Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen. Written by
The scene in which Deeds meets several famous writers and columnists at a New York restaurant, and finds them to be witty but also sarcastic and rude, is a reference to the Algonquin Round Table, with the character Bill Morrow being loosely based on Alexander Woollcott. See more »
When Longfellow Deeds is preparing for his "engagement" lunch, he has a pipe in his hands or mouth throughout (sliding down the banister, discussing the utensils, flowers, etc.). But after he "practices" the seating with the butler, he gets up and leaves and the pipe has disappeared. See more »
Thank you Library of Congress for restoring this wonderful film. Initially, I expected this Frank Capra flick to overwhelm me with sentimentality and false, overly contrived setups. Well, yes and yes with two huge buts: Gary Cooper and Jean Arthur. The acting is so good, so right in tone, humor, pace -- it makes everything believable (even the silly court scene at the end). It's a feel-good movie that still has a bitter-sweet message. Jean Arthur's acting is beyond anything I've recently seen -- every emotion is perfectly telegraphed with just the right intonation. Gary Cooper (who was nominated for best actor) sprinkles his complex role with the necessary amount of macho pixie dust. Highly recommended. Can't wait to see Mr. Smith goes to Washington.
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