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The Birth of a Nation (1915)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
3 marzo 1915 (USA) másFrase comercial:
Mighty Spectacle másPlot:
The Civil War divides friends and destroys families, but that's nothing compared to the anarchy in the black-ruled South after the war. full summary | full synopsisPremios:
1 win másComentarios de los usuarios:
Consider--it's 90 years old! másReparto
(Descripción general del reparto)| Lillian Gish | ... | Elsie Stoneman | |
| Mae Marsh | ... | Flora Cameron | |
| Henry B. Walthall | ... | Col. Ben Cameron (as Henry Walthall) | |
| Miriam Cooper | ... | Margaret Cameron | |
| Mary Alden | ... | Lydia Brown | |
| Ralph Lewis | ... | Austin Stoneman | |
| George Siegmann | ... | Silas Lynch (as George Seigmann) | |
| Walter Long | ... | Gus | |
| Robert Harron | ... | Tod Stoneman | |
| Wallace Reid | ... | Jeff (blacksmith) (as Wallace Reed) | |
| Joseph Henabery | ... | Abraham Lincoln / 13 other bits (as Jos. Henabery) | |
| Elmer Clifton | ... | Phil Stoneman | |
| Josephine Crowell | ... | Mrs. Cameron | |
| Spottiswoode Aitken | ... | Dr. Cameron | |
| George Beranger | ... | Wade Cameron (as J.A. Beringer) |
Más detalles
También conocida como:
In the Clutches of the Ku Klux Klan (USA) (cut version)The Birth of the Nation; Or The Clansman (second copyright title)
The Clansman (USA) (Los Angeles première title)
El nacimiento de una nación (Argentina) (International: Spanish title) (Spain) [es]
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Parents Guide:
View content advisory for parentsDuración:
190 min (16 fps) | USA:125 min (video version) | USA:187 min (DVD) | Argentina:165 minPaís:
USAColor:
Negro y BlancoRelación de Aspecto:
1.33 : 1 másSonido:
SilentClasificación:
Canada:PG (Manitoba) | Argentina:Atp | South Korea:15 (2002) | UK:15 (video rating) | UK:U (original rating) | Sweden:15 | Canada:G (Quebec)Cosas divertidas
Trivialidades:
Joseph Henabery, who was one of D.W. Griffith's chief assistant directors as well as contributing research, played 13 roles in the film in addition to his main role as Abraham Lincoln. másErrores:
Anacronismos: Car tire tracks are visible in the KKK segment. másCitas:
Flora Cameron: [letter to Ben] - and you have really grown a moustache - oh my! I'm just dying, dying to see you. Well, I'm growing up too - they say I'm such a big girl now you wouldn't know me. XXXXXX Kisses Your little[crossed out]
Flora Cameron: big Sis
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As I read these comments on this most controversial film, what is coming across is a surfeit of emotion that any film rarely engenders. I wonder if any of our modern films will be able to evoke such passionate response 90 years from now and the fact is, I think not. Yes, the film is racist. Yes, the film is a watershed for cinema. And no matter what you think of it, it's still got people stirred up, ready to scream and yell and be appalled, disgusted, outraged, etc. Can there be any doubt as to its greatness if it still has such a life today? Its greatness certainly doesn't lie in its subject matter, but in the fact that this silent film can provoke such reactions in a generation weaned on computer graphic images, a generation that views the silents much as they view watching a parade of fossils drift by. I am literally stunned by the power of a piece of film to move so many so long after it came into the world. Perhaps its greatest lesson is the impact films have on us and our society and how powerful those moving images can really be. Something tells me that 90 more years will go by and this message board--if it's still here--will be still be getting impassioned opinions from those who have just seen Birth of a Nation. My word--what immortality!