Movie News
Ryan Gosling is back at the box office, but he’s ditching his “Barbie” fur coat for a stuntman’s jumpsuit.
His latest movie, “The Fall Guy,” has arrived in theaters and made $3.15 million in Thursday previews at the box office.
The film is expected to open around $30 million this weekend, with some estimates as high as $35 million or $40 million. It will need to hit hard at the box office and carry good word-of-mouth, because it carries a budget of $130 million.
Gosling stars as seasoned stuntman Colt Seavers in Universal’s “The Fall Guy,” which is based on the ’80s TV show of the same name that starred Lee Majors as a stuntman turned bounty hunter. After a grisly accident, Colt retires from the stunt life and breaks up with his girlfriend and camera operator Jody Moreno (Emily Blunt). However, when Jody makes her directorial debut starring world-famous actor Tom Ryder...
His latest movie, “The Fall Guy,” has arrived in theaters and made $3.15 million in Thursday previews at the box office.
The film is expected to open around $30 million this weekend, with some estimates as high as $35 million or $40 million. It will need to hit hard at the box office and carry good word-of-mouth, because it carries a budget of $130 million.
Gosling stars as seasoned stuntman Colt Seavers in Universal’s “The Fall Guy,” which is based on the ’80s TV show of the same name that starred Lee Majors as a stuntman turned bounty hunter. After a grisly accident, Colt retires from the stunt life and breaks up with his girlfriend and camera operator Jody Moreno (Emily Blunt). However, when Jody makes her directorial debut starring world-famous actor Tom Ryder...
- 5/3/2024
- by Jordan Moreau
- Variety - Film News
Back in March, Florence Pugh announced that cameras were officially rolling on Thunderbolts by sharing a video from the set to her Instagram page.
The brief clip highlighted Pugh's updated outfit, a first look at Yelena Belova taking aim on one of the monitors, and the movie's official logo on the back of a chair, which appeared to reveal the addition of an asterisk to the title.
Marvel Studios later shared the video, confirming that the supervillain movie will now officially be known as Thunderbolts*.
What does this signify? There are several theories, the most popular of which speculates that Thunderbolts* is actually going to be a Dark Avengers movie. Kevin Feige did address the title change during CinemaCon last month, but said we'd have to wait until the film was in theaters to find out what it means.
Olga Kurylenko - who will reprise her Black Widow role as...
The brief clip highlighted Pugh's updated outfit, a first look at Yelena Belova taking aim on one of the monitors, and the movie's official logo on the back of a chair, which appeared to reveal the addition of an asterisk to the title.
Marvel Studios later shared the video, confirming that the supervillain movie will now officially be known as Thunderbolts*.
What does this signify? There are several theories, the most popular of which speculates that Thunderbolts* is actually going to be a Dark Avengers movie. Kevin Feige did address the title change during CinemaCon last month, but said we'd have to wait until the film was in theaters to find out what it means.
Olga Kurylenko - who will reprise her Black Widow role as...
- 5/2/2024
- ComicBookMovie.com
Universal Pictures has found its director for the high-priority Leonardo da Vinci film. “All of Us Strangers” helmer Andrew Haigh has signed on to direct and adapt Walter Isaacson’s acclaimed biography of the Renaissance man.
Based on thousands of pages from Leonardo da Vinci’s notebooks and new discoveries about his life and work, Isaacson’s book became one of the hottest literary properties when it hit the market in 2017. At the time, Universal was outbid by Paramount, which developed the project with Leonardo DiCaprio for years before putting it in turnaround. Universal quietly picked it up last year. The runaway bestseller connects da Vinci’s transcendent art, which includes the Mona Lisa painting hanging in the Louvre, to his trailblazing science — and shows how his genius was driven by an insatiable curiosity, careful observation and a whimsical imagination. The Italian icon lived from 1452-1519 during the height of the Renaissance,...
Based on thousands of pages from Leonardo da Vinci’s notebooks and new discoveries about his life and work, Isaacson’s book became one of the hottest literary properties when it hit the market in 2017. At the time, Universal was outbid by Paramount, which developed the project with Leonardo DiCaprio for years before putting it in turnaround. Universal quietly picked it up last year. The runaway bestseller connects da Vinci’s transcendent art, which includes the Mona Lisa painting hanging in the Louvre, to his trailblazing science — and shows how his genius was driven by an insatiable curiosity, careful observation and a whimsical imagination. The Italian icon lived from 1452-1519 during the height of the Renaissance,...
- 5/2/2024
- by Tatiana Siegel
- Variety Film + TV
Marvel’s “The Fantastic Four” cast just got more fantastic with the addition of Emmy winner Paul Walter Hauser.
Joining the MCU marks the latest in a string of high-profile projects for Hauser, who is set to play Chris Farley in the upcoming biopic directed by Josh Gad and landed a prime role in “The Naked Gun” reboot, which boasts an ensemble led by Liam Neeson and Pamela Anderson.
With “The Fantastic Four,” he’ll appear opposite Marvel’s First Family, the first characters created for Marvel Comics by Stan Lee and Jack Kirby. The superhero quartet will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).
Matt Shakman will direct “The Fantastic Four,” from a screenplay by Josh Friedman, Jeff Kaplan and Ian Springer.
Joining the MCU marks the latest in a string of high-profile projects for Hauser, who is set to play Chris Farley in the upcoming biopic directed by Josh Gad and landed a prime role in “The Naked Gun” reboot, which boasts an ensemble led by Liam Neeson and Pamela Anderson.
With “The Fantastic Four,” he’ll appear opposite Marvel’s First Family, the first characters created for Marvel Comics by Stan Lee and Jack Kirby. The superhero quartet will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).
Matt Shakman will direct “The Fantastic Four,” from a screenplay by Josh Friedman, Jeff Kaplan and Ian Springer.
- 5/2/2024
- by Adam B. Vary and Angelique Jackson
- Variety - Film News
Janelle Monáe is set to join the cast of Universal Pictures’ untitled Pharrell Williams and Michel Gondry musical project.
The singer and actor joins Kelvin Harrison Jr., Halle Bailey, Oscar winner Da’Vine Joy Randolph, Oscar nominee Brian Tyree Henry and Missy Elliott in the film.
The project is described as a coming-of-age musical set during the summer of 1977 in Virginia Beach, inspired by the Atlantis Apartments, Williams’ childhood neighborhood.
Gondry is set to direct the project based on a script by Martin Hynes and Steven Levenson.
Williams and Mimi Valdés will produce through i am Other and Gil Netter will produce through Gil Netter Productions.
Universal’s Senior VP of Production Development Ryan Jones and Director of Production Development Christine Sun will oversee the project for the studio.
Monáe’s film credits include “Moonlight,” “Lady and the Tramp,” “Harriet,” “The Glorias” and “Antebellum.”
For her role in 2017’s “Hidden Figures,...
The singer and actor joins Kelvin Harrison Jr., Halle Bailey, Oscar winner Da’Vine Joy Randolph, Oscar nominee Brian Tyree Henry and Missy Elliott in the film.
The project is described as a coming-of-age musical set during the summer of 1977 in Virginia Beach, inspired by the Atlantis Apartments, Williams’ childhood neighborhood.
Gondry is set to direct the project based on a script by Martin Hynes and Steven Levenson.
Williams and Mimi Valdés will produce through i am Other and Gil Netter will produce through Gil Netter Productions.
Universal’s Senior VP of Production Development Ryan Jones and Director of Production Development Christine Sun will oversee the project for the studio.
Monáe’s film credits include “Moonlight,” “Lady and the Tramp,” “Harriet,” “The Glorias” and “Antebellum.”
For her role in 2017’s “Hidden Figures,...
- 5/2/2024
- by Katcy Stephan
- Variety - Film News
Louis Leterrier (Fast X) will direct and produce 11817, a sci-fi horror film scripted by Matthew Robinson (The Invention of Lying) that is being presented to buyers at Cannes by Rocket Science.
