From Jekyll and Hyde to the Wolfman, to much more recent twists on atavistic transformations, the concept of shape-shifting has always been a popular one in fiction — with storytellers turning the dial up or down on the potential social commentary therein, according to taste and preference. In “Animale,” the closing film of this year’s Cannes Critics’ Week section, director Emma Benestan is rather more interested in the interpersonal dynamics navigated by 22-year-old female bull-runner Nejma (Oulaya Amamra) than in really savouring some promising horror implications. She gives Dr. Jekyll center stage, as it were, rather than getting too involved with Mr. Hyde.
Nejma works at a ranch in Camargue, France, where bulls are raised to compete in the arena for baying crowds of exhilarated spectators. It is a traditionally masculine environment: From the bulls to the men who wrangle them, the emphasis is on displays of physical strength and ferocity.
Nejma works at a ranch in Camargue, France, where bulls are raised to compete in the arena for baying crowds of exhilarated spectators. It is a traditionally masculine environment: From the bulls to the men who wrangle them, the emphasis is on displays of physical strength and ferocity.
- 5/23/2024
- by Catherine Bray
- Variety Film + TV
Federico Luis’ Simon Of The Mountain won the Cannes Critics’ Week Grand Prize on Wednesday night (May 22).
The Argentinian first feature is a coming-of-age story about a boy with a disability wrestling through life. Luxbox is handling international sales for the film produced by Argentina’s 20/20 in coproduction with Chile’s Planta, Uruguay’s Mother Superior and Los Angeles and Mexico City-based Twelve Thirty Media.
The jury prize went to US director Constance Tsang’s first feature Blue Sun Palace about Chinese immigrants living in Queens. Charades is handling international sales and WME has North American rights to the film...
The Argentinian first feature is a coming-of-age story about a boy with a disability wrestling through life. Luxbox is handling international sales for the film produced by Argentina’s 20/20 in coproduction with Chile’s Planta, Uruguay’s Mother Superior and Los Angeles and Mexico City-based Twelve Thirty Media.
The jury prize went to US director Constance Tsang’s first feature Blue Sun Palace about Chinese immigrants living in Queens. Charades is handling international sales and WME has North American rights to the film...
- 5/22/2024
- ScreenDaily
Argentinian director Federico Luis’s first film Simon of the Mountain has won the Grand Prize at the 63rd edition of Cannes Critics’ Week.
The coming-of-age tale stars rising Argentinian actor, singer and song writer Lorenzo Ferro as a young man grappling with the challenges of a mental disorder.
It is produced by Patricio Alvarez Casado at Argentinian production house 20/20 in coproduction with Fernando Bascuñan at Chilean company Planta, Ignacio Cucucovich’s Uruguayan company Mother Superior and L.A. and Mexico City based producer Carlos Rincones at Twelve Thirty Media, with Luxbox handling international sales.
In other key prizes, U.S.-Chinese filmmaker Constance Tsang’s won the French Touch Prize of the Jury for first feature Blue Sun Palace, a bittersweet chronicle of the tumultuous destiny of Chinese immigrants living in Queens.
It is produced by Eli Raskin at Field Trip Media and Tony Yang at Big Buddha Productions,...
The coming-of-age tale stars rising Argentinian actor, singer and song writer Lorenzo Ferro as a young man grappling with the challenges of a mental disorder.
It is produced by Patricio Alvarez Casado at Argentinian production house 20/20 in coproduction with Fernando Bascuñan at Chilean company Planta, Ignacio Cucucovich’s Uruguayan company Mother Superior and L.A. and Mexico City based producer Carlos Rincones at Twelve Thirty Media, with Luxbox handling international sales.
In other key prizes, U.S.-Chinese filmmaker Constance Tsang’s won the French Touch Prize of the Jury for first feature Blue Sun Palace, a bittersweet chronicle of the tumultuous destiny of Chinese immigrants living in Queens.
It is produced by Eli Raskin at Field Trip Media and Tony Yang at Big Buddha Productions,...
- 5/22/2024
- by Melanie Goodfellow
- Deadline Film + TV
Toro Toro Toro: Amamra Grabs the Bull By the Horns in Transformative Role
For those who champion the bull in Spain’s electrifying yet antiquated tradition of the running of the bulls, there’s a fresh perspective awaiting in a genre-blending narrative that redefines and realigns the boundaries between genders and species. Departing from her beginnings in young adult romantic comedy with Fragile (2021), French-Algerian filmmaker Emma Benestan reunites with Oulaya Amamra for their third collaboration—a sophomore film that exudes a Cocteau-esque spirit with hints of whac-a-mole horror genre elements. An exploration of crossed boundaries and crossing over, Animale is reminiscent of last year’s Le Règne animal and especially Julia Ducournau’s Raw, despite embracing what is a familiar, well-trodden path, we find a fresh take on violence as redemption and salvation.…...
