- [on the pedal-steel guitar] My original intention was to use it just for improvised, soundscape-y stuff, but I ended up falling in love with it. So I put it on a lot of the songs. It's not anything that I'm proficient on, but in the studio, if I spend a day working it, I can shimmy my way around.
- I try to get out of a lot of things by just kind of morphing and and shifting - and that's the way I got into music in general, by being really into free music and improvised jazz music, and stuff like that.To me, the most abstract thing that you could possibly do in music is make a song that's under four minutes long. It doesn't make any sense to me.
- I just love visual art because I don't have to turn anything on, or make sure my compressors are working and the microphones are set up. I just kind of take the cap off my pen, and if it runs out I throw it in the recycling bin and grab another pen.
- They dumped her body into the Molten Light/ It floated to the surface and it did not ignite/ She rose up slowly and walked to the shore/ She stood up on the bank and she whispered I'll find you and I'll kill you, I'll find you and I'll kill you, I'll find you and I'll kill you/ They ran back into town and they hid in the Church/ They explained their situation and they feared for the worst/ The Priest told the Brothers that she could not be killed/ She grew out of the stone cold ground and she'll find you and she'll kill you, she'll find you and she'll kill you, she'll find you and she'll kill you/ There was a knock at the door that shook to the heart/ she blew it right open and she pulled it apart/ she shot a stream of flame from the centre of her chest/ as she watched their bodies burn she whispered I found you and I killed you, I found you and I killed you, I found you and I killed you.
- I could see it in your eyes/ your peace was on the rise.
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