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Hot Fuzz (2007)
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Overview
Frase comercial:
Big Cops. Small Town. Moderate Violence. másPlot:
Jealous colleagues conspire to get a top London cop transferred to a small town and paired with a witless new partner. On the beat, the pair stumble upon a series of suspicious accidents and events. full summary | full synopsisAwards:
2 wins & 3 nominations másComentarios de los usuarios:
In a Nutshell - Don't Miss It! másUS TV Schedule:
| Sat. Aug. 23 | 5:45 AM | MAX | |||
| Thur. Aug. 28 | 11:00 AM | MAX |
Cast
(in credits order) (verified as complete)
Dirigida por | |||
| Edgar Wright | |||
Créditos del guión | ||
| Edgar Wright | (written by) & | |
| Simon Pegg | (written by) | |
Producida por | |||
| Karen Beever | .... | associate producer | |
| Tim Bevan | .... | producer | |
| Eric Fellner | .... | producer | |
| Nira Park | .... | producer | |
| Ronaldo Vasconcellos | .... | line producer | |
| Natascha Wharton | .... | executive producer | |
Música original por | |||
| David Arnold | |||
Fotografía por | |||
| Jess Hall | (director of photography) | ||
Montaje por | |||
| Chris Dickens | |||
Casting | |||
| Nina Gold | |||
Diseño de producción por | |||
| Marcus Rowland | |||
Dirección artística | |||
| Dick Lunn | |||
Decorados | |||
| Liz Griffiths | |||
Diseño de vestuario por | |||
| Annie Hardinge | |||
Departamento de maquillaje | |||
| Candice Banks | .... | hair and makeup artist | |
| Tricia Cameron | .... | additional hair stylist | |
| Tricia Cameron | .... | additional makeup artist | |
| Tony Lilley | .... | hair stylist | |
| Tony Lilley | .... | makeup artist | |
| Darren Long | .... | additional hair stylist | |
| Darren Long | .... | additional makeup artist | |
| Deborah Taylor | .... | additional hair stylist | |
| Deborah Taylor | .... | additional makeup artist | |
| Kate Thompson | .... | additional hair stylist | |
| Kate Thompson | .... | additional makeup artist | |
| Tristan Versluis | .... | prosthetics supervisor | |
| Jane Walker | .... | hair & makeup designer | |
| Eve Wignall | .... | additional hair stylist | |
| Eve Wignall | .... | additional makeup artist | |
Dirección de producción | |||
| James Biddle | .... | production manager | |
| Tania Blunden | .... | post-production supervisor (as Tania Windsor Blunden) | |
| John David Gunkle | .... | unit manager | |
Ayudante de dirección | |||
| Dan Channing-Williams | .... | third assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Nathan Holmes | .... | additional first assistant director | |
| Charlie Leech | .... | additional first assistant director | |
| Jeremy Lovering | .... | second unit director | |
| Samar Pollitt | .... | additional third assistant director | |
| Jack Ravenscroft | .... | additional first assistant director | |
| Gareth Tandy | .... | additional first assistant director | |
| Anthony Wilcox | .... | second assistant director | |
Art Department | |||
| Kevin Day | .... | dressing propman | |
| Richard Field | .... | stand-by art director | |
| Dougie Lankston | .... | dressing prop daily | |
| Shay Leonard | .... | props | |
| Daryn McLaughlan | .... | draughtsman | |
| Helen Morgan | .... | art department trainee | |
| Michael Smale | .... | assistant art director | |
| Rebecca Thomas | .... | art department trainee | |
| Rosy Thomas | .... | set production buyer | |
| Oli van der Vijver | .... | dressing propman (as Oliver Van Der Vijver) | |
| Peter Woods | .... | dressing propman | |
Departamento de sonido | |||
| Annabel Acquaviva | .... | boom operator | |
| Antony Bayman | .... | adr recordist | |
| Anna Billington | .... | sound coordinator | |
| Oliver Brierley | .... | assistant sound re-recording mixer | |
| Peter Burgis | .... | foley artist | |
| Craig Butters | .... | sound designer | |
