I know you have just come back from the Cannes festival, where you premiered Return To Nuke ‘Em High Vol. 2 (2017). Can you tell me what your experience was like in Cannes this year?
It’s getting more and more difficult at the Cannes film festival for independent movie artists to do publicity, unless they have the hundred thousand dollar posters or the money for the big party that worships the shrine of money and jewellery and fashion. Cannes is more about the jewellery and fashion than it is about movies. It’s clear the Cannes film festival does not want any independent movie there that is not part of the elite, that’s not part of the club, that is not part of the very refined fascist mentality. I think they show good movies, but if those good movies are not in with the club, forget it. Troma is famous.
It’s getting more and more difficult at the Cannes film festival for independent movie artists to do publicity, unless they have the hundred thousand dollar posters or the money for the big party that worships the shrine of money and jewellery and fashion. Cannes is more about the jewellery and fashion than it is about movies. It’s clear the Cannes film festival does not want any independent movie there that is not part of the elite, that’s not part of the club, that is not part of the very refined fascist mentality. I think they show good movies, but if those good movies are not in with the club, forget it. Troma is famous.
- 6/2/2017
- by Philip Rogers
- The Cultural Post
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