A Hero was the big winner at the 21st Hafez Awards, Iran’s primary national screen awards ceremony. Scroll down for the full list of winners across film and TV.
The latest film from Asghar Farhadi took home Best Motion Picture, Best Director and Best Screenplay (both for Farhadi), Best Actor for Amir Jadidi (who shared the prize with Peyman Maadi of Walnut Tree), and Best Editor (Hayedeh Safiyari).
A Hero is Iran’s Oscar entry this year, with Farhadi having scooped the Academy prize on two previous occasions for The Salesman and A Separation.
Further winners at this year’s Hafez Awards included Pardis Ahmadieh for Toman and Susan Parvar for Botox, who shared the Best Actress prize, and Morteza Najafi who won Best Cinematography for Toman. Producer and actor Ali Sartipi was presented with a Special Individual Achievement prize while Bahman and Bahram Ark’s Skin was given the Abbas Kiarostami Memorial Medal.
The latest film from Asghar Farhadi took home Best Motion Picture, Best Director and Best Screenplay (both for Farhadi), Best Actor for Amir Jadidi (who shared the prize with Peyman Maadi of Walnut Tree), and Best Editor (Hayedeh Safiyari).
A Hero is Iran’s Oscar entry this year, with Farhadi having scooped the Academy prize on two previous occasions for The Salesman and A Separation.
Further winners at this year’s Hafez Awards included Pardis Ahmadieh for Toman and Susan Parvar for Botox, who shared the Best Actress prize, and Morteza Najafi who won Best Cinematography for Toman. Producer and actor Ali Sartipi was presented with a Special Individual Achievement prize while Bahman and Bahram Ark’s Skin was given the Abbas Kiarostami Memorial Medal.
- 11/23/2021
- by Tom Grater
- Deadline Film + TV
Known for her impressive short films The Silence and Gaze, Iranian filmmaker Farnoosh Samadi makes her feature debut with family drama 180 Degree Rule (Khate Farzi). It explores how one seemingly simple decision made by a parent can be drastically life-changing.
Based on a friend of Samadi’s real-life experience, this story set in Tehran follows teacher Sara (Sahar Dolatshahi) who is married to Hamed (Pejman Jamshidi). Their relationship feels strained when we first encounter them, like a union of convenience to care for their young daughter Raha. Sara wants to go to a family wedding in the North, but Hamed is not so keen. He is suddenly called away on a work trip, and forbids his wife from going. Sara makes the decision to go with her daughter anyway, but in secret. The consequences of her actions have a dire effect, with her resorting to secrets and lies upon Hamed’s return.
Based on a friend of Samadi’s real-life experience, this story set in Tehran follows teacher Sara (Sahar Dolatshahi) who is married to Hamed (Pejman Jamshidi). Their relationship feels strained when we first encounter them, like a union of convenience to care for their young daughter Raha. Sara wants to go to a family wedding in the North, but Hamed is not so keen. He is suddenly called away on a work trip, and forbids his wife from going. Sara makes the decision to go with her daughter anyway, but in secret. The consequences of her actions have a dire effect, with her resorting to secrets and lies upon Hamed’s return.
- 10/19/2020
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
There’s so much to learn about Iranian schoolteacher Sara (Sahar Dolatshahi) in the opening act of Farnoosh Samadi’s feature directorial debut, “180 Degree Rule.” She’s popular, well-regarded by both her fellow teachers and her teenage students, the kind of person who gets things done, a loving mother to her young daughter Raha, and a major part of her boisterous and big family. Her relationship with her uptight husband Hamed (Pejman Jamshidi) is something different, however, and he seems to think her can-do attitude is really just nagging. No wonder her deep empathy never seems to apply to him.
In her previous series of short films, Samadi turned her attention to the kind of thorny, character-rich dramas often associated with contemporary Iranian cinema (shades of Asghar Farhadi’s “A Separation” are not hard to find in “180 Degree Rule”). For her feature directorial debut, Samadi again takes on...
In her previous series of short films, Samadi turned her attention to the kind of thorny, character-rich dramas often associated with contemporary Iranian cinema (shades of Asghar Farhadi’s “A Separation” are not hard to find in “180 Degree Rule”). For her feature directorial debut, Samadi again takes on...
- 9/16/2020
- by Kate Erbland
- Indiewire
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