| Betty Francisco | ... | Helen Taylor | |
| Eddie Phillips | ... | Frank Wallace | |
| Jim Mason | ... | Walt Mingin (as James Mason) | |
| Frank Foster Davis | ... | Joe Deering | |
| Irene Hunt | ... | Mrs. Deering | |
| Rhody Hathaway | ... | John Wallace | |
| White Fawn the Dog | ... | White Fawn | |
| Thunder the Dog | ... | Thunder |
Dirigida por | |||
| Henry McCarty | (as Henry McCarthy) | ||
Créditos del guión(in alphabetical order) | ||
| Frank Foster Davis | story | |
| James J. Tynan | adaptation | |
Fotografía por | |||
| Ray June | |||
Montaje por | |||
| Irene Morra | |||
Dirección de producción | |||
| Glenn Belt | .... | production manager | |
Otros miembros del equipo | |||
| Renaud Hoffman | .... | supervisor | |
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| The Silent Avenger | His Master's Voice | Black Lightning | The Law's Lash | The Return of Rin Tin Tin |
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| Full cast and crew | Company credits | IMDb USA section |
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With the success of Rin-Tin-Tin over at Warner Brothers, a bunch of other producers tried to get into the Dog Star act: after all, when your lead actor will work for Kibble, how much do you need to pay the others? While this is a reasonably entertaining example of the genre -- Thunder the Dog falls out of the truck on his way to his new owner and becomes King of the Forest, until he is united with .... well, it doesn't matter too much -- the primary interest for me is the excellent Ray June photography of this movie, particularly the long shots of the forest, which are quite lovely. Also of interest is the way he irises down several two-shots among the two-legged actors, using a combination of masking, fish-eyed lens and foliage. If this one is worth looking at, it is because of June's camera-work.