Nick Offerman’s emotions were running high following his win at the Creative Arts Emmys for his guest-starring role on HBO’s The Last of Us.
The actor had prepared a speech that he says he delivered “with a couple of flubs” after his first Emmy win last night. With emotions settled, Offerman took to social media to share his full, and flub-free speech.
“Well, friends, I won an Emmy art trophy last night for my guest star role HBO’s gorgeous rendition of a Craig Mazin script,” he shared on Instagram with screenshots of his prepared remarks. “I am very grateful for this plaudit but it’s also hard to fully swallow since my work was in a full partnership with the magnificent @murray.bartlett.”
He continued, “I prepared some remarks that I was able to mostly deliver, with a couple of flubs due to my emotions running high,...
The actor had prepared a speech that he says he delivered “with a couple of flubs” after his first Emmy win last night. With emotions settled, Offerman took to social media to share his full, and flub-free speech.
“Well, friends, I won an Emmy art trophy last night for my guest star role HBO’s gorgeous rendition of a Craig Mazin script,” he shared on Instagram with screenshots of his prepared remarks. “I am very grateful for this plaudit but it’s also hard to fully swallow since my work was in a full partnership with the magnificent @murray.bartlett.”
He continued, “I prepared some remarks that I was able to mostly deliver, with a couple of flubs due to my emotions running high,...
- 1/7/2024
- by Armando Tinoco
- Deadline Film + TV
Nick Offerman is sharing his gratitude with the world after winning his very first Emmy during Saturday’s Creative Arts Emmys ceremony. The actor took home the trophy for Outstanding Guest Actor in a Drama Series for his role in HBO’s The Last of Us, and since emotions were “running high” during his speech, he posted it in full on social media Sunday.
“Well, friends, I won an Emmy art trophy last night for my guest star role [in] HBO’s gorgeous rendition of a Craig Mazin script,” the actor captioned on Instagram. “I prepared some remarks that I was able to mostly deliver,...
“Well, friends, I won an Emmy art trophy last night for my guest star role [in] HBO’s gorgeous rendition of a Craig Mazin script,” the actor captioned on Instagram. “I prepared some remarks that I was able to mostly deliver,...
- 1/7/2024
- by Nick Caruso
- TVLine.com
James McMurtry wants to make one thing clear: His songs are not about him. “Oh, no, there’s none of that,” the songwriter says, scoffing at the very notion. “I don’t do autobiography. My songs are made up.”
McMurtry is talking about The Horses and The Hounds, his stunning new record, and his first in six years, but he may as well be discussing his entire discography. For the past three-plus decades, the Texas singer has been writing songs that, even in the relatively writerly world of Americana, stand...
McMurtry is talking about The Horses and The Hounds, his stunning new record, and his first in six years, but he may as well be discussing his entire discography. For the past three-plus decades, the Texas singer has been writing songs that, even in the relatively writerly world of Americana, stand...
- 8/20/2021
- by Jonathan Bernstein
- Rollingstone.com
Hiss Golden Messenger seek “shelter in the storm” on their new song “Sanctuary,” which the North Carolina band released Wednesday.
“Feeling bad, feeling blue/Can’t get out of my own mind,” frontman M.C. Taylor sings on the track. “But I know how to sing about it.”
“This song is, as far as I can tell right now, about grace — something we could all do with a little more of. Much love to you out there,” frontman Mc Taylor tweeted of the band’s first new song in over a year.
“Feeling bad, feeling blue/Can’t get out of my own mind,” frontman M.C. Taylor sings on the track. “But I know how to sing about it.”
“This song is, as far as I can tell right now, about grace — something we could all do with a little more of. Much love to you out there,” frontman Mc Taylor tweeted of the band’s first new song in over a year.
- 1/13/2021
- by Daniel Kreps
- Rollingstone.com
Depending on how you do the math, Joan Shelley has made around 10 LPs with various collaborators, including the trio Maiden Radio. She was a shared secret until 2015, when she released the evanescent Over and Even under her own name, but her most recent LP — a self-titled set produced by Wilco’s Jeff Tweedy, with drum colors by Spencer Tweedy — spread the word of her talent out yonder. Her new record, Like the River Loves the Sea, one the year’s most beautiful, finds the Kentucky-rooted singer-songwriter ranging further afield. She recorded the songs in Reykjavik,...
- 8/29/2019
- by Will Hermes
- Rollingstone.com
Ted Danson, Sasha Lane, Blythe Danner and Toni Collette to co-star.
Park Pictures, Burn Later Productions and Houston King Productions have announced that Nick Offerman will star in Brett Haley’s Hearts Beat Loud.