| Robert Edwards | .... | adr recordist | |
| Michael Fentum | .... | sound effects editor (as Mike Fentum) | |
| Richard Flynn | .... | sound equipment provider | |
| Richard Flynn | .... | sound mixer | |
| Arthur Graley | .... | foley editor | |
| Nigel Heath | .... | sound re-recording mixer | |
| Alex Joseph | .... | foley editor | |
| Mitch Low | .... | sound mixer: pick ups | |
| Dan Morgan | .... | adr editor | |
| Dan Morgan | .... | dialogue editor | |
| Jamie Roden | .... | adr mixer | |
| Julian Slater | .... | supervising sound editor | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Visual Effects | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Papavramides Alexandra | .... | digital compositor: Baseblack VFX | |
| Varga András | .... | compositor: Cube Effects | |
| Szapek Attila | .... | roto artist: Cube Effects | |
| Ben Baker | .... | head of digital lab: Framestore CFC | |
| Judy Barr | .... | digital compositor | |
| Pete Bebb | .... | digital artist: Double Negative | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects | |
| Rodrigo Bernardo | .... | systems engineer | |
| Richard Briscoe | .... | visual effects supervisor | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Andrew Chapman | .... | digital artist: Double Negative | |
| Marco Checa Garcia | .... | digital compositor: Machine FX | |
| Lee Clappison | .... | compositor: LipSync Post | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | lead compositor: LipSync Post | |
| Martin R. Davison | .... | digital compositor: Baseblack | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC | |
| Laura Dubsky | .... | compositor: LipSync Post | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Péter Farkas | .... | lead roto artist: Cube Effects | |
| Reischig Ferenc | .... | systems admistrator: Cube Effects | |
| Antonella Ferrari | .... | visual effects editorial | |
| James D. Fleming | .... | digital artist: Framestore CFC | |
| Mike Foyle | .... | rotoscope artist: Double Negative | |
| Steve Garrad | .... | visual effects producer: Double Negative | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Charlie Habanananda | .... | conform editor: Framestore CFC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Marcus Hindborg | .... | digital compositor: Double Negative | |
| Joe Hoare | .... | scanning and recording: Framestore CFC | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| Pete Howlett | .... | digital compositor: Double Negative (as Peter Howlett) | |
| Vajda István | .... | roto artist: Cube Effects | |
| Matthew Jacques | .... | digital artist | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| David Johnston | .... | data operator: Framestore CFC | |
| Abraham Kambanopoulos | .... | visual effects | |
| Rafiqur Khan | .... | data operator: Framestore CFC | |
| Pál Klemm | .... | lead digital compositor: Cube Effects | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Danius Kvedaras | .... | compositor: LipSync Post | |
| Serena Lam | .... | digital compositor: Double Negative | |
| Aaron Lear | .... | retouch and restoration: Framestore CFC | |
| Luke Letkey | .... | digital compositor: Double Negative | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| Imre Lovász | .... | pipeline technical director: Cube Effects | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Veronica Marcano | .... | scanning and recording: Framestore CFC | |
| Simon Margetts | .... | visual effects director of photography | |
| Ivan Mena | .... | digital compositor | |
| Károly Mesterházy | .... | digital artist: Cube Effects | |
| Miklós Mesterházy | .... | digital artist: Cube Effects | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Alberto Montañés | .... | digital compositor | |
| Mike Morrison | .... | production manager: Framestore CFC | |
| Ephraim Mwakandu | .... | digital artist: Framestore CFC | |
