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The Phantom of the Opera (1925)
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Overview
Release Date:
15 noviembre 1925 (USA) másFrase comercial:
The greatest horror film of modern cinema! másPlot:
A mad, disfigured composer seeks love with a lovely young opera singer. full summary | add synopsisAwards:
1 win másComentarios de los usuarios:
Amazing másCast
(Complete credited cast)| Lon Chaney | ... | Erik, The Phantom | |
| Mary Philbin | ... | Christine Daae | |
| Norman Kerry | ... | Vicomte Raoul de Chagny | |
| Arthur Edmund Carewe | ... | Ledoux | |
| Gibson Gowland | ... | Simon Buquet | |
| John St. Polis | ... | Comte Philip de Chagny (as John Sainpolis) | |
| Snitz Edwards | ... | Florine Papillon | |
| Mary Fabian | ... | Carlotta (1929 re-edited version only) | |
| Virginia Pearson | ... | Carlotta / Carlotta's mother (1929 re-edited version) |
Additional Details
Parents Guide:
Add content advisory for parentsDuración:
93 min | Canada:106 min (Ontario) | USA:107 min (DVD version) | 95 min (1929 re-release) | UK:101 min (original release) | USA:92 min (1995 version)País:
USAAspect Ratio:
1.33 : 1 másMOVIEmeter: 
Cosas divertidas
Trivialidades:
The print restored by the Kino company is a 1929 re-release version that was re-edited, eliminating some scenes and inserting new material shot after the 1925 version was finished. These included a sound sequence with opera star Mary Fabian singing in the role of Carlotta. In the re-edited version, Virginia Pearson, who played Carlotta in the silent 1925 version, is credited and referred to as "Carlotta's Mother" instead. másGoofs:
Crew or equipment visible: 1929 cut: A shadow can be seen passing in front of the backlighting of the door to Christine's room in the Phantom's lair just as the unmasking scene ends. máspreguntas frecuentes
How much of the film was presented in color?How did Lon Chaney create such a startling make-up effect?
How were some of the make-up effects done?
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| The Phantom of the Opera | The Phantom of the Opera | Phantom of the Opera | The Phantom of the Opera | Fantasma dell'opera, Il |
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Related Links
| Full cast and crew | Company credits | External reviews |
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Turner Classic Movies owns a restored copy of this film, which I saw from beginning to end for the first time last night. Thanks Ted!
For an 80 year old film, I was honestly swept away by the strengths of this production. OK, once you get past some of the hammy acting, remembering that it was completely de reguer for the time, you get caught up in it.
It has a very steady editing pace, which carries you along in the story, and so there are few, if any, slow points. The plotting and narrative are clear, there are no ' what did he say/mean' moments. The characters are pretty well filled out (there are a few exceptions, most notable the character of the boyfriend/hero) and so the plot wraps around you easily and enjoyably. The production values are amazingly high in this film, the recreation of the Opera (the grand staircase, the auditorium and the stage) the underground (the Phantom's lair, the underground river, the chambers and sub-chambers) and the exteriors were all created in Hollywood full scale. Unlike now, when we would have gotten some truly terrible CGI trash, when that chandelier drops from ceiling it's a real chandelier, it's a real ceiling and its really COOL!
Cant leave out the amazing secret that few if any talk about, but did you know that not only are certain scenes single color tinted, but there is an amazing 2 strip Technicolor sequence, the Masked Ball, that takes place on the grand staircase. Further, there is an stunning sequence that takes place on the roof of the Opera, the Phantom lurking on the parapet, his 'Red Death' costume from the ball billowing behind him in the wind while he stalks the heroine.
If you are expecting buckets of blood and Spiderman-like effects, this isn't the film for you. If you are looking for a fun film with romance, adventure and thrills in it, if you have an appreciation for classic film making, or just want a film you can watch with the kids, this one has a lot to offer.