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The Black Cat (1934)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
7 mayo 1934 (USA) másFrase comercial:
Things you never said before or even dreamed of!Plot:
American honeymooners in Hungary are trapped in the home of a Satan- worshiping priest when the bride is taken there for medical help following a road accident. full summary | add synopsisComentarios de los usuarios:
"The Black Cat", for all its flaws, is one of the most unique horror films ever made másReparto
(Reparto completo)| Boris Karloff | ... | Hjalmar Poelzig (as Karloff) | |
| Bela Lugosi | ... | Dr. Vitus Werdegast | |
| David Manners | ... | Peter Alison | |
| Julie Bishop | ... | Joan Alison (as Jacqueline Wells) | |
| Egon Brecher | ... | The Majordomo | |
| Harry Cording | ... | Thamal, Werdegast's Servant | |
| Lucille Lund | ... | Karen Werdegast Poelzig | |
| Henry Armetta | ... | Police Sergeant | |
| Albert Conti | ... | Police Lieutenant |
Más detalles
También conocida como:
The House of Doom (UK)The Vanishing Body (USA) (reissue title)
El gato negro (Venezuela) [es]
Satanás (Spain) [es]
más
Parents Guide:
View content advisory for parentsDuración:
65 minPaís:
USAIdioma:
InglésColor:
Negro y BlancoRelación de Aspecto:
1.37 : 1 másSonido:
Mono (Western Electric Noiseless Recording)Clasificación:
Finland:K-16 (1987) | UK:15 | Australia:PG | Finland:(Banned) (1936) | USA:Approved (PCA #4601) (11 August 1938 for re-release)Locaciones de Filmación:
Universal Studios - 100 Universal City Plaza, Universal City, California, USACosas divertidas
Trivialidades:
Director Edgar G. Ulmer, when writing this film, loosely based the villain Hjalmar Poelzig, played by Boris Karloff, on director Fritz Lang. Ulmer knew Lang from the German-Austrian film scene and, though he was a huge admirer of Lang's films, felt Lang to be a sadist as a director. másErrores:
Errores que Revelan: One of the women in Poelzig's glass coffins visibly moves while he is admiring her. másBanda de Sonido:
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"The Black Cat", for all its flaws, is one of the most unique horror films ever made. Its certainly the most bizarre horror film of the 30s outside of the legendary "Freaks". Plus, it unites two of the greatest genre icons of all time, Boris Karloff and Bela Lugosi. Its also one of the few occasions that Edgar G. Ulmer was able to show how talented a filmmaker he was. He only created one other notable film, the absolute masterpiece "Detour" which is possibly the greatest b-film ever made.
The main reason why the film works so well are the performances of both Karloff and Lugosi. Karloff plays one of his most deliciously evil yet charming and sophisticated characters yet. The man exudes tension whenever he appears on camera. Even better surprisingly is Lugosi. Lugosi was sometimes criticized as having charisma but no real acting skill. He is actually superb in his role as a tragic hero. This makes me wish he was given more parts such as this instead of the grade-c schlock he was confined to late on. Both of the stars have marvelous interplay, especially the chess scene. They more than make up for the sappy performances by David Manners and Julie Bishop.
In addition to the performances, Ulmer must be given a lot of credit. His direction and story are both bizarre and throughly captivating. Also, the set design is quite surreal, coming across as art deco gone horribly wrong. Its not a perfect film, but is one of the most memorable horror films of the 30s. (7/10)