Although Netflix is still working its way around the Asian movies in its catalog, in terms of series the quality is quite high, with a quality in terms of production values of many of them being comparable, if not better with feature films. “Sanctuary”, which takes a look at the world of sumo, is definitely one of those films.
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The protagonist of the series is Kiyoshi Oze, a young delinquent from a broken family, which was destroyed when his father's debts forced him to close the shop, sending him into a being a traffic light attendant, and his wife, who obviously underwent some sort of shock, into prostituting. Kiyoshi was a judo champion at a teenager, but now finds himself bullying his way around life, until a proposition from Ensho, the owner of a sumo stable and the promise for...
Click the image below to follow our Tribute to Netflix
The protagonist of the series is Kiyoshi Oze, a young delinquent from a broken family, which was destroyed when his father's debts forced him to close the shop, sending him into a being a traffic light attendant, and his wife, who obviously underwent some sort of shock, into prostituting. Kiyoshi was a judo champion at a teenager, but now finds himself bullying his way around life, until a proposition from Ensho, the owner of a sumo stable and the promise for...
- 5/20/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Sanctuary is a Japanese film directed by Kan Eguchi, starring Wataru Ichinose, Shôta Sometani y Shiori Kutsuna,
If you expect something traditional from the Japanese country… not at all. Sanctuary is a very modern and humorous series about the world of sumo, the Japanese most famous sport.
About the series
A very realistic series in certain aspects, but without ever forgetting the fictional premise. It is the story of a boy who reveals himself to be arrogant and full of flaws but ends up conquering the public in a sport rooted in tradition.
The series seeks a bit of this, to combine the traditional with the modern show, to give a pick of the ins and outs of this intricate sport.
Is it a great series? To be honest, we are not going to recommend it. It is not a series that stands out at the production level, although it...
If you expect something traditional from the Japanese country… not at all. Sanctuary is a very modern and humorous series about the world of sumo, the Japanese most famous sport.
About the series
A very realistic series in certain aspects, but without ever forgetting the fictional premise. It is the story of a boy who reveals himself to be arrogant and full of flaws but ends up conquering the public in a sport rooted in tradition.
The series seeks a bit of this, to combine the traditional with the modern show, to give a pick of the ins and outs of this intricate sport.
Is it a great series? To be honest, we are not going to recommend it. It is not a series that stands out at the production level, although it...
- 5/4/2023
- by Veronica Loop
- Martin Cid - TV
Sanctuary is a Japanese film directed by Kan Eguchi, starring Wataru Ichinose, Shôta Sometani y Shiori Kutsuna,
A tough, desperate kid becomes a sumo wrestler, captivating fans with his cocky attitude — and upsetting an industry steeped in tradition.
Release Date
Mai 4, 2023
Where To Watch Sanctuary
Netflix
La entrada ‘Sanctuary’ (2023) Premiere on Netflix on May 4 se publicó primero en Martin Cid Magazine.
A tough, desperate kid becomes a sumo wrestler, captivating fans with his cocky attitude — and upsetting an industry steeped in tradition.
Release Date
Mai 4, 2023
Where To Watch Sanctuary
Netflix
La entrada ‘Sanctuary’ (2023) Premiere on Netflix on May 4 se publicó primero en Martin Cid Magazine.
- 4/25/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Debt, violence, family dysfunction…
Pushed to the brink, delinquent Kiyoshi Oze (Wataru Ichinose) takes on the world of sumo as a wrestler under the name “Enno” in this bold and intense human drama.
While sumo is known across the globe as a part of traditional Japanese culture and a religious ritual passed down for over 1,500 years, the world of this sport remains veiled in secrecy. The “dohyo,” the ring where the sumo matches are fought, is truly a “sanctuary” built on the foundation of this unusual world.
Unmotivated to train, often skipping practice and defying his more experienced seniors, Oze is branded as a hopeless case, but he gradually delves deeper into the world of sumo. This human drama depicts Oze and the young people surrounding the world of sumo as they struggle to find their way in life, including Shimizu (Shota Sometani), who loves the sport but is not blessed with an ideal physique,...
Pushed to the brink, delinquent Kiyoshi Oze (Wataru Ichinose) takes on the world of sumo as a wrestler under the name “Enno” in this bold and intense human drama.
