Jungle Mystery (1932) Poster

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3/10
Not much of a mystery, or a jungle
Reiher8 September 2016
Warning: Spoilers
Even by the standards of 1930s serials, this one is not too hot. The basic plot is a party of Americans searching East Africa for the heroine's lost brother, who in turn was searching for a legendary buried cache of ivory. A Russian trying to establish an empire in the jungle also wants the ivory, as do an unscrupulous adventuress and a treacherous Greek. There's also a man-ape named Zungu running around, who is officially the Jungle Mystery of the title.

The serial is heavy on stock footage of animals (some not native to Africa), often used in rather foolish ways. Whenever a character sets foot in even a puddle, we get a stock shots of crocodiles sliding into the water. However, almost never is this followed by any actual crocodicular menace to anyone. It's kind of like a punctuation mark, not an actual plot element.

Based on a Talbot Mundy novel, the screenwriters ran out of invention rather quickly, and the serial degenerates into a series of captures of some subset of the heroes by the Russian villain and their escape from him, interspersed with fights with one or another jungle creature, frequently lions or leopards, occasionally a guy in a gorilla suit. When seen one episode a week, this might have passed muster, but viewed close together, the episodes get dull fairly quickly. Zungu the "jungle mystery" is never really treated as an important plot element, and is just used as a mechanism to extract heroes from serials' typical certain dooms.

The character writing is also weak, with muddled motivations and behaviors. The treacherous Greek is at least given unique dialog, but it's also repetitive. He peppers his dialog frequently with phrases like "By the seven seas!" and "Gosh-a-rimini!", which wears on the ear. The poor guy playing Zungu, the titular mystery, unfortunately chose a shriek that sounds like he is suffering from extreme indigestion. He repeats it often. Very often.

The acting is also quite weak. Tom Tyler, the hero, is wooden. Philo McCullough, playing the treacherous George Coutlass, is ridiculous. Cecilia Parker, the heroine, is stuck with particularly foolish lines and actions (such as repeatedly wandering off into the jungle alone, where she is invariably attacked by some animal), and fails to carry them off. Noah Beery Jr. has a rather pointless role as the hero's sidekick. Frank Lackteen, a fourth string character actor who frequently appeared in parts too small to be billed, gives a perfectly adequate performance as the faithful guide, lifting him head and shoulders over the rest of the cast.

Of course, being a 1930s product set in Africa, it's not politically correct. It could be worse, but the black characters are almost all set decoration, and there is no sense that these people who have lived in the jungle for centuries know what they're doing there, much less that they have their own culture worthy of respect.

I don't ordinarily enjoy films based on laughing at their inadequacies, but I made an exception here. There is a certain entertainment value, despite all of the weaknesses I've outlined, some coming from particularly silly moments in the serial. But don't watch it expecting the quality of even one of the lesser Tarzan films.
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2/10
There's one copy out there somewhere!
nagaijin9810 May 2008
Although various sources claim that this serial is "lost", I clearly remember watching all 12 episodes on Sunday morning television, c. 1981, on the Halifax, Nova Scotia, affiliate of CBC. The serials they showed might have belonged to a local collector, so there might be a copy out there somewhere. Even as a kid, I realized that it was a pretty creaky story and the portrayal of black Africans was pathetic even by 1930s standards. What also stuck in my head at the time was that the young hot-headed nephew (?) in the story was Noah Beery,Jr, who, c. 1981, was still popular as Jim Rockford's father in the Rockford Files.
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7/10
Colonial Africa--and if that isn't enough, Hollywood adds a missing link
briantaves3 February 2006
Warning: Spoilers
As M-G-M's TRADER HORN (1931), the first major sound film made on location in Africa, became a hit, studios quickly followed it up with other jungle adventures from best-selling books. These ranged from fictional features like M-G-M's TARZAN THE APE MAN, to such documentaries as Frank Buck's BRING 'EM BACK ALIVE for RKO.

Others considered included Talbot Mundy's The Ivory Trail, a panorama of the Africa he saw first-hand from 1904-1908, in particular Germany's exploitation of its colonies and brutal mistreatment of native peoples. Mundy had fled the strait-laced Victorian upbringing of his native England at age 16, in 1895. In addition to Africa, he crossed the entire northern frontier of India, toward Tibet, and traveled the Middle East in the wake of World War I. His colonial odyssey led to divergent convictions from the imperialism and racism of other writers of his time such as Rudyard Kipling or Sax Rohmer; Mundy challenged assumptions of Western cultural superiority.