For those who champion the bull in Spain’s electrifying yet antiquated tradition of the running of the bulls, there’s a fresh perspective awaiting in a genre-blending narrative that redefines and realigns the boundaries between genders and species. Departing from her beginnings in young adult romantic comedy with Fragile (2021), French-Algerian filmmaker Emma Benestan reunites with Oulaya Amamra for their third collaboration—a sophomore film that exudes a Cocteau-esque spirit with hints of whac-a-mole horror genre elements. An exploration of crossed boundaries and crossing over, Animale is reminiscent of last year’s Le Règne animal and especially Julia Ducournau’s Raw, despite embracing what is a familiar, well-trodden path, we find a fresh take on violence as redemption and salvation.…...
- 5/22/2024
- by Eric Lavallée
- IONCINEMA.com
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Midsommar producer Patrik Andersson, Infinity Pool SFX artist Dan Martin and All Quiet On The Western Front sound editor/designer Frank Kruse are among the first wave of contributors to the inaugural UK Next Wave Genre Lab.
The Lab is run by UK sales firm Film Constellation, French production and consultancy company Tatino Films and development and packaging event Maskoon Fantastic Lab.
Hoard producer Andy Starke, Pelican Blood producer Verena Grafe-Hoft and Piggy filmmaker Carlota Pereda are also among the group of international contributors, mentors and tutors, with further participants to be announced soon.
The Lab will be led by...
The Lab is run by UK sales firm Film Constellation, French production and consultancy company Tatino Films and development and packaging event Maskoon Fantastic Lab.
Hoard producer Andy Starke, Pelican Blood producer Verena Grafe-Hoft and Piggy filmmaker Carlota Pereda are also among the group of international contributors, mentors and tutors, with further participants to be announced soon.
The Lab will be led by...
- 5/19/2024
- ScreenDaily
The anarchic spirit of Julia Ducournau’s Palme d’Or winner Titane lives on in Emma Benestan’s Critics’ Week closer Animale, the genre-busting debut of a director who cites Buffy the Vampire Slayer, Kathryn Bigelow’s Near Dark, and the naturalist films of Chloé Zhao as influences. More surprisingly, she also credits Abdellatif Kechiche, since her first break was as assistant editor on his 2013 Palme d’Or winner Blue Is the Warmest Color.
Emma Benestan
Benestan — who would later take a full-blown editor credit on Kechiche’s 2017 feature Mektoub, My Love — was then finishing her studies at France’s prestigious La Fémis film school, but observing Kechiche’s directorial style, and witnessing his penchant for mixing professional and amateur actors, was an education in itself. “It’s the way he marries professionals and amateurs that gives his films a certain spontaneity,” she explains. “I’d been taught the director had to control everything,...
Emma Benestan
Benestan — who would later take a full-blown editor credit on Kechiche’s 2017 feature Mektoub, My Love — was then finishing her studies at France’s prestigious La Fémis film school, but observing Kechiche’s directorial style, and witnessing his penchant for mixing professional and amateur actors, was an education in itself. “It’s the way he marries professionals and amateurs that gives his films a certain spontaneity,” she explains. “I’d been taught the director had to control everything,...
- 5/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
The world premiere of Agathe Riedinger’s Wild Diamond in Cannes Competition is the only one by a first-time filmmaker and heralds Riedinger as part of a new wave of French female directors to arrive en force on the Croisette.
The film explores western society’s obsession with beauty and fame and the omnipresence of social media through the story of a 19 year-old girl who sets out to earn a spot on a reality TV show.
Also in Competitoin is France-born Coralie Fargeat’s second feature The Substance. The body horror is produced by the UK’s Working Title Films and stars Demi Moore,...
The film explores western society’s obsession with beauty and fame and the omnipresence of social media through the story of a 19 year-old girl who sets out to earn a spot on a reality TV show.
Also in Competitoin is France-born Coralie Fargeat’s second feature The Substance. The body horror is produced by the UK’s Working Title Films and stars Demi Moore,...
- 5/17/2024
- ScreenDaily
After she won the 2021 Palme d’Or for Titane, in a which a sociopathic stripper becomes a serial killer and has sex with muscle cars, Julia Ducournau was effusive in her gratitude to the Cannes Film Festival. “Thank you for calling for more diversity in our experiences of film and our lives,” she said. “Thank you for letting in the monsters.”
Titane was only her second movie; the first, Raw, made its humble debut in Critics’ Week, but it was recognizably the work of the same artist, being a tender coming of age story about a veterinary student who discovers that she comes from a long line of cannibals.
Although Cannes has a long way to go in terms of gender parity, the festival has been quick to tap into the new wave of female-directed horror that has sprung up in the wake of Jennifer Kent’s The Babadook 10 years ago.
Titane was only her second movie; the first, Raw, made its humble debut in Critics’ Week, but it was recognizably the work of the same artist, being a tender coming of age story about a veterinary student who discovers that she comes from a long line of cannibals.
