“The Crown” can only play a pair of Queens at the Emmys.
Emmy winner Olivia Colman, who portrayed Queen Elizabeth in the series finale episode of Netflix’s monarchy drama, is not eligible to submit in the guest drama actress race by only a few seconds. However, her co-star Claire Foy, who also portrays Her Majesty in her younger years and appears in the same episode, is eligible and will be the sole guest submission for the series, angling for her second win in the category.
The “Sleep, Dearie Sleep,” written by Peter Morgan and directed by Stephen Daldry, clocks in at a robust 72 minutes, the longest of any episode across its six seasons. In the series’ final moments, Imelda Staunton’s Elizabeth looks back on the highs and lows of her reign as she grapples with the idea of handing the crown to Charles. Her younger self appears to...
Emmy winner Olivia Colman, who portrayed Queen Elizabeth in the series finale episode of Netflix’s monarchy drama, is not eligible to submit in the guest drama actress race by only a few seconds. However, her co-star Claire Foy, who also portrays Her Majesty in her younger years and appears in the same episode, is eligible and will be the sole guest submission for the series, angling for her second win in the category.
The “Sleep, Dearie Sleep,” written by Peter Morgan and directed by Stephen Daldry, clocks in at a robust 72 minutes, the longest of any episode across its six seasons. In the series’ final moments, Imelda Staunton’s Elizabeth looks back on the highs and lows of her reign as she grapples with the idea of handing the crown to Charles. Her younger self appears to...
- 5/20/2024
- by Clayton Davis
- Variety Film + TV
Exclusive: Nick Angel, Sarah Bridge, Iain Cooke and Catherine Grieves, four of the UK’s most esteemed film and TV music supervisors, have banded together to launch 45 Rpm, a music supervision collective that will be a “one-stop shop” for creatives.
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
- 9/11/2023
- by Diana Lodderhose
- Deadline Film + TV
Exclusive: Non-profit organisation to support music supervision across entertainment industries.
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
- 4/4/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
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