While sumo is known across the globe as a part of traditional Japanese culture and a religious ritual passed down for over 1,500 years, the world of this sport remains veiled in secrecy. The “dohyo,” the ring where the sumo matches are fought, is truly a “sanctuary” built on the foundation of this unusual world.
Unmotivated to train, often skipping practice and defying his more experienced seniors, Oze is branded as a hopeless case, but he gradually delves deeper into the world of sumo. This human drama depicts Oze and the young people surrounding the world of sumo as they struggle to find their way in life, including Shimizu (Shota Sometani), who loves the sport but is not blessed with an ideal physique,...
- 4/22/2023
- by Suzie Cho
- AsianMoviePulse
Netflix is giving global fans a sneak peak at its forthcoming Japanese original series Sanctuary, a YA drama set within the reclusive world of Japanese professional sumo wrestling. (See the first teaser trailer and art from the show below.)
Set to launch on Netflix on May 4, the series follows a juvenile delinquent who becomes a sumo apprentice — and soon finds himself on a collision course with a voiceless wrestler carrying a secret.
Netflix describes the show as offering “a gritty look into the underbelly of professional sumo, a world full of young men with ambitions for money, women, fame, and power.”
“This is the story of the sumo ring,” the streamer adds, “where some may find sanctuary with a history of more than 1,500 years in Japan’s traditional culture and as a religious ceremony.”
The series is written by Tomoki Kanazawa (who recently penned the TBS medical drama Get Ready!
Set to launch on Netflix on May 4, the series follows a juvenile delinquent who becomes a sumo apprentice — and soon finds himself on a collision course with a voiceless wrestler carrying a secret.
Netflix describes the show as offering “a gritty look into the underbelly of professional sumo, a world full of young men with ambitions for money, women, fame, and power.”
“This is the story of the sumo ring,” the streamer adds, “where some may find sanctuary with a history of more than 1,500 years in Japan’s traditional culture and as a religious ceremony.”
The series is written by Tomoki Kanazawa (who recently penned the TBS medical drama Get Ready!
- 3/29/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Chicago, Il – – Asian Pop-Up Cinema: Season 13 will present 30 films at an in-person and drive-in festival, with select titles available for online streaming. The festival opens September 15 and runs through October 12, 2021, at AMC River East 21, The Davis Theater and ChiTown Drive-In.
The programming celebrates the best Asian-centric cinema, with new work made by filmmakers from China, Hong Kong, India, Japan, South Korea, Taiwan, the U.S. and Canada. This season will highlight women in film, stories with humanitarian themes and action thrillers, including four restored martial arts classics.
Season 13 opens with Jessica Kingdon’s Ascension, a documentary observing China’s growing class divide through labor, consumerism, and wealth. Structured in three parts, the film ascends through the levels of the capitalist structure and examines how the contemporary “Chinese Dream” remains an elusive fantasy for most.
Centerpiece film The Fable: The Killer Who Doesn’T Kill is Japanese director Kan Eguchi’s action/comedy follow-up to The Fable,...
The programming celebrates the best Asian-centric cinema, with new work made by filmmakers from China, Hong Kong, India, Japan, South Korea, Taiwan, the U.S. and Canada. This season will highlight women in film, stories with humanitarian themes and action thrillers, including four restored martial arts classics.
Season 13 opens with Jessica Kingdon’s Ascension, a documentary observing China’s growing class divide through labor, consumerism, and wealth. Structured in three parts, the film ascends through the levels of the capitalist structure and examines how the contemporary “Chinese Dream” remains an elusive fantasy for most.
Centerpiece film The Fable: The Killer Who Doesn’T Kill is Japanese director Kan Eguchi’s action/comedy follow-up to The Fable,...
- 8/23/2021
- by Adam Symchuk
- AsianMoviePulse
For the past decade, Kan Eguchi has earned acclaim for his advertising and TV drama direction; in 2018, he made his feature debut with Riding Uphill, about professional bicycle racers. Eguchi won top awards for three years running at the Cannes Lions International Festival of Creativity, was named a “Director to Watch 2009” by Boards magazine (Canada), and served as a judge of America’s Clio Awards from 2010-2013. In 2013, he directed Japan’s successful PR film pitch for the Tokyo Olympics, as well as his first TV drama, Mentai Piriri, which swept Japan’s broadcast awards. He went on to direct more TV dramas, one of which, The Song of the Dragonlike Soul, proved a surprise hit on DVD release. Even more surprising: the hilariously deadpan brilliance of Eguchi’s second feature, the comedy actioner The Fable, whose success eventually led to a sequel, released in 2021.