Although Cannes has a long way to go in terms of gender parity, the festival has been quick to tap into the new wave of female-directed horror that has sprung up in the wake of Jennifer Kent’s The Babadook 10 years ago.
- 5/15/2024
- by Damon Wise
- Deadline Film + TV
A first clip has been unveiled for Emma Benestan’s “Animale,” which closes the Cannes Film Festival’s Critics’ Week strand this year.
The film is set in the Camargue region of the south of France, where daring youths participate in the local tradition of bull running. Only one woman, 22-year-old Nejma, takes her place in the arena. Taunting and evading the animals with increasing boldness, Nejma seeks to prove herself the equal of the men – inside and outside of the arena. But both situations put Nejma at risk, as a different threat looms over the community of riders: a bull is on the loose and young men are being killed. The film is designed as a supernatural fable that blends with the classic body horror, and the revenge thriller.
After several shorts and a documentary, “Animale” is Benestan’s second fiction feature after the acclaimed “Fragile” aka “Hard Shell, Soft Shell...
The film is set in the Camargue region of the south of France, where daring youths participate in the local tradition of bull running. Only one woman, 22-year-old Nejma, takes her place in the arena. Taunting and evading the animals with increasing boldness, Nejma seeks to prove herself the equal of the men – inside and outside of the arena. But both situations put Nejma at risk, as a different threat looms over the community of riders: a bull is on the loose and young men are being killed. The film is designed as a supernatural fable that blends with the classic body horror, and the revenge thriller.
After several shorts and a documentary, “Animale” is Benestan’s second fiction feature after the acclaimed “Fragile” aka “Hard Shell, Soft Shell...
- 5/15/2024
- by Naman Ramachandran
- Variety Film + TV
Cannes parallel section Critics’ Week opens Wednesday with French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes), starring Adam Bessa as man in in pursuit of a faceless, former torturer.
Running from May 15 to 23, the compact line-up will showcase 11 first and second works features by emerging directors, seven in competition, as well as 13 short films.
Deadline caught up with Artistic Director Ava Cahen on the eve of the 63rd edition.
Deadline: You’re on your third selection as Critics’ Week artistic director. How was it this year?
Ava Cahen: We always put the counters back to zero. So everything felt new, even if it’s my third year. We received a few more films than normal and screened 1,050 features. It’s hard when you’ve only got 11 slots. Obviously there were a lot more than 11 films that we would have liked to have welcomed. There was a lot of discussion.
Running from May 15 to 23, the compact line-up will showcase 11 first and second works features by emerging directors, seven in competition, as well as 13 short films.
Deadline caught up with Artistic Director Ava Cahen on the eve of the 63rd edition.
Deadline: You’re on your third selection as Critics’ Week artistic director. How was it this year?
Ava Cahen: We always put the counters back to zero. So everything felt new, even if it’s my third year. We received a few more films than normal and screened 1,050 features. It’s hard when you’ve only got 11 slots. Obviously there were a lot more than 11 films that we would have liked to have welcomed. There was a lot of discussion.
- 5/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
Studiocanal ex-Orange Studio (sic), the sales company in transition following Canal+’s acquisition of Orange Studio and Ocs earlier this year, has taken on All For One, the anticipated second feature from Camera d’Or-winning Divines director Houda Benyamina.
The comedy drama reteams Beyamina with Divines actresses Oulaya Amamra and Déborah Lukumuena who star alongside Daphné Patakia and Sabrina Ouazani. Set in France in 1625, All For One is a feminist retelling of The Three Musketeers and follows four women tasked with protecting the Queen of France.
Orange Studio’s head of sales Charlotte Boucon will be at the market selling the film,...
The comedy drama reteams Beyamina with Divines actresses Oulaya Amamra and Déborah Lukumuena who star alongside Daphné Patakia and Sabrina Ouazani. Set in France in 1625, All For One is a feminist retelling of The Three Musketeers and follows four women tasked with protecting the Queen of France.
Orange Studio’s head of sales Charlotte Boucon will be at the market selling the film,...
- 5/14/2024
- ScreenDaily
European production and sales studio Vuelta Group has bought German producer Telepool from Will Smith and Jada Pinkett Smith’s Westbrook.
The deal, struck through Vuelta subsidiary SquareOne, will see a combined business operating under the SquareOne banner. SquareOne and Vuelta Group Germany CEO Al Munteanu will lead the banner, with Michael Heyd serving as CFO and COO.
Financial terms of the deal weren’t disclosed, but the combined group will boast a library of over 1,200 titles such as Drive, Intouchables, Olympus Has Fallen, Transporter 3 and the recently released One Life. It will form part of the growing Vuelta Group, which in July last year we revealed had formed through the acquisitions of SquareOne, Paris-based international sales firm Playtime Group and Nordic distributor-producer Scanbox.
Vuelta Group Chairman Jeromt Levy, who launched the group with $50M backing from an unnamed U.S. private equity firm, announced the news today along with Munteanu.