The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…
Casting is currently underway on the pic to be produced by Leterrier’s Carrousel Studios, Rocket Science, Thank You Studios, Chernin Entertainment (A North Road Company) and 3 Arts Entertainment. Producers include Leterrier, Thomas Benski and Omar Sy for Carrousel Studios, Lars Sylvest for Thank You Studios, Kori Adelson for Chernin Entertainment, Oly Obst of 3 Arts Entertainment, Thorsten Schumacher for Rocket Science, and Joe Neurauter. Cecile Gaget is exec producing for Carrousel Studios.
The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…
Casting is currently underway on the pic to be produced by Leterrier’s Carrousel Studios, Rocket Science, Thank You Studios, Chernin Entertainment (A North Road Company) and 3 Arts Entertainment. Producers include Leterrier, Thomas Benski and Omar Sy for Carrousel Studios, Lars Sylvest for Thank You Studios, Kori Adelson for Chernin Entertainment, Oly Obst of 3 Arts Entertainment, Thorsten Schumacher for Rocket Science, and Joe Neurauter. Cecile Gaget is exec producing for Carrousel Studios.
- 5/2/2024
- by Matt Grobar
- Deadline Film + TV
Last year, New Line Cinema went all-in on a partnership with Barbarian writer/director Zach Cregger and the film’s producers at BoulderLight Pictures. New Line came out the winner in a bidding war over Cregger’s next film, a mysterious horror project called Weapons… which was, at one point, set to star Pedro Pascal of The Last of Us and Renate Reinsve of The Worst Person in the World. Pascal and Reinsve have both had to drop out of the project (Pascal so he can star in the Fantastic Four instead), but now we know the names of several cast members who will be on set when the film goes into production. We’ve previously heard that Josh Brolin (No Country for Old Men), Julia Garner (Ozark), and Alden Ehrenreich (Solo) are in the cast. Now Deadline reveals that they’re joined by Benedict Wong (Doctor...
- 5/2/2024
- by Cody Hamman
- JoBlo.com
It’s May 4th, and you know what that means. In honor of the annual “Star Wars” fan holiday (“May The Force”), Lucasfilm has revealed the new trailer for “The Acolyte,” and if you were maybe a bit underwhelmed by the secretive nature of the first teaser, well, this trailer rips off the mask, unveils secrets and looks pretty damn great. The suspenseful new live-action “Star Wars” series, which seems to have a lot of connections to “The Phantom Menace” era of conspiracy, lies, and hidden truths, premieres on Tuesday, June 4, with the first two episodes exclusively on Disney+.
Continue reading ‘The Acolyte’ Trailer: Lucasfilm Reveals More Secrets In Terrific New May The 4 Teaser at The Playlist.
Continue reading ‘The Acolyte’ Trailer: Lucasfilm Reveals More Secrets In Terrific New May The 4 Teaser at The Playlist.
- 5/4/2024
- by Edward Davis
- The Playlist
The summer box office isn’t exactly starting with a bang. Universal’s action-romance “The Fall Guy,” starring Ryan Gosling as a Hollywood stuntman courting a rising director played by Emily Blunt, earned $10.4 million from 4,002 locations on its opening day, a figure that includes $3 million and change from preview screenings. The feature is now projecting a three-day opening of $28 million, which would leave it short of industry projections that had forecast a debut in the low-to-mid 30’s.
It’s not a great result for Universal, which hasn’t succeeded in getting much traction out of Gosling’s red-hot post-“Barbie” media presence and a bunch of rave reviews for the action film out of a buzzy March premiere at SXSW Festival. With a $130 million production budget, the David Leitch-directed feature doesn’t carry the heavy financial expectations of the summer’s biggest tentpoles, but it’s still got a substantial number to recoup.
It’s not a great result for Universal, which hasn’t succeeded in getting much traction out of Gosling’s red-hot post-“Barbie” media presence and a bunch of rave reviews for the action film out of a buzzy March premiere at SXSW Festival. With a $130 million production budget, the David Leitch-directed feature doesn’t carry the heavy financial expectations of the summer’s biggest tentpoles, but it’s still got a substantial number to recoup.
- 5/4/2024
- by J. Kim Murphy
- Variety - Film News
After several "Star Wars" Disney+ shows set between the beginning of the prequel trilogy and the end of the sequel trilogy, the franchise is taking a bold step back in time with "The Acolyte." Set in the later years of the High Republic, around 100 years before the events of "Star Wars: The Phantom Menace," this story finds the Jedi at the height of their power and the dark side of the Force seemingly banished to the deepest shadows.
A new trailer for "Star Wars: The Acolyte" has been released in celebration of May the 4th, a.k.a. Star Wars Day. The series was created by Leslye Headland, who previously worked on the mystery series "Russian Doll" and "Poker Face. In a recent interview with Total Film, Headland said that "The Acolyte" is another mystery show -- and one of the mysteries is," How do the villains come to think that they're right?...
A new trailer for "Star Wars: The Acolyte" has been released in celebration of May the 4th, a.k.a. Star Wars Day. The series was created by Leslye Headland, who previously worked on the mystery series "Russian Doll" and "Poker Face. In a recent interview with Total Film, Headland said that "The Acolyte" is another mystery show -- and one of the mysteries is," How do the villains come to think that they're right?...
- 5/4/2024
- by Hannah Shaw-Williams
- Slash Film
In /Film's ranking of every James Bond movie, we rightly placed "Casino Royale" in the number one spot. Of course, those confused on the subject will likely disagree with this ranking. After all, Daniel Craig's Bond wouldn't exist without Sean Connery's iconic portrayal of the super spy, right?
Connery established the Bond blueprint when he starred in the film that kicked off cinema's most enduring franchise, 1962's "Dr. No." But the Scottish star didn't actually have that high opinion of the literary Bond and took it upon himself to somewhat reinvent the spy's persona for the big screen. It's also worth noting that much of the suave sophistication we've come to associate with 007 didn't all come from Connery. In fact, we have director Terrence Young to thank for much of Bond's urbanity. The "Dr. No" filmmaker was, as Connery once put it, somewhat of a "bon vivant," and...
Connery established the Bond blueprint when he starred in the film that kicked off cinema's most enduring franchise, 1962's "Dr. No." But the Scottish star didn't actually have that high opinion of the literary Bond and took it upon himself to somewhat reinvent the spy's persona for the big screen. It's also worth noting that much of the suave sophistication we've come to associate with 007 didn't all come from Connery. In fact, we have director Terrence Young to thank for much of Bond's urbanity. The "Dr. No" filmmaker was, as Connery once put it, somewhat of a "bon vivant," and...
- 5/4/2024
- by Joe Roberts
- Slash Film
To understand the love letter that is “The Fall Guy” — a passion project of former stunt performer turned A-list action director David Leitch — consider that Drew Pearce couldn’t write the script until Leitch identified the old-school stunts that would serve as its centerpieces.
IndieWire talked to Leitch and stunt designer Chris O’Hara about four of those jaw-dropping action scenes: the record-breaking cannon roll on the beach, the 225-foot car jump, the helicopter high-fall, and the boat jump. The personal and creative stories of how they came about are almost as gripping as the scenes themselves.
The Cannon Roll
After his accident, stunt double Colt Seavers’ (Ryan Gosling) first stunt is a big one: an explosion that sends his Jeep into a cannon roll. It was so big that Gosling’s own stunt double, Logan Holladay (who is seen on screen buckling Gosling into the Jeep), broke the Guinness World Record with eight-and-half rolls.
IndieWire talked to Leitch and stunt designer Chris O’Hara about four of those jaw-dropping action scenes: the record-breaking cannon roll on the beach, the 225-foot car jump, the helicopter high-fall, and the boat jump. The personal and creative stories of how they came about are almost as gripping as the scenes themselves.
The Cannon Roll
After his accident, stunt double Colt Seavers’ (Ryan Gosling) first stunt is a big one: an explosion that sends his Jeep into a cannon roll. It was so big that Gosling’s own stunt double, Logan Holladay (who is seen on screen buckling Gosling into the Jeep), broke the Guinness World Record with eight-and-half rolls.
- 5/4/2024
- by Chris O'Falt
- Indiewire
The official trailer for "The Boys" season 4 just dropped, and it looks like some of the antiheroes in Prime Video's hit series are having a bit of an identity crisis. "Violence isn't brave," Jack Quaid's Hughie says at one point, noting that the titular kill squad should probably stop killing everyone if they actually want to save the world. Of course, in typical "The Boys" fashion, that nice sentiment is surrounded on all sides by violence: rooms full of dead bodies, a leg getting sawed off, and a guy going splat against a building, among other (gross) things.
