Luis Morales(XXXII)
- Editorial Department
- Production Manager
- Producer
Born in Mexico City Morales demonstrated a love for computers, images and music from a very early age. He literally fried his first PC (a 486 with 16 Mb of RAM (Huge for that time!) working on some home-made morphs around the time "Black or White" was taking the world by storm. Since then, Luis has become a polymath in fields like computer assembly, networking and integration, as well as going deep on all aspects of computer graphics, including modeling, animation, rigging, rendering, shader-writing and what not. His quest for beautiful imagery has also led him to gain a deep understanding of technical knowledge regarding acquisition, processing and final delivery of images across a broad range of formats and requirements. Working as a graphic artist for video mapping shows from 2006 to 2010, he developed an eye for composition and color, as well as a deep understanding of professional video mapping, realizing projects all around the globe, and finally delivering Mexico's largest-ever video mapping show ¨México en el Corazón" to feast on the nation's Bicentennial year in 2009.
In 2013, Morales founded a company by the name of "Final Feliz", under the vision that know-how and expertise can compete with much bigger studios that possess much larger infrastructure and teams, without compromising image quality. Some people call Final Feliz THE "Post-Production Boutique" of Mexico City and even consider it a "good luck charm" as films that have somehow been processed at the studio have gone on and won the most prestigious awards in the film industry.
Since then, he has worked on countless films delivering content for cinema, and on a dozen projects as Production Manager, specifically as Post-Production Supervisor to deliver excellent results for films with extremely tight budgets.
In 2013, Morales founded a company by the name of "Final Feliz", under the vision that know-how and expertise can compete with much bigger studios that possess much larger infrastructure and teams, without compromising image quality. Some people call Final Feliz THE "Post-Production Boutique" of Mexico City and even consider it a "good luck charm" as films that have somehow been processed at the studio have gone on and won the most prestigious awards in the film industry.
Since then, he has worked on countless films delivering content for cinema, and on a dozen projects as Production Manager, specifically as Post-Production Supervisor to deliver excellent results for films with extremely tight budgets.