The deal, struck through Vuelta subsidiary SquareOne, will see a combined business operating under the SquareOne banner. SquareOne and Vuelta Group Germany CEO Al Munteanu will lead the banner, with Michael Heyd serving as CFO and COO.
Financial terms of the deal weren’t disclosed, but the combined group will boast a library of over 1,200 titles such as Drive, Intouchables, Olympus Has Fallen, Transporter 3 and the recently released One Life. It will form part of the growing Vuelta Group, which in July last year we revealed had formed through the acquisitions of SquareOne, Paris-based international sales firm Playtime Group and Nordic distributor-producer Scanbox.
Vuelta Group Chairman Jeromt Levy, who launched the group with $50M backing from an unnamed U.S. private equity firm, announced the news today along with Munteanu.
- 5/8/2024
- by Jesse Whittock
- Deadline Film + TV
German distributor-producer SquareOne Entertainment, part of rising European film studio Vuelta Group, has acquired German film and TV production, distribution and licensing company Telepool, which was owned by Will Smith and Jada Pinkett Smith’s Westbrook.
The news was announced Wednesday by Vuelta Group chairman Jerome Levy and CEO of SquareOne and Vuelta Group Germany Al Munteanu.
Munteanu will spearhead the newly combined entity under the SquareOne banner with Michael Heyd serving as CFO/COO.
The newly combined SquareOne entity will boast a library consisting of over 1,200 titles such as “Drive,” “Intouchables,” “The Olympus Has Fallen,” “The Hitman’s Bodyguard,” “Imitation Game,” “Lone Survivor,” “Book Club,” “Transporter 3,” “King Richard,” “Maurice the Tomcat” and the recently released “One Life” among others.
“For over 60 years, Telepool has been one of the leading global content houses and we are proud of the work we did with the company,” said Westbrook CEO Kosaku Yada.
The news was announced Wednesday by Vuelta Group chairman Jerome Levy and CEO of SquareOne and Vuelta Group Germany Al Munteanu.
Munteanu will spearhead the newly combined entity under the SquareOne banner with Michael Heyd serving as CFO/COO.
The newly combined SquareOne entity will boast a library consisting of over 1,200 titles such as “Drive,” “Intouchables,” “The Olympus Has Fallen,” “The Hitman’s Bodyguard,” “Imitation Game,” “Lone Survivor,” “Book Club,” “Transporter 3,” “King Richard,” “Maurice the Tomcat” and the recently released “One Life” among others.
“For over 60 years, Telepool has been one of the leading global content houses and we are proud of the work we did with the company,” said Westbrook CEO Kosaku Yada.
- 5/8/2024
- by Elsa Keslassy and Leo Barraclough
- Variety Film + TV
London- and Paris-based production, finance and sales outfit Film Constellation has boarded international sales on Titus Kaphar’s drama “Exhibiting Forgiveness.”
The film received strong reviews after its January premiere at Sundance in the U.S. Dramatic Competition section, and was picked up for North American distribution by Roadside Attractions, with plans for a wide theatrical release in the fall and awards campaign.
Film Constellation will screen the film for buyers in Cannes.
In the film, an artist finds his path to success derailed by an unexpected visit from his estranged father, a troubled man desperate to reconcile. Together, they learn that forgetting may be harder than forgiving.
The directorial debut of visual artist Kaphar, “Exhibiting Forgiveness” stars André Holland, Andra Day, John Earl Jelks and Aunjanue Ellis-Taylor.
Variety’s Owen Gleiberman gave the film a positive review, describing it as “a forceful drama free of feel-good fakery” and praising Holland’s performance as “fierce,...
The film received strong reviews after its January premiere at Sundance in the U.S. Dramatic Competition section, and was picked up for North American distribution by Roadside Attractions, with plans for a wide theatrical release in the fall and awards campaign.
Film Constellation will screen the film for buyers in Cannes.
In the film, an artist finds his path to success derailed by an unexpected visit from his estranged father, a troubled man desperate to reconcile. Together, they learn that forgetting may be harder than forgiving.
The directorial debut of visual artist Kaphar, “Exhibiting Forgiveness” stars André Holland, Andra Day, John Earl Jelks and Aunjanue Ellis-Taylor.
Variety’s Owen Gleiberman gave the film a positive review, describing it as “a forceful drama free of feel-good fakery” and praising Holland’s performance as “fierce,...
- 5/3/2024
- by Leo Barraclough
- Variety Film + TV
Sales and production house Film Constellation is launching world sales rights on U.S. comedy drama “Eephus,” directed by Carson Lund, set to world premiere in the Directors’ Fortnight section in Cannes in May.
In the film, as an imminent construction project looms over a beloved small-town baseball field, a pair of New England Sunday league teams face off for the last time over the course of a day. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.
“Eephus” is the feature directorial debut of American filmmaker Lund, who also has a cinematography credit on another Directors’ Fortnight title, “Christmas Eve in Miller’s Point.”