That last kill will surely be of interest to fans of the series, as it's committed by Butcher's own stepson, Ryan (Cameron Crovetti), who's now under the tutelage of his biological dad, weirdo supervillain Homelander (Antony Starr). After he seemingly explodes a guy against a building, Ryan is rewarded with...
That last kill will surely be of interest to fans of the series, as it's committed by Butcher's own stepson, Ryan (Cameron Crovetti), who's now under the tutelage of his biological dad, weirdo supervillain Homelander (Antony Starr). After he seemingly explodes a guy against a building, Ryan is rewarded with...
- 5/4/2024
- by Valerie Ettenhofer
- Slash Film
The "It's Always Sunny in Philadelphia" gang has been at fault for quite a few deaths over the years -- from a guy shooting himself in a Russian Roulette game arranged by Frank, to Mac and Dee letting a kid drown at a water park. If you count animals, Charlie's got the highest body count in the gang, as he's murdered not just the many men rats in Paddy's Pub, but the women and children rats too. Then again, the implied horrors that went on in Frank's old sweatshop might put Charlie's rat genocide to shame.
But for Glenn Howerton, who plays the psychopathic Dennis Reynolds, one of the deaths that haunts him was only kind of the gang's fault. In a 2017 interview he talked about how he regretted killing off Roxy (Alanna Ubach), a successful yet unstable sex worker whom Frank tries to marry in season 7. She unexpectedly...
But for Glenn Howerton, who plays the psychopathic Dennis Reynolds, one of the deaths that haunts him was only kind of the gang's fault. In a 2017 interview he talked about how he regretted killing off Roxy (Alanna Ubach), a successful yet unstable sex worker whom Frank tries to marry in season 7. She unexpectedly...
- 5/4/2024
- by Michael Boyle
- Slash Film
At the end of the 2001 movie “Monsters, Inc.,” the titular company decides to cut ties with tradition and do away with human children’s screams as a power source in favor of laughter. It was a fun tag that put a nice bow on Sulley’s character growth after meeting the human Boo. What the movie doesn’t show is whether the larger world of Monstropolis will be open to such a drastic change to their traditions and culture. That is at the heart of Disney+’s “Monsters at Work,” which, in its second season, brought workplace existentialism and the environmental revolution to the popular Pixar franchise — along with the surprise return of Steve Buscemi’s Randall Boggs. (More on that later.)
“The end of ‘Monsters, Inc.’ is great for the audience, but that doesn’t necessarily extend to the larger city and the larger world,” “Monsters at Work” showrunner Kevin Deters told IndieWire.
“The end of ‘Monsters, Inc.’ is great for the audience, but that doesn’t necessarily extend to the larger city and the larger world,” “Monsters at Work” showrunner Kevin Deters told IndieWire.
- 5/4/2024
- by Rafael Motamayor
- Indiewire
There will be spoilers for "Star Wars: Tales of the Empire," so beware.
First introduced in the limited "Obi-Wan Kenobi" TV series that debuted in 2002 on Disney+, the Fourth Sister was an early member of the Inquisitorius and helped hunt down Jedi for many years during the Dark Times. Little is known about her past, other than that she was once a Jedi who turned to the dark side and the safety of the Empire after the events of Order 66. A humanoid with greenish skin and head tails, the Fourth Sister remains largely a mystery. Thanks to the new "Star Wars: Tales of the Empire" animated shorts, we have some more details about her and her past -- and also many hints about her future.
The other "villain" that features in these stories is Barriss Offee, the young Mirialan Padawan who framed Ahsoka Tano for murder in "Star Wars: The Clone Wars.
First introduced in the limited "Obi-Wan Kenobi" TV series that debuted in 2002 on Disney+, the Fourth Sister was an early member of the Inquisitorius and helped hunt down Jedi for many years during the Dark Times. Little is known about her past, other than that she was once a Jedi who turned to the dark side and the safety of the Empire after the events of Order 66. A humanoid with greenish skin and head tails, the Fourth Sister remains largely a mystery. Thanks to the new "Star Wars: Tales of the Empire" animated shorts, we have some more details about her and her past -- and also many hints about her future.
The other "villain" that features in these stories is Barriss Offee, the young Mirialan Padawan who framed Ahsoka Tano for murder in "Star Wars: The Clone Wars.
- 5/4/2024
- by Bryan Young
- Slash Film
To quote Space Ghost himself, "I'll be dead long before you were born, and I'll be dead long before you'll be dead."
In 1994, producer Mike Lazzo donned a pith helmet, filled his arms with machetes, and trekked into the darkest corners of the bleak, terrifying Hanna-Barbera cartoon library. In the depths, he re-discovered a long-forgotten, one-season animated series from 1966 called "Space Ghost," a superhero show about a white-clad, cape-wearing starship captain who fought bud-like villains in the inky void of the cosmos. Space Ghost, voiced by Gary Owens, could pass through walls and oversaw a pair of sidekicks named Jan (Ginny Tyler) and Jace (Tim Matheson) as well as a chimp named Blip (Don Messick).
Like most of Hanna-Barbera's output, "Space Ghost" was strange and awful. 20 years later, reruns of shows like "Space Ghost" were increasingly enjoyed exclusively by college students under the influence of potent smokables. One would be...
In 1994, producer Mike Lazzo donned a pith helmet, filled his arms with machetes, and trekked into the darkest corners of the bleak, terrifying Hanna-Barbera cartoon library. In the depths, he re-discovered a long-forgotten, one-season animated series from 1966 called "Space Ghost," a superhero show about a white-clad, cape-wearing starship captain who fought bud-like villains in the inky void of the cosmos. Space Ghost, voiced by Gary Owens, could pass through walls and oversaw a pair of sidekicks named Jan (Ginny Tyler) and Jace (Tim Matheson) as well as a chimp named Blip (Don Messick).
Like most of Hanna-Barbera's output, "Space Ghost" was strange and awful. 20 years later, reruns of shows like "Space Ghost" were increasingly enjoyed exclusively by college students under the influence of potent smokables. One would be...
- 5/4/2024
- by Witney Seibold
- Slash Film
The morning of the “Kingdom of the Planet of the Apes” premiere, stars of the film Peter Macon and Ras-Samuel discovered they were staying at the same hotel while getting breakfast. And when they met eyes from either end of the buffet line, they did not greet each other with a wave or a simple hello, they did so as apes. Embodying their characters, they dropped their shoulders and shuffled together, hooting and panting at the sight of a friend.
“I’m sure we made a spectacle of ourselves,” Macon told Variety at the Los Angeles premiere Thursday. “[But] we met each other as apes first and human beings second. So that is never going to go away.”
As previously reported by Variety, the cast of “Kingdom” spent six weeks in “ape school,” where they learned to walk, speak, play and ride horses as their primate counterparts. According to director Wes Ball,...
“I’m sure we made a spectacle of ourselves,” Macon told Variety at the Los Angeles premiere Thursday. “[But] we met each other as apes first and human beings second. So that is never going to go away.”
As previously reported by Variety, the cast of “Kingdom” spent six weeks in “ape school,” where they learned to walk, speak, play and ride horses as their primate counterparts. According to director Wes Ball,...
- 5/4/2024
- by Jack Dunn
- Variety - Film News
(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
"We do very much have the ambition about creating a bigger universe around Spider-Man." These were the words uttered by former Sony Pictures Entertainment chief Michael Lynton after an investor meeting in November 2013. Those words would become the undoing of the franchise solely under Sony's stewardship, with 2014's "The Amazing Spider-Man 2" serving as the nail in the coffin. With the benefit of hindsight, we might be looking at the most outright financially successful franchise-killer in cinema history.
The Andrew Garfield-led "Spider-Man" films remain a tragic mixed bag. There are those who adore Garfield as Marvel's famed webslinger. There are many others who can't get past the messy direction the films themselves wandered down -- particularly this sequel we're talking about today.
