Vampire Weekend make sense of how historical examples of cruelty have become “classical” with time on an upbeat new song, “Classical.” The song comes off their upcoming album Only God Was Above Us, due out April 5.
Between frontman Ezra Koenig’s catchy, squeaky guitar melody and Henry Solomon’s wild saxophone solo, Koenig sings about war, peace, and abandoned ruins of temples, describing history as “a bleak sunrise.” The music sort of falls apart at the end, on purpose.
The video, directed by Nick Harwood, leans on the past by...
Between frontman Ezra Koenig’s catchy, squeaky guitar melody and Henry Solomon’s wild saxophone solo, Koenig sings about war, peace, and abandoned ruins of temples, describing history as “a bleak sunrise.” The music sort of falls apart at the end, on purpose.
The video, directed by Nick Harwood, leans on the past by...
- 3/14/2024
- by Kory Grow
- Rollingstone.com
Vampire Weekend have returned with “Classical,” the latest slice of their forthcoming album Only God Was Above Us.
Built from a rustling acoustic guitar line and a cymbal-heavy drum beat from Chris Tomson, “Classical” is more vibrant and restless than Vampire Weekend’s prior singles. “Untrue, unkind, and unnatural/ How the cruel, with time, becomes classical,” Ezra Koenig sings in the pre-chorus, eventually landing on an anthemic, harmony-laden refrain where he asks “Which classical remains?” The song also features a daring, slightly dissonant bridge with a haywire sax solo courtesy of Henry Solomon.
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The song also arrives with a music video directed by longtime collaborator Nick Harwood and featuring the band, Ray Suen, drum tech Josh Goldsmith, and A-list producer Ariel Rechtshaid. Throughout the green screen-heavy video, Vampire Weekend performs “Classical” amidst clips of classical European architecture — columns, gothic churches, statues, 800 year-old paintings, and even Stonehenge.
Built from a rustling acoustic guitar line and a cymbal-heavy drum beat from Chris Tomson, “Classical” is more vibrant and restless than Vampire Weekend’s prior singles. “Untrue, unkind, and unnatural/ How the cruel, with time, becomes classical,” Ezra Koenig sings in the pre-chorus, eventually landing on an anthemic, harmony-laden refrain where he asks “Which classical remains?” The song also features a daring, slightly dissonant bridge with a haywire sax solo courtesy of Henry Solomon.
Get Vampire Weekend Tickets Here
The song also arrives with a music video directed by longtime collaborator Nick Harwood and featuring the band, Ray Suen, drum tech Josh Goldsmith, and A-list producer Ariel Rechtshaid. Throughout the green screen-heavy video, Vampire Weekend performs “Classical” amidst clips of classical European architecture — columns, gothic churches, statues, 800 year-old paintings, and even Stonehenge.
- 3/14/2024
- by Paolo Ragusa
- Consequence - Music
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