“Eephus” is produced by Lund, Tyler Taormina, Michael Basta, David Entin and Gabe Klinger for U.S.-based Omnes Films, in collaboration with executive producers Michael Tonelli, Ashish Shetty, Brian Clark and Jim Christman of Magmys.
In the film, as an imminent construction project looms over a beloved small-town baseball field, a pair of New England Sunday league teams face off for the last time over the course of a day. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.
“Eephus” is the feature directorial debut of American filmmaker Lund, who also has a cinematography credit on another Directors’ Fortnight title, “Christmas Eve in Miller’s Point.”
“Eephus” is produced by Lund, Tyler Taormina, Michael Basta, David Entin and Gabe Klinger for U.S.-based Omnes Films, in collaboration with executive producers Michael Tonelli, Ashish Shetty, Brian Clark and Jim Christman of Magmys.
- 4/18/2024
- by Leo Barraclough
- Variety Film + TV
Updated: The Cannes Film Festival will have an admirable UK and Irish presence in 2024, including three films from Dublin, London and Belfast-based production company Element Pictures, Andrea Arnold’s Bird in Competition and features from fresh talents Sandhya Suri and Rungano Nyoni, as well as Sister Midnight in Directors’ Fortnight.
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
- 4/17/2024
- ScreenDaily
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
French-Tunisian star Adam Bessa takes one of the lead roles in the Cannes Critics’ Week opener Ghost Trail Photo: La Semaine de la Critique On song in Alexis Langlois’s first feature Queens of Drama, a pop musical Photo: La Semaine de la Critique Hot on the heels of the official Cannes Film Festival launch last week comes today’s announcement in Paris of the selection for this year’s 63rd edition of Critics’ Week, devoted to first and second features and running between May 15 and 23.
Ava Cahen, the Week’s artistic director, revealed a selection of 11 titles including the opener Ghost Trail, a psychological thriller, inspired by real events, by Jonathan Millet and the closing film by Emma Benestan, Animale, styled as a “genre piece” set in the Camargue and is described as “at the “crossroads between western, slasher, body horror, and revenge film.”
Constance Tsang’s Blue Sun...
Ava Cahen, the Week’s artistic director, revealed a selection of 11 titles including the opener Ghost Trail, a psychological thriller, inspired by real events, by Jonathan Millet and the closing film by Emma Benestan, Animale, styled as a “genre piece” set in the Camargue and is described as “at the “crossroads between western, slasher, body horror, and revenge film.”
Constance Tsang’s Blue Sun...
- 4/15/2024
- by Richard Mowe
- eyeforfilm.co.uk
The Cannes Critics’ Week, the parallel film festival sidebar organized by the French film critics’ union, has unveiled its 2024 selection.
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
- 4/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Cannes Critics’ Week, spotlighting first and second features, has unveiled the competition and special screenings selection for its 63rd edition running May 15-23.
Scroll down for full list of titles
Artistic director Ava Cahen, now in her third year in the position, announced the selection of 11 features chosen from 1,050 films screened. Seven films will vie for four top prizes in competition, chosen by a jury led by Spanish filmmaker Rodrigo Sorogoyen. Nine are first films that will vie for the Camera d’Or and three are directed or co-directed by women.
The sidebar will open with French director Jonathan Millet...
Scroll down for full list of titles
Artistic director Ava Cahen, now in her third year in the position, announced the selection of 11 features chosen from 1,050 films screened. Seven films will vie for four top prizes in competition, chosen by a jury led by Spanish filmmaker Rodrigo Sorogoyen. Nine are first films that will vie for the Camera d’Or and three are directed or co-directed by women.
The sidebar will open with French director Jonathan Millet...
- 4/15/2024
- ScreenDaily
Cannes Critics’ Week, the sidebar dedicated to first and second films, will open with Jonathan Millet’s psychological thriller “Ghost Trail” and wrap with Emma Benestan’s genre film “Animale.”
“Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival.
The sole U.S. film of the selection is Constance Tsang’s “Blue Sun Palace,” a bittersweet film about two Chinese immigrants living in Queens who bond following a tragic death and find meaning in each other’s company. “As humble and dignified as its characters, this first, realistic and intimate, film sheds light on a community that is little seen,” said Ava Cahen, Critics’ Week’s artistic director. “Blue Sun Palace” stars Lee Kang-sheng whose recent credits include “Twisted Strings.”
Besides the opening and closing films, the Special Screenings section will comprise of Saïd Hamich Benlarbi’s “Across the...
“Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival.
The sole U.S. film of the selection is Constance Tsang’s “Blue Sun Palace,” a bittersweet film about two Chinese immigrants living in Queens who bond following a tragic death and find meaning in each other’s company. “As humble and dignified as its characters, this first, realistic and intimate, film sheds light on a community that is little seen,” said Ava Cahen, Critics’ Week’s artistic director. “Blue Sun Palace” stars Lee Kang-sheng whose recent credits include “Twisted Strings.”
