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The Adventures of Priscilla, Queen of the Desert [1994] (REGION 1) (NTSC)
 
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The Adventures of Priscilla, Queen of the Desert [1994] (REGION 1) (NTSC)

DVD ~ Alan Dargin
4.8 out of 5 stars See all reviews (12 customer reviews)

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4 used & new available from £10.76

Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.


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Product details

  • Actors: Alan Dargin, Bill Hunter, Ken Radley, Terence Stamp, Hugo Weaving
  • Directors: Stephan Elliot
  • Format: Closed-captioned, Colour, Dolby, DVD-Video, Full Screen, Letterboxed, Widescreen, NTSC
  • Language English, French
  • Subtitles: Spanish
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Classification: R (Restricted) (US MPAA rating. See details.)
  • Studio: Polygram Video
  • DVD Release Date: 7 Oct 1997
  • Run Time: 102 minutes
  • Average Customer Review: 4.8 out of 5 stars See all reviews (12 customer reviews)
  • DVD Features:
  • ASIN: 6304584571
  • Amazon.co.uk Sales Rank: 140,925 in DVD (See Bestsellers in DVD)
    (Studios: Improve Your Sales)

Reviews

Amazon.co.uk Review
Terence Stamp as a drag queen--an Aussie drag queen? Darling, you'd better believe it. In Stephan Elliott's delirious exercise in ultra-camp meets outback macho, Stamp plays an ageing trans-sexual who, with two of his equally high-glossed pals, heads off for a cabaret engagement in Alice Springs. Priscilla is their chosen vehicle, a school bus painted an outrageous purple. The culture-clash comedy that ensues is none too unpredictable: the local Ockers, initially contemptuous, soon find the spangled and bewigged trio can out-talk, out-drink and if necessary, out-punch them; everything ends in a warm glow of mutual tolerance and appreciation. Elliott maybe hits the feelgood button a little too hard, but it's impossible not to be swept along by the sheer brash energy of the film. The bitchy dialogue snaps and crackles, the costumes and Fellini-esque dance numbers are to die for, and Stamp and Co.--enjoying themselves no end--play the whole thing to the hilt and some way beyond it. --Philip Kemp

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