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Les Diaboliques [1954]
 
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Les Diaboliques [1954]

DVD ~ Simone Signoret
4.8 out of 5 stars See all reviews (9 customer reviews)

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Product details

  • Actors: Simone Signoret, Véra Clouzot, Paul Meurisse, Charles Vanel, Jean Brochard
  • Directors: Henri-Georges Clouzot
  • Format: Black & White, PAL
  • Language French
  • Subtitles: English
  • Region: All Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Classification: 15
  • Studio: C'est La Vie
  • DVD Release Date: 25 Feb 2002
  • Run Time: 116 minutes
  • Average Customer Review: 4.8 out of 5 stars See all reviews (9 customer reviews)
  • DVD Features:
    • Main Language: French
    • Sub Titles: English
    • Disc Format: DVD 5
    • Biographies For Henri Georges And Vera Clouzot And Simone Signoret
    • Original Trailer
    • Original Trailer For Wages Of Fear
    • Chaptering
    • Booklet
    • Original Lobby Cards
    • Posters
    • Stills
  • ASIN: B00005UDXP
  • Amazon.co.uk Sales Rank: 28,748 in DVD (See Bestsellers in DVD)
    (Studios: Improve Your Sales)

Reviews

Amazon.co.uk Review
Legend has it that Henri-Georges Clouzot beat out Alfred Hitchcock to secure the rights to this novel, which proved to be a veritable blueprint for an icy masterpiece of murder, mystery and suspense. Véra Clouzot plays the sickly wife of a callous headmaster of a provincial boarding school going to seed, and the commanding Simone Signoret is the headmaster's mistreated mistress. Together they plot and carry out his murder, a brutal drowning that director Clouzot documents in chilly detail, but the corpse disappears and a nosy detective starts sniffing around the grounds as threatening notes taunt the women. Clouzot's thriller is as precise and accomplished a work as anything in Hitchcock's canon, a film of gruelling suspense and startling shocks in an overcast, grey world of decay, but his icy manipulations lack the human dimension and emotional resonance of the master of suspense. Many critics have accused the film of being misanthropic, and Clouzot's attitude toward his characters is bitter at best, contemptuous at worst. The viewer is left on the outside looking in, but the razor precision and terrifying twists deliver a sleek, bleak spectacle wort