The drama is the latest feature of Sheron Dayoc, known for ‘Ways Of the Sea’ and ‘Women Of The Weeping River’.
Mai Meksawan’s Thailand-based sales agent Diversion has picked up international sales rights to Sheron Dayoc’s The Gospel Of The Beast, which is set to premiere in competition at the Tokyo International Film Festival.
It marks the first feature in seven years from Filipino filmmaker Dayoc, whose titles include Way Of The Sea, which received a special mention at the Berlinale in 2011; The Crescent Rising, winner of best documentary at Busan 2016; and Sundance-backed Women Of The Weeping River.
Mai Meksawan’s Thailand-based sales agent Diversion has picked up international sales rights to Sheron Dayoc’s The Gospel Of The Beast, which is set to premiere in competition at the Tokyo International Film Festival.
It marks the first feature in seven years from Filipino filmmaker Dayoc, whose titles include Way Of The Sea, which received a special mention at the Berlinale in 2011; The Crescent Rising, winner of best documentary at Busan 2016; and Sundance-backed Women Of The Weeping River.
- 10/20/2023
- by Michael Rosser
- ScreenDaily
Other winners included ‘Return To Seoul’, ‘Farha’ and ‘All That Breathes’
Kamila Andini’s Before, Now And Then (Nana) won the best film award at the Asia Pacific Screen Awards (Apsa) which took place on the Gold Coast, Australia today (November 11).
It is the first film directed by a woman to win the award and the first Indonesian film to do so.
Set against Indonesia’s turbulent post-independence years in the 1960s, Happy Salma stars as a woman still reeling from the past as she tries to move on with her life. The film premiered in competition at the Berlinale...
Kamila Andini’s Before, Now And Then (Nana) won the best film award at the Asia Pacific Screen Awards (Apsa) which took place on the Gold Coast, Australia today (November 11).
It is the first film directed by a woman to win the award and the first Indonesian film to do so.
Set against Indonesia’s turbulent post-independence years in the 1960s, Happy Salma stars as a woman still reeling from the past as she tries to move on with her life. The film premiered in competition at the Berlinale...
- 11/11/2022
- by Ellie Calnan
- ScreenDaily
Vietnamese Writer-director Le Bao and Singapore and Toronto-based producer Lai Weijie, who collaborated successfully on “Taste” (2021), are reuniting for Busan Asian Project Market title “The Sea is Calm Tonight.”
“Taste,” Le’s feature debut, had considerable festival play and won awards at Berlin, Singapore, Taipei and the Asia Pacific Screen Awards.
In “The Sea is Calm Tonight,” Vietnamese boat people of 40 years past have a miraculous meeting with Rohingya refugees of the present in their parallel sea journeys to find peace.
“When my mother was pregnant with me, my parents lived on a barge amidst a large river. Whenever a strong gust of wind blew or boats crossed the river, the water surface would accumulate into waves, like sea waves. When I was younger, my parents told me that they wished my name was Lê Biển, which means the sea. The thought of this other life with a different identity lingers in my mind,...
“Taste,” Le’s feature debut, had considerable festival play and won awards at Berlin, Singapore, Taipei and the Asia Pacific Screen Awards.
In “The Sea is Calm Tonight,” Vietnamese boat people of 40 years past have a miraculous meeting with Rohingya refugees of the present in their parallel sea journeys to find peace.
“When my mother was pregnant with me, my parents lived on a barge amidst a large river. Whenever a strong gust of wind blew or boats crossed the river, the water surface would accumulate into waves, like sea waves. When I was younger, my parents told me that they wished my name was Lê Biển, which means the sea. The thought of this other life with a different identity lingers in my mind,...
- 10/8/2022
- by Naman Ramachandran
- Variety Film + TV
Fresh off a standing ovation for auteur Lav Diaz’s “When the Waves Are Gone” at the Venice Film Festival, the Philippines’ Epicmedia Productions has revealed a global co-production slate.
Next up is Swiss co-production “Electric Child” by Simon Jacquemet (“The Innocent”), which was presented at the Venice Production Bridge last year. The story revolves around a couple whose child develops an unusual illness. While the mother and baby drift into their own world, the computer-science professor father develops a pact with an A.I. character on a virtual island to save his child. The project, which is starting production imminently, is supported by the Film Location Incentive Fund of the Film Development Council of the Philippines, the Swiss Federal Office of Culture, the Zurich Film Foundation, Filmstiftung Nrw and TV channels Srf and Arte.
Truong Minh Quy (“The Tree House”) is in preproduction on “Viet and Nam,” which follows...
Next up is Swiss co-production “Electric Child” by Simon Jacquemet (“The Innocent”), which was presented at the Venice Production Bridge last year. The story revolves around a couple whose child develops an unusual illness. While the mother and baby drift into their own world, the computer-science professor father develops a pact with an A.I. character on a virtual island to save his child. The project, which is starting production imminently, is supported by the Film Location Incentive Fund of the Film Development Council of the Philippines, the Swiss Federal Office of Culture, the Zurich Film Foundation, Filmstiftung Nrw and TV channels Srf and Arte.
Truong Minh Quy (“The Tree House”) is in preproduction on “Viet and Nam,” which follows...
- 9/6/2022
- by Naman Ramachandran
- Variety Film + TV
Projects from director Woo Ming Jin and producer Anthony Chen among titles.
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
- 4/1/2022
- by Michael Rosser
- ScreenDaily
Lab aims to hold residential workshop in the Philippines in April with an online follow-up in September during the Philippine Film Industry Month.
