production company Strange Beast about embracing your instincts and facing the uncertainties of life head on. Jacobs tells her story with a subtle, gorgeous fluidity as her protagonist Martha, who is wrestling with her sense of intuition, smoothly drifts from quiet and introspective moments into vast surreal dreamscapes. Her visual style has a hand-drawn and illustrative sensibility too which gives its cast of characters, which is mostly made up of a wonderful variety of animals, a comforting comic feel. Dn spoke with Jacobs, in the run up to the BAFTA awards ceremony, to discuss her journey into animation as a practice, the introspective nature of her narrative, and the importance of colour as tool to establish mood.
What first brought you...
What first brought you...
- 2/12/2023
- by James Maitre
- Directors Notes
Animation's ability to rapidly and massively recontextualise is core to Your Mountain Is Waiting. It makes an inner journey an outer one, as smoothly and robustly as it makes pools of puddles, swaps the swimming splash for the swirling spoon.
A city, somewhere. There are shades of Hokusai, both in the mountains' repeated shape but the waves of a washing machine. Other shades too, the long legs of the guiding fox thrown by the lamps higher than the tall fence. Above the dark sky and along the dark road to a fresh somewhere, escalation, intersection, circularity.
The floor bleeds into foliage, the worm in the spirit turns. Character design that pushes perspective too, a foreshortening, a gleefulness that suggests heads, shoulders, knees and toes is, knees and toes, a guiding proportion. Everywhere that playfulness with scale, the translucent snow, the night sky many-legged, the creep of crawl and snowflake become snowdrop.
A city, somewhere. There are shades of Hokusai, both in the mountains' repeated shape but the waves of a washing machine. Other shades too, the long legs of the guiding fox thrown by the lamps higher than the tall fence. Above the dark sky and along the dark road to a fresh somewhere, escalation, intersection, circularity.
The floor bleeds into foliage, the worm in the spirit turns. Character design that pushes perspective too, a foreshortening, a gleefulness that suggests heads, shoulders, knees and toes is, knees and toes, a guiding proportion. Everywhere that playfulness with scale, the translucent snow, the night sky many-legged, the creep of crawl and snowflake become snowdrop.
- 1/15/2023
- by Andrew Robertson
- eyeforfilm.co.uk
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