Besides the opening and closing films, the Special Screenings section will comprise of Saïd Hamich Benlarbi’s “Across the...
- 4/15/2024
- by Elsa Keslassy
- Variety Film + TV
Cannes Critics’ Week championing work by emerging filmmakers has unveiled the line-up for its 63rd edition running from May 15 to 23.
The traditionally compact parallel selection will showcase 11 features, seven in competition, as well as 13 short films, selected from 1,050 features and 2,150 short films. (scroll down for full list)
The 2024 edition marks Artistic Director Ava Cahen’s third at the helm, with buzzy discoveries under her directorship to date including Tiger Stripes, The Rapture, Aftersun and Love According To Dalva.
Opening and closing films
French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes) will open the section. It marks his first feature after half a dozen shorts including Tell Me About The Stars.
Adam Bessa, who won the Un Certain Regard prize for his performance in Harka in 2022, stars as a man in pursuit of his former torturer. He never saw his oppressor’s face, but knows his smell,...
The traditionally compact parallel selection will showcase 11 features, seven in competition, as well as 13 short films, selected from 1,050 features and 2,150 short films. (scroll down for full list)
The 2024 edition marks Artistic Director Ava Cahen’s third at the helm, with buzzy discoveries under her directorship to date including Tiger Stripes, The Rapture, Aftersun and Love According To Dalva.
Opening and closing films
French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes) will open the section. It marks his first feature after half a dozen shorts including Tell Me About The Stars.
Adam Bessa, who won the Un Certain Regard prize for his performance in Harka in 2022, stars as a man in pursuit of his former torturer. He never saw his oppressor’s face, but knows his smell,...
- 4/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
Roll up, roll up for Part 2 of our Cannes Film Festival preview, this time with a focus on international, mainly non-English-language fare. If you didn’t catch Andreas’ English-language-focused Part 1, check it out.
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
- 3/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
Production has wrapped on genre feature Animale, directed by French filmmaker Emma Benestan, with London and Paris-based sales agent Film Constellation unveiling a first-look image.
It is set against the wild backdrop of the southern France bull riding tradition of Camargue, and stars César winning actress Oulaya Amamra (pictured). Producers are French outfit June Films’ Julie Billy and Naomi Denamur; Titane producers Cassandre Warnauts and Jean-Yves Roubin of Belgium’s Frakas Productions; in co-production with broadcaster France 3 Cinema.
In this male-dominated environment, a 22-year-old woman trains hard to fulfil her dream of winning the upcoming annual competition. When...
It is set against the wild backdrop of the southern France bull riding tradition of Camargue, and stars César winning actress Oulaya Amamra (pictured). Producers are French outfit June Films’ Julie Billy and Naomi Denamur; Titane producers Cassandre Warnauts and Jean-Yves Roubin of Belgium’s Frakas Productions; in co-production with broadcaster France 3 Cinema.
In this male-dominated environment, a 22-year-old woman trains hard to fulfil her dream of winning the upcoming annual competition. When...
- 2/16/2024
- ScreenDaily
The Red Sea International Film Festival (Red Sea Iff) is delighted to announce the winners of the Red Sea Souk Awards – vital funding and in-kind grants to develop and boost new talent from Saudi, Arab and African directors. Three juries deliberated to finally select nine winning feature ideas and two TV series, whose creative visions will now benefit from generous prizes awarded by the Red Sea Fund and its award partners.
A total of 24 new film projects screened as part of the Red Sea Souk, with 12 titles by filmmakers of African and Arab origin, alongside 12 Red Sea Lodge projects by Saudi, Arab and African directors which have been developed over the last year through intensive workshops and in partnership with the Torino Film Lab. The Red Sea Souk Project Market jury awards are supported by the Red Sea Fund, and in the selection were five Saudi projects, eight African projects...
A total of 24 new film projects screened as part of the Red Sea Souk, with 12 titles by filmmakers of African and Arab origin, alongside 12 Red Sea Lodge projects by Saudi, Arab and African directors which have been developed over the last year through intensive workshops and in partnership with the Torino Film Lab. The Red Sea Souk Project Market jury awards are supported by the Red Sea Fund, and in the selection were five Saudi projects, eight African projects...
- 12/7/2023
- by Rouven Linnarz
- AsianMoviePulse
It’s a busy year for the Red Sea Souk, the market arm of the Red Sea Film Festival dedicated to discovering new Arab and African talent. The same could have been said of every year of the market’s three-year history, however, with Saudi Arabia’s lightning-fast film industry solidifying the Souk as the principal film market for the Middle East and North Africa.
The third edition of the Souk, taking place between Dec. 2-5, marks the first time the market held an open call for submissions. Previously, selection happened directly or through the Red Sea Fund. According to Red Sea Souk manager Zain Zedan, the response to the open call was overwhelmingly positive.