On the occasion of “The...
On the occasion of “The...
- 8/9/2021
- by Panos Kotzathanasis
- AsianMoviePulse
This week, the /slash Film Festival, Austria’s biggest Fantastic Film Festival, starts its projectors in Vienna to screen a broad catalog of dark and twisted treats. From September 19 until September 29, the 10th edition of the Festival will also present a promising Asian selection.
Six Asian feature films and four animations are among the total number of 70 movies that can be seen in two charming old-town cinemas. The so-called “/asian” selection starts with “The Scoundrels” (2018), the debut of Taiwanese director Hung Tzu-Hsuan. From the Philippines comes Erik Matti’s “The Entity” (2019). An elegant horror-thriller about a secretive family history that is packed with suspense. In cooperation with the Japannual Film Festival, /slash presents the Japanese entry for the selection – “The Fable” (2019) by Kan Eguchi. The Manga adaption is a mixture of over the top action sequences and utterly disarming humor. Highly anticipated is also Won-Tae Lee’s “The Gangster, The Cop,...
Six Asian feature films and four animations are among the total number of 70 movies that can be seen in two charming old-town cinemas. The so-called “/asian” selection starts with “The Scoundrels” (2018), the debut of Taiwanese director Hung Tzu-Hsuan. From the Philippines comes Erik Matti’s “The Entity” (2019). An elegant horror-thriller about a secretive family history that is packed with suspense. In cooperation with the Japannual Film Festival, /slash presents the Japanese entry for the selection – “The Fable” (2019) by Kan Eguchi. The Manga adaption is a mixture of over the top action sequences and utterly disarming humor. Highly anticipated is also Won-Tae Lee’s “The Gangster, The Cop,...
- 9/19/2019
- by Alexander Knoth
- AsianMoviePulse
The 2019 Fantasia International Film Festival, now entering its third week, announces the award winners of its monumental 23rd edition. The victors were chosen through the deliberation of juries assigned to each competition, and were announced at a live ceremony on 21 July 2019.
Lee Su-Jin’s Idol takes top honours, nabs fest’s coveted Cheval Noir Award for Best Feature
Cheval Noir Award – Feature Films
The jury, presided over by Annick Mahnert, and comprised of Shaked Berenson, Amy Darling, Miles Finberg, and Maurizio Guarini (composer), awarded the following prizes:
Best Film: Idol (d. Lee Su-Jin)
In a statement, the jury noted, “From start to finish, Idol is an incredibly well-made film. We were struck by the great screenplay, performances, and directing.”
Han Soek-kyu and Sol Kyung-gu in “Idol”
Best Actor (tie): Han Seok-kyu and Sul Kyung-gu (Idol)
“Both actors brilliantly go through a wide range of emotions while their lives are colliding and collapsing,...
Lee Su-Jin’s Idol takes top honours, nabs fest’s coveted Cheval Noir Award for Best Feature
Cheval Noir Award – Feature Films
The jury, presided over by Annick Mahnert, and comprised of Shaked Berenson, Amy Darling, Miles Finberg, and Maurizio Guarini (composer), awarded the following prizes:
Best Film: Idol (d. Lee Su-Jin)
In a statement, the jury noted, “From start to finish, Idol is an incredibly well-made film. We were struck by the great screenplay, performances, and directing.”
Han Soek-kyu and Sol Kyung-gu in “Idol”
Best Actor (tie): Han Seok-kyu and Sul Kyung-gu (Idol)
“Both actors brilliantly go through a wide range of emotions while their lives are colliding and collapsing,...