"We do very much have the ambition about creating a bigger universe around Spider-Man." These were the words uttered by former Sony Pictures Entertainment chief Michael Lynton after an investor meeting in November 2013. Those words would become the undoing of the franchise solely under Sony's stewardship, with 2014's "The Amazing Spider-Man 2" serving as the nail in the coffin. With the benefit of hindsight, we might be looking at the most outright financially successful franchise-killer in cinema history.
The Andrew Garfield-led "Spider-Man" films remain a tragic mixed bag. There are those who adore Garfield as Marvel's famed webslinger. There are many others who can't get past the messy direction the films themselves wandered down -- particularly this sequel we're talking about today.
- 5/4/2024
- by Ryan Scott
- Slash Film
We all love a "fun" horror movie, right? I'm talking about horror that feels like the cinematic equivalent of a roller coaster — fast, exhilarating, scary, but ultimately harmless. You buy the ticket and take the ride. But one of the things I love about the horror genre is that it's so damn flexible. On one hand, you can have fun horror movies like I just mentioned. And then there's the complete opposite: horror movies that make you squirm. Horror movies designed to make your skin crawl. Bugs, monsters, blood, body horror — the type of stuff that makes you feel like you need to take a shower after watching it. Those are the types of horror movies we're highlighting here — gnarly stuff, gross stuff, stuff that's going to make you feel more than a little icky. Be warned: it's about to get disgusting up in here.
Read more: The 95 Best Horror...
Read more: The 95 Best Horror...
- 5/4/2024
- by Chris Evangelista
- Slash Film
Nishta Jain’s “Farming the Revolution” has won Hot Docs’ Best International Feature Documentary Award, it was announced Friday at the festival’s awards ceremony, held in Toronto at the Centre for Social Innovation–Annex.
Produced by Jain (Raintree Films) and Valérie Montmartin (Little Big Story) and co-directed by cinematographer Akash Basumatari, the film follows the massive year-long gathering of Indian farmers protesting unjust new farm laws that they felt would impact their markets.
The jury said, “‘Farming the Revolution’ spotlights the power of ordinary people with an enduring cinematic sophistication and an indomitable lyrical presence.” The award comes with a Cnd. $10,000 cash prize.
The film, a co-production between India and Norway, now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, providing it complies with Academy rules. It is distributed by Cinephil.
Pablo Álvarez-Mesa’s “The Soldier’s Lagoon”—which traces...
Produced by Jain (Raintree Films) and Valérie Montmartin (Little Big Story) and co-directed by cinematographer Akash Basumatari, the film follows the massive year-long gathering of Indian farmers protesting unjust new farm laws that they felt would impact their markets.
The jury said, “‘Farming the Revolution’ spotlights the power of ordinary people with an enduring cinematic sophistication and an indomitable lyrical presence.” The award comes with a Cnd. $10,000 cash prize.
The film, a co-production between India and Norway, now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, providing it complies with Academy rules. It is distributed by Cinephil.
Pablo Álvarez-Mesa’s “The Soldier’s Lagoon”—which traces...
- 5/4/2024
- by Jennie Punter
- Variety - Film News
The "X-Men" film franchise was one of the superhero genre's first bonafide success stories. After debuting in 2000 to decent reviews and solid gold box office, Marvel's mutants added a new level of legitimacy to comic book adaptations on film and provided a runway for other characters to make it to the silver screen. It's a shame, then, that a franchise once emblematic of its genre's greatest potential has since succumbed to its worst qualities: overcomplicated canon, problematic players behind the scenes (his name rhymes with Shmyan Shminger), and corporate interests milking spin-offs for all they could be worth, even as the udders run dry. If it weren't for the Disney-Fox merger and Marvel Studios' plan for mutant integration into the MCU, the "X-Men" franchise would be as close to dead-in-the-water as you can be.
In fairness, the X-Men became friendly with development hell long before its first film. There's just...
In fairness, the X-Men became friendly with development hell long before its first film. There's just...
- 5/4/2024
- by Larry Fried
- Slash Film
This article contains spoilers for "The Fall Guy."
At a pre-release screening, "The Fall Guy" director David Leitch and star Ryan Gosling greeted the audience by not only thanking them for attending (and playfully encouraging them to stay off their phones) but clarifying that the ensuing film — inspired by the 1980s TV series starring Lee Majors — is a love letter to the stunt community. That much would be true even if the film's end credits didn't include a lengthy montage of the making of some of the stunts that occur within the story. Leitch has a long history in the stunt community, having worked on everything from "John Wick" to "Deadpool 2" and "Ocean's Eleven." It's one thing, of course, to say that you've made a movie that's a love letter to stunts but it's another to actually pull off jaw-dropping stunt sequences. We've ranked the 10 wildest stunts in "The Fall Guy...
At a pre-release screening, "The Fall Guy" director David Leitch and star Ryan Gosling greeted the audience by not only thanking them for attending (and playfully encouraging them to stay off their phones) but clarifying that the ensuing film — inspired by the 1980s TV series starring Lee Majors — is a love letter to the stunt community. That much would be true even if the film's end credits didn't include a lengthy montage of the making of some of the stunts that occur within the story. Leitch has a long history in the stunt community, having worked on everything from "John Wick" to "Deadpool 2" and "Ocean's Eleven." It's one thing, of course, to say that you've made a movie that's a love letter to stunts but it's another to actually pull off jaw-dropping stunt sequences. We've ranked the 10 wildest stunts in "The Fall Guy...
- 5/4/2024
- by Josh Spiegel
- Slash Film
This article contains spoilers for "Star Wars: Tales of the Empire."
The fate of the fallen Jedi Barriss Offee (voiced by Meredith Salenger) has been an enduring mystery after "The Clone Wars" season 5 finale, and the green Mirialan's tumultuous history made her ripe for a continued story in the "Star Wars" universe. Disgruntled by the Jedi Order's involvement in the Clone Wars, the then-padawan bombed the Jedi Temple and framed her bestie Ahsoka Tano (voiced by Ashley Eckstein). Said treachery instigated Ahsoka's departure from the Jedi Order, highlighting the spread of disillusionment within the Order.
As the supervising director of "Clone Wars," Dave Filoni nearly killed off Barriss, but then he cut the scene where she commits a suicide bombing in her Republic jail cell. Considering the lengths Filoni went to keep a secret of "Star Wars Rebels" from the crew, a league of Barriss Truthers saw her as...
The fate of the fallen Jedi Barriss Offee (voiced by Meredith Salenger) has been an enduring mystery after "The Clone Wars" season 5 finale, and the green Mirialan's tumultuous history made her ripe for a continued story in the "Star Wars" universe. Disgruntled by the Jedi Order's involvement in the Clone Wars, the then-padawan bombed the Jedi Temple and framed her bestie Ahsoka Tano (voiced by Ashley Eckstein). Said treachery instigated Ahsoka's departure from the Jedi Order, highlighting the spread of disillusionment within the Order.
As the supervising director of "Clone Wars," Dave Filoni nearly killed off Barriss, but then he cut the scene where she commits a suicide bombing in her Republic jail cell. Considering the lengths Filoni went to keep a secret of "Star Wars Rebels" from the crew, a league of Barriss Truthers saw her as...
- 5/4/2024
- by Caroline Cao
- Slash Film
Bollywood A-list actor Kareena Kapoor Khan has been appointed national ambassador for India by humanitarian organization Unicef.
Unicef has been operating in India for 75 years and Kapoor Khan has been serving as the org’s celebrity advocate since 2014. In her new role the actor will support Unicef India in furthering every child’s right to early childhood development, health, education and gender equality.
Speaking to Variety from Un House, Delhi, ahead of her signing on the ambassadorship, Kapoor Khan said, “When I reached out to them, I was wanting to work for them for child education, because it’s always been a topic that’s been very close to my heart and once I had the babies, my natural instinct was moving towards children’s rights.”
Kapoor Khan and her husband, the actor Saif Ali Khan, have two young children. “We always used to talk about the fact that how...
Unicef has been operating in India for 75 years and Kapoor Khan has been serving as the org’s celebrity advocate since 2014. In her new role the actor will support Unicef India in furthering every child’s right to early childhood development, health, education and gender equality.