“We had over 300 submissions, a great number for our first call. It also gives us an indication that there is a lot of interest as people are seeing what the Souk has done in the previous two years.
The third edition of the Souk, taking place between Dec. 2-5, marks the first time the market held an open call for submissions. Previously, selection happened directly or through the Red Sea Fund. According to Red Sea Souk manager Zain Zedan, the response to the open call was overwhelmingly positive.
“We had over 300 submissions, a great number for our first call. It also gives us an indication that there is a lot of interest as people are seeing what the Souk has done in the previous two years.
- 12/2/2023
- by Rafa Sales Ross
- Variety Film + TV
‘The Camel Driving School’ is about a Moroccan woman who becomes part of a group of rebel women in her community.
Jeanne-Marie Poulain of Canada’s Art et Essai and Alaa Eddine Aljem and Francesca Duca of Morocco’s Le Moindre Geste have signed on to co-produce Halima Ouardiri’s feature debut The Camel Driving School which was presented at this week’s Atlas Workshops in Marrakech.
The Camel Driving School won the Atlas development prize of €20,000 at this year’s edition of the Atlas Workshops.
The film, currently in development, went into the Workshops with French producers Margaux Juvénal...
Jeanne-Marie Poulain of Canada’s Art et Essai and Alaa Eddine Aljem and Francesca Duca of Morocco’s Le Moindre Geste have signed on to co-produce Halima Ouardiri’s feature debut The Camel Driving School which was presented at this week’s Atlas Workshops in Marrakech.
The Camel Driving School won the Atlas development prize of €20,000 at this year’s edition of the Atlas Workshops.
The film, currently in development, went into the Workshops with French producers Margaux Juvénal...
- 12/1/2023
- by E. Nina Rothe
- ScreenDaily
Industry speakers at festival include ‘Quo Vadis, Aida?’ director Jasmila Zbanic, former Marvel exec Karim Zreik.
Saudi Arabia’s Red Sea International Film Festival (Rsiff) has selected 26 feature film projects for its Red Sea Souk Project Market; plus a Work-in-Progress showcase, and speakers for its 360° industry events programme.
The 26 Souk projects hail from Africa and the Arab region. Titles include Djeliya, Memory Of Manding, a documentary from Burkinabe filmmaker Boubacar Sangare, whose third film A Golden Life played at the Berlinale earlier this year.
Scroll down for the full list of projects
Also included is Scandar Copti’s animated documentary A Childhood,...
Saudi Arabia’s Red Sea International Film Festival (Rsiff) has selected 26 feature film projects for its Red Sea Souk Project Market; plus a Work-in-Progress showcase, and speakers for its 360° industry events programme.
The 26 Souk projects hail from Africa and the Arab region. Titles include Djeliya, Memory Of Manding, a documentary from Burkinabe filmmaker Boubacar Sangare, whose third film A Golden Life played at the Berlinale earlier this year.
Scroll down for the full list of projects
Also included is Scandar Copti’s animated documentary A Childhood,...
- 11/7/2023
- by Ben Dalton
- ScreenDaily
Saudi Arabia’s Red Sea Film Festival has revealed details of the Red Sea Souk, the fest’s industry market that will offer meeting and networking opportunities revolving around new Arab and African product.
The Souk will take place Dec. 2-5 alongside the Nov. 30-Dec. 9 fest in Jeddah, on the Red Sea’s eastern shore. The fest’s industry side will also comprise the Red Sea Talent Days on Dec. 6-7, which will give regional talents and young filmmakers a chance to connect with industry experts.
The Red Sea Souk Project Market will showcase 26 feature-length projects from across the Arab and African region. Of these, 12 are Red Sea Lodge projects that were developed in-house during the year through workshops and labs in partnership with Italy’s Torino Film Lab.
Four of these projects will be awarded the annual Red Sea Lodge production prizes of $50,000 each.
All 26 selected projects in the...
The Souk will take place Dec. 2-5 alongside the Nov. 30-Dec. 9 fest in Jeddah, on the Red Sea’s eastern shore. The fest’s industry side will also comprise the Red Sea Talent Days on Dec. 6-7, which will give regional talents and young filmmakers a chance to connect with industry experts.
The Red Sea Souk Project Market will showcase 26 feature-length projects from across the Arab and African region. Of these, 12 are Red Sea Lodge projects that were developed in-house during the year through workshops and labs in partnership with Italy’s Torino Film Lab.
Four of these projects will be awarded the annual Red Sea Lodge production prizes of $50,000 each.
All 26 selected projects in the...
- 11/7/2023
- by Nick Vivarelli
- Variety Film + TV
The Red Sea International Film Festival (Rsiff) in Jeddah, Saudi Arabia has revealed the 26 projects selected as part of this year’s Red Sea Souk Market, which will run Dec. 2-5.
“The Red Sea Souk Project Market will present 26 feature-length projects from across the Arab and African region, offering a first opportunity for the industry audience to connect and build future opportunities with these projects,” organizers said on Tuesday.
