Kid Galahad (1937)

Calificación de los usuarios:

7.4/10   

Director:

Michael Curtiz

Escritores:

Seton I. Miller (writer)
Francis Wallace (story)

Fecha de Lanzamiento:

29 mayo 1937 (USA)

Género:

Crimen | Drama | Romance | Deporte

Plot:

Fight promoter Nick Donati grooms a bellhop as a future champ, but has second thoughts when the 'kid' falls for his sister.

Plot Keywords:

Mistress | Self Sacrifice | Singer | Hitman | Party

Premios:

1 win & 1 nomination

Comentarios de los usuarios:

Robinson, Davis, and Bogart make it worthwhile

Reparto

Edward G. Robinson	...	Nick 'Nicky' Donati
Bette Davis	...	Louise 'Fluff' Phillips
Humphrey Bogart	...	Turkey Morgan
Wayne Morris	...	Ward 'Kid Galahad' Guisenberry
Jane Bryan	...	Marie Donati
Harry Carey	...	Silver Jackson
William Haade	...	Chuck McGraw
Soledad Jiménez	...	Mrs. Donati (as Soledad Jiminez)
Joe Cunningham	...	Joe Taylor
Ben Welden	...	Buzz Stevens (Buzz Barett in end credits)
Joseph Crehan	...	Brady (editor)
Veda Ann Borg	...	The redhead
Frank Faylen	...	Barney
Harland Tucker	...	Archie (gunman)
Bob Evans	...	Sam McGraw

También conocida como:

The Battling Bellhop (USA) (TV title)

Duración:

102 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Vitaphone

Clasificación:

Finland:K-16 | USA:Approved (PCA #3036)

Compañía:

Warner Bros. Pictures

Errores:

Misceláneos: About nine minutes into the film, during the party scene, a woman is looking at herself in the mirror. Her reflection turns away before she does.

Citas:

Louise 'Fluff' Phillips: It seems I'm always ringside at the first fight... and the last.

Conexiones de Película:

Apareció en Stardust: The Bette Davis Story (2006) (TV)

Banda de Sonido:

Swing for Sale

Robinson, Davis, and Bogart make it worthwhile

Who can complain about a movie that pits Edward G. Robinson against Humphrey Bogart, and even throws in a young and surprisingly beautiful Bette Davis for added appeal?

I guess I can.

The cliches and stereotypes in "Kid Galahad" were probably cliches and stereotypes even in 1937, but because they still weren't THAT old, they didn't inspire the kind of snickers they do today. The big cliche here is the one about the sweet, mild-mannered innocent whose gentle dreams are achieved through violence. The innocent in this one is played by Wayne Morris. His gentle dream is to own a farm that he hopes to buy with his earnings as a bellhop. Fate intervenes, as it has a way of doing in the movies, and when bellhopping a party for boxing manager Edward G. Robinson, the big lug defends Bette's honor, displaying a mean right hook in doing so. Robinson is no fool and sees potential in the young man. The young man, dubbed Galahad in honor of his chivalry, is no fool either and sees a quicker and more profitable way to achieve his dream by stepping into the boxing ring. Galahad remains an innocent despite the company he keeps, and falls in love with Robinson's kid sister, also an innocent, one who works in a convent (!) These cliches would be revived in 1939's "Golden Boy" in which a young William Holden puts on the gloves to finance his violin lessons. One year later, James Cagney would bash in faces to send his kid brother to music school.

Ah, contrast: the key to good drama. Well, maybe. Then again, maybe not.

Galahad is too good to be true and is, therefore, unbelievable. Fortunately, his goody-goody persona, though getting plenty of screen time, is completely swamped by the dynamic presence of Robinson, Davis, and, in a small role, Humphrey Bogart, the terrific trio whose street smart performances keep this story in the gutter and away from that dreary farm Galahad dreams of owning. As long as they're on screen, director Michael Curtiz keeps "Kid Galahad" from becoming too smarmy, which in turn keeps it from becoming more dated than it might otherwise.