| Savneet Nagi | .... | retouch and restoration: Framestore CFC | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor: Framestore CFC | |
| Lara Zoe Northway | .... | visual effects producer: Machine | |
| Sona Pak | .... | visual effects coordinator: Double Negative | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Fred Place | .... | digital compositor: Double Negative | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Scott Pritchard | .... | digital compositor: Double Negative | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC | |
| Dave Robinson | .... | systems engineer | |
| Gavin Round | .... | editorial: Framestore CFC | |
| Iván Sarosácz | .... | digital artist: Cube Effects | |
| Jimmy Saul | .... | scanning and recording | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Asa Shoul | .... | colourist: Framestore CFC | |
| Ian Simpson | .... | digital artist: Double Negative | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC | |
| Richard Stay | .... | digital compositor: Double Negative | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Mátyás Szabó | .... | digital compositor: Cube Effects | |
| Attila Szalma | .... | digital compositor: Cube Effects | |
| Zoltán Szegedi | .... | digital artist: Cube Effects | |
| Gábor Székely | .... | technical director: Cube Effects | |
| Ria Tamok | .... | digital compositor: Cube Effects | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC | |
| Gábor Tóth | .... | senior digital compositor: Cube Effects | |
| Mark Tremble | .... | digital artist: Double Negative (as Mark Tran-Tramble) | |
| Jenõ Udvardi | .... | visual effects producer: Cube Effects | |
| Gábor Vaszkun | .... | digital artist: Cube Effects | |
| Dan Victoire | .... | conform editor: Framestore CFC | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Sharon Warmington | .... | digital compositor: Double Negative | |
| Imery Watson | .... | digital matte painter: Double Negative | |
| Simon Wessely | .... | data operator: Framestore CFC | |
| Sheila Wickens | .... | compositing supervisor: LipSync Post | |
| Stephen Willey | .... | senior systems engineer | |
| Annabel Wright | .... | conform editor: Framestore CFC | |
| Péter Zavorszky | .... | visual effects production manager: Cube Effects | |
| Julia Hall | .... | digital compositor (uncredited) | |
Especialistas | |||
| Lucy Allen | .... | stunt double | |
| Richard Bradshaw | .... | stunt double | |
| Michael Byrch | .... | stunt double | |
| Nick Chopping | .... | stunt double | |
| Stuart Clark | .... | stunt double | |
| Jamie Edgell | .... | stunt double | |
| Bradley Farmer | .... | stunt double | |
| Sarah Franzl | .... | stunt double | |
| Paul Herbert | .... | stunt coordinator | |
| Rowley Irlam | .... | stunt double: Simon Pegg | |
| Kim McGarrity | .... | stunt double | |
| Andy Merchant | .... | stunt double | |
| Peter Miles | .... | stunt double | |
| Jamie Millington | .... | stunt double | |
| Daniel Naprous | .... | stunt double | |
| Curtis Rivers | .... | stunt double: Jim Broadbent | |
| C.C. Smiff | .... | stunt performer | |
Camera and Electrical Department | |||
| Simon Baker | .... | camera operator: "a" camera | |
| Simon Baker | .... | steadicam operator | |
| Tim Battersby | .... | additional first assistant camera | |
| Jeremy Braben | .... | aerial camera operator | |
| Guy Cope | .... | stand-by electrical rigger | |
| Chris Dale | .... | second assistant camera | |
| Carlos De Carvalho | .... | first assistant camera: "a" camera | |
| Andy Edridge | .... | grip: "b" camera | |
| Peter Field | .... | director of photography: second unit | |
| Rawdon Hayne | .... | first assistant camera | |
| Alex Howe | .... | first assistant camera: vfx unit | |
| Iain Mackay | .... | second assistant camera: "b" camera | |
| Chris McAleese | .... | camera trainee | |
