IMDb RATING
6.3/10
1.3K
YOUR RATING
A lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.
Mary Philips
- Maria
- (as Mary Phillips)
Rafael Alcayde
- Hotel Clerk
- (uncredited)
Nino Bellini
- Cosmos Club Waiter
- (uncredited)
Agostino Borgato
- Cordellera Bar Waiter
- (uncredited)
Adriana Caselotti
- First Peasant Girl
- (uncredited)
Robert Cauterio
- Hotel Clerk
- (uncredited)
Irene Coleman
- Cosmos Club Hat Check Girl
- (uncredited)
Gino Corrado
- Cosmos Club Croupier
- (uncredited)
Storyline
Did you know
- TriviaDuring filming, an electrician fell from the catwalk high above the set, narrowly missing the film's star, Joan Crawford. Shooting was temporarily halted while the man was rushed to hospital. Crawford refused to resume production until she was assured that the man would be fully cared for, that he would remain on salary, and that his family would be provided for. Crawford also called the hospital each day afterwards for reports on his condition.
- Quotes
Anni Pavlovitch: I want you to marry her, and I want my love to haunt you...to make you lie awake at night, to burn your heart, to make you sick with pain! I want you to think of me and to ache for me. I want never to see you again!
- Crazy creditsDuring the opening credits, a music box is shown playing a tune in the background.
- ConnectionsFeatured in The Romance of Celluloid (1937)
- SoundtracksWho Wants Love?
(1937)
Music by Franz Waxman
Lyrics by Gus Kahn
Sung by Joan Crawford (uncredited) at the Cordellera Bar
Played throughout as part of the score
Featured review
Cinderella With The Clock Ticking
The Bride Wore Red is based on an unpublished Ferenc Molnar play which he probably couldn't get anyone on Broadway interested in. So for a reduced rate he sold the property to MGM which gave it the usual lavish MGM treatment.
American accents which bothered some other reviewers didn't bother me. Sometimes they stand out, sometimes they don't. In this case Joan Crawford was cast in a role she played dozens of times before as the poor girl given a chance at riches and does she grab.
This variation on the Pygmalion theme starts in a café in Trieste where Crawford sings and presumably will do other things for her supper. It's in the red light district of Trieste. Count George Zucco hires her on a whim to prove that clothes and manner do make the individual. Zucco showers Crawford with a new wardrobe giving her the chance to show off those Adrian gowns and gives her two weeks at a resort in the Tyrol where the high society pleasures itself.
To make this last though Crawford has to land a husband and she lands on Robert Young. But he's slightly engaged to Lynne Carver, a sweet young thing. They're traveling with friends Reginald Owen who is a foxy old rogue and married to Billie Burke who has to watch the fox like a hawk.
The local postman Franchot Tone is interested in her, but Crawford figures to do better than him. Her only friend is a former café colleague in Mary Phillips who is working as a maid in that hotel. Though the experiment is Pygmalion like, Crawford feels more like Cinderella with the clock inevitably ticking towards midnight.
I think you can probably figure out where this all ends if you're any kind of film fan and Crawford fan. Dorothy Arzner's direction sharpens the character that Crawford created in Grand Hotel as an anxious to rise stenographer taking her couple of steps lower in society and seeing if she can make the climb.
Franchot Tone who was married to Joan Crawford at the time got a break of sorts in this film. Normally he'd be the society guy who Crawford is trying for. As the common, but somewhat erudite postman for once he's not in formal wear in a film.
Another surprise is Billie Burke who together with Mary Boland and Spring Byington was busy playing delightful airheads in her film. She's quite serious and quite good, but inevitably went back to being typecast after this film was completed.
The Bride Wore Red will please Joan Crawford fans immensely and this is a most typical example of the kind of character she played in her years at MGM.
American accents which bothered some other reviewers didn't bother me. Sometimes they stand out, sometimes they don't. In this case Joan Crawford was cast in a role she played dozens of times before as the poor girl given a chance at riches and does she grab.
This variation on the Pygmalion theme starts in a café in Trieste where Crawford sings and presumably will do other things for her supper. It's in the red light district of Trieste. Count George Zucco hires her on a whim to prove that clothes and manner do make the individual. Zucco showers Crawford with a new wardrobe giving her the chance to show off those Adrian gowns and gives her two weeks at a resort in the Tyrol where the high society pleasures itself.
To make this last though Crawford has to land a husband and she lands on Robert Young. But he's slightly engaged to Lynne Carver, a sweet young thing. They're traveling with friends Reginald Owen who is a foxy old rogue and married to Billie Burke who has to watch the fox like a hawk.
The local postman Franchot Tone is interested in her, but Crawford figures to do better than him. Her only friend is a former café colleague in Mary Phillips who is working as a maid in that hotel. Though the experiment is Pygmalion like, Crawford feels more like Cinderella with the clock inevitably ticking towards midnight.
I think you can probably figure out where this all ends if you're any kind of film fan and Crawford fan. Dorothy Arzner's direction sharpens the character that Crawford created in Grand Hotel as an anxious to rise stenographer taking her couple of steps lower in society and seeing if she can make the climb.
Franchot Tone who was married to Joan Crawford at the time got a break of sorts in this film. Normally he'd be the society guy who Crawford is trying for. As the common, but somewhat erudite postman for once he's not in formal wear in a film.
Another surprise is Billie Burke who together with Mary Boland and Spring Byington was busy playing delightful airheads in her film. She's quite serious and quite good, but inevitably went back to being typecast after this film was completed.
The Bride Wore Red will please Joan Crawford fans immensely and this is a most typical example of the kind of character she played in her years at MGM.
helpful•130
- bkoganbing
- Jul 25, 2010
- How long is The Bride Wore Red?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Once There Was a Lady
- Filming locations
- Austria(Alpine exteriors)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $960,000 (estimated)
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 1.37 : 1
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