Speaking to Variety from Un House, Delhi, ahead of her signing on the ambassadorship, Kapoor Khan said, “When I reached out to them, I was wanting to work for them for child education, because it’s always been a topic that’s been very close to my heart and once I had the babies, my natural instinct was moving towards children’s rights.”
Kapoor Khan and her husband, the actor Saif Ali Khan, have two young children. “We always used to talk about the fact that how...
- 5/4/2024
- by Naman Ramachandran
- Variety - Film News
There are few monster movies that can claim to have as much respect in cinema history, as well as just sheer scope of influence, as 1954's "Godzilla." Also known as "Gojira" in its native Japan, the heralded classic of the kaiju genre remains a haunting dissection of the atrocities of World War II through the lens of a nation contending with the horrors they faced, namely the atomic bomb. It's also, not for nothing, one heck of a showcase for old-school practical creature effects. The now-iconic titular monster was brought to life using a practical suit worn by Haruo Nakajima. A legend was born of that performance, but he paid the price during filming.
In the 2017 book "Godzilla on My Mind" by William M. Tsutsui, it's explained that the costume used in "Godzilla" was created using "a framework of bamboo stakes and wire, with thick overlays of latex and plentiful padding of urethane foam.
In the 2017 book "Godzilla on My Mind" by William M. Tsutsui, it's explained that the costume used in "Godzilla" was created using "a framework of bamboo stakes and wire, with thick overlays of latex and plentiful padding of urethane foam.
- 5/4/2024
- by Ryan Scott
- Slash Film
Elaine Epstein says that winning Hot Docs Forum’s top First Look prize of Can $20,000 cash for her film “Arrest the Midwife” is a “game changer.”
The project, which has been on a close to year-long hiatus, will now finally be able to resume due to the award.
“The last money we raised was 10 months ago,” doc’s producer Robin Hessman said. “So it’s been a while. We raised money and then things stopped.”
“Arrest the Midwife” was one of 20 projects presented to key funders and decision-makers as well as filmmakers, producers and other observers at the 25th edition of the two-day Forum pitch event.
Produced through Epstein’s Underdog Films (U.S.), with producer Hessman and executive producer Ruth Ann Harnisch, the doc chronicles the arrest of three midwives serving Amish and Mennonite communities. When a Mennonite baby died after being attended to by a homebirth midwife, an unprecedented legal drama ensued.
The project, which has been on a close to year-long hiatus, will now finally be able to resume due to the award.
“The last money we raised was 10 months ago,” doc’s producer Robin Hessman said. “So it’s been a while. We raised money and then things stopped.”
“Arrest the Midwife” was one of 20 projects presented to key funders and decision-makers as well as filmmakers, producers and other observers at the 25th edition of the two-day Forum pitch event.
Produced through Epstein’s Underdog Films (U.S.), with producer Hessman and executive producer Ruth Ann Harnisch, the doc chronicles the arrest of three midwives serving Amish and Mennonite communities. When a Mennonite baby died after being attended to by a homebirth midwife, an unprecedented legal drama ensued.
- 5/4/2024
- by Addie Morfoot
- Variety - Film News
What will you ask the brilliant actor, author, cake decorator and star of new film A Family Affair?
Jane Asher has been on our screens for almost 73 years – her first role was aged five, in Mandy, and she turns 78 on 5 May. But it was aged 17 she really shot to big screen prominence, opposite Vincent Pryce in The Masque of the Red Death.
Then, two years later, in 1966, came Alfie, in which she plays a hitchhiker who becomes the latest in Michael Caine’s litany of conquests; in 1970 she was the lead in Jerzy Skolimowski’s suburban psychodrama Deep End.
Jane Asher has been on our screens for almost 73 years – her first role was aged five, in Mandy, and she turns 78 on 5 May. But it was aged 17 she really shot to big screen prominence, opposite Vincent Pryce in The Masque of the Red Death.
Then, two years later, in 1966, came Alfie, in which she plays a hitchhiker who becomes the latest in Michael Caine’s litany of conquests; in 1970 she was the lead in Jerzy Skolimowski’s suburban psychodrama Deep End.
- 5/4/2024
- by Guardian Film
- The Guardian - Film News
During a Distribution Advocates podcast recording at Hot Docs, producer/director Amy Hobby announced a new documentary $200,000 grant called The Marketing Innovations Fund, which will go to independent distributors.
Hobby co-founded Distribution Advocates in 2020 alongside Abby Sun, Avril Speaks, Carlos Gutierrez and Karin Chien. The organization “works to collectively reclaim power for independent storytellers in the current systems of distribution and exhibition.”
The Marketing Innovations Fund launches in August and will provide grants between $5,000 and $50,000. That money will go to independent distributors working with film teams to supercharge audience growth for a wide range of docus. The grants are aimed at encouraging experimentation and innovation in reaching ticket buyers. The number of releases supported each year will vary and depend on applications. This year Fund money will help between four and 15 releases.
“Our goal is to inject much needed capital and resources into an anemic marketplace and ultimately to inspire...
Hobby co-founded Distribution Advocates in 2020 alongside Abby Sun, Avril Speaks, Carlos Gutierrez and Karin Chien. The organization “works to collectively reclaim power for independent storytellers in the current systems of distribution and exhibition.”
The Marketing Innovations Fund launches in August and will provide grants between $5,000 and $50,000. That money will go to independent distributors working with film teams to supercharge audience growth for a wide range of docus. The grants are aimed at encouraging experimentation and innovation in reaching ticket buyers. The number of releases supported each year will vary and depend on applications. This year Fund money will help between four and 15 releases.
“Our goal is to inject much needed capital and resources into an anemic marketplace and ultimately to inspire...
- 5/4/2024
- by Addie Morfoot
- Variety - Film News
As his dazzling debut, Shallow Grave, gets a 30th anniversary rerelease, here’s to an extraordinary career that ranges from Trainspotting to Slumdog Millionaire and that unforgettable London 2012 Olympic opening ceremony
Lancashire-born film-maker Danny Boyle holds a special place in the nation’s heart, having been responsible for not one but three defining moments in our recent pop-culture history. In 1996, his daringly inventive adaptation of Irvine Welsh’s Trainspotting changed the face of young British cinema, with star-making performances from the likes of Ewan McGregor, Kelly Macdonald and Robert Carlyle, and a magpie soundtrack that out-hipped Pulp Fiction. I was co-hosting Radio 1’s film programme when Trainspotting hit UK cinemas, and Mary Anne Hobbs and I immediately ditched our opening station jingles in favour of the thumping drum intro to Lust for Life, which remained the show’s theme tune in perpetuity.
A decade later, Slumdog Millionaire (2008) scooped eight Oscars,...
Lancashire-born film-maker Danny Boyle holds a special place in the nation’s heart, having been responsible for not one but three defining moments in our recent pop-culture history. In 1996, his daringly inventive adaptation of Irvine Welsh’s Trainspotting changed the face of young British cinema, with star-making performances from the likes of Ewan McGregor, Kelly Macdonald and Robert Carlyle, and a magpie soundtrack that out-hipped Pulp Fiction. I was co-hosting Radio 1’s film programme when Trainspotting hit UK cinemas, and Mary Anne Hobbs and I immediately ditched our opening station jingles in favour of the thumping drum intro to Lust for Life, which remained the show’s theme tune in perpetuity.
A decade later, Slumdog Millionaire (2008) scooped eight Oscars,...
- 5/4/2024
- by Mark Kermode
- The Guardian - Film News
Pauly Shore once again addressed his in-development Richard Simmons biopic that has become a hot topic.
“I’m also gonna be starring in the Richard Simmons biopic…whether he likes it or not, Richard,” Shore said at his Netflix Is a Joke show at the Comedy Store Friday night in Los Angeles. “Just another fucking bump in my fucking road.”
Shore’s hour-and-a-half comedy set recounted his life story with a particular focus on growing up in Los Angeles with parents Sammy Shore and Mitzi Shore who co-founded the Comedy Store.
While the bulk of the set detailed his childhood through to the time he spent on MTV and even at the Playboy Mansion, at the very end he jumped to the present to talk about his current life stage and achievements and to briefly address the ongoing biopic situation.