| Matthew Nettheim | .... | still photographer | |
| Nick Ray | .... | grip: main camera | |
| Peter Robertson | .... | steadicam operator: "a" camera | |
| Ashley Rowe | .... | director of photography: additional filming | |
| Paul Slatter | .... | gaffer: second unit | |
| Dean Thompson | .... | first assistant camera: second unit | |
| Charlie Whitaker | .... | additional clapper loader | |
| Sophie Wilson | .... | additional second assistant camera | |
Casting Department | |||
| Stephen Moore | .... | casting assistant | |
| Kate Rudge | .... | extras casting coordinator | |
| Robert Sterne | .... | casting assistant | |
| Hayley Williams | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Phil Lester | .... | costume supervisor | |
| Janine Marr | .... | wardrobe assistant | |
| Aaron Timperley | .... | wardrobe assistant | |
Editorial Department | |||
| Jonathan Amos | .... | additional editor | |
| Tom Balogh | .... | on-set grading colourist | |
| Aisha Bicknell | .... | post-production coordinator | |
| Matt Gauci | .... | avid technical support | |
| Brian Krijgsman | .... | additional colorist | |
| Steve Mercer | .... | assistant editor | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Kathryn Morey | .... | second assistant editor | |
| Mike Morrison | .... | digital intermediate production manager: Framestore CFC | |
| Ben Renton | .... | second assistant editor | |
| Catriona Richardson | .... | assistant editor | |
| Asa Shoul | .... | colorist: Framestore CFC | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Chris Barrett | .... | assistant score mixer | |
| Chris Barrett | .... | assistant score recordist | |
| Nicholas Cervonaro | .... | assistant score mixer (as Nick Cervonaro) | |
| Nicholas Cervonaro | .... | assistant score recordist (as Nick Cervonaro) | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hilton | .... | music programmer | |
| Charles Lane | .... | music consultant | |
| Kirsten Lane | .... | music consultant | |
| Stuart Morton | .... | assistant music editor | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Alex Nutton | .... | music programmer | |
| Rob Playford | .... | music programing: score | |
| Rob Playford | .... | music programmer | |
| Michael Price | .... | composer: additional music | |
| Robin Quinn | .... | assistant music editor (as Robin Whittaker) | |
| Matt Roberts | .... | music programmer | |
| Vicki Williams | .... | music coordinator | |
Transportation Department | |||
| Nick Kenyon | .... | unit driver | |
| Barrie Williams | .... | transportation captain | |
Otros miembros del equipo | |||
| Just Ardalan-Raikes | .... | production assistant | |
| Ruth Atkinson | .... | additional script supervisor | |
| Samantha Barber | .... | script supervisor trainee: FT2 | |
| Katrina Barton | .... | assistant script supervisor | |
| David Blank | .... | first assistant accountant | |
| Charles Bodycomb | .... | set armorer | |
| Caroline Bowker | .... | script supervisor trainee: FT2 | |
| James Crestani | .... | production runner | |
| Joss Crowley | .... | runner | |
| Joss Crowley | .... | stand-in | |
| Cuong Dang | .... | assistant production coordinator | |
| Sue Darcey | .... | dog handler | |
| Steve Dent | .... | horse handler | |
| Kay Di Rezze | .... | trainee assistant accountant | |
| Marie Dong | .... | second assistant accountant | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title Films (as Chloé Dorigan) | |
| Nicky Earnshaw | .... | production coordinator | |
| Dave Evans | .... | armorer | |
| Ian Evans | .... | aerial helicopter pilot | |
| Eleanor Fazan | .... | choreographer | |
| Jessica Forte | .... | assistant production coordinator: Working Title Films | |
| Phil Gates | .... | location scout | |
| Maree Gecks | .... | assets administrator | |
| Ben Gladstone | .... | location manager | |
