Fatty and Mabel Adrift (1916) Poster

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7/10
A Keystone Classic
DKosty12324 July 2010
Warning: Spoilers
This film for it's early year, 1916, does several things which are ahead of its time. It employs septa tone in several sequences which really had not been around very long in 1916. There is one scene where it starts in black & white & Mabel blows out a candle & it turns the picture into septa tone. In 1916, that is state of the art.

This Keystone film was shot in Fort Lee, New Jersey. Mabel Normand was a nice looking 21 when this one was shot. The early production codes show as even though Fatty & Normand get married, they move into their wedding gift cottage & when they retire they go to separate beds in separate rooms, & Mabel sleeps with the dog. That is some honey moon.

There is a love triangle here with Al St John playing the jilted lover who is trying to get even with both Fatty & Mabel. The sequence involving the inside of the cottage flooded with the cottage floating in the ocean prior to Fatty & Mabel's rescue is cleverly done.

Overall a very good film with Arbuckle showing he could direct with the best of them in 1916. Unfortunately it is Fatty & Mabels last feature together as they would part ways after this movie.
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7/10
Not the funniest, but maybe the sweetest
Igenlode Wordsmith27 August 2006
Warning: Spoilers
Not many outright laughs in this amiable little film (though there's an effective gag involving a cow that turns into a horse, another that features an impossibly macho villain, and a lot of eloquent reaction from Miss Normand), but I watched most of it with a smile on my face anyway. 'Fatty' and 'Mabel' are very sweet together -- and who cares if she can't cook for toffee, or he prefers to sit up late reading the paper? :-) Admittedly Al St John, with an acting style three times as wide as anyone else on screen, appears to have fallen out of a different film altogether...

Not my own favourite among the Arbuckle shorts that I've seen, and definitely not the funniest, but he's clearly trying to do something different with this film; the standard slapstick brawls do tend to fall a bit flat in comparison, though.
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7/10
A slapstick comedy with feelings
a-cinema-history29 October 2013
Roscoe "Fatty" Arbuckle directed and acted in a number of slapstick comedies, often as in this film with Mabel Normand and his nephew Al St. John. He was during the 1910's one of the most famous cinema actor in America. His career was abruptly interrupted in 1921 when he was falsely accused of having raped and killed actress Virginia Rappe. His movies were instantly prohibited as he went through two trials with hung juries. He was eventually acquitted in a third trial and received formal excuses from the jury but his career never took off again.

This film shows his creativity in the use of gags alternating with periods of emotion. Outdoor filming in a farm and on the seaside gives authenticity to the performance of the actors. Cross-cutting, with a rapid succession of short duration shots, is particularly efficient during the last section of the film where everybody is rushing to the rescue of Fatty and Mabel, using a tandem and various boats. The villains are deliberately made caricatural and stupid.

a-cinema-history.blogspot.com/2013/10
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Well-Crafted & Very Enjoyable
Snow Leopard5 March 2004
"Fatty & Mabel Adrift" is very enjoyable, has a little bit of everything, and was also made with care and skill. It would have been a very good film even in a somewhat later era when movie-making was more refined, and for the mid-teens it is impressive. There are some short features from this era that are quite entertaining, but that were rather obviously thrown together without careful planning. Then there are other short features from the 'teens (such as those of D.W. Griffith) that are quite impressive for the time in terms of their technique and refinement, but whose content sometimes leaves you feeling distant or even cold. This is one of the rare shorts from the era that is strong in both respects.

The opening sequence is mostly just pleasant slapstick silliness in a farm setting, nothing especially creative, but enjoyable. The characters are simple, but well-defined. Then, when the couple gets to their honeymoon cottage, the rest of the film is a fine combination of humor and action. Mabel Normand is at her most charming, Roscoe Arbuckle is full of energy and good cheer, and the supporting cast pitches in too (and even the Keystone dog gets some good moments). There is a good assortment of comedy material; there are some nice, touching moments with the new couple; and then of course there is plenty of action in the later scenes. It's well-made and entertaining, and it remains just as enjoyable even after repeated viewings.
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7/10
Considered The Best Arbuckle-Mabel Comedy
springfieldrental24 June 2021
Roscoe "Fatty" Arbuckle was the second most popular film comedian behind Charlie Chaplin during the mid-1910's. Arbuckle had frequently teamed up with Mabel Normand during their early Keystone Studio days in 1913. Their January 1916 movie, "Fatty and Mabel Adrift" is considered the pair's best. "Adrift" is a departure from their usual slapstick-filled mayhem on the screen by containing a romantic angle, which boyfriend/producer Mack Sennett must have approved despite his inherent jealous demeanor.