- 7/25/2019
- by Rhythm Zaveri
- AsianMoviePulse
For the past decade, Kan Eguchi has earned acclaim for his advertising and TV drama direction; in 2018, he made his feature debut with Riding Uphill, about professional bicycle racers. Eguchi won top awards for three years running at the Cannes Lions International Festival of Creativity, was named a “Director to Watch 2009” by Boards magazine (Canada), and served as a judge of America’s Clio Awards from 2010-2013. In 2013, he directed Japan’s successful PR film pitch for the Tokyo Olympics, as well as his first TV drama, Mentai Piriri, which swept Japan’s broadcast awards. He went on to direct more TV dramas, one of which, The Song of the Dragonlike Soul, proved a surprise hit on DVD release. Even more surprising: the hilariously deadpan brilliance of Eguchi’s second feature, the comedy actioner The Fable.
On the occasion of The Fable screening at New York Asian Film Festival, we...
On the occasion of The Fable screening at New York Asian Film Festival, we...
- 7/3/2019
- by Panos Kotzathanasis
- AsianMoviePulse
Live-action adaptations of manga are a booming business in Japan. While this trend is not applauded by everyone – a proliferation structuring the business, one cannot deny that the potential these narratives have often led to enjoyable end products – e.g. “Moteki” (2011), “Rurouni Kenshin: Kyoto Inferno” (2014), and “Tokyo Ghoul” (2017). Is Kan Eguchi, an unknown director with a limited oeuvre but with excellent credentials, able to adapt Katsuhisa Minami’s manga “The Fable” in something worthy of our time? Let’s find out in our review.
“The Scoundrels” is screening at New York Asian Film Festival
One day, Fable (Junichi Okada), a famous contract-killer, is ordered to stay low for a year in Osaka. While he receives Akira Sato as his alter-ego, his partner (Fumino Kimura) is given the identity of Yoko Sato, Akira’s younger sister.
When contract killer Fudo (Sota Fukushi) and his partner inspect Fable’s last work of art,...
“The Scoundrels” is screening at New York Asian Film Festival
One day, Fable (Junichi Okada), a famous contract-killer, is ordered to stay low for a year in Osaka. While he receives Akira Sato as his alter-ego, his partner (Fumino Kimura) is given the identity of Yoko Sato, Akira’s younger sister.
When contract killer Fudo (Sota Fukushi) and his partner inspect Fable’s last work of art,...
- 7/2/2019
- by Pieter-Jan Van Haecke
- AsianMoviePulse
With a final wave of programming, the 2019 edition of the Fantasia International Film Festival has now released its full lineup, featuring over 130 incredible features from across the globe.
Fantasia International Film Festival
Montreal, Quebec – July 11 to August 1
In addition, the festival is also very proud to announce a record number of repertory titles, its esteemed 2019 jury, a horror film location bus tour through Montreal, and exciting, one-of-a-kind live events with producer Edward R. Pressman, “First Blood” director Ted Kotcheff, and iconic horror host Joe Bob Briggs.
Japanese horror icon ”Sadako” will open fantasia 2019!
Sadako
Twenty years ago, Fantasia celebrated the North American Premiere of Hideo Nakata’s “Ringu” and its sequel, which led to Dreamworks acquiring the franchise and is largely seen as having been the birth of J-Horror in the West. This Summer, the festival is proud to open its 23rd edition with the series’ latest sequel, “Sadako” (North...
Fantasia International Film Festival
Montreal, Quebec – July 11 to August 1
In addition, the festival is also very proud to announce a record number of repertory titles, its esteemed 2019 jury, a horror film location bus tour through Montreal, and exciting, one-of-a-kind live events with producer Edward R. Pressman, “First Blood” director Ted Kotcheff, and iconic horror host Joe Bob Briggs.
Japanese horror icon ”Sadako” will open fantasia 2019!
Sadako
Twenty years ago, Fantasia celebrated the North American Premiere of Hideo Nakata’s “Ringu” and its sequel, which led to Dreamworks acquiring the franchise and is largely seen as having been the birth of J-Horror in the West. This Summer, the festival is proud to open its 23rd edition with the series’ latest sequel, “Sadako” (North...
- 6/28/2019
- by Adriana Rosati
- AsianMoviePulse
The 2019 edition of the Neuchâtel International Fantastic Film Festival (07/07 – 07/13/2019) has revealed its full line-up including many Asian titles, some of which have already been presented and reviewed on Asian Movie Pulse.