Universal bought rights to The Ivory Trail on March 3, 1932, but retitled it THE JUNGLE MYSTERY, with screenwriters Ella O'Neil, George Plympton, Basil Dickey and George Morgan transforming it into a serial of twelve episodes lasting about 20 minutes apiece. Serials were not only considered inherently more juvenile but were made on a lower budget, averaging $125,000 or less at Universal. After barely two months of preparation, the picture went into production in May, 1932, directed by Ray Taylor, with Henry MacRae supervising. The production was quickly completed, with the first chapter going into release on August 5. THE JUNGLE MYSTERY was subsequently released in 1935 as a feature; it is one of the very few sound serials which does not survive in any form today.

The cast included Tom Tyler and Noah Beery, Jr. as Mundy's heroes Monty (here Kirk Montgomery) and Fred Oakes, with Frank Lackteen as their servant Kazimoto. Philo McCullough, Carmelita Geraghty, and James A. Marcus were Mundy's villains, George Coutlass (played with a heavy accent and makeup), Lady Isobel Saffren Waldon (here renamed Belle Waldron), and Schillingschen (rechristened Boris Shillov), respectively. New characters included Cecilia Parker as Barbara Morgan, William Desmond as her father John, Peggy Watts as Azu, and Anders VanHaden as Krotsky, Shillov's guard. Sam Baker was Zungu.

Updated to the present, the nationality of the characters is changed from British to Americans. Monty and Fred fly in quest of big game, but crash their airplane in Africa. Monty and Fred encounter a strange, half human creature, Zungu.

Back in Zanzibar to refit their hunting and exploring expedition, Barbara Morgan induces Monty, a former suitor, along with Fred, to join her father in searching for her missing brother, Jack. Prompted by Belle Waldron, a dangerous adventuress and Shillov's agent, the "burly ruffian" Coutlass tries to become the guide for the Morgan-Montgomery expedition.

Because of the well-known interest of Monty and Oakes in Tippoo Tib's ivory and disbelieving their ostensible purpose, Waldron abducts Barbara. Trying to rescue her, Fred and Kirk fall into a pool of man-eating sharks. So ends the first episode, "Into the Dark Continent," and the serial continues in this fashion in the subsequent chapters, "The Ivory Trail," "The Death Stream," "Poisoned Fangs," "The Mystery Cavern," "Daylight Doom," "The Jaws of Death," "Trapped by the Enemy," "The Jungle Terror," "Ambushed," "The Lion's Fury," and "Buried Treasure." The Montgomery-Morgan party are led toward Nairobi by Monty's old guide, Kazimoto. The German imperialists of The Ivory Trail are conveniently altered in THE JUNGLE MYSTERY to Russians, always reliable empire villains. The Prussian-mannered Shillov wants the ivory to finance a Russian colony in Central Africa, just as Schillingschen had for Germany in the novel. By contrast, Monty and Oakes have a legitimate desire for the ivory, sanctioned by the government, and unlike the Russians do not abuse the tribesmen. When Jack is finally located, he is able to lead his friends to the ivory, while Monty has won Barbara's love.

Although retaining much of the plot of The Ivory Trail, THE JUNGLE MYSTERY, from its very choice of title onwards, utilized the conventions of serial structure. While the narrative still concerns Mundy's hunt for the legendary ivory cache of Tippoo Tib, THE JUNGLE MYSTERY added to the motivations and number of characters found in the original. These include the romantic subplot and a search for a missing fortune hunter, while the standard plot device of a woman imperiled allowed her safety to be threatened at every turn by man and beast. There are many fights, and supporting characters and indigenous people constantly shift sides, with much treachery on the part of Waldon and Coutlass--which had been a motif of the novel as well. Nearly every chapter of the serial contains an encounter with a dangerous animal, providing many of the necessary cliffhangers to end each episode with the heroes in a life-threatening situation.

The justification for the title is the total creation of the filmmakers, one typical of serials, that allowed them to offer audiences a creature never seen before. The jungle mystery is not a whodunit but an individual, "Zungu," defined only as "half-man, half-ape," who appears at necessary moments to save the heroes and obstruct the villains. Giant apes, usually of murderous intent, were a regular motif of serials and films of the time, and were an attempt to deal with the popularized ideas of human evolution and apparent "missing links." Zungu's species or motivation goes unexplained, rather than rationalized as a rare monster in the manner of the best-known such example, KING KONG, filmed only a year after THE JUNGLE MYSTERY.

Five years after THE JUNGLE MYSTERY, Mundy would make The Ivory Trail the basis for one of his own sequences as writer for the radio serial JACK ARMSTRONG–THE ALL American BOY, offering his own approach to adapting the novel to another medium.
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