Canada’s first all-Black awards ceremony was a big moment for the two brothers who made it happen.
On Sunday night, The Black Academy, co-founded by actors Stephan James and Shamier Anderson, held the inaugural Legacy Awards, honouring Black Canadian talent.
Read More: Shamier Anderson And Stephan James To Host The Legacy Awards, Announce Performers And Presenters
Et Canada’s Carlos Bustamante caught up with the duo on the red carpet at the event, which they also co-hosted, and asked what it felt like to see The Legacy Awards become a reality after years of planning.
“Surreal. I mean, truly,” Anderson said.
James added, “Surreal, unreal. We can’t believe that this little idea that we had in our heads two-and-a-half years ago has now come to fruition and we’re all here celebrating Black excellence. So we’re incredibly pleased.”
Asked about the incredible energy in the air at the awards,...
On Sunday night, The Black Academy, co-founded by actors Stephan James and Shamier Anderson, held the inaugural Legacy Awards, honouring Black Canadian talent.
Read More: Shamier Anderson And Stephan James To Host The Legacy Awards, Announce Performers And Presenters
Et Canada’s Carlos Bustamante caught up with the duo on the red carpet at the event, which they also co-hosted, and asked what it felt like to see The Legacy Awards become a reality after years of planning.
“Surreal. I mean, truly,” Anderson said.
James added, “Surreal, unreal. We can’t believe that this little idea that we had in our heads two-and-a-half years ago has now come to fruition and we’re all here celebrating Black excellence. So we’re incredibly pleased.”
Asked about the incredible energy in the air at the awards,...
- 9/26/2022
- by Corey Atad
- ET Canada
‘Jump, Darling’ Review: Drag Performer Ascends, Grandma Exits in One of Cloris Leachman’s Last Turns
Not even the final feature for recently-deceased Cloris Leachman (she put two more in the can before passing this January at age 94), “Jump, Darling” nonetheless is primarily of interest for that veteran performer’s participation. Otherwise, writer-director Phil Connell’s debut feature treads ground similar to last year’s “Stage Mother,” whose somewhat retro emphasis on lip-synching drag performance as a vehicle for self-realization likewise recalled a much earlier dramedy from Canada, “Outrageous!”
If that theme was groundbreaking 44 years ago, it seems rather quaint now, and “Jump” doesn’t help its case by centering on a troubled young protagonist whose issues are as murky as their apparent solution is simplistic. However, playing his senile yet still tart-tongued grandmother, Leachman lends the film a certain unforced gravitas that provides compensational rewards. Those looking for familiar seriocomic beats in a modest but polished LGBTQ-targeted indie will find this pleasant enough. Currently playing gay festivals,...
If that theme was groundbreaking 44 years ago, it seems rather quaint now, and “Jump” doesn’t help its case by centering on a troubled young protagonist whose issues are as murky as their apparent solution is simplistic. However, playing his senile yet still tart-tongued grandmother, Leachman lends the film a certain unforced gravitas that provides compensational rewards. Those looking for familiar seriocomic beats in a modest but polished LGBTQ-targeted indie will find this pleasant enough. Currently playing gay festivals,...
- 8/15/2021
- by Dennis Harvey
- Variety Film + TV
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