This year’s program features:
“Fly By Night” by Zahir Omar
“Fly Me To Saitama” by Takeushi Hideki
“The Legend of the Stardust Brothers” by Macoto Tezuka
“The Legend of the Stardust Brothers”
“First Love” by Takashi Miike
“Rise of the Machine Girls” by Kobayashi Yuki
“Reside” by Wisit Sasanatieng
“The Fable” by Kan Eguchi
“The Gangster, The Cop, The Devil” by Lee Woon-tae
“Shadow” by Zhang Yimou
“The Pool” by Ping Lumprapleong
“We Are Little Zombies” by Makoto Nagahisa
“The Pool”
Additionally, the program will feature a screening of many Asian short films. For the full program, please click here.
This year’s program features:
“Fly By Night” by Zahir Omar
“Fly Me To Saitama” by Takeushi Hideki
“The Legend of the Stardust Brothers” by Macoto Tezuka
“The Legend of the Stardust Brothers”
“First Love” by Takashi Miike
“Rise of the Machine Girls” by Kobayashi Yuki
“Reside” by Wisit Sasanatieng
“The Fable” by Kan Eguchi
“The Gangster, The Cop, The Devil” by Lee Woon-tae
“Shadow” by Zhang Yimou
“The Pool” by Ping Lumprapleong
“We Are Little Zombies” by Makoto Nagahisa
“The Pool”
Additionally, the program will feature a screening of many Asian short films. For the full program, please click here.
- 6/23/2019
- by Rouven Linnarz
- AsianMoviePulse
New York, NY – Film at Lincoln Center and the New York Asian Film Foundation announce the 18th edition of the New York Asian Film Festival (Nyaff), June 28 – July 14, 2019.
After last year’s Savage Seventeen, this year’s program is dubbed the “Still Too Young to Die” edition with five international premieres, 23 North American premieres, four U.S. premieres, and eight New York premieres, showcasing the most exciting action, comedy, drama, thriller, romance, horror, and art-house films from East Asia, and bringing close to 30 directors and nine actors from Asia.
Eighteen – Still Too Young to Die: Many will recognize the cheeky reference to Nyaff 2016 audience award winner, Kudo Kankuro’s Too Young to Die!, in which a busload of high-school students plummet to their deaths. They either end up in heaven or hell, both of which defy expectations. Graduating into adulthood, Nyaff aims to defy expectations cinematically.
With the irreverent action-comedy...
After last year’s Savage Seventeen, this year’s program is dubbed the “Still Too Young to Die” edition with five international premieres, 23 North American premieres, four U.S. premieres, and eight New York premieres, showcasing the most exciting action, comedy, drama, thriller, romance, horror, and art-house films from East Asia, and bringing close to 30 directors and nine actors from Asia.
Eighteen – Still Too Young to Die: Many will recognize the cheeky reference to Nyaff 2016 audience award winner, Kudo Kankuro’s Too Young to Die!, in which a busload of high-school students plummet to their deaths. They either end up in heaven or hell, both of which defy expectations. Graduating into adulthood, Nyaff aims to defy expectations cinematically.
With the irreverent action-comedy...
- 6/19/2019
- by tyriter
- AsianMoviePulse
Vietnamese star Veronica Ngo to receive Daniel A. Craft Award for Excellence in Action Cinema.
Kim Yoon-seok’s Another Child from South Korea and Huang Chao-liang’s Han Dan from Taiwan are among seven entries that will vie for the Uncaged Award for best feature film in the 2019 New York Asian Film Festival main competition.
Rounding out the competition entries are: Moon Sungho’s 5 Million Dollar Life (Japan), Katsumi Nojiri’s Lying To Mom (Japan), Kenneth Lim Dagatan’s Ma (Philippines), Yi Ok-seop’s Maggie (South Korea), and Wu Nan’s Push And Shove (China). The festival runs from June...
Kim Yoon-seok’s Another Child from South Korea and Huang Chao-liang’s Han Dan from Taiwan are among seven entries that will vie for the Uncaged Award for best feature film in the 2019 New York Asian Film Festival main competition.
Rounding out the competition entries are: Moon Sungho’s 5 Million Dollar Life (Japan), Katsumi Nojiri’s Lying To Mom (Japan), Kenneth Lim Dagatan’s Ma (Philippines), Yi Ok-seop’s Maggie (South Korea), and Wu Nan’s Push And Shove (China). The festival runs from June...