The film, co-written by Haley and Marc Basch, is the story of Frank and Sam, a father and daughter who form an unlikely songwriting duo in the last summer before the daughter leaves for college.
This marks Offerman’s first leading role as he reunites with Haley after the two collaborated on The Hero.
Ted Danson, Sasha Lane, Blythe Danner and Toni Collette will also join the previously announced Kiersey Clemons.
Haley’s film The Hero starring Sam Elliott is currently in theatres. The Hero and Haley’s previous film I’ll See You In My Dreams, both co-written with Basch, premiered at the Sundance Film Festival.
Offerman is an actor, writer, and woodworker best known for his role as Ron Swanson on NBC...
Park Pictures, Burn Later Productions and Houston King Productions have announced that Nick Offerman will star in Brett Haley’s Hearts Beat Loud.
The film, co-written by Haley and Marc Basch, is the story of Frank and Sam, a father and daughter who form an unlikely songwriting duo in the last summer before the daughter leaves for college.
This marks Offerman’s first leading role as he reunites with Haley after the two collaborated on The Hero.
Ted Danson, Sasha Lane, Blythe Danner and Toni Collette will also join the previously announced Kiersey Clemons.
Haley’s film The Hero starring Sam Elliott is currently in theatres. The Hero and Haley’s previous film I’ll See You In My Dreams, both co-written with Basch, premiered at the Sundance Film Festival.
Offerman is an actor, writer, and woodworker best known for his role as Ron Swanson on NBC...
- 7/27/2017
- ScreenDaily
There’s no such thing as easy money. Now repeat it: there’s no such thing as easy money. Now tell that to Lucky.
In Bari Kang’s “Lucky,” the newbie filmmaker pulls quadruple duty — he wrote the film, directed it, produced it, and stars in it as its eponymous character — in a story about a striving young immigrant who gets mixed up in some very bad stuff (with some very bad people) when he becomes convinced that he can make cash quickly.
Read More: ‘Murder On the Orient Express’ Trailer: Johnny Depp and A Star-Studded Cast Bring Agatha Christie Back to the Big Screen
The undocumented cab driver is struggling to make ends meet, so when he gets the chance to pull some quick jobs that involve carting certain items from place to place, he goes for it. But what once seemed like a snappy way to use his...
In Bari Kang’s “Lucky,” the newbie filmmaker pulls quadruple duty — he wrote the film, directed it, produced it, and stars in it as its eponymous character — in a story about a striving young immigrant who gets mixed up in some very bad stuff (with some very bad people) when he becomes convinced that he can make cash quickly.
Read More: ‘Murder On the Orient Express’ Trailer: Johnny Depp and A Star-Studded Cast Bring Agatha Christie Back to the Big Screen
The undocumented cab driver is struggling to make ends meet, so when he gets the chance to pull some quick jobs that involve carting certain items from place to place, he goes for it. But what once seemed like a snappy way to use his...
- 6/1/2017
- by Kate Erbland
- Indiewire
“Look & See: A Portrait of Wendell Berry,” Laura Dunn’s vivid, poignant look at the life of seminal American writer Wendell Berry — and, by extension, the country he’s lovingly written about for so long — comes complete with one heck of a pedigree to recommend it.
Produced by Robert Redford, Terrence Malick, and Nick Offerman, Dunn’s documentary is billed as “a beautiful and poignant portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture, as seen through the eye of American novelist, poet, and activist, Wendell Berry.”
And one look at the film’s debut trailer is enough to make that vision and artistry very clear indeed.
Read More: Terrance Malick Vows to Return to More Structured Filmmaking: ‘I’m Backing Away From That Style Now’
The film is the first one about Berry and it takes viewers inside his unique life...
Produced by Robert Redford, Terrence Malick, and Nick Offerman, Dunn’s documentary is billed as “a beautiful and poignant portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture, as seen through the eye of American novelist, poet, and activist, Wendell Berry.”
And one look at the film’s debut trailer is enough to make that vision and artistry very clear indeed.
Read More: Terrance Malick Vows to Return to More Structured Filmmaking: ‘I’m Backing Away From That Style Now’
The film is the first one about Berry and it takes viewers inside his unique life...
- 5/31/2017
- by Kate Erbland
- Indiewire
When Kristen Stewart goes to Cannes, she’s usually promoting a movie directed by someone else — like Olivier Assayas’ “Personal Shopper,” which debuted on the Riviera last year. The actress’s Cannes anxiety usually derives from wanting to represent her director correctly, to get out the right message. But this year’s different.
“I’m not working for anyone but myself,” she says, beaming. “Ask me anything!”
