- https://www.thehindu.com/entertainment/movies/its-not-an-easy-film-to-watch-says-tymur-yashchenko-of-his-debut-feature/article31049069.ece (IN)"https://www.thehindu.com/entertainment/movies/its-not-an-easy-film-to-watch-says-tymur-yashchenko-of-his-debut-feature/article31049069.ece"March 12, 2020 · pg. The Hindu · by: Aparna Narrain
- https://www.thehindu.com/entertainment/movies/its-not-an-easy-film-to-watch-says-tymur-yashchenko-of-his-debut-feature/article31049069.ece (IN)"It's not an easy film to watch, says Tymur Yashchenko of his debut feature"March 12, 2020 · by: Aparna Narrain
- Cineuropa (UA)"Tymur Yashchenko . Director of U311 Cherkasy"July 25, 2019 · pg. https://cineuropa.org/en/interview/375481/ · by: Marta Balaga
- cineropa.org (UA)"Tymur Yashchenko. Director of U311 Cherkasy"July 25, 2019 · by: Marta Balaga
- https://cineuropa.org/en/interview/375481/ (UA)"Tymur Yashchenko . Director of U311 Cherkasy"July 25, 2019 · pg. Cineuropa · by: Marta Balaga
- The Conversation (AU)"U311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy"July 17, 2022 · pg. https://theconversation.com/u311-cherkasy-the-little-minesweeper-of-a-ukrainian-film-that-gave-the-finger-to-the-russian-navy-186559 · by: Greg Dolgopolov
- The Conversation (AU)"U311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy"July 17, 2022 · by: Greg Dolgopolov
- Republic World (IN)"A popular Ukrainian director, Tymur Yashchenko once opened up about how Indian filmmaker Satyajit Ray was an inspiration to filmmakers of Ukraine."March 3, 2022 · pg. https://www.republicworld.com/world-news/russia-ukraine-crisis/ukrainian-artist-yashchenko-hailed-satyajit-ray-as-inspiration-to-ukraines-filmmakers-articleshow.html · by: Nehal Gautam
- THE HINDU (IN)"It's not an easy film to watch, says Tymur Yashchenko of his debut feature."March 12, 2020 · by: Aparna Narrain
- https://cineuropa.org/en/interview/375481/ (ES)"Tymur Yashchenko . Director of U311 Cherkasy"July 25, 2019 · by: Marta Balaga
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