"Adrift's" premise slots Arbuckle, a farmboy, marrying his sweetheart Mabel and spending their honeymoon in a cabin by the sea. An envious rival, played by Al St. John, who in real life was Arbuckle's nephew, makes things interesting for the newlyweds by hiring a gang to create some memorable moments.

Arbuckle hardscraple life began when his father refused to support his son at 11 years old upon the death of his mother. A velvety singing voice opened up doors for the young boy, introducing him to an early acting career in vaudeville. Touring internationally throughout the early 1900's, Arbuckle latched on to Chicago's Selig Polyscope Company in 1909 before signing on with Keystone in 1913. The over 300-pound comedian refused to be in skits involving his weight, like getting stuck in doorways, and lobbied to emphasize his physical dexteriety, of which he was super coordinated for his size.

Sennett remembers first seeing Arbuckle, that he "skipped up the stairs as lightly as Fred Astaire and without warning went into a feather light step, clapped his hands and did a backward somersault as graceful as a girl tumbler."
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10/10
A gem by two comic masters
SilntFan22 May 1999
Anyone who scorns silent comedy should see this little piece of work. It has crude slapstick and goofy rustic humor, but also charming moments of pure beauty. Roscoe Arbuckle, still unfairly maligned as a rapist, is boyishly romantic with the unbeatable Mabel Normand. Their puppy love antics warm the heart and make one despise Hollywood for cutting short these two amazing careers simply because of circumstantial evidence in two of early Hollywood's biggest scandals (Arbuckle: Virginia Rappe's death; Normand: William Desmond Taylor's death). This film, under the helm of Arbuckle and Normand, is a stark contrast to the grotesqueries of the main output of Keystone and Mack Sennett. One of the most beautiful moments I have ever seen in film is Roscoe's silhouette bending down to kiss Mabel, who is asleep in bed, their dog curled up next to her. This one is not to be missed by silent film fans.
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4/10
Okay performances, but the usual problems
Horst_In_Translation24 January 2017
Warning: Spoilers
"Fatty and Mabel Adrift" is a 34-minute live action short film from 1916, so this one is already over a century old. Wow. And as such, it is a black-and-white silent film. The title already gives away that this is one of the many works by writer and director Roscoe 'Fatty' Arbuckle and like so many other times times, he also plays the main character. He has worked with actress Mabel Normand on many occasions too and this is one of their most known collaborations. For a short film, it is a relatively long film. If you know a bit about these old films, you will know that the acting is frequently over the top and this is also the case here, but it's bearable because it is in such an entertaining way and it makes the whole thing more interesting, not just Mabel (personal favorite) and Fatty (like him too), but also Al St. John, another pretty legendary actor from the old days of film. The major problem, however, like so many other times is that there is a massive lack of intertitles and it is virtually impossible to understand the plot and what is actually going on. This is a negative deal-breaker sadly and the main reason why I give the movie a thumbs-down. Not recommended.
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10/10
Wonderful!
planktonrules20 May 2006
Warning: Spoilers
I had previously watched a pared down version of this short featuring Fatty Arbuckle and Mabel Normand in Robert Youngson's compilation film WHEN COMEDY WAS KING. Only selected excerpts from the movie were shown and a somewhat heavy-handed narration was added. I finally got to see the original unadulterated film and boy was I impressed.

This was probably about the sweetest comedy short I have ever seen--without being cloying or annoying. The scenes between Fatty and Mabel are just beautiful and charming. Plus, some may find it corny, but I loved the beginning and ending sequences with the cupid--it was just perfect.