The comment comes after a string of social media back-and-forths...
“I’m also gonna be starring in the Richard Simmons biopic…whether he likes it or not, Richard,” Shore said at his Netflix Is a Joke show at the Comedy Store Friday night in Los Angeles. “Just another fucking bump in my fucking road.”
Shore’s hour-and-a-half comedy set recounted his life story with a particular focus on growing up in Los Angeles with parents Sammy Shore and Mitzi Shore who co-founded the Comedy Store.
While the bulk of the set detailed his childhood through to the time he spent on MTV and even at the Playboy Mansion, at the very end he jumped to the present to talk about his current life stage and achievements and to briefly address the ongoing biopic situation.
The comment comes after a string of social media back-and-forths...
- 5/4/2024
- by Julia MacCary
- Variety - Film News
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Justice for Lori Petty!
One of cinema’s greatest action heroes is a fiercely feminist freedom fighter captured by an oppressive regime controlling the water supply of a post-apocalyptic landscape. Seeking revenge after her family was ripped from her, the heroine escapes the grasp of the army by stealing a vehicle of war, and ventures across the vast post-punk deserts of Australia with the ultimate goal of eventually slaying the white-haired tyrant who ruined her life.
No, I’m not talking about Furiosa, Charlize Theron’s iconic badass in “Mad Max: Fury Road.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Justice for Lori Petty!
One of cinema’s greatest action heroes is a fiercely feminist freedom fighter captured by an oppressive regime controlling the water supply of a post-apocalyptic landscape. Seeking revenge after her family was ripped from her, the heroine escapes the grasp of the army by stealing a vehicle of war, and ventures across the vast post-punk deserts of Australia with the ultimate goal of eventually slaying the white-haired tyrant who ruined her life.
No, I’m not talking about Furiosa, Charlize Theron’s iconic badass in “Mad Max: Fury Road.
- 5/4/2024
- by Wilson Chapman and Alison Foreman
- Indiewire
The International Alliance of Theatrical Stage Employees ended its first week of “general” negotiations on a new contract on Friday, and will resume next week.
The union spent most of the week focused on its benefit plans, which are facing a $670 million shortfall over the next three years.
The Motion Picture Industry Pension and Health Plans extended health coverage to members who were out of work due to last year’s strikes, leaving an unusually large funding gap.
The union provided a brief update to its membership on Friday evening, but gave no indication of how the talks are progressing.
IATSE represents about 50,000 film and TV workers under its Basic Agreement with the Alliance of Motion Picture and Television Producers. The agreement includes 13 locals covering camera operators, hairstylists, grips, and many other crafts primarily in Los Angeles. The contract is set to expire on July 31.
Among the union’s top...
The union spent most of the week focused on its benefit plans, which are facing a $670 million shortfall over the next three years.
The Motion Picture Industry Pension and Health Plans extended health coverage to members who were out of work due to last year’s strikes, leaving an unusually large funding gap.
The union provided a brief update to its membership on Friday evening, but gave no indication of how the talks are progressing.
IATSE represents about 50,000 film and TV workers under its Basic Agreement with the Alliance of Motion Picture and Television Producers. The agreement includes 13 locals covering camera operators, hairstylists, grips, and many other crafts primarily in Los Angeles. The contract is set to expire on July 31.
Among the union’s top...
- 5/4/2024
- by Gene Maddaus
- Variety - Film News
Hollywood’s next bidding war is about to erupt. “Eruption,” the much-discussed upcoming volcano disaster novel from the late Michael Crichton and James Patterson, is about to be brought to auction, attracting a large group of suitors keen on landing the sought-after film rights.
The auction, being conducted by Shane Salerno at the Story Factory and CAA, will begin within the next two weeks, and could kick off as early as next week, Variety can exclusively reveal.
The project has drawn interest from most major studios, streamers and networks, as well as high-profile directors who have shared that they’d leap at the chance to helm a Crichton project. Projects created by the author or adapted from his work include the “Jurassic Park” franchise, “Twister” and “Westworld.” Crichton was also the creator of “ER,” which Variety is told brought in over $3.2 billion for Warner Bros.
Several A-list actors have reached out regarding the novel,...
The auction, being conducted by Shane Salerno at the Story Factory and CAA, will begin within the next two weeks, and could kick off as early as next week, Variety can exclusively reveal.
The project has drawn interest from most major studios, streamers and networks, as well as high-profile directors who have shared that they’d leap at the chance to helm a Crichton project. Projects created by the author or adapted from his work include the “Jurassic Park” franchise, “Twister” and “Westworld.” Crichton was also the creator of “ER,” which Variety is told brought in over $3.2 billion for Warner Bros.
Several A-list actors have reached out regarding the novel,...
- 5/4/2024
- by Katcy Stephan
- Variety - Film News
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It's Star Wars Day weekend! May the Fourth be with you! As has become customary when this date rolls around, Disney and Lucasfilm celebrate the "Star Wars" franchise with loads of new merchandise inspired by a galaxy far, far away. But since there are so many pieces of "Star Wars" memorabilia out there, including specially branded blue milk in dairy fridges right now, we've hand-picked some of our favorite items from across the universe.
From new "Star Wars" action figures that honor "The Phantom Menace" as the prequel celebrates its 25th anniversary to prop replicas and animatronics that will let you worship at the altar of Darth Vader, there's something for everyone. Do you like "Star Wars" Lego sets? Get ready to build some of the coolest vehicles from the saga. Want to wear your fandom on your sleeve literally?...
It's Star Wars Day weekend! May the Fourth be with you! As has become customary when this date rolls around, Disney and Lucasfilm celebrate the "Star Wars" franchise with loads of new merchandise inspired by a galaxy far, far away. But since there are so many pieces of "Star Wars" memorabilia out there, including specially branded blue milk in dairy fridges right now, we've hand-picked some of our favorite items from across the universe.
From new "Star Wars" action figures that honor "The Phantom Menace" as the prequel celebrates its 25th anniversary to prop replicas and animatronics that will let you worship at the altar of Darth Vader, there's something for everyone. Do you like "Star Wars" Lego sets? Get ready to build some of the coolest vehicles from the saga. Want to wear your fandom on your sleeve literally?...
- 5/4/2024
- by Ethan Anderton
- Slash Film
Romance is complicated. The meshing together of two or more people isn’t designed to be a smooth process and art has reflected that for generations, most recently in the new Amazon MGM rom-com “The Idea of You”. In honor of the film dropping on Prime Video, IndieWire has compiled a list of the best age-gap romance films to enjoy after watching Anne Hathaway and Nicholas Galitzine’s jaunt within the genre. From the best-selling novel by Robinne Lee, “The Idea of You” follows a 40-year-old gallery owner and divorceé, who, after escorting her daughter to Coachella, ends up in a whirlwind romance with the 24-year-old lead singer of a famous boy band. The book was adapted for the screen by Michael Showalter, as well as Jennifer Westfeldt, who’s dabbled in complicated romances in the past with films like “Kissing Jessica Stein” and “Friends With Kids”.
In terms of...
In terms of...
- 5/3/2024
- by Harrison Richlin and Wilson Chapman
- Indiewire
Spoiler Alert: This story discusses plot elements from “The Fall Guy,” now playing in theaters.
Long before Taylor Swift embarked on the Eras Tour, director David Leitch and producer Kelly McCormick had the idea to use “All Too Well” as a key moment in “The Fall Guy.”
McCormick, a self-professed Swiftie, and Leitch were trying to find a fresh and contemporary song to fit into a particular scene.
In the film, Ryan Gosling plays Colt Seavers, one of Hollywood’s top stuntmen. After experiencing an on-set accident, he falls off the grid for 18 months, ghosting aspiring director Jody (Emily Blunt), someone he also happens to be dating. The two awkwardly reunite on the set of her directorial debut, and when they wrap their first day, Colt retreats to his pickup truck reflecting on happier times with Jody.
McCormick thought a Swift song would be perfect for that scene, and even Gosling agreed.
Long before Taylor Swift embarked on the Eras Tour, director David Leitch and producer Kelly McCormick had the idea to use “All Too Well” as a key moment in “The Fall Guy.”