The Film Development Council of the Philippines (Fdcp) and French production and consulting firm Tatino Films are partnering on a new three-year cycle (2022-2024) of the Full Circle Lab Philippines for film professionals from the Philippines and Southeast Asia.
Launched in 2019, the project and talent development programme aims to nurture and develop Filipino and Southeast Asian projects with global potential. So far more than 100 film professionals and 48 film projects (32 in development and 16 in post-production) have moved through the lab.
The Film Development Council of the Philippines (Fdcp) and French production and consulting firm Tatino Films are partnering on a new three-year cycle (2022-2024) of the Full Circle Lab Philippines for film professionals from the Philippines and Southeast Asia.
Launched in 2019, the project and talent development programme aims to nurture and develop Filipino and Southeast Asian projects with global potential. So far more than 100 film professionals and 48 film projects (32 in development and 16 in post-production) have moved through the lab.
- 12/14/2021
- ScreenDaily
A winner of both the World Cinema Dramatic Special Jury Award for Screenwriting at the 2017 Sundance Film Festival and the Big Screen Award at the Rotterdam International Film Festival, ‘Pop Aye’ was a hit with critics and festival audiences alike, and now has been selected by Singapore as the country’s Official Submission to the 90th Academy Awards. Kino Lorber has now released Kirsten Tan’s Award-Winning Pop Aye on DVD with special features including behind-the-scenes footage and trailer.
Pop Aye was released theatrically by Kino Lorber earlier in 2017, with a two-week run at New York’s Film Forum and engagements in key national markets including Los Angeles, Philadelphia, San Francisco, Chicago, and Seattle. International sales are by Cercamon, a sales company based in Dubai in the United Arab Emirates headed by Sébastien Chesneau who is French.
This first feature of Kirsten Tan comes from Singapore but it takes place in Thailand.
Pop Aye was released theatrically by Kino Lorber earlier in 2017, with a two-week run at New York’s Film Forum and engagements in key national markets including Los Angeles, Philadelphia, San Francisco, Chicago, and Seattle. International sales are by Cercamon, a sales company based in Dubai in the United Arab Emirates headed by Sébastien Chesneau who is French.
This first feature of Kirsten Tan comes from Singapore but it takes place in Thailand.
- 11/10/2017
- by Sydney Levine
- Sydney's Buzz
This first feature of Kirsten Tan premiered in Sundance ‘17 World Cinema Dramatic Competition. Its provenance is Singapore but it takes place in Thailand. It continued onward to the Hivos Tiger Competition at Iffr (R’dam).
The thrill of interviewing here in Sundance is that you see a film; you have an impression and while it is still fresh you meet the filmmakers without having much time for any research or reflection. And then you get to see them again as “old friends” when you meet again in Rotterdam.
As Kirsten, her producer Weijie Lai and I sat down at the Sundance Co-op on Main Street here in Park City, I really had little idea of where the interview would take us, somewhat analogously to her film in which an architect, disenchanted with life in general, being put aside as “old” in his own highly successful architectural firm and in a stale relationship with his wife,...
The thrill of interviewing here in Sundance is that you see a film; you have an impression and while it is still fresh you meet the filmmakers without having much time for any research or reflection. And then you get to see them again as “old friends” when you meet again in Rotterdam.
As Kirsten, her producer Weijie Lai and I sat down at the Sundance Co-op on Main Street here in Park City, I really had little idea of where the interview would take us, somewhat analogously to her film in which an architect, disenchanted with life in general, being put aside as “old” in his own highly successful architectural firm and in a stale relationship with his wife,...
- 2/7/2017
- by Sydney Levine
- Sydney's Buzz
Seventh edition of the development scheme will include nine projects of first or second feature films.
TorinoFilmLab has unveiled its selection for FrameWork 2014.
The seventh edition of the development scheme will include nine projects of first or second feature films, representing ten countries. The participants will work on their projects throughout two week-long workshops under the guidance of international experts.
Following these workshops, there will be a public pitch at the TorinoFilmLab meeting event, held during the 32nd Torino Film Festival. The jury will assign production awards (starting from €50,000), while an audience award (€30,000) will be given to the project most voted for by the attending decision makers.
TorinoFilmLab’s partners will also award various prizes.
The projects, formed in majority from TorinoFilmLab’s Script&Pitch programme, are:
Aleli by Ana Guevara & Leticia Jorge, producer Agustina Chiarino (Uruguay)Carbon by Michalis Konstantatos, producer Yorgos Tsourgiannis (Greece)Hunting Season by Natalia Garagiola, producer Benjamin...
TorinoFilmLab has unveiled its selection for FrameWork 2014.
The seventh edition of the development scheme will include nine projects of first or second feature films, representing ten countries. The participants will work on their projects throughout two week-long workshops under the guidance of international experts.
Following these workshops, there will be a public pitch at the TorinoFilmLab meeting event, held during the 32nd Torino Film Festival. The jury will assign production awards (starting from €50,000), while an audience award (€30,000) will be given to the project most voted for by the attending decision makers.
TorinoFilmLab’s partners will also award various prizes.
The projects, formed in majority from TorinoFilmLab’s Script&Pitch programme, are:
Aleli by Ana Guevara & Leticia Jorge, producer Agustina Chiarino (Uruguay)Carbon by Michalis Konstantatos, producer Yorgos Tsourgiannis (Greece)Hunting Season by Natalia Garagiola, producer Benjamin...
- 5/18/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
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