Film, the Living Record of Our Memory director Inés Toharia with Anne-Katrin Titze on Martin Scorsese and Thelma Schoonmaker: “We were hoping to catch up with them both, because they work together so closely and they are so crucial for Michael Powell’s work.”
Film, The Living Record Of Our Memory (a highlight of the 12th edition of Doc NYC) features insightful commentary from filmmakers Ken Loach, Jonas Mekas (Todd Haynes dedicated The Velvet Underground to Jonas), Kevin Brownlow, Fernando Trueba, Costa-Gavras, Patricio Guzmán, Ahmad Kiarostami (producer for Abbas Kiarostami), Idrissa Ouédraogo, Martin Scorsese, Bill Morrison, Ridley Scott, Nicolas Rey, Wim Wenders (on music rights and restoration), and cinematographer Vittorio Storaro.
Inés Toharia on Martin Scorsese speaking on film preservation at the Cineteca di Bologna: “I think Langlois and him are the two people - they’re very different, but they opened everyone to understand why.”
In the first instalment with Inés Toharia,...
Film, The Living Record Of Our Memory (a highlight of the 12th edition of Doc NYC) features insightful commentary from filmmakers Ken Loach, Jonas Mekas (Todd Haynes dedicated The Velvet Underground to Jonas), Kevin Brownlow, Fernando Trueba, Costa-Gavras, Patricio Guzmán, Ahmad Kiarostami (producer for Abbas Kiarostami), Idrissa Ouédraogo, Martin Scorsese, Bill Morrison, Ridley Scott, Nicolas Rey, Wim Wenders (on music rights and restoration), and cinematographer Vittorio Storaro.
Inés Toharia on Martin Scorsese speaking on film preservation at the Cineteca di Bologna: “I think Langlois and him are the two people - they’re very different, but they opened everyone to understand why.”
In the first instalment with Inés Toharia,...
- 11/25/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
African-American film 'Bert Williams: Lime Kiln Club Field Day.' With Williams and Odessa Warren Grey.* Rare, early 20th-century African-American film among San Francisco Silent Film Festival highlights Directed by Edwin Middleton and T. Hayes Hunter, the Biograph Company's Lime Kiln Club Field Day (1913) was the film I most looked forward to at the 2015 edition of the San Francisco Silent Film Festival. One hundred years old, unfinished, and destined to be scrapped and tossed into the dust bin, it rose from the ashes. Starring entertainer Bert Williams – whose film appearances have virtually disappeared, but whose legacy lives on – Lime Kiln Club Field Day has become a rare example of African-American life in the first years of the 20th century. In the introduction to the film, the audience was treated to a treasure trove of Black memorabilia: sheet music, stills, promotional material, and newspaper clippings that survive. Details of the...
- 6/16/2015
- by Danny Fortune
- Alt Film Guide
To Save and Project: The 12th MoMA International Festival of Film Preservation opens tonight with the North American premiere of a new restoration of Allan Dwan's The Iron Mask (1929). We'll be gathering notes on the series as it runs through November 22. Highlights include The Cave of the Silken Web, a silent film shot in 1927 in Shanghai by Dan Duyu, Henry Hathaway's To the Last Man (1933) featuring Randolph Scott and Shirley Temple, Luigi Comencini's La Ragazza di Bube (Bebo’s Girl, 1964) with Claudia Cardinale and George Chakiris, Canadian animation and more. » - David Hudson...
- 10/24/2014
- Fandor: Keyframe
To Save and Project: The 12th MoMA International Festival of Film Preservation opens tonight with the North American premiere of a new restoration of Allan Dwan's The Iron Mask (1929). We'll be gathering notes on the series as it runs through November 22. Highlights include The Cave of the Silken Web, a silent film shot in 1927 in Shanghai by Dan Duyu, Henry Hathaway's To the Last Man (1933) featuring Randolph Scott and Shirley Temple, Luigi Comencini's La Ragazza di Bube (Bebo’s Girl, 1964) with Claudia Cardinale and George Chakiris, Canadian animation and more. » - David Hudson...
- 10/24/2014
- Keyframe
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