Marley (15)
(Kevin Macdonald, 2012, Us/UK) 145 mins
Authoritative to the point of exhausting, Macdonald's documentary compiles an awesome amount of footage, photos, interviews, etc – but then it's a big subject. Whether you really get to the man beyond the legend is debatable (this was made with Marley family backing), but there's much here you've never seen, from Bob's Rasta roots to his kick-around in London's Battersea Park.
Salmon Fishing In The Yemen (12A)
(Lasse Hallström, 2012, UK) Ewan McGregor, Emily Blunt. 106 mins
An incongruous setting for a mushy fish-out-of-water romcom, with Blunt and her sheikh boss lured by McGregor's tackle.
Elles (18)
(Malgorzata Szumowska, 2011, Fra/Pol/Ger) Juliette Binoche, Anaïs Demoustier. 99 mins
Empowerment and eroticism mix uneasily when Binoche's enquiries into student prostitution affect her own life.
Irvine Welsh's Ecstasy (18)
(Rob Heydon, 2011, Can) Adam Sinclair, Kristin Kreuk, Billy Boyd. 99 mins
Rave-era yarn that's 15 years too late to be the Trainspotting of Mdma it wants to be.
(Kevin Macdonald, 2012, Us/UK) 145 mins
Authoritative to the point of exhausting, Macdonald's documentary compiles an awesome amount of footage, photos, interviews, etc – but then it's a big subject. Whether you really get to the man beyond the legend is debatable (this was made with Marley family backing), but there's much here you've never seen, from Bob's Rasta roots to his kick-around in London's Battersea Park.
Salmon Fishing In The Yemen (12A)
(Lasse Hallström, 2012, UK) Ewan McGregor, Emily Blunt. 106 mins
An incongruous setting for a mushy fish-out-of-water romcom, with Blunt and her sheikh boss lured by McGregor's tackle.
Elles (18)
(Malgorzata Szumowska, 2011, Fra/Pol/Ger) Juliette Binoche, Anaïs Demoustier. 99 mins
Empowerment and eroticism mix uneasily when Binoche's enquiries into student prostitution affect her own life.
Irvine Welsh's Ecstasy (18)
(Rob Heydon, 2011, Can) Adam Sinclair, Kristin Kreuk, Billy Boyd. 99 mins
Rave-era yarn that's 15 years too late to be the Trainspotting of Mdma it wants to be.
- 4/20/2012
- by Steve Rose
- The Guardian - Film News
Roman (Thomas Schubert), an institutionalised young offender, finds himself on the brink of another parole hearing. Advised to take part in the work-release program to better his chances, Roman takes on employment at a local mortuary. After he happens upon a body bag labelled with his surname, he’s moved to track down his absent mother (Karin Lischka) who helps force him to come to terms with his past actions, his potential freedom and the rocky road to stability.
Rooted in the affliction felt by an adolescent haunted by his past, Austrian actor best known for his role in Stefan Ruzowitzky’s The Counterfeiter Karl Markovics’ writing and directorial debut is a muted and tightly wound affair. Though soliciting many substantial themes within its narrative, such as sorrow, death, loneliness and atonement, Markovics, through a noticeable lack of dialogue and set pieces, leaves much to the perceptiveness of the audience.
Rooted in the affliction felt by an adolescent haunted by his past, Austrian actor best known for his role in Stefan Ruzowitzky’s The Counterfeiter Karl Markovics’ writing and directorial debut is a muted and tightly wound affair. Though soliciting many substantial themes within its narrative, such as sorrow, death, loneliness and atonement, Markovics, through a noticeable lack of dialogue and set pieces, leaves much to the perceptiveness of the audience.
- 4/20/2012
- by Jamie Neish
- HeyUGuys.co.uk
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