Mumbai, May 21 (Ians) Basking in the critical acclaim for “Jubilee” (where he plays a studio boss modelled after Himanshu Rai of Bombay Talkies) and the positive buzz about the upcoming series “Scoop” (where his character is inspired by crime journalist J. Dey), Prosenjit Chatterjee has announced that he’ll be next seen in the Bengali film “Devi Chowdhurani: Bandit Queen of Bengal”.
Based on the novel by Bankim Chandra Chattopadhyay, “Devi Chaudhurani”, a role that was first essayed by Suchitra Sen, is about a young woman in 18th-century Bengal who, after being abandoned by her in-laws, is adopted by a dacoit and ends up becoming a female Robin Hood.
Sharing the motion poster and details about the film, Prosenjit took to his social media profile and shared a prayer addressed to Goddess Kali, the deity of dacoits: “Muktakeshi khargahaste, tamas binashini, namami Maate Kalike, sarvasiddhi dayini.”
After the benediction came...
Based on the novel by Bankim Chandra Chattopadhyay, “Devi Chaudhurani”, a role that was first essayed by Suchitra Sen, is about a young woman in 18th-century Bengal who, after being abandoned by her in-laws, is adopted by a dacoit and ends up becoming a female Robin Hood.
Sharing the motion poster and details about the film, Prosenjit took to his social media profile and shared a prayer addressed to Goddess Kali, the deity of dacoits: “Muktakeshi khargahaste, tamas binashini, namami Maate Kalike, sarvasiddhi dayini.”
After the benediction came...
- 5/21/2023
- by Agency News Desk
- GlamSham
Indian filmmaker Subhrajit Mitra’s latest venture “Bandit Queen of Bengal” (aka “Devi Chowdhurani”) will start principal photography in the final quarter of the year.
The film is based on Mitra’s own research into the the advent and invasion of the British East India Company in India, the battles of Plassey (1757) and Buxar (1764), the great Bengal famine of 1770, the Sannyasi and Fakir rebellion (1770-77) and Bankim Chandra Chatterjee’s 1884 Bengali-language novel “Devi Chowdhurani,” which features a female freedom fighter protagonist.
The film will follow the journey of a villager who eventually becomes the first Indian woman freedom fighter. It will also tell the story of the Hindu monks who had no other option but to take up arms against their British colonial rulers to save the country and their people. It was the first armed revolution by the Indians, led by Bhavani Charan Pathak, against the British East India Company.
The film is based on Mitra’s own research into the the advent and invasion of the British East India Company in India, the battles of Plassey (1757) and Buxar (1764), the great Bengal famine of 1770, the Sannyasi and Fakir rebellion (1770-77) and Bankim Chandra Chatterjee’s 1884 Bengali-language novel “Devi Chowdhurani,” which features a female freedom fighter protagonist.
The film will follow the journey of a villager who eventually becomes the first Indian woman freedom fighter. It will also tell the story of the Hindu monks who had no other option but to take up arms against their British colonial rulers to save the country and their people. It was the first armed revolution by the Indians, led by Bhavani Charan Pathak, against the British East India Company.
- 4/6/2023
- by Naman Ramachandran
- Variety Film + TV
India is celebrating the birth centenary of one of her greatest sons, Satyajit Ray, in a variety of ways.
Sunday, marks the centenary of Ray, the Indian master who won an honorary Oscar in 1992, shortly before his death, and remains the country’s best known filmmaker internationally.
Ray debuted with “Pather Panchali” (1955) the first part of the magisterial Apu Trilogy, which won best human document at Cannes. The Trilogy includes “Aparajito” (1956) and “Apur Sansar” (1959). Berlin was a particularly happy venue for him and he won top awards at the festival numerous times, for “Pather Panchali,” “Aparajito,” “Mahanagar” (1963), “Charulata” (1964), “Nayak” (1966) and “Ashani Sanket” (1973).
At Venice he won for “Aparajito” and “Seemabaddha” (1971), culminating in a career Golden Lion in 1982. He also won a British Institute Fellowship in 1983 to go with the London Film Festival’s Sutherland Trophy for “Apur Sansar.” In 1987, the government of France made Ray a Commander of the Legion of Honor.
Sunday, marks the centenary of Ray, the Indian master who won an honorary Oscar in 1992, shortly before his death, and remains the country’s best known filmmaker internationally.
Ray debuted with “Pather Panchali” (1955) the first part of the magisterial Apu Trilogy, which won best human document at Cannes. The Trilogy includes “Aparajito” (1956) and “Apur Sansar” (1959). Berlin was a particularly happy venue for him and he won top awards at the festival numerous times, for “Pather Panchali,” “Aparajito,” “Mahanagar” (1963), “Charulata” (1964), “Nayak” (1966) and “Ashani Sanket” (1973).
At Venice he won for “Aparajito” and “Seemabaddha” (1971), culminating in a career Golden Lion in 1982. He also won a British Institute Fellowship in 1983 to go with the London Film Festival’s Sutherland Trophy for “Apur Sansar.” In 1987, the government of France made Ray a Commander of the Legion of Honor.
- 5/2/2021
- by Naman Ramachandran
- Variety Film + TV
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