Stewart came to Cannes this year as the director of her first short, the 17-minute “Come Swim.” She and her producers at Starlight Studios pitched the film to women’s website Refinery29, which also backed her chum Chloe Sevigne’s short “Kitty: The Movie.” They helped Stewart to develop her rough outline, in which she described an image of a giant wave “getting bigger and bigger” that “never breaks.” Stewart already knew just the Australian underwater photographer to shoot it. Indeed, the film...
“I’m not working for anyone but myself,” she says, beaming. “Ask me anything!”
Stewart came to Cannes this year as the director of her first short, the 17-minute “Come Swim.” She and her producers at Starlight Studios pitched the film to women’s website Refinery29, which also backed her chum Chloe Sevigne’s short “Kitty: The Movie.” They helped Stewart to develop her rough outline, in which she described an image of a giant wave “getting bigger and bigger” that “never breaks.” Stewart already knew just the Australian underwater photographer to shoot it. Indeed, the film...
- 5/31/2017
- by Anne Thompson
- Indiewire
Last year, Vimeo user Vugar Efendi published a side-by-side supercut entitled “Film Meets Art.” The goal was simple – to show how great paintings inspired some of the best shots in cinema – and the result was a rather beautiful side-by-side study of just how painterly filmmaking can be.
The first installment put Thomas Gainsborough’s “Boy in Blue” next to Quentin Tarantino’s “Django Unchained,” and it showed how the works of American artist Andrew Wyeth rubbed off on Terrence Malick for “Days of Heaven.” The video proved popular enough that Efendi turned it into a series, which was just completed this month with the release of a third installment (via No Film School).
Read More: ‘Arrival’ Video Essay Examines How the Script Helps Us Further Understand Ourselves — Watch
“Film Meets Art III” features 16 more shots and their painterly origins (via No Film School). Movies included in this final go-around are “Moonrise Kingdom,...
The first installment put Thomas Gainsborough’s “Boy in Blue” next to Quentin Tarantino’s “Django Unchained,” and it showed how the works of American artist Andrew Wyeth rubbed off on Terrence Malick for “Days of Heaven.” The video proved popular enough that Efendi turned it into a series, which was just completed this month with the release of a third installment (via No Film School).
Read More: ‘Arrival’ Video Essay Examines How the Script Helps Us Further Understand Ourselves — Watch
“Film Meets Art III” features 16 more shots and their painterly origins (via No Film School). Movies included in this final go-around are “Moonrise Kingdom,...
- 5/31/2017
- by Zack Sharf
- Indiewire
“I don’t have religion, but if I did it would be probably be the Sundance labs,” said “Patti Cake$”writer/director Geremy Jasper.
“Patti Cake$” is one 20 films premiering this week at the Sundance Film Festival that got their start, at least in part, at the Sundance Institute. (In Jasper’s case, he participated in both the Feature Film Screenwriting and Directing labs.)
The labs are the highest-profile aspect of the Institute. Filmmakers find it invaluable to be in Utah for two to three weeks, removed from their day to day concerns and immersed in their films while getting advice from some of the most talented instructors and filmmakers in the world. In Jasper’s case, the first person he sat down with to discuss the problems in his script’s second act was none other than his hero Quentin Tarantino, who workshopped “Reservoir Dogs” at the Sundance Labs 25 years ago.
“Patti Cake$” is one 20 films premiering this week at the Sundance Film Festival that got their start, at least in part, at the Sundance Institute. (In Jasper’s case, he participated in both the Feature Film Screenwriting and Directing labs.)
The labs are the highest-profile aspect of the Institute. Filmmakers find it invaluable to be in Utah for two to three weeks, removed from their day to day concerns and immersed in their films while getting advice from some of the most talented instructors and filmmakers in the world. In Jasper’s case, the first person he sat down with to discuss the problems in his script’s second act was none other than his hero Quentin Tarantino, who workshopped “Reservoir Dogs” at the Sundance Labs 25 years ago.
- 1/22/2017
- by Chris O'Falt
- Indiewire
To follow up on her Independent Spirit Award-winning documentary “The Unforeseen,” Laura Dunn decided to explore the life and work of poet, farmer and activist Wendell Berry. In “Look and See: A Portrait of Wendell Berry,” she uses Berry (and his Johnny Cash-like lilt of a voice) to document the changing landscapes and shifting values of rural America in the era of industrial agriculture. The film, which screens this week in the Spotlight section of the Sundance Film Festival after premiering at SXSW last year (under the title “The Seer”), was shot in and around the rolling hills of Berry’s native.
- 1/17/2017
- by Thom Geier
- The Wrap
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