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Golem, wie er in die Welt kam, Der (1920)
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Overview
Release Date:
19 junio 1921 (USA) másFrase comercial:
The 1920 Horror Masterpiece.Plot:
In 16th-century Prague, a Jewish rabbi creates a giant creature from clay, called the Golem, and using sorcery... más | add synopsisComentarios de los usuarios:
A Gothic Classic másCast
(Complete credited cast) | Paul Wegener | ... | Der Golem / The Golem |
| Albert Steinrück | ... | Der Rabbi Löw / Rabbi Loew |
| Lyda Salmonova | ... | Miriam, des Rabbi Tochter |
| Ernst Deutsch | ... | Der Rabbi Famulus |
| Hans Stürm | ... | Der Rabbi Jehuda, der Älteste der Gemeinde (as Hanns Sturm) |
| Max Kronert | ... | Der Tempeldiener / Temple Servant |
| Otto Gebühr | ... | Der Kaiser / Emperor Luhois |
| Dore Paetzold | ... | Des Kaisers Kebse |
| Lothar Müthel | ... | Der Junker Florian / Knight Florian |
| Greta Schröder | ... | Ein Mägdelein mit der Rose / Little Girl with Rose |
| Loni Nest | ... | Ein kleines Mädchen / Little Girl |
Additional Details
También conocida como:
The Golem (USA)The Golem: How He Came Into the World (USA)
Golem, El (Spain) [es]
más
Parents Guide:
Add content advisory for parentsDuración:
Germany:85 min (20 fps) | USA:91 minPaís:
GermanyColor:
Black and WhiteAspect Ratio:
1.33 : 1 másSonido:
SilentFilming Locations:
Berliner Union-Film Studio, Tempelhof, Berlin, GermanyMOVIEmeter: 
6% since last week
why?
Cosas divertidas
Goofs:
Continuity: The golem's position relative to the beam when pulling the chain to stoke the fire. máspreguntas frecuentes
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb Germany section | Add this title to MyMovies |
When I see these old attempts at what amounted to a horror film back then, before my time and I'm an old duffer, I'm always struck at the marvelous Gothic quality wrought by the twisted buildings, the gnarled stairways, the open balconies and the weird angles of things such as doorways, arches, street, bridges and the like. The monstrosities are stark, hardly terrifying by today's CGIs and often terrifying their victims in an almost comical, stylized way. This marvelous film together with Nosferatu and The Cabinet of Dr. Caligari are marvelous pieces of art. There is an ageless quality to them that transcends the hoary and often corny plots and acting. Each must be taken as a whole because that product is always greater than the sum of their parts. Compare the magical Indian Love Call of Nelson Eddy and Jeanette MacDonald, two rather mainstream singers whose voices blend into something greater than either of their individual talents. So too it is, I contend, with these old Gothic classics. Horror? Hardly. But, their starkness and darkness with its twisted surroundings are still eerie and provoking.