Michele Civetta is the director of feature films “Agony” and “The Gateway” and music videos for Lou Reed, Sean Lennon, and Edward Sharpe & the Magnetic Zeros.
We came from a generation…
With aspirations of what cinema is as an art form, what it can do to provoke change, illuminate dreams of individual stories, and propel cultural narratives. Inspired by the American New Wave of Cinema, living under the banner of the Cahiers du Cinema auteur theory, a world where writers, directors, and producers created stories in the emerging screen revolution colliding between world cinema and the 90s independent film boom. Looking inside the cinematic kaleidoscope, imagining how to penetrate the dream factory, Kevin Turen was born to be a maverick as he surmounted this unpaved road for our generation of friends and filmmaking talent. As New York City Kids, we crossed the threshold into our professional years. Kevin helped out...
We came from a generation…
With aspirations of what cinema is as an art form, what it can do to provoke change, illuminate dreams of individual stories, and propel cultural narratives. Inspired by the American New Wave of Cinema, living under the banner of the Cahiers du Cinema auteur theory, a world where writers, directors, and producers created stories in the emerging screen revolution colliding between world cinema and the 90s independent film boom. Looking inside the cinematic kaleidoscope, imagining how to penetrate the dream factory, Kevin Turen was born to be a maverick as he surmounted this unpaved road for our generation of friends and filmmaking talent. As New York City Kids, we crossed the threshold into our professional years. Kevin helped out...
- 11/21/2023
- by Michele Civetta
- Indiewire
We’ve all made the “Cop Rock” jokes. The Steven Bochco musical drama, which premiered in fall 1990, was a big swing: marrying original music with procedural storytelling. It was a colossal flop that we still talk about three decades later, and a reminder that musicals are hard.
Music has been a part of the TV landscape going back to the 1950s and shows like “Your Hit Parade.” But few series have successfully integrated regular music performances into their storytelling: “The Monkees” and “The Partridge Family” worked in the 1960s and ’70s. “Fame” did it in the early ’80s. And then “Cop Rock” scared people off the concept.
The 1990s animation boom incorporated music in shows like “The Simpsons” and “Animaniacs.” But not until the 21st century did scripted series really figure out how to make musical numbers work as part of the narrative. “Flight of the Conchords” did it with satiric tracks,...
Music has been a part of the TV landscape going back to the 1950s and shows like “Your Hit Parade.” But few series have successfully integrated regular music performances into their storytelling: “The Monkees” and “The Partridge Family” worked in the 1960s and ’70s. “Fame” did it in the early ’80s. And then “Cop Rock” scared people off the concept.
The 1990s animation boom incorporated music in shows like “The Simpsons” and “Animaniacs.” But not until the 21st century did scripted series really figure out how to make musical numbers work as part of the narrative. “Flight of the Conchords” did it with satiric tracks,...
- 6/20/2023
- by Michael Schneider
- Variety Film + TV
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