McCormick, a self-professed Swiftie, and Leitch were trying to find a fresh and contemporary song to fit into a particular scene.
In the film, Ryan Gosling plays Colt Seavers, one of Hollywood’s top stuntmen. After experiencing an on-set accident, he falls off the grid for 18 months, ghosting aspiring director Jody (Emily Blunt), someone he also happens to be dating. The two awkwardly reunite on the set of her directorial debut, and when they wrap their first day, Colt retreats to his pickup truck reflecting on happier times with Jody.
McCormick thought a Swift song would be perfect for that scene, and even Gosling agreed.
- 5/3/2024
- by Jazz Tangcay and Meredith Woerner
- Variety - Film News
Chris Pine felt like more than a million bucks after being cast in “Princess Diaries 2: Royal Engagement” — he felt like $50 million, to be exact. Not that he made anywhere near that sum.
During an upcoming appearance on NBC News’ “Sunday Today with Willie Geist,” Pine recalled how joining the 2004 sequel film proved to be a pivotal point in his career. Pine played Prince Nicholas Devereaux who tries to woo Princess Mia (Anne Hathaway) in her ancestral home country of Genovia.
“It was the height of summer and I was getting off at Magnolia. I was on my little Verizon tiny little flip phone, my silver one, and I got a call from my agents that I booked the job,” Pine said. “I pulled over onto the side of the freeway and they said, ‘You’re getting paid $65,000,’ and it was like they had just told me I’d made $50 million.
During an upcoming appearance on NBC News’ “Sunday Today with Willie Geist,” Pine recalled how joining the 2004 sequel film proved to be a pivotal point in his career. Pine played Prince Nicholas Devereaux who tries to woo Princess Mia (Anne Hathaway) in her ancestral home country of Genovia.
“It was the height of summer and I was getting off at Magnolia. I was on my little Verizon tiny little flip phone, my silver one, and I got a call from my agents that I booked the job,” Pine said. “I pulled over onto the side of the freeway and they said, ‘You’re getting paid $65,000,’ and it was like they had just told me I’d made $50 million.
- 5/3/2024
- by Samantha Bergeson
- Indiewire
Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards.
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
- 5/3/2024
- by Nick Vivarelli
- Variety - Film News
There are few genre films of any kind quite as respected as 1954's "Godzilla." Directed by Ishiro Honda, the film was an examination of post-World War II Japan, a nation that had experienced the horrors of the atomic bomb. The now-iconic monster was a narrative device used to reckon with those horrors, and even though some 70 years later the movie has secured its place in cinema history, it wasn't always a sure thing. So much so that composer Akira Ifukube was advised to back out of doing the project by his peers for fear that it would ruin his career.
In the 2019 book "Life Godzilla," it's explained that production company Toho was not confident in the film ahead of its release. "Godzilla" was a movie that could have ended a great many careers. "We couldn't reassure them," said assistant director Koji Kajita. "There was still no soundtrack and without it the film looked stupid.
In the 2019 book "Life Godzilla," it's explained that production company Toho was not confident in the film ahead of its release. "Godzilla" was a movie that could have ended a great many careers. "We couldn't reassure them," said assistant director Koji Kajita. "There was still no soundtrack and without it the film looked stupid.
- 5/3/2024
- by Ryan Scott
- Slash Film
Actor brings force of Hollywood to trumpet Biden’s legislative record in briefing that both delighted and bemused journalists
“You will never find a more wretched hive of scum and villainy.” But enough about Washington. The Star Wars actor Mark Hamill, who once saw off gangsters at a fictional spaceport, came to the US capital on Friday for a meeting with Joe Biden.
Quite why he was in the Oval Office, and what was talked about, remained something of a mystery. A long time ago in a galaxy far, far away, Biden was riding high in the opinion polls but now, perhaps, he is in need of added star power.
“You will never find a more wretched hive of scum and villainy.” But enough about Washington. The Star Wars actor Mark Hamill, who once saw off gangsters at a fictional spaceport, came to the US capital on Friday for a meeting with Joe Biden.
Quite why he was in the Oval Office, and what was talked about, remained something of a mystery. A long time ago in a galaxy far, far away, Biden was riding high in the opinion polls but now, perhaps, he is in need of added star power.
- 5/3/2024
- by David Smith in Washington
- The Guardian - Film News
Asexuality is rare enough on screen that a film that does acknowledge its existence can build an entire storyline out of it. But the scant few depictions of it in popular media that do exist — mostly in progressive teen shows like Netflix’s “Sex Education” or “Heartbreak High” — generally present storylines about the orientation in an instructive manner for general audiences. Their supporting asexual characters are typically young, confused teens, and their journeys to understand and accept their orientation are highlighted by arcs that pit them with love interests who struggle with the unconventional shape their relationship takes.
“Slow,” the second feature from Lithuanian director Marija Kavtar, offers a somewhat different type of asexual character. Dovydas (Kęstutis Cicėnas) certainly talks about his difficulties coming to terms with his asexuality as a child, but when the audience first meets him he’s decidedly not an awkward teenager. He’s a grown...
“Slow,” the second feature from Lithuanian director Marija Kavtar, offers a somewhat different type of asexual character. Dovydas (Kęstutis Cicėnas) certainly talks about his difficulties coming to terms with his asexuality as a child, but when the audience first meets him he’s decidedly not an awkward teenager. He’s a grown...
- 5/3/2024
- by Wilson Chapman
- Indiewire
There's a case to be made that Chris Hemsworth is the most talented of the Marvel Studios Chrises. He's got great comedic energy and leaned into that with his later performances as Thor (even if he admittedly went overboard in "Thor: Love and Thunder"). His vengeance-driven God of Thunder is the highlight of "Infinity War" too.
He's also making interesting career choices. I'm a Captain America fan, but Chris Evans has not challenged himself as an actor since "Snowpiercer." ("Knives Out" was just him dusting off his pre-Cap screen persona of a cocky a-hole.) Chris Pratt has waltzed his way into being Hollywood's leading voice actor despite his anonymous performances in "The Super Mario Brothers" and soon, "The Garfield Movie." Hemsworth takes paycheck gigs (see: "Extraction" and his voice acting turn as young Optimus Prime in "Transformers: One" this coming Summer), but he shows ambition too. In 2017, during Marvel's cultural dominance,...
He's also making interesting career choices. I'm a Captain America fan, but Chris Evans has not challenged himself as an actor since "Snowpiercer." ("Knives Out" was just him dusting off his pre-Cap screen persona of a cocky a-hole.) Chris Pratt has waltzed his way into being Hollywood's leading voice actor despite his anonymous performances in "The Super Mario Brothers" and soon, "The Garfield Movie." Hemsworth takes paycheck gigs (see: "Extraction" and his voice acting turn as young Optimus Prime in "Transformers: One" this coming Summer), but he shows ambition too. In 2017, during Marvel's cultural dominance,...
- 5/3/2024
- by Devin Meenan
- Slash Film
Longtime Vanity Fair editor Britt Hennemuth is departing his role as the publication’s West coast director to join Universal Pictures.
Hennemuth has been named senior vice president of production development and special projects at the studio, where he will work with Universal’s creative team to “develop and oversee production on projects, foster connections with talent, and draw upon his extensive media expertise to advise other departments.” He will report directly to Universal Pictures president Peter Cramer, who announced the new hire on Friday.
“Britt is a true cinephile, and through his stellar work at Vanity Fair, he has been a leader in telling stories that help shape culture and amplify new voices,” stated Cramer. “His well-respected skills and experience will be the perfect complement to our team at Universal Pictures as we continue to bring a wide range of innovative films to global theatrical audiences.”
Added Hennemuth: “It...
Hennemuth has been named senior vice president of production development and special projects at the studio, where he will work with Universal’s creative team to “develop and oversee production on projects, foster connections with talent, and draw upon his extensive media expertise to advise other departments.” He will report directly to Universal Pictures president Peter Cramer, who announced the new hire on Friday.
“Britt is a true cinephile, and through his stellar work at Vanity Fair, he has been a leader in telling stories that help shape culture and amplify new voices,” stated Cramer. “His well-respected skills and experience will be the perfect complement to our team at Universal Pictures as we continue to bring a wide range of innovative films to global theatrical audiences.”