Part of the selection are 12 “Red Sea Lodge” projects which were developed during the year through workshops and in partnership with the Torino Film Lab. Four of them will be awarded the annual Red Sea Lodge production prizes of $50,000 each.
All 26 projects in the market will compete for cash prizes offered by the Red Sea Fund, to be awarded by an international jury of producers. They are worth $35,000 for development, $25,000 for the jury special mention award and $100,000 for production.
Meanwhile, the...
“The Red Sea Souk Project Market will present 26 feature-length projects from across the Arab and African region, offering a first opportunity for the industry audience to connect and build future opportunities with these projects,” organizers said on Tuesday.
Part of the selection are 12 “Red Sea Lodge” projects which were developed during the year through workshops and in partnership with the Torino Film Lab. Four of them will be awarded the annual Red Sea Lodge production prizes of $50,000 each.
All 26 projects in the market will compete for cash prizes offered by the Red Sea Fund, to be awarded by an international jury of producers. They are worth $35,000 for development, $25,000 for the jury special mention award and $100,000 for production.
Meanwhile, the...
- 11/7/2023
- by Georg Szalai
- The Hollywood Reporter - Movie News
Wild Bunch Distribution has pre-bought French rights and will release the film in cinemas in 2024.
London and Paris-based sales outfit Film Constellation has boarded sales on French filmmaker Emma Benestan’s revenge feature Animale.
Wild Bunch Distribution has pre-bought French rights and will release the film in cinemas in 2024.
The film is set in the Camargue region of France, known for traditional bull fighting. In this male-dominated environment, a woman trains to fulfil her dream of wining the annual competition. When she is mauled after a drunken celebration, she starts to notice disturbing changes, while young men begin to be murdered.
London and Paris-based sales outfit Film Constellation has boarded sales on French filmmaker Emma Benestan’s revenge feature Animale.
Wild Bunch Distribution has pre-bought French rights and will release the film in cinemas in 2024.
The film is set in the Camargue region of France, known for traditional bull fighting. In this male-dominated environment, a woman trains to fulfil her dream of wining the annual competition. When she is mauled after a drunken celebration, she starts to notice disturbing changes, while young men begin to be murdered.
- 5/17/2023
- by Mona Tabbara
- ScreenDaily
Exclusive: French industry execs Naomi Denamur and Julie Billy are launching Paris-based independent production company June Films with a bustling film and TV slate. Scroll down for the company’s current lineup.
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
- 5/18/2022
- by Andreas Wiseman
- Deadline Film + TV
The Santa Barbara Film Festival on Thursday revealed the lineup for its 37th edition, which is set to run March 2-12 in-person in its customary spot in the heat of Oscar season.
The festival will kick off with The Phantom of the Open, the Sony Pictures Classics comedy directed by Craig Roberts and starring Mark Rylance in the true story of Maurice Fitcroft, who entered the 1976 British Open despite never having played a round of golf before. Sally Hawkins and Rhys Ifans also star in the BBC Films pic.
The documentary Dionne Warwick: Don’t Make Me Over is the closing-night film, with Warwick set to be in attendance.
Overall, the festival in the beach city just north of Los Angeles will present 48 world premieres and 95 U.S. premieres from 54 countries, with a lineup that features films from directors Neil Labute, Ramin Bahrani, François Ozon, Eva Husson and more.
Also...
The festival will kick off with The Phantom of the Open, the Sony Pictures Classics comedy directed by Craig Roberts and starring Mark Rylance in the true story of Maurice Fitcroft, who entered the 1976 British Open despite never having played a round of golf before. Sally Hawkins and Rhys Ifans also star in the BBC Films pic.
The documentary Dionne Warwick: Don’t Make Me Over is the closing-night film, with Warwick set to be in attendance.
Overall, the festival in the beach city just north of Los Angeles will present 48 world premieres and 95 U.S. premieres from 54 countries, with a lineup that features films from directors Neil Labute, Ramin Bahrani, François Ozon, Eva Husson and more.
Also...
- 2/10/2022
- by Patrick Hipes
- Deadline Film + TV
Yasin Houicha and Oulaya Amamra lead the cast of the filmmaker’s first full-length work, a Unité production set to be distributed in France by Haut et Court. Having kicked off on 31 August, filming on Emma Benestan first feature Fragile wrapped in Sète yesterday, 13 October. Hailing from La Fémis’s Editing Department, the director previously drew attention with her numerous short films, in particular the fiction offering Goût bacon and the documentary Un monde sans bêtes. Distinguishing themselves at the head of the cast are Yasin Houicha and Oulaya Amamra (the winner of the Best New Hope César and the Best Newcomer Lumières award in 2017 for Divines, similarly well-received in The World is Yours, Farewell to the Night and The Salt...
- 10/14/2020
- Cineuropa - The Best of European Cinema
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