Mary of Scotland (1936)

Calificación de los usuarios:

6.5/10   

Director:

John Ford

Escritores:

Dudley Nichols (screenplay)
Maxwell Anderson (play)

Fecha de Lanzamiento:

28 agosto 1936 (USA)

Género:

Biografía | Drama | Historia | Romance

Frase comercial:

One of the greatest love stories of all time... brought to the screen in throbbing glory by a wonderful cast of stars!

Plot:

The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.

Plot Keywords:

Scotland | England | Queen | Throne | Escape

Premios:

1 win

Comentarios de los usuarios:

Majestic Hepburn Takes The Throne

Reparto

Katharine Hepburn	...	Mary Stuart
Fredric March	...	Bothwell
Florence Eldridge	...	Elizabeth Tudor
Douglas Walton	...	Darnley
John Carradine	...	Rizzio
Robert Barrat	...	Morton
Gavin Muir	...	Leicester
Ian Keith	...	Moray
Moroni Olsen	...	John Knox
William Stack	...	Ruthven
Ralph Forbes	...	Randolph
Alan Mowbray	...	Throckmorton
Frieda Inescort	...	Mary Beaton
Donald Crisp	...	Huntly
David Torrence	...	Lindsay

También conocida como:

Mary, Queen of Scotland (USA) (working title)
María Estuardo (Spain) [es]
María Estuardo, reina de Escocia (Argentina) [es]

Duración:

123 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Victor System)

Clasificación:

Australia:G | Finland:K-16 | USA:Approved (PCA #2052) | Argentina:13

Compañía:

RKO Radio Pictures

Trivialidades:

Katharine Hepburn wanted George Cukor as director, but after the failure of Sylvia Scarlett (1935), producer Pandro S. Berman refused to let them work together again.

Errores:

Continuidad: When the messenger brings Moray the news of Mary, the lighting changes markedly from the close-up to the master shot.

Citas:

Moray: I have only followed my conscience.
Mary, Queen of Scots: I hope you have one.

Conexiones de Película:

Apareció en The Costume Designer (1950)

Majestic Hepburn Takes The Throne

MARY OF SCOTLAND, caught up in intrigues over which she has no control, finds herself at the mercy of powerful forces that wish her ill.

John Ford crafted this meticulous, thoughtful study into the life of the Scottish Queen and the trials & tribulations which buffeted her. With a complicated plot and a very large cast, the film presupposes a certain amount of intelligence on the part of its viewers, as well as an interest in the history of Great Britain. The film is not easy to watch - this is, after all, an historical drama, not a musical comedy - but the viewer's attention should be paid off in the end. Very fine production values also help greatly in the movie's appreciation.

Katharine Hepburn is luminous & regal in the title role. Continuing in the tradition of formidable actresses of the 1930's who played queens on the screen (Colbert, Garbo, Dietrich, Shearer, Robson, Davis) Hepburn gives a strong portrayal of the stubborn, independently minded Scottish monarch. Kate makes the viewer at once feel an engaging interest in this poor lady, so beset by ‘the slings & arrows of outrageous fortune.' Wisely not speaking in a brogue - the real Mary probably didn't either - Hepburn uses her remarkable face & voice to make this long-dead historical figure come alive.

As the Earl of Bothwell, Mary's 3rd husband, Fredric March provides a sturdy hero worth cheering. Here is a man willing to confront any danger for the sake of the woman he loves. If the real Bothwell was perhaps not quite so noble, no matter. March breathes vibrant, pulsing life into the character and embodies him with real strengths & virtues.

A large & exceptional cast give fine support to the principals. Some deserve special mention:

John Carradine as Mary's tragic Italian secretary, Rizzio; Douglas Walton as Lord Darnley, Mary's repugnant 2nd husband; Ian Keith as her unscrupulous half-brother, the Lord Moray. Florence Eldridge stands out in her portrayal of the conflicted Queen Elizabeth.

Moroni Olsen as a fiery John Knox; Donald Crisp as a loyal old laird; Ralph Forbes & Alan Mowbray as Elizabeth's ambassadors; and dear old Mary Gordon as a baby nurse - all have their brief moments to shine.

Lionel Belmore & Doris Lloyd (with an unbilled Bobs Watson as their son) play poor fisher folk who give Mary much needed succor. Ivan Simpson & Nigel de Brulier play two of the wicked English judges who condemn Mary to death.

But it is Hepburn the viewer remembers longest. Her shining eyes & majestic mien remain in the mind for a very long time

***********************

The circumstances surrounding the murder of David Rizzio are so well documented that it is somewhat surprising that Ford did not stick more scrupulously to the facts. Darnley and his fellow conspirators entered the Queen's apartments via a private, narrow staircase, hidden in the wall, which communicated directly with Mary's rooms. There is no indication that her bodyguard troops were slain as well, as the film depicts.

The script is at pains to keep the Earl of Bothwell a noble hero and uninvolved in Darnley's murder. However, there's little doubt of Bothwell's guilt in the affair. Darnley was not killed outright by the massive explosion - rather he was found, terribly hurt but still alive, lying in a nearby field. He was quickly strangled.

The movie does not make clear that it was in Denmark where Bothwell died in prison in 1578. Mary had divorced him in 1570.

Unlike the relatively short time depicted in the film, Mary was actually a captive of Elizabeth for 19 years, outliving Bothwell by nine years. Elizabeth & Mary never met - it makes good film drama, but it didn't happen.