Added Hennemuth: “It...
- 5/3/2024
- by Angelique Jackson
- Variety - Film News
“I knew daredevils — and I ain’t got nothing against ‘em — it’s just they’re all dead.”
So says the titular character of “The Stunt Man” to his trainer the first time his desire for mortality is put into question. The theme of death is a constant one in this 1980 film. It’s what propels the main character, Vietnam-Vet Cameron, to go on the run — the state in which we meet him at the beginning of the film. It’s what draws him to a movie set near the beach where dozens of bodies are ripped apart, sporting soldier’s uniforms from World War I, and buried across the sand. It’s what fascinates the film’s director, Eli Cross, whose need to draw reality out of a production that’s drowning in artifice places Cameron in the precarious position of both stuntman and muse. What begins as a...
So says the titular character of “The Stunt Man” to his trainer the first time his desire for mortality is put into question. The theme of death is a constant one in this 1980 film. It’s what propels the main character, Vietnam-Vet Cameron, to go on the run — the state in which we meet him at the beginning of the film. It’s what draws him to a movie set near the beach where dozens of bodies are ripped apart, sporting soldier’s uniforms from World War I, and buried across the sand. It’s what fascinates the film’s director, Eli Cross, whose need to draw reality out of a production that’s drowning in artifice places Cameron in the precarious position of both stuntman and muse. What begins as a...
- 5/3/2024
- by Harrison Richlin
- Indiewire
Fiona Apple is the go-to songwriter for exorcising your romantic demons, ruing the ones you loved, the ones who didn’t love you back, the ones you pushed away amid yet another freefall of your own design. She’s also the go-to singer for three studio comedy auteurs: Michael Showalter, Judd Apatow, and Paul Feig.
Apple’s songs have featured in three of their films — Apple wrote the original song “Dull Tool” for Apatow’s “This Is 40,” capturing a decades-long marriage at its breaking point. Elsewhere, her epic ball of romantic resignation “Cosmonauts,” off the 2020 album “Fetch the Bolt Cutters,” was also originally meant for that film. Meanwhile, her classic cabaret-inspired love song “Paper Bag,” about having too much emotional baggage to enter into a new relationship she wants “so bad, oh it kills,” featured in Feig’s “Bridesmaids” in a montage of Annie (Kristen Wiig) making cupcakes as...
Apple’s songs have featured in three of their films — Apple wrote the original song “Dull Tool” for Apatow’s “This Is 40,” capturing a decades-long marriage at its breaking point. Elsewhere, her epic ball of romantic resignation “Cosmonauts,” off the 2020 album “Fetch the Bolt Cutters,” was also originally meant for that film. Meanwhile, her classic cabaret-inspired love song “Paper Bag,” about having too much emotional baggage to enter into a new relationship she wants “so bad, oh it kills,” featured in Feig’s “Bridesmaids” in a montage of Annie (Kristen Wiig) making cupcakes as...
- 5/3/2024
- by Ryan Lattanzio
- Indiewire
A muse, a mother, a fashionista, an actor, a rock ‘n’ roll icon — it’s hard to describe exactly why Anita Pallenberg remains such a compelling figure more than a half-century after the captivating blonde sang backing vocals on the Rolling Stones’ “Sympathy for the Devil” and starred in movies like “Performance” and “Barbarella.”
The new documentary “Catching Fire: The Story of Anita Pallenberg” delves into both the beautiful and tragic moments of her eventful life with the help of a treasure trove of home movies and interviews, as well as an unpublished memoir penned by Pallenberg and narrated by Scarlett Johansson. The footage is coupled with interviews of the Rolling Stones’ Keith Richards, with whom she had a significant relationship, their children Marlon and Angela Richards, director Volker Schlondorff, who cast her in some of his films, and her former friends and associates.
“I’ve been called a witch,...
The new documentary “Catching Fire: The Story of Anita Pallenberg” delves into both the beautiful and tragic moments of her eventful life with the help of a treasure trove of home movies and interviews, as well as an unpublished memoir penned by Pallenberg and narrated by Scarlett Johansson. The footage is coupled with interviews of the Rolling Stones’ Keith Richards, with whom she had a significant relationship, their children Marlon and Angela Richards, director Volker Schlondorff, who cast her in some of his films, and her former friends and associates.
“I’ve been called a witch,...
- 5/3/2024
- by Pat Saperstein
- Variety - Film News
Spain’s Latido Films has boarded international sales on Carlos Marques-Marcet’s musical They Will Be Dust (Polvo serán). Elástica Films will handle distribution in Spain.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
- 5/3/2024
- ScreenDaily
Samuel Goldwyn Films has acquired worldwide rights to the documentary film “Somm: Cup of Salvation,” an exploration into the world of wine.
“Cup of Salvation” is the fourth film in the “Somm” documentary series. It follows a father and daughter on a mission to resurrect the forgotten grapes of their Armenian homeland. Their journey brings them to navigate through wrecked infrastructure and wartime farming, moving from the Caucus Mountains to secret vineyards in Iran.
This week, “Somm: Cup of Salvation” was nominated for a 2024 James Beard Award in the long form visual media category. The film is directed by Jason Wise, who also serves as writer and producer for the feature alongside Christina Wise. Jackson Myers, Eric Esrailian and Armen Kachaturian also produce.
“I am thrilled to continue our relationship with Samuel Goldwyn Films on the ‘Somm’ series. ‘Cup of Salvation’ is a very personal and dangerous film and there...
“Cup of Salvation” is the fourth film in the “Somm” documentary series. It follows a father and daughter on a mission to resurrect the forgotten grapes of their Armenian homeland. Their journey brings them to navigate through wrecked infrastructure and wartime farming, moving from the Caucus Mountains to secret vineyards in Iran.
This week, “Somm: Cup of Salvation” was nominated for a 2024 James Beard Award in the long form visual media category. The film is directed by Jason Wise, who also serves as writer and producer for the feature alongside Christina Wise. Jackson Myers, Eric Esrailian and Armen Kachaturian also produce.
“I am thrilled to continue our relationship with Samuel Goldwyn Films on the ‘Somm’ series. ‘Cup of Salvation’ is a very personal and dangerous film and there...
- 5/3/2024
- by Katcy Stephan
- Variety - Film News
[Editor’s note: The following interview contains spoilers for “Unfrosted.”]
The Pop-Tarts were heated up and soon to pop — if Kellogg’s only had a name for its new toaster treat. For that, Jerry Seinfeld went to the best 1960s ad men he, or anyone, could find: Don Draper (Jon Hamm) and Roger Sterling (John Slattery) of Sterling Cooper Draper Pryce — and of AMC’s “Mad Men.”
Who would have thought that Netflix’s “Unfrosted” — a Pop-Tarts faux origin story — would be what got those two back in their single-vented suits? A fantastical (and fantastic) cinematic universe was created, almost by accident. Here’s the not-fake origin story of the film-stealing scene.
“We would take breaks when we were writing this movie and watch ‘Mad Men’ scenes,” the film’s cowriter Spike Feresten told IndieWire. “Jerry had just rewatched the entire [series] again and said, ‘You’ve gotta see this scene.’ And it would play in our meetings like a comedy.
The Pop-Tarts were heated up and soon to pop — if Kellogg’s only had a name for its new toaster treat. For that, Jerry Seinfeld went to the best 1960s ad men he, or anyone, could find: Don Draper (Jon Hamm) and Roger Sterling (John Slattery) of Sterling Cooper Draper Pryce — and of AMC’s “Mad Men.”
Who would have thought that Netflix’s “Unfrosted” — a Pop-Tarts faux origin story — would be what got those two back in their single-vented suits? A fantastical (and fantastic) cinematic universe was created, almost by accident. Here’s the not-fake origin story of the film-stealing scene.
“We would take breaks when we were writing this movie and watch ‘Mad Men’ scenes,” the film’s cowriter Spike Feresten told IndieWire. “Jerry had just rewatched the entire [series] again and said, ‘You’ve gotta see this scene.’ And it would play in our meetings like a comedy.
- 5/3/2024
- by Tony Maglio
- Indiewire
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