- 6/12/2019
- by Jeremy Kay
- ScreenDaily
Centrepiece Highlight
World Premiere of “Dance With Me”
Director Shinobu Yaguchi, Lead Actress Ayaka Miyoshi in attendance
Opening Night
North American Premiere of Masayuki Suzuki’s mystery thriller, “Masquerade Hotel“
Special Guests:
Star of “Love’s Twisting Path” – Mikako Tabe
Director of award-winning “Born Bone Born” – Comedian Toshiyuki Teruya “Gori”
Director Tatsushi Omori – “When My Mom Died, I Wanted to Eat Her Ashes” and “Every Day a Good Day”
Star of “The Gambler’s Odyssey 2020” – Takumi Saitoh
The samurai, of the cinematic variety, are set to descend on Toronto this summer. They are joined by reluctant sake brewers, yakuza assassins, tea ceremony sages, deadly mahjong-playing robots, dashing hotel detectives, and calculating masters of “corporate kabuki”.
Now in its eighth year, the 2019 Toronto Japanese Film Festival brings Toronto audiences 28 of the finest contemporary Japanese films recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy.
World Premiere of “Dance With Me”
Director Shinobu Yaguchi, Lead Actress Ayaka Miyoshi in attendance
Opening Night
North American Premiere of Masayuki Suzuki’s mystery thriller, “Masquerade Hotel“
Special Guests:
Star of “Love’s Twisting Path” – Mikako Tabe
Director of award-winning “Born Bone Born” – Comedian Toshiyuki Teruya “Gori”
Director Tatsushi Omori – “When My Mom Died, I Wanted to Eat Her Ashes” and “Every Day a Good Day”
Star of “The Gambler’s Odyssey 2020” – Takumi Saitoh
The samurai, of the cinematic variety, are set to descend on Toronto this summer. They are joined by reluctant sake brewers, yakuza assassins, tea ceremony sages, deadly mahjong-playing robots, dashing hotel detectives, and calculating masters of “corporate kabuki”.
Now in its eighth year, the 2019 Toronto Japanese Film Festival brings Toronto audiences 28 of the finest contemporary Japanese films recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy.
- 5/22/2019
- by Adriana Rosati
- AsianMoviePulse
Japanese director Kan Eguchi has has completed production on his second feature length film “The Fable”. The Action/Comedy is based on the manga series of the same title, by Katsuhisa Minami. The film stars Junichi Okada as the ultimate assassin tasked with trying to live a normal life.
“The Fable” is set to release in Japan on June 21st, 2019. A trailer for the film has been released and can be viewed below.
Synopsis
A boy was trained as a killer. He is now an elite contract killer and has the nickname of Fable. The man gets 1 year off from his job as a contract killer. He begins to live in Osaka as an ordinary person with the name of Akira Sato.(AsianWiki)...
“The Fable” is set to release in Japan on June 21st, 2019. A trailer for the film has been released and can be viewed below.
Synopsis
A boy was trained as a killer. He is now an elite contract killer and has the nickname of Fable. The man gets 1 year off from his job as a contract killer. He begins to live in Osaka as an ordinary person with the name of Akira Sato.(AsianWiki)...
- 4/23/2019
- by Adam Symchuk
- AsianMoviePulse
Mika Ninagawa’s Diner, Yuya Ishii’s Almost A Miracle and Kan Eguchi’s The Fable are all set for local release in summer.
Japan’s Nippon TV is launching sales on three new titles at Filmart led by Diner, directed by Mika Ninagawa (Helter Skelter) and starring Tatsuya Fujiwara (Death Note).
Based on a novel by Yumeaki Hirayama, the suspense thriller follows a girl who is forced to work at a members-only diner that caters exclusively to murderers. Even the chef is a former assassin, and she can’t afford to make a single wrong move. Produced by Cine Bazar Inc,...
Japan’s Nippon TV is launching sales on three new titles at Filmart led by Diner, directed by Mika Ninagawa (Helter Skelter) and starring Tatsuya Fujiwara (Death Note).
Based on a novel by Yumeaki Hirayama, the suspense thriller follows a girl who is forced to work at a members-only diner that caters exclusively to murderers. Even the chef is a former assassin, and she can’t afford to make a single wrong move. Produced by Cine Bazar Inc,...
- 3/17/2019
- by Jean Noh
- ScreenDaily
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