On to the plot. Fatty works for Mabel's parents and wants to marry her. The parents have no objections and decide to buy the kids a new home--only yards from the beach. Another suitor, the obnoxious neighbor (Al St. John--Fatty's real-life nephew), is angry because he wanted Mabel. So, to get revenge, he and some rogues sabotage the home at night--pushing it out to sea! The scenes of the two of them and their furniture floating about the house was very clever. Fortunately, in the end, Fatty and Mabel are saved by their wonderful dog--who somehow is able to swim to shore with a note and run several miles to get help! In addition to being sweet and very funny, this short excels at having a strong plot and excellent acting. Too bad both Mabel and Fatty had such disastrous and short personal lives outside pictures--what a waste.
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One of Keystone's Best
Michael_Elliott18 September 2012
Fatty and Mabel Adrift (1916)

*** 1/2 (out of 4)

One of Keystone's best films has Roscoe 'Fatty' Arbuckle and Mabel Normand playing kids from the farm who fall in love and decide to get married even though it drives a rival (Al St. John) mad. Her parents buy them a house right on the ocean but to get even with them the rival hires some men to push the house into the ocean one night. The next morning the couple wakes up floating in the ocean. FATTY AND MABEL ADRIFT is somewhat of a masterpiece for the company. I say that because I find a lot of their two reelers to be way too long and short on actual material but this thing here clocks in at 34-minutes and it goes by so quickly and without a problem that it's clear the studio put a little extra into it. There's no question that Fatty and Mabel were their two biggest stars and that's why they appeared in many films together. This one here works on so many levels but the one thing running throughout is the wonderful chemistry of the two actors. This is so obvious in the scenes on the farm as they flirt with one another and just play around. It really does seem like the two are very legit in their feelings. The chemistry is top-notch from start to finish but I thought the two of them were also perfect in their comic timing. Al St. John is a real blast as the nutty maniac who wanted Mabel for himself. The stunts involving the house in the ocean are actually pretty good and I'd also add that we get some pretty funny stuff in this sequence. Fans of Keystone or the stars will certainly enjoy this one as it's clearly one of the best they ever delivered.
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10/10
Roscoe and Mabel in Love
jayraskin110 January 2018
This is a wonderfully sweet and romantic movie. Mabel and Fatty speak slapstick fluently and poetically here. Al St. John and Teddy are great in it too. Does anybody know who did the cinematography? It is beautiful.

The scene of Roscoe's shadow kissing Mable goodnight is still incredibly beautiful after more than 100 years.

This is another movie where Mabel Normand gets to run around in her pajamas. It was risque for the day. It was the equivalent of a nude scene today. She also did it in 1914 in her first film with Charlie Chaplin - "Mable's Strange Predicament."

This should be included in all retrospectives of the best works of both Mabel Normand and Roscoe Arbuckle.

Watching it again, I noticed the actor Wayland Trask. I didn't know who he was and he was hilarious as the gang mob boss. I wondered why he hadn't gone on to be a known silent film comedian.

I looked him up on IMDB. It turns out that he died in an auto accident, the following year that this movie was released. He only had a four year career doing shorts. He appeared in 48 of them, most of them with Charles Murray and Louise Fazenda, and a few more with Al Saint John. He did get co-star billing with Murray in three or four films. He was talented and may have become a star if not for the accident.
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9/10
Luke the Dog saves the day
Maniac_In_Black18 March 2020
I've decided to dedicate my first review to this short silent as it seems to be long forgotten and underappreciated. While watching this short, I felt as I was watching a long lost silent classic. This film has managed to remain fresh and could easily have been made today without need for any changes. Easily one of Keystones greatest films.

Highly recommend for anyone, especially lovers of early cinema.
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9/10
Love in a Malibu cottage
ducatic-8229017 December 2016
This film must rate as one of the best in the Fatty and Mabel series. Fatty Arbuckle plays his usual overgrown clumsy self and Mabel N is – well – Mabel. Connoisseurs of Mabel will note that Miss Keystone is particularly alluring in this picture, in which she sports especially long banana curls. Al St. John provides the villainy and much of the comedy in his own zany style.