| Flax Glor | .... | publicist | |
| Dom Harris | .... | daily floor runner | |
| Naomi Harvey | .... | daily runner | |
| Aliza James | .... | assistant: Eric Fellner | |
| Ruth Key | .... | production runner | |
| Susanna Lenton | .... | script supervisor | |
| Zoe Liang | .... | key floor runner | |
| Dan Mudford | .... | documentarian | |
| Alex Nutton | .... | additional programmer: noise | |
| Scott Penrose | .... | magic consultant | |
| Roger Phillips | .... | titles | |
| Rachel Plose | .... | production accountant | |
| Caroline Pope | .... | choreographer | |
| Alex Pritchard | .... | office runner | |
| Kevin Proctor | .... | junior assistant: Nira Park and Edgar Wright, Big Talk Productions | |
| Asha Sharma | .... | location assistant | |
| Ian Smith | .... | pilot | |
| Mario Spanna | .... | head technician: Libra | |
| Tom Stourton | .... | assistant location manager | |
| Neil Swain | .... | dialect coach | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Amie Tridgell | .... | location scout | |
| Helen Varty | .... | senior assistant: Edgar Wright and Nira Park | |
| Jessica Weetch | .... | development executive: Big Talk Productions (as Jess Weetch) | |
| Andrew White | .... | titles | |
| Laura Windebank | .... | runner | |
| Oscar Wright | .... | title designer | |
Thanks | |||
| Charlotte Hatherley | .... | thanks | |
| Alex Hope | .... | thanks | |
| Peter Jackson | .... | thanks | |
| Garth Jennings | .... | thanks | |
| Gregory Nicotero | .... | thanks (as Greg Nicotero) | |
| Robert Rodriguez | .... | thanks | |
| Quentin Tarantino | .... | thanks | |
| Guillermo del Toro | .... | thanks | |
- Big Talk Productions
- Ingenious Film Partners (as Ingenious Film Partners 2 LLP)
- Studio Canal
- Universal Pictures
- Working Title Films
- Alliance Atlantis Motion Picture Distribution (2007) (Canada) (theatrical)
- Argentina Video Home (2007) (Argentina) (DVD)
- Bontonfilm (2007) (Czech Republic) (theatrical)
- GAGA Communications (2008) (Japan) (theatrical)
- Paramount Pictures (2007) (Australia) (theatrical)
- Paramount Pictures (2007) (New Zealand) (theatrical)
- Rogue Pictures (2007) (USA) (theatrical)
- Studio Canal (2007) (France) (theatrical)
- Tatrafilm (2007) (Slovakia) (theatrical)
- United International Pictures (UIP) (2007) (Argentina) (all media)
- United International Pictures (UIP) (2007) (Singapore) (theatrical)
- Universal Home Entertainment (2007) (UK) (DVD)
- Universal Home Entertainment (2007) (USA) (DVD)
- Universal Home Video (2008) (Brazil) (DVD)
- Universal Pictures Benelux (2008) (Netherlands) (DVD)
- Universal Pictures Finland Oy (2007) (Finland) (theatrical) (DVD)
- Universal Pictures International (UPI) (2007) (Switzerland) (theatrical)
- Universal Pictures International (UPI) (2007) (Spain) (theatrical)
- Universal Pictures International (UPI) (2007) (Netherlands) (theatrical)
- Universal Pictures (2007) (UK) (theatrical)
- Artem (special effects)
- Double Negative (digital visual effects)
- Lip Sync Post (additional digital visual effects) (as Lipsync Post)
- Machine (additional digital visual effects)
- Baseblack (additional digital visual effects)
- VooDooDog titles
- ARRI Lighting Rental lighting (as ARRI Lighting)
- ARRI Media camera equipment provided by
- ARRI Media grip equipment
- Air Lyndhurst Studios score recorded and mixed at (as Air Lyndhurst, London)
- Amazing Animals animals
- Angels costumes (as Angels The Costumiers)
- Bickers Action Enterprises tracking vehicles (as Bickers Action)
- Chromakey-Hire.Com greenscreens
- Compuhire computer and video playback
- Cutting Edge negative cutting
- Framestore CFC digital intermediate
- Gearbox Sound and Vision additional ProTools systems supplied by
- Global Music Service music preparation
- Goldcrest Post Production London post-production facility (as Goldcrest Post)
- Hackenbacker Audio Post Production sound post-