Fatty and Mabel are again country kids living an idyllic life down on the farm, with Mabel's parents, Mai Wells and Frank Hays. Idealism is catered for by the numerous domestic animals around the place – a Keystone staple. Al enters the film as the neighbor's son, eager to have Mabel's hand in marriage. It appears, though, that the sweet girl is betrothed to Fatty, and Mabel's parents send the stupid lad off with a series of oaths echoing in his ears. Al is livid and tearful, but hangs around the farmyard until he accidentally receives a bucket of milk over his head, thrown by Fatty. Fatty makes off, and helps a car driver with a flat tire by lifting the vehicle with his bare hands and blowing a new tire up by mouth. The next scene sees Al tormenting the Mabel by eating a peach, and the scene stands as a testament to Mabel's ability to seamlessly change expression – it is almost poetic. Al chivalrously gives Mabel the peach stone, but Mabel quickly snatches Al's second peach and wolfs it down, whereupon Al tries to throttle her. Fatty returns and there is trouble, which terminates with Al running down the road, a pitchfork in his backside, and Fatty's dog (Luke) on his tail.

In the meantime, Mabel's parents have bought the loving couple a house, and a wedding takes place. Fatty is a sight to behold in a dated frock coat from which he is threatening to burst out. It was reported that Mabel was injured by a flying shoe during this wedding scene – some people say the Queen of Keystone was 'crowned' with a vase by a love- rival, others say none of this ever happened. Fatty and Mabel's new cottage is at Castle Rock Beach, Malibu and Fatty and Mabel seem blissfully happy in their new abode. While Fatty, with dog perched on a rock,is fishing, Mabel busies herself making biscuits, which turn out to be rock hard, and smash plates when dropped on them. Our newly- wed is somewhat shocked, but, being a scatterbrain, resorts to smiling in the inimitable Mabel way, and preparing the meal. The next scene sees Mabel outside, calling Roscoe. A bit of unusual photography provides atmosphere in the form of the setting sun reflected in the cottage window. The setting sun over the sea also forms the background for Roscoe's fishing escapades, during which he apparently hooks a shark, and is sent, along with his dog, scurrying and falling around the beach.

Inside the house the dog gets to the table first and starts to drink the milk from a jug. However, things liven up when Roscoe tries to cut one of the biscuits. Mabel pretends she knows nothing of the rock- like biscuits, but after a series of comical performances by Roscoe, including tapping one with a tuning fork (actually a knife), Mabel breaks down in tears. There are some touching scenes set around Mabel going to bed, but the pair is later roused by a tremendous storm, accompanied with equally tremendous photography. In the middle of the night, however, Al and some villainous acquaintances knock the house from its flimsy foundations and set it to sea. The couple awake to find themselves floating in their beds. Panic ensues, and Luke appears to bite Roscoe's nose. However, Roscoe gets himself together, and ties a 'Help' note to the dog, and sends it to shore. The note reads: 'At sea – Aboard cottage – Sinking – Help! Fatty'.The Keystoners are saved!

Some people today might be surprised that, although Fatty and Mabel are married, they do not share a bed, or even a bedroom – Mabel sleeps with the dog. In fact, Mabel never did 'bed' anybody on-screen, and possibly two in a bed was one too many for Edwardian audiences. Of course, Sennett was a shrewd dude, and ensured that Mabel, despite her flirtations, always appeared 'available' to her male fans.

Luke the dog drinks from a milk jug, and Fatty and Mabel drink from a dirty bucket, this could be yet another Keystone bid to offend, as in Mabel's Busy Day in which Mabel licks her fingers and wipes her nose with her hand while serving hot dogs. On the other hand, 'Adrift' is noted for its touching love scenes, but notice that the kisses are not in the true Hollywood style, and could be termed 'off-centre' pecks (applies also to other Mabel kisses with Chaplin and co). See Simon Louvish's book 'Keystone' for an explanation of this oddity, and why Mabel was deemed to be 'unusually pure'.

In a 1915 photograph of Sennett, Adam Kessell and Mabel standing in the Keystone lot during reconstruction, Mabel's hair looks unkempt / wet, and her dress possibly damp. Could it be, considering 'Adrift' was made around this time, that Mabel had been plucked from the sinking house scene, thrust into a dress, and hustled off to a photo opportunity with Keystone's chief executive.

The Arbuckles had a house at Venice, just down the coast from this cottage– cheaper than Hollywood or Edendale in those days.Mabel used to visit regularly and it was said that Roscoe and Mabel swam with a dolphin here. However, it seems Fatty got fed up with this after a while – Mabel was Minta's friend, not his. A house near Castle Rock beach today will cost at least $2.5 